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Category: Richard Wagner

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Autobiography Conservatism Richard Wagner Roger Devlin

Violating the first guideline

‘If you are going to talk about serious matters (like killing someone or a coup) don’t ever let the women know about it’. —Jamie

In 2015 I published the first guideline I came up with for a ‘New Aryan code’, which can be summed up in these words ‘Thou shalt only speak to Aryan males’.

Even I, who coined the term fourteen-word priest, fail to comply with the first priesthood guideline.

Ever since my sister got very upset with me when I tried to defend Richard Wagner against the accusations she had been taught at school about Wagner’s attitude to Jews, an argument that ended when my sister not only walked out of the family room but told her teenage son to go with her so as not to listen to me, I had promised myself never to sit with them again.

And I kept it: not even at Christmas did I sit with my family.

But even the priest falters when he lives among little women. Not long ago, still keeping my promise that I wouldn’t sit with her, standing in the kitchen she advised me to go back to school. Since, trying to keep my promise, I didn’t sit at the table, I made the mistake of telling her why that didn’t make sense (can you imagine me in a woke university?).

My sister not only disregarded my arguments, me still standing and her sitting. She escalated her motherly advice to insulting levels. And because I didn’t give an inch to the grotesque advice to go back to college, she was so offended with me that she didn’t speak to me for the next few days!

But the fault was mine. I violated the priest’s first guideline: in profound matters, speak only to Aryan men.

It is easier for a hundred per cent Aryan male, at least genetically, to listen to a priest in private than if we try to do it with one of these little women.

In June this year I published ‘Best Russian film’ about Andrei Rublev. Although the whole film has now been removed from YouTube, it’s worth getting hold of a DVD and watching it at home: an art that is light years ahead of American cinema, and portrays with infinitely more verisimilitude the real world than that of the Hollywood Jews.

It really is worthwhile for the apprentice priest to pause in the torrent of information coming from a media monopolised by Jewry and look into the Russian Middle Ages. Tarkovsky’s film, I said in my June post, has a masterful scene that perfectly portrays the psychology of women. I mean when a Russian girl, after the Tartars destroyed her village and horribly tortured some male villagers (one had liquid metal poured into his mouth with a funnel), still willingly gave herself up to one of the polygamous Tartars!

Not that the Russian girl was a bad woman: her nature is simply to go with the strongest. (That’s why I criticised American Renaissance’s recent conference yesterday, insofar as it only shows that unlike the Nazis those speakers are exactly like Andrei Rublev.) But once one understands the nature of women it becomes obvious that one should never argue with them, although there are great exceptions, such as Savitri Devi.

I write all this because of the email I received today:

César,

Last week I got into a conflagration with my sister that you might have some expertise in:

My sister is a big BLM supporter, who had a BLM sign in her yard for quite some time in 2020. She is also the single mother of two green-eyed, blonde-headed little boys. The fact that the mother of my nephews stumps for a black-supremacist organization is truly galling.

In an angry letter to my cousin, I was ranting something along the lines of: ‘Where does it all lead to? What does she want? For her children to grow up to become the bottom bitches of Mexicans?’

My cousin did not understand my hypothetical, tongue-in-cheek tone, and sent photos of my letter to my sister, who took great offense and is no longer on speaking terms with me.

I sent the below email to her trying to explain the basis of my disdain, and my worry over the long-term prospects of my nephews, but I received no meaningful response in return.

What is occurring in the United States is the institutionalized soul-murder of our children, César! And their mothers are too programmed to stop it.

Regards,

-Ed

Among the racialists only Andrew Anglin and Roger Devlin (one of the speakers at the recent AmRen conference) know the nature of women. The problem with the conservative Devlin is that, as a typical American conservative, he is so feminised that he cannot see that only a revolution à la The Turner Diaries could save us. Nor does Anglin speak of revolutionary violence in the future, but at least his anti-feminist humour is so brutal that he comes a little closer to the priest’s guidelines.

New visitors who wish to educate themselves on the subject should read On Beth’s Cute Tits, linked in the sidebar.

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Richard Wagner

Rabbi admits Hitler & Wagner were right

Rabbi Yosef Tzvi ben Porat explains how they were right in an Odysee video (here). In YouTube, this speech would be immediately censored.

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Currency crash Democracy Richard Wagner

I had said (cont.)…

that ‘I don’t talk about the news’ but I find myself violating that promise again because of the election disaster yesterday and today. Few are talking about the consequences that the disaster will have. But Greg Johnson wrote today ‘Is America a Banana Republic Now?’ which is worth reading.

From the point of view of this site—America delenda est—this is good news.

Remember: the collapse of the dollar is a psychological issue. As markets perceive that the Fed no longer has any interest in keeping its promises, and that the US is increasingly becoming a banana republic, the international confidence in the dollar as the reserve currency will be lost.

Also remember: since the US started with the worst kind of Christianity imaginable, a philo-Semitic Christianity (Richard Wagner’s pagan, anti-Semitic Christianity was the exact opposite), in addition to having fought two anti-racist wars in the 1860s and 1940s and a Cold (anti-racist) War raging now, the priest of the 14 words can only smile at seeing that bastard nation fall.

As an American southern nationalist put it in 2012: ‘We invite King George III to come back and resume the throne. He could dissolve the Union, arrest the pretender in the White House [Biden?], and round up our so-called “representatives” in Congress. In exchange for an apology and a promise to never misbehave again, we get lower taxes, a less intrusive government, secure borders, and an end to all the madness that has flowed from the “self evident” idea that “all men are created equal”.’

To which I added: Alas, King George is no longer with us.

Categories
Christian art Psychoanalysis Richard Wagner

Wagner vs. Bach, 4

Bach did not compose any opera at a time when the genre was very much in vogue. In this, he cannot contrast more with Wagner, mainly known for his operas (or, as some of his mature works later became known, ‘musical dramas’). Unlike Bach who used the Gospel text in his most ambitious works, Wagner wrote both the libretto and the music for each of his works. My father, a composer of classical music, used to say that Wagner’s art predicted cinema.

However, the narrator tells us in the aforementioned documentary that St Matthew Passion has operatic elements. It was music that inspired ‘contrition and remorse’, and it is striking how the pundits of white nationalism don’t want to see the elephant in the room when they agonize to explain how the guilt that currently kills the white man originated. St Matthew Passion lasts an hour and a half, and has twice the choir and orchestra than St John Passion.

Who has hit you
my Savior, and with torments
so harshly abused you?

The narrator tells us: ‘And it’s in that moment that I feel Bach is saying, This suffering is unbearable. We have to stop it. We have to show our sense of moral outrage’.

You know nothing of our sins…
Have mercy my God
for the sake of my tears.

After explaining St Matthew Passion the narrator made the mistake of passing the microphone to a psychologist to ‘psychoanalyse’ Bach. Readers of this site know that I think clinical psychology is pseudoscientific, and it’s not worth adding much here except to say that Freud and his disciples loved to ‘psychoanalyse’ geniuses to feel superior to them (see what I say about the Vienna quack: here).

After the shrink mistake, the narrator tells us that Bach’s obsession with composing religious music was such that, despite his Lutheran background, he composed a large-scale Latin mass for a Catholic court. As the lyrics of one of his last compositions say shortly before Bach died:

Before (((your))) throne now I appear…

Categories
Autobiography Friedrich Nietzsche Martin Luther Music Richard Wagner

Wagner vs. Bach, 1

The fourth part of El Grial begins with a dream that I now translate into English:

I was walking on a street by day next to Dad, who pointed out to me, enthusiastic and joyful as his character, the great church—or wall of a great church, rather like a Gothic cathedral—while I felt real horror for the (not glimpsed, only felt) kind of gargoyles, low relief sculptures or external figures of a very dark-stone cathedral. The contrast between the spirited Dad in pointing out to me that Christian bastion as something so positive that he even smiled at me and the horrified son—although I corresponded to Dad’s smile from my height as a child with another smile to be nice with him—couldn’t be greater.

Then I commented that over the years I had several dreams with that theme. I interpreted that my father lacked enough empathy to realise that traditional Catholic doctrine, which seemed so positive to him, horrified his little firstborn.

I recently said that Parsifal’s music has been one of my favourites, despite the fact that the opera characters are quasi-Christian knights that Wagner devised. Wagner’s last opus is not a hundred percent Christian insofar the script never names Christ or Christianity. Rather, it resembles the spirit of the Germanic sagas in times of Christian conversion, when something of the ancient pagan spirit was still breathed. In this first entry about how I contrast Wagner with Bach I confess that, unlike Parsifal, traditional Christian music has horrified me as much as that series of dreams with which I opened this post.

Iconoclasm, even in music, is a thorny topic. If we proclaim the transvaluation of all values the question immediately arises: What to do with the so-called sacred music after the anti-Christian revolution conquers the world? We have already seen that Nietzsche loved Parsifal’s music but abhorred its message, especially the chastity of the quasi-Christian knights. In my opinion, Wagner, Hitler’s favourite composer, is salvageable but how should we treat sacred music from his predecessors?

Unlike Richard Wagner (1813-1883) who flourished a century after the death of Johann Sebastian Bach (1685-1750) Bach had no passion for the Germanic sagas of the pagan past. On the contrary: Bach composed his music for the main Lutheran churches in Leipzig, and adopted Lutheran hymns in his vocal works. The hundreds of sacred works that Bach created are generally seen as a manifestation not only of his craft, but of his great devotion to the god of Christians: the very god of the Jews. Bach even taught Luther’s catechism as Thomaskantor in Leipzig, and some of his pieces represent it. For example, his very famous St Matthew Passion, like other works of this type, illustrates the Passion of (((Christ))) directly with biblical texts.

Compare all this with Wagner’s relatively paganised work who didn’t quote the gospel: a musician who, by introducing pre-Christian elements in his operas, was already starting to shake off the Judeo-Christian monkey from his back. But before continuing my talk about Bach I would like to quote, once again, the words of Nietzsche that appear in The Fair Race:
 

§ 61

Here it becomes necessary to call up a memory that must be a hundred times more painful to Germans. The Germans have destroyed for Europe the last great harvest of civilisation that Europe was ever to reap—the Renaissance. Is it understood at last, will it ever be understood what the Renaissance was?

The transvaluation of Christian values: an attempt with all available means, all instincts and all the resources of genius to bring about a triumph of the opposite values, the more noble values… To attack at the critical place, at the very seat of Christianity, and there enthrone the more noble values—that is to say, to insinuate them into the instincts, into the most fundamental needs and appetites of those sitting there…

I see before me the possibility of a heavenly enchantment and spectacle: it seems to me to scintillate with all the vibrations of a fine and delicate beauty, and within it there is an art so divine, so infernally divine, that one might search in vain for thousands of years for another such possibility; I see a spectacle so rich in significance and at the same time so wonderfully full of paradox that it should arouse all the gods on Olympus to immortal laughter: Cæsar Borgia as pope!… Am I understood? Well then, that would have been the sort of triumph that I alone am longing for today: by it Christianity would have been swept away!

What happened? A German monk, Luther, came to Rome. This monk, with all the vengeful instincts of an unsuccessful priest in him, raised a rebellion against the Renaissance in Rome…

Instead of grasping, with profound thanksgiving, the miracle that had taken place: the conquest of Christianity at its capital—instead of this, his hatred was stimulated by the spectacle. A religious man thinks only of himself. Luther saw only the depravity of the papacy at the very moment when the opposite was becoming apparent: the old corruption, the peccatum originale, Christianity itself, no longer occupied the papal chair! Instead there was life! Instead there was the triumph of life! Instead there was a great yea to all lofty, beautiful and daring things!

And Luther restored the church.

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Arthur de Gobineau Friedrich Nietzsche Kevin MacDonald Music Racial right Richard Wagner

On Parsifal

The reason I practically don’t interact in other racialist forums or follow them on Twitter is that they don’t feel infinite hatred, and I strongly believe that the only way to save the race is through the amalgamation of your soul, your whole being with the spirit of The Turner Diaries: to be at the right of Himmler during the West’s darkest hour, so to speak. Furthermore, the pundits of white nationalism are ignoring the Christian problem. Counter-Currents posted yesterday ‘Kevin MacDonald’s Individualism & The Western Liberal Tradition. Part 7: White Maladaptive Altruism’ by Ricardo Duchesne. Since the pundits of white nationalism follow MacDonald and not the Führer, they are able of writing things like the following, which appeared yesterday in Duchesne’s article:

The Quakers were “highly principled and deeply Christian, with a powerful sense of fairness and egalitarianism.” They had, in MacDonald’s words, a “genuine empathy for the slaves,” morally outraged by “acts of great injustice done to their fellow human beings.” The Quakers were also “highly egalitarian” in their institutional organization; “there were no bishops or ordained ministers, and any person (including women) could speak.” They emphasized the “intellectual and moral equality of African slaves.” Although the Methodists were more into self-help, diligence, and hard work, they too believed that all humans were equally valuable, and that’s why they opposed slavery.

MacDonald’s point is not that whites were wrong to seek the abolition of slavery. His aim is to understand the excessive moral preoccupation whites exhibited about the plight of Africans coupled with their current pathological empathy for aggressive immigrants occupying their lands. In light of this reality, and the complete indifference Muslims have to this day about their thousand-year-old enslavement of Africans, these Puritan-descended movements do seem incredibly naive, child-like, and devoid of realism. What is there to admire about this?

I will make the argument that the eighteenth century was period of “radical change” in the conception of the Western self…

The 18th century? I would say that the West took a very wrong turn from the 4th century! By targeting putatively genetic rather than ideological altruism (Christian malware) this MacDonald disciple doesn’t directly blame the inversion of values on Christianity pure and simple (not only Quakers): something that Nietzsche detected for the first time in the history of ideas.

Like the Quakers Parsifal was child-like. He felt great compassion for those who suffer, especially King Amfortas, who had fallen out of favour since Klingsor struck him with the holy spear: a wound that was not healing. Nietzsche loved Parsifal’s music but hated the message of his old friend’s last opera.

Musically, I think Parsifal is Wagner’s most accomplished work. The overtures of each of the three acts, as well as the magnificent music when Gurnemanz takes Parsifal into the castle in the first act; the background music and the voices by the end of the discussion between Parsifal and Kundry in the second act, and let’s not talk about the Good Friday music in the third act, are the most glorious and spiritual I have ever listened. No wonder why Max Reger (1873-1916) confessed: ‘When I first heard Parsifal at Bayreuth I was fifteen. I cried for two weeks and then became a musician’.

I recently recycled a Wikipedia text talking about the religious aspects of National Socialism and I don’t see why not to do it again with a wiki passage about Parsifal, albeit with a pro-White spin instead of the philo-Semitic POV of that encyclopaedia.

Some writers see in the opera the promotion of racism or anti-Semitism. One line of argument suggests that Parsifal was written in support of the ideas of Arthur de Gobineau who advocated Aryanism. Parsifal is proposed as the ‘pure-blooded’ (i.e. Aryan) hero who overcomes Klingsor, who is perceived as a Jewish stereotype, particularly since he opposes the quasi-Christian Knights of the Grail. Such claims remain heavily debated, since there is nothing explicit in the libretto to support them. Wagner never mentions such ideas in his many writings, and Cosima Wagner’s diaries, which relate in great detail Wagner’s thoughts over the last 14 years of his life (including the period covering the composition and first performance of Parsifal) never mentions any such intention.

Wagner first met Gobineau very briefly in 1876, but it was only in 1880 that he read Gobineau’s An Essay on the Inequality of the Human Races. However, Wagner had completed the libretto for Parsifal by 1877, and the original drafts of the story date back to 1857. Despite this chronological evidence, Gobineau is frequently cited as a major inspiration for Parsifal.

The related question of whether the opera contains a specifically anti-Semitic message is also debated. Some of Wagner’s contemporaries and commentators (e.g. Hans von Wolzogen and Ernest Newman) who analysed Parsifal at length, make no mention of any anti-Semitic interpretations. However the critics Paul Lindau and Max Nordbeck, present at the world premiere, noted in their reviews how the work accorded with Wagner’s anti-Jewish sentiments. More recent commentators continue to highlight the perceived anti-Semitic nature of the opera, and find correspondences with anti-Semitic passages found in Wagner’s writings and articles of the period.

However, the conductor of the premiere was Hermann Levi, the court conductor at the Munich Opera. Since King Ludwig was sponsoring the production, much of the orchestra was drawn from the ranks of the Munich Opera, including the conductor. Wagner objected to Parsifal being conducted by a Jew (Levi’s father was in fact a rabbi). Wagner first suggested that Levi should convert to Christianity, which Levi declined to do. Wagner then wrote to King Ludwig that he had decided to accept Levi despite the fact that he had received complaints that ‘of all pieces, this most Christian of works’ should be conducted by a Jew. When the King expressed his satisfaction at this, replying that ‘human beings are basically all brothers’, Wagner wrote to the King that he ‘regarded the Jewish race as the born enemy of pure humanity and everything noble about it’.

Here we have once again the pathological altruism of influential Christians, in this case the very king. Not only the 19th-century Quakers practiced out-group altruism (Parsifal felt in-group altruism) but the Germans themselves, even Wagner’s sponsor.

It has been claimed that Parsifal was denounced as being ‘ideologically unacceptable’ in the Third Reich, and that the Nazis placed a de facto ban on Parsifal. In fact there were twenty-six performances at the Bayreuth Festival between 1934 and 1939 as well as twenty-three performances at the Deutsche Oper in Berlin between 1939 and 1942. However, it was not performed at the Bayreuth Festival during World War II.

Today at dawn, yesterday and the days before yesterday I watched the complete Parsifal directed by Daniel Barenboim (another Jew!) and compared it with other representations. It was the first time that I watch it with Spanish subtitles. After finishing my book El Grial I was impressed that in this 1993 performance the spear ended on the Grail cup at the very end. I couldn’t help but compare it to my extremely analogous metaphor in the climax of my book.

But I can’t use Parsifal in my book because the opera is riddled with Christian allusions, and my book is as anti-Christian as the last page of Nietzsche’s The Antichrist. But I also projected myself with what Parsifal says to Gurnemanz: that I lost my path for decades before finding my way back to Amfortas (all of this will seem cryptic to anyone who hasn’t read the book).

Categories
Christian art Deranged altruism Richard Wagner St Francis

Jesus’ message reaches its climax

St. Francis kissing the feet of Christ,
from a painting of a crucifix in Arezzo, Italy.

In Negrolatry the Negro is now the new Jesus, and the zeitgeist is trying to immanentize the eschaton in 2020. The last will be the first, and the first the last because the kingdom of heaven is like a landowner who went out early in the morning to hire men to work in his vineyard, Jesus said. Who would say that only in a secular age, which we have called here neochristian, were these words going to reach a massive psychosis that is affecting large numbers of whites.

The first minutes of the latest AmRen video, which shows recent images of whites kissing the boots of Negroes on the street when they demand it, are very disturbing.

The downward spiral of self-destructive insanity into which the white man has fallen has older roots than the American antecedents that Jared Taylor mentions. Since I was educated as a Catholic, I have an advantage over those who were educated in Protestantism: I know better the history of the church before the Reformation. And since my father talked so much about St. Francis when I was a teenager, I realise that what is happening today has its roots as early as the 13th century if not before when, from Constantine, the Christians—mostly non-Aryans—began to destroy the beautiful Aryan statues throughout the Roman Empire.

It is a real disgrace that the common American, and even the educated American like Taylor, is unaware of the stellar moments in the history of their parents’ religion, as the gospel was and has been, up to its secular incarnation, an attempt to invert Aryan values into Semitic values (‘ethnocentrism for me, universalism for thee’). Today’s events, in which a black man on the street can ask a white woman to kneel and the white woman obeys, are the result of a crescendo program that began 1,700 years ago, when a Roman emperor surrendered the empire to his bishops, many of whom had Semitic background.

The good thing about this accelerationism is that the frog is no longer going to be burned little by little without realising that they want to burn it. From now on, the extermination war against whites will be more and more direct and, therefore, they will have more chances to wake up.

As I see things, we are in the anteroom of a theatre where a great opera is going to be performed. The first calls have already been heard for people to start going to their seats, but we haven’t heard the third call yet. When it arrives and we are sitting in our seats we will hear the overture (the collapse of the US dollar). But that will only be overture. Then comes the development of a Wagnerian Tetralogy, the arc of which can last for decades if not a century (remember that Richard Wagner took more than thirty years to complete his Tetralogy).

Certainly the next decades, from the overture, will be crucial to know if whites regain their appetite to exist, or if the evangelical message that they have engraved in their collective unconscious will prevail.

Transvaluation of all values.

Reject Jesus; put Uncle Adolf in his place.

Categories
Karlheinz Deschner Kriminalgeschichte des Christentums (books) Richard Wagner St Paul

Kriminalgeschichte, 11


Saul of Tarsus, later known as Paul, who in his epistles claims to be Jewish was the true creator of Christianity. In his book Deschner discusses how Paul strongly criticised his co-religionists and then writes:

Unsurprisingly, the Jews counterattacked. This fact was very prominent by German Catholics in Hitler’s time, for example in Heilige deutsche Heimat, with ecclesiastical censorship, which continually recalls how the Jews ‘calumniated, cursed and persecuted’ Paul, that ‘wonder of the Spirit and of Grace’, how they conspired against him for being ‘a friend of the Gentiles’, how they ‘planned to kill him’ and ‘organised various attacks against him’, ‘expelled him from the synagogues as though he was a stench or a leper’, they banished him ‘to the most inhospitable places under the sky, to the forests and to the deserts where only the beasts live’, etcetera.

In one of the thousands of endnotes in Deschner’s ten-volume work, he cites his source (Walterscheid, J., pp. 1139f, II pp. 40f, Heilige Deutsche Heimat. Das deutsche Kirchenjahr mit seinen Festen, Seinem Volksbrauch, den Volksheiligen, religiöser Literatur und religiöser Kunst, 1,1936). Deschner adds:

This educational inspector from Bonn cites on the first page of his huge text in two volumes (prologue p. XIII) the work Die deutsche Volkskunde of the Nazi Reichsleiter Adolf Spamer and glorifies militarism, e.g. pp. 1128ff esp., 133ff and other pages, where he alludes for example to the old Nazi abbot Ildefons Herwegen ‘during the days with the Führer at Maria Laach’, where the Grand Brotherhood of St Sebastian ‘has found an indispensable help in the ideas of the new State’ since it ‘goes back to the same old roots of the German force’; celebrates in addition ‘the thunder of the canyon’ and ‘the perfect parades’. The pious Catholic author dreams of no less pious Catholic squads armed with ‘real shotguns’ and so on. The fact is that the Bible and the gunpowder go together the whole history of Catholicism… under ecclesiastical imprimatur.

All this would seem wonderful to people like Andrew Anglin, whose The Daily Stormer can now be seen in Tor. As a title for a periodical, The Daily Stormer is inspired by a German newspaper of the 1930s. (And let’s not talk about how the pious Christian Vox Day, who sounds like Sean Hannity, recently debated Anglin on National Socialism.)
But what Deschner writes is misleading in many ways. The faction of Christianity that would finally prevail in Christendom is not, say, that of a Richard Wagner whose operas fascinate me, including the Christian ones Tannhäuser and Parsifal (Parsifal is my favourite opera). It was its antithesis: the Calvinist faction of Christianity that restored the Old Testament in what became the most powerful country in the West, the United States. As to Catholicism, in the times when the Nazi abbot Herwegen wrote the above a more powerful figure, Pope Pius XI, stated on 29 July 1938: ‘One forgets today that the human race is a single, large and catholic [universal] race’.
The last political attempts to harmonize Christianity with racialism died in Nazi Germany. Now we have to question the Galilean cult from its root—and to question also the silliness of what Vox Day and many others are trying to do: harmonise Christianity with Aryan preservation.
 

Categories
Deranged altruism Liberalism Richard Wagner

JP in a single article!

Divided for publication at The Occidental Observer in three parts this Wednesday, Thursday and Friday, Andrew Joyce has published a magnificent article explaining the Jewish Problem under the title: “The Jewish Question: Suggested Readings with Commentary.”

I would like to quote a few passages from Joyce’s piece; the first one about Richard Wagner:

When Europeans found themselves caught up in a drive to ‘emancipate’ the Jews, it wasn’t as a result of careful analysis of the possible positive or negative consequences of such an action. Rather, those involved were merely “champions of abstract principle.” Liberalism, argues Wagner, is “not a very lucid mental sport.” Liberalism relies on emotion and feelings, rather than rationality and facts. Europeans had been duped into fighting for the ‘freedom’ of a people “without knowledge of that people itself, nay, with a dislike of any genuine contact with it. … Our eagerness to level up the rights of Jews was far more stimulated by a general idea, than by any real sympathy.” Of course, the same argument might be made today in relation to the ‘refugee’ craze. Liberals are merely in love with the idea of helping migrants, rather than this being something they are genuinely emotional about. Liberalism, as Wagner rightly perceived, is the political expression of selfish emotionality. Aside from his musings on Liberalism, Wagner’s comments on Jews in culture are so profound and extensive that they cannot be adequately covered here. It simply remains to be said that Jewry in Music is an essential text, worthy of careful study.

This quote from Houston Stewart Chamberlain makes him look like a Cassandra!:

The end result of this [Judaization of the West] process will be apocalyptic: “If that were to go on for a few centuries, there would be in Europe only one single people of pure race, that of the Jews, all the rest would be a herd of pseudo-Hebraic mestizos, a people beyond all doubt degenerate physically, mentally and morally.”

About Kevin MacDonald, and contrary to popular opinion among white nationalist circles, Joyce says: “I can state with some confidence that Separation and Its Discontents has no equal.” (Curiously, in 2012 I wrote that Separation was my favorite of MacDonald’s trilogy.)

Although Joyce’s focuses on the Jewish Problem, he also hints to what I have been calling the Aryan Problem: a suicidal out-group altruism combined with bourgoise compliance among whites:

Fichte complained about “sugar-sweet words about toleration and human rights and civic rights,” which act only to facilitate the removal or downgrading of the rights of natives…

In particular, [Bauer] argued against the idea that ‘rights’ are innate, writing that they instead come with certain requirements and responsibilities…

Marr is also worth reading because of his focus on the inertia of the masses in the face of rising Jewish influence. For example, he finds it remarkable that Jews have been able to conquer entire national systems without violent revolution but instead “through the compliance of the people.”

I strongly recommend visitors of this site to send the links to Joyce’s article, divided in three parts (here, here and here), to those normies who know nothing about the Jewish Problem: it is a fascinating reading.

Categories
Richard Wagner

Imagination

richard_wagner

“One supreme fact which I have discovered is that it is not willpower, but fantasy and imagination that creates. Imagination is the creative force. Imagination creates reality.”

—Richard Wagner