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Miscegenation

Miscegenation: the ultimate sin

Below, some passages from one of Evropa Soberana’s essays in The Fair Race’s Darkest Hour:

Racial interbreeding disturbed this primary equilibrium. Mixes are indeed contemplated by Nature: the Armenid race comes from one of them. But this mix subsequently evolved, mutated and underwent natural selection by the environment obeying the tough laws of Darwinism, until it stabilised in a new racial type many millennia later. Disordered mixes, typical of globalist civilisation, have nothing to do with this natural laissez-faire envisaged by the natural order. Modern race mixing is an attack on human biodiversity and an aggression against dozens of millennia of evolution. In the times when life was pure and Nature followed her path unaltered, each race was walking its own path, straight ahead to become a different species. This was before the rise of materialistic civilisation, which perverted the natural order, consuming its hatred towards Nature and mankind, and materialising its resentment towards biological nobility by preaching equality and promoting chaotic crossbreeding. To mix with another variety is an abomination and an affront against all this work of perfection of natural and sexual selection of dozens of thousands of years.

To make things worse, primitive races feel sexually attracted to modern ones: a threat to evolution. Primitive races have an instilled instinct to procreate with the modern ones. This has been translated into millions of rapes and kidnaps of European women, including the unprecedented rape epidemics suffered today due to mass immigration in Europe and Oceania, and to the integration in North America and South Africa. The behavior of the primitives responds to the instinctive desire to improve the genetic code without evolution; that is, without the lengthy effort of undergoing a severe natural selection. It also responds to indiscriminate sexuality, developed to compensate with numerical quantity a lesser individual quality.

As to the debasement of white women there are numerous and illustrative examples, such as the Huns, Mongols, Turks, Tatars or Bolshevism. Another oriental occupation—Jewry—has behaved in a similar way in the western world through pornography, social politics, white slave trade, nightclubs, the fashion industry, music and subliminal propaganda. The purpose is turning the European woman into a commercial product and open her to the capitalist market, ‘globalizing’ her. This behaviour is understood when taking into account the desires of primitive races for enslaving the modern ones, acting in a vampirical manner over their genetics and obtaining economic benefits in the process. The genetic code is not improved by this kind of attacks on Nature. The mongrels would only benefit the most primitive race, whereas the noble becomes debased.

The Nordids can only expect a backward leap of dozens of millennia in the evolution of their genetic code—and traumatising their genome forever if they crossbreed with other reproductive communities. If we consider how innocent and carefree modern races are (self-confidence in one’s capability tends to relax defences against much shrewder races), we are faced with a serious threat of human devolution.

It is necessary to regenerate the genetic heritage of the West to avoid the biological collapse of mankind. Embryo selection, eugenics and genetic engineering could be fabulous tools to regenerate the white race, but for this to happen we must first defeat the anti-evolutionary, dysgenic selection and egalitarian obscurantism of the mass media manipulated by international finance. International finance is not concerned with evolution but with corrupting everything noble and pure, and burying it in the rotten matter of inferior world order. Civilisation must not exist to promote the development of culture, technology, luxury or comfort but to promote the development of man himself: the evolution of the genetic code. For civilisation depends on genes, not the other way round. It is ridiculous that civilisation turns against the genetic heritage that created it, like a snake that bites its tail.

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Nordicism

White Nordid

Other features: Facial features transmitting kindness, benevolence and balance. Neoteny: a very youthful appearance, maintained until a very advanced age (although not as much as the Red Nordids). Pale and golden image. Abundance of athletic and active women, attractive and of great beauty which have resulted in a very high reproductive success of White Nordid maternal lineages. The distribution of White Nordids could be vaguely connected to the A blood type…

Among all original human races the WN is the one that has at present larger quantities of comparatively pure individuals, partly because it is probably the youngest race, and partly because historically it has displayed more racism than other races.

Although it is extremely hard to find highly pure White Nordids (the photographs we use as examples are real jewels of physical anthropology), the purest individuals and the largest proportion of them are to be found in Southern Sweden and south-Eastern areas of Norway, which matches roughly the distribution of the I1 haplogroup.

(Passages from one of Evropa Soberana’s essays in The Fair Race’s Darkest Hour.)

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Racial studies

The new racial classification

Editor’s Abstract: The European race is divided into three primordial races: the European Nordid White (‘White Nordid’ or WN), the Nordid Central Asian Redhead (‘Red Nordid’ or RN), and the Near Eastern Armenid.

The white race is actually a mixture of two or more races. We cannot say, ‘This person is a pure white’ but ‘This person has a mixture of A, B and C races in such proportions’. With terms like Aryan or White we designate a mixture between White Nordid and Red Nordid and its mild crossing with non-white ‘Armenids’ or ‘Mongolids’—usually people of Germanic and Slavic origin.

Therefore, while the ideal white is a White Nordid with a Red Nordid, we cannot say that those whites who have some Armenid or Mongolid genes are non-whites. However, we could say they are non-whites if they have substantial Armenid and/or Mongolid blood and especially Congid blood.

(Passages from one of Evropa Soberana’s essays in The Fair Race’s Darkest Hour.)

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Christian art Der Antichrist (book)

Suppers at Emmaus

In the previous thread on Christian art Berk said: ‘How and why the Italian Renaissance began to use Nordic faces in their paintings is not something I know, but it is a revolutionary act perhaps in resistance to the Christianity they faced’. I answered that maybe Nietzsche can help:

Is it understood at last, will it ever be understood, what the Renaissance was? The transvaluation of Christian values: an attempt with all available means, all instincts and all the resources of genius to bring about a triumph of the opposite values, the more noble values…

Supper at Emmaus (1606, above) is a painting by the Italian master Caravaggio, housed in the Pinacoteca di Brera in Milan, Italy. Caravaggio’s work had a formative influence on Baroque painting. I told my father a long time ago that the Baroque ‘was a betrayal of the Renaissance’. He got angry and didn’t seem to understand what I was saying.

Fra Angelico began painting 200 years before the above Supper in Emmaus was completed. If we compare the blond angels and even the blond Jesus and redhead Magdalene of Fra Angelico in my previous posts with the painting by Caravaggio, we clearly see the regression towards non-Aryan characters.

Non-Aryan characters are even more obvious in this other Supper in Emmaus of 1601, also of Caravaggio, which is not located in Italy but in the National Gallery of London. Notice how the face of Jesus in this picture is wider (that is, less Nordid) than the face of Jesus in the picture above.

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Real men

Lycanthropy is in our nature

The conventional, chivalrous warriors tried to dominate the torrent of reactions and sensations that caused the combat so that, keeping their will above them, retained their cold blood and consciousness intact.

The Berserkers, on the other hand, seemed to do the opposite: they let themselves be carried away by the physical reactions to the fight, so that they took possession of them and ended up into beasts that ‘saw everything red’.

Out of them came a totally independent will of consciousness. Only the best were tough enough to really let themselves be carried away by the torrent of ferocity to release their impulses savagely, to lose control, to break all ties in order to allow the beast to ride free, to savour the deep and primitive pleasure of the butchery, bloodletting, slaughter, domination, possession and destruction; submerging all their being in absolute chaos and surviving to be able to tell about it—although it is very probable that afterwards they did not even clearly remember what happened.

Is all this a wild barbarism? Yes, but it is part of human nature, whether you like it or not. Turning our backs on those issues only serves to catch us off guard later. To ignore that we have an animal side is like mutilating the spirit and sabotaging the body. Conversely, to accept this and to master it is to reconcile ourselves with ourselves.

(Passages from one of Evropa Soberana’s essays in The Fair Race’s Darkest Hour.)

Categories
Christian art

Nordid Jesus


Christianity has been a kind of straitjacket that has taken as a prisoner the mind of the white man, especially in the Middle Ages, from where he could not get loose. It was a time when the European tried, by subtle means, to free himself from the prison of the mind to which they had put him. A subtle way that the Aryan spirit sought to escape was, as Fra Angelico did, to Nordicize the (originally Semitic) characters of the New Testament.

The Italian painter’s imagination didn’t have to work hard to compose this endearing appearance of Jesus to Magdalene, where the event occurs with extreme naturalness. The painting is in the convent of San Mark in Florence, where the original of this hyper-Nordic Jesus can be contemplated.

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Real men Vikings

What happened to our werewolves?

The ‘berserkergang’ or possession

Before combat, the Berserkers entered together in a trance called berserksgangr or berserkergang. This trance was the process of possession, for which not everyone was prepared, because their energy could destroy the body of the profane. According to the Scandinavian tradition, such a state of ecstasy began with a sinister chill that ran through the body of the possessed and made his hair rise on end and produce Goosebumps.

This was followed by contraction of the muscles, a premonitory tremor, increased blood pressure and tension, and a series of nervous tics in the face and neck. Body temperature began to rise. The nasal fins dilated. The jaw tightened and the mouth contracted in a psychotic grimace revealing the teeth. Then came disturbing gnashing of teeth. The face inflated and changed colour, ending in a purple tone.

They began to foam through the mouth, to growl, to shake, to roar and scream like wild animals, to bite the edges of their shields, to beat their helmets and shields with their weapons and to tear their clothes, invaded by a fever that took possession of them and turned them into a beast, their blind instrument.

Witnessing such a transformation must have been something alarming and anguishing, reminiscent of the most urgent panic. It was a full-fledged initiation transformation, and some have seen in it the origin of the legends of werewolves.

After this process, the Berserkers received the Od or Odr (called Wut in Germania and Wod in England), the inspiration that Odin granted to some warriors, initiates and poets, touching them with the tip of his spear Gugnir (‘shuddering’). With it they became a furious whirlwind of blood and metal.

The physical strength of the ‘inspired’ by Od fever increased in a superhuman and inexplicable way, and also increased their resistance, aggressiveness and combative fanaticism. The pain, the fear or the fatigue disappeared, and what replaced them was an intoxicating sensation of will, unstoppable power and desire to destroy, devastate, kill, annihilate and overthrow…

If we imagine the appearance of those men laden with muscles, veins, nerves and tendons, with their face twitching under the skin of the beast, the fanatical clear eyes opened like plates and shining with that acies oculorum that Julius Caesar and Tacitus noticed among the German warriors; the teeth clenched with fury and foaming, splashed with enemy blood, we will instantly understand that those warriors had nothing to do with modern Western man.

These Berserkers were of the same blood as many modern Europeans, but they were men who lived for war, while the middle Westerner of today is a soft effeminate who lives for peace and, in his nearsightedness, persists in believing that he knows everything about the world and life.

The Wut, Wod, Od or berserkergang was a terribly intense and violent trance, in which one completely lost control and reason, and in which the beast freed itself of its iron chains to vent its claustrophobia and to ride in glorious and unbridled freedom through the dark and blurred forest, without responsibilities, without ties, without limits and without laws. It was not just about letting the inner beast emerge, but letting itself be possessed by the absolute, external divinity…

Some Berserkers, without receiving any injury, fell dead after the battle for their superhuman effort: their bodies were not prepared to be instruments of divine fury—at least for such a long time. Life expectancy was probably shortened for many years after each ‘session’ of berserkergang.

(Passages from one of Evropa Soberana’s essays in The Fair Race’s Darkest Hour.)

Categories
Christian art

The Three Marys

A classic theme in the narration of the apparitions: the Three Marys.

This detail of a painting in the Maestà by Duccio, mentioned in an earlier entry, seems to have captured the gesture of serene surprise at the angel’s announcement in the fictional tale that the Gospel of Matthew sold us. In the hands of these pious women we see the knobs of the balm with which they were preparing to anoint the body of the crucified Jew.

Today’s Europeans

Let us compare today’s Europeans with the Spartans. We feel panic when encountering such physical, mental and spiritual degeneration; such stultification. European man, who used to be the hardest and most courageous of Earth, has become a weakling rag and degenerated biologically as a result of comfort. His mind is weak; his spirit fragile, and on top of that he considers himself the summit of the creation. But that man, just because of the blood he carries, has enormous potential.

The rules on which Sparta was seated were eternal and natural, as valid today as yesterday, but today the dualistic mens sana in corpore sano has been forgotten: the physical form has been abandoned producing soft, puny and deformed monsters; and the mental poisoning has produced similar abominations in the realm of the spirit.

The modern European knows no pain, no honour, no blood, no war, no sacrifice, no camaraderie, no respect or combat; and thus he does not know the ancient and gentle Goddesses known as Gloria or Victoria.

(Passages from one of Evropa Soberana’s essays in The Fair Race’s Darkest Hour.)