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Abraham (patriarch) Alexander the Great Alice Miller Ancient Greece Ancient Rome Archeology Carl Gustav Jung Carthaginians Child abuse Christendom Ethnic cleansing God Hannibal Hojas Susurrantes (Whispering Leaves - book) Holocaust Human sacrifice Infanticide Lloyd deMause Maxfield Parrish Mayas Neanderthalism Old Testament Philosophy of history Polybius Pre-Columbian America Prehistory Pseudoscience Psychiatry Psychohistory Psychology Stefan Zweig Thebes

Translation of pages 543-609 of “Hojas susurrantes”

Boas

Note of September 2017: I have removed this text because a slightly revised version of it is now available in print within my book Day of Wrath.

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Alice Miller Amerindians Beauty Carthaginians Child abuse Ethnic cleansing Hojas Susurrantes (Whispering Leaves - book) Human sacrifice Incas Infanticide Lloyd deMause Mayas Neanderthalism Philosophy of history Pindar Pre-Columbian America Psychohistory Psychology Spain

Translation of pages 483-541 of “Hojas susurrantes”

Note of September 2017: I have removed this text because a slightly revised version of it is now available in print within my book Day of Wrath.

Categories
Degeneracy Degenerate art Kali Yuga Music Neanderthalism William Pierce

Let’s atone for Gomorrah’s sins through Gomorrahite art!

Criticizing poser metal bands, William Pierce committed the terrible mistake of proposing to use that sort of extremely degenerate music to counterbalance the message of it—through the same musical genre! While Pierce liked classical music and loathed death metal (cf. this video), his situation was so desperate that, like today’s nationalist pundits, he believed that if only the lyrics would be changed, like some rockers who introduce pro-fascist letters in their melodies, that would be a great asset for white nationalism!

Poor Pierce. No wonder why he failed so miserably. As I have implied elsewhere, you are fooling yourself if you believe you can atone for Sodom’s sins through Sodomite art. (The only righteous way is to leave the damned cities and pray for divine, fiery justice.)

Categories
Degeneracy Degenerate art Harold Covington Kali Yuga Music Neanderthalism

A fissure with white nationalists

The apotheosis of technology was considered the hallmark of the West, according to Lawrence K. Brown, the famous Spenglerite. Yet, I question whether its music is not equally advanced. However, today, Technos, and not music, is appreciated and grasped much more readily by the children of the West. Truly, the sons of the West have lost their souls.

—Iranian for Aryans



It is truly comical that some friends have tried to reconcile with me after the controversy in my previous posts on music by claiming that, once in a while, they also listen to classical music—while at the same time they post comments in recent Counter Currents (CC) threads expressing admiration for industrial music, a subgenre of heavy rock.

Since westerners, including most white nationalists, have already lost their souls they ignore that paying lip service to classical music is not a litmus test to gauge the spiritual maturity of an individual, but how much the spiritually evolved individual loathes degenerate forms of sexual mores and music.

It’s precisely the fact that even nationalists have lost their western soul what moved me to rephrase William Pierce in my previous post with the words, “The essential aspect of what is happening to the West is spiritual, not just the scheming of the Jews.” Proponents of a mono-causal explanation of Western malaise—the Jews—should take note that I am reaching these conclusions at the same time that I find myself reading Kevin MacDonald’s first book of his trilogy on Judaism (that, incidentally, I consider even more illuminating than the third one, The Culture of Critique which I read last year).

I must confess that the discovery that even nationalists are crucifying the western spirit with filthy music has disappointed me greatly and has created a fissure between me and them that will not heal until the ethnostate reclaims our western soul. It is symptomatic that one of the authors of the recent CC articles about English heroine Emma West authored also another CC article promoting rock, claiming that classical music is dead without ever noticing that, with it, he is part of the problem that caused the crucifixion of the English heroine in the first place. It was England after all what catapulted the music for simpletons composed by a Super rock star who, in 1969, not only committed what should be considered the ultimate sin for nationalists, marrying a non-white, but even changed his pure English name introducing the middle name “Ono.” And even Greg Johnson in his latest apologia of industrial music acknowledged: “Politically speaking, their hearts [of the members of the rock band Rammstein] are on the left. Not the totalitarian left, but the liberal left: the individualist, consumerist left.” In other words, this band is the product of exactly the same degeneracy that for decades has been destroying our culture.

Yesterday, at CC I wrote something that no CC commenter will take seriously and that marks my fissure with them:

My postulate is that music, as architecture, is the outward manifestation of the soul of a culture. Is today’s culture healthy? If the answer is in the negative and my postulate is correct, it can only mean that present-day music and architecture are decadent (cf. the videos on beauty that The Occidental Observer featured in the past months), including those immense soulless skyscrapers of steel and crystal—monuments to Mammon—, and industrial music, groove metal and heavy metal.

Let’s suppose for a moment that Covington’s ideal, the formation of a new nation in the Northwest that reverts values to the late 19th and early 20th centuries, including clothing—a paradise for Matt Parrott’s fedoras!—becomes reality: a nation where America’s ZOG, race-mixing, feminist and degenerate sexual practices are gone forever.

This is my prediction: two or three decades after the new nation is formed, gradually it will be comprehended that the music—or heavy noise: antimusic—composed during the interregnum was increasingly decadent until Western civilization collapsed. Interregnum music might still be heard, but only as soundtracks of films depicting the darkest night of Western soul in the second half of the twentieth century and the first decades of our century.

What I find a totally impossible scenario is that a civilization that rediscovers itself and reverts to the social, sexual and esthetical mores of our ancestors will still like industrial music or groove metal.

Categories
Eschatology Mainstream media Michael O'Meara Neanderthalism Toward the White Republic (book)

The national equivalent to what happened in New Orleans

An edited version of the following article, “Katrina’s Intimation of the End: Afterthoughts on the Impending Catastrophe,” published originally at National Vanguard, is the eleventh essay in Michael O’Meara’s book Toward the White Republic, available from Counter-Currents Publishing here.



For a moment, as Katrina’s hurricane winds and high flood waters swept away the smoke and mirrors, the lemmings glimpsed an America that was not quite the bowl of cherries our programmers would have us believe. With a major U.S. city turned over to a mob of tar-face primitives straight out of Black Hawk Down or Pontecorvo’s Burn—reports of cannibalism and savage mayhem—the state-of-the-art Superdome filled with the sub-Saharan stench of feces, sewage, and dead children—corpses floating in fetid waters: America’s Third World future suddenly affronted us in its all irrefutable barbarism. The banner of Austria’s Der Standard said it all: “Third World USA.” For here, televised for the rest of the world to see, was the coming anarchy, the horror Kurtz found in the darkened heart that was Africa—and is becoming America.

Even the Judeo-corporate powers who operate “the rolling tent show we call America” were forced to take note of the unprecedented disaster afflicting New Orleans. The New York Times, flagship of the country’s controlled media, published not one but a series of editorials that hammered home a single unambivalent point: The system is not working. In the Times’ view, the preparations leading up to the storm were criminally negligent, those in its wake pathetically inadequate, and subsequent emergencies likely to follow a similar pattern.

The momentary outburst of discontent on the editorial page of this and other Establishment organs was not, of course, the sort White nationalists feel. The elite opinion molders are exasperated by the current leadership (or lack of it) because its incompetence, irresponsibility, and corruption has allowed “the lie of multiculturalism to explode before their eyes,” exposing the scabious underside of their anti-White plutocracy. Better than most, they see that Katrina was not just a natural, but a political disaster that imperils the entire system. As one European observer (Philippe Grasset) characterizes it, Katrina is the system’s Cindy Sheehan. For against the technocratic conditioning which Baudrillard calls the simulacra deluding and manipulating the facetiously named “public,” a single elemental force—be it a mother’s insistence or nature’s fury—tore away the veil cloaking the system’s corruption of all that once distinguished White America.

The third-rate human being presiding over the United States and the rabid Zionist cabal advising him ought to take the greatest heat for the apocalyptic events that befell New Orleans. But theirs, alas, is not the sole responsibility. More seriously, fault lies at every level of government and society: For an American city was lost not because of individual negligence or incompetence, but because of the system that made such a disaster possible possible

As the accusations and recriminations mount, we, the remnants of White America, must do our utmost to prevent the media moguls, crooked politicians, alien interests, and leading lights from evading the condemnation they deserve. More critically, we need to highlight the systemic sources of their misdeeds, for the system they represent operates not simply in opposition to the interests and welfare of White America, it seeks (and, for two generations, has sought) to destroy the racial-cultural basis of the civilization our forebears founded on this continent. But even more, we need to use this occasion to make every White man aware that the present ethnocidal system targets their survival, that its cataclysmic end is approaching, and that steps need to be taken now to ensure that the next cycle of American civilization is White, European, and anti-liberal.

Since 1999, the great European nationalist, Guillaume Faye, has been predicting a series of converging catastrophes that will provoke the collapse of the liberal-democratic regimes of money that have governed the West since 1945. [See “The Widening Gyre,” National Vanguard, 29 May 2005] Katrina’s destruction of New Orleans (following on the heels of 9-11 and the Iraqi fiasco) heralds what seems to be the first, albeit local, gasp of the system’s death throes.

Contrary to what the scoundrels in charge would have us believe, America was no gift of Yahweh. Like every organic or mechanical order, its social-political system contains elements that sustain its growth and development and, at the same time, ones that impair (or have the potential to impair) it. If ever the latter should dominate, the system cannot but become dysfunctional—and perhaps collapse. In Faye’s view, the present system controlling the former White nations of the West—subordinated to market principles, opened to all the world’s peoples, contemptuous of White tradition, culture, and ethnos, and indifferent to the destructive impact the system has on both human and mother nature—has reached a stage in its development where the dysfunctional elements are increasingly dominant, just as they were in the ex-Soviet Union in the early 1980s.

From this perspective, what happened in New Orleans is symptomatic of the system-threatening catastrophes gathering on the horizon. Be it racial-demographic trends, environmental deterioration, climatic shifts, casino-like economies, decadent social forms, corrupt, sclerotic institutions disloyal to their original intent—each represents a looming catastrophe whose eventual convergence will make all the others unmanageable.

Already the system is beset by failures that have begun to wear it down, erode its legitimacy, and undermine its capacity to rule. The biggest of these is related to the imperial “overreach” that began with the neocon aggression on Iraq. This was preceded by 9-11 and the dangerous geopolitical realignment it provoked and is today accompanied by a series of slower burning, but potentially greater, catastrophes related to the declining U.S. economy, the crisis of Third World colonization and the state of emergency on the border, and to all those cultural, educational, and social problems that come with the globalization of American life.

At each level of these crises—and I have named only the most obvious—the system is failing to resolve the problems besetting it. Though it continues to muddle through, a possible convergence of these mounting catastrophes—provoked, for example, by the confluence of a major economic breakdown, another ecological disaster, and a politically-discrediting scandal—will likely compound the existing crises, straining the system to the point of collapse. The result will be the national equivalent to what happened in New Orleans.

At virtually every level of its operations, the system has become more incompetent, shortsighted, and negligent. And this is not just a temporary or contingent development, for the same sort of failures have occurred day in and day out in the administration’s conduct of the Iraq war, in its international relations, and in its mismanagement of the nation’s economy. These failings, moreover, are system-wide.

Despite the media-amplified rhetoric of leftists and Negro race-hustlers, incompetence and irresponsibility during the emergency were not confined to the top. The corrupt municipal government of New Orleans’ foul-mouthed major, Ray Nagin, was no less guilty of criminal incompetence, neglecting to implement the most obvious precautions: It failed to issue a mandatory evacuation order until pressured by Washington, failed to implement it, and failed to make use of hundreds of city buses to transport those without cars. At the Morial Convention Center and at the Superdome, where it went through the motions of taking action, nothing of consequence was actually done, as local officials waited for “Whitey” to intervene and take charge. The horror tales now told of these sites are rivaled by few in literature. The utter absurdity of the New Orleans’ municipal effort assumed an especially unreal quality when Nagin gave his entire police force (which had shamed itself in the course of events) a five-day paid vacation in Las Vegas, once FEMA and the National Guard arrived to take control.

Thus it was that an indifferent, Israeli-oriented authority at the top and an utterly incompetent, African-led one at the bottom converged in New Orleans to create one of the great disasters in American history. The system’s routine production of such leaders (is it possible to imagine any other system in which a mentally unbalanced non-entity could become the nation’s número uno or a jive-talking African clown the mayor of a major American city?) not only condemns it to self-destructive actions: It closes itself off from any possibility of self-correction, as the illusory values and beliefs its liberal and neocon ideologues arrogantly propagate are confused with reality itself. Not surprisingly, the virtualist mindset of such a leadership is already preparing the basis for future disasters.

But more telling than even the system’s growing incompetence and illusory grasp of reality is its determination to replace its core European population. Evident in the terms that have come to designate New Orleans—Mogadishu-on-the-Mississippi, Haiti North, Post-America America—this once splendid enclave of Franco-American civilization has, since desegregation, been turned into a Third World slum. With a pre-Katrina population more than two-thirds Black, New Orleans had, in effect, ceased to be an American city in any ethno-cultural sense of the term. And it was the non-White racial character of the city’s population that was instrumental in turning a natural disaster into a social-racial nightmare. For once order collapsed in the wake of the flooding, and the veneer of civilization controlling the city’s Congoloid residents gave way, the ruined city almost immediately descended into barbarism. (As David Duke pointed out, the only thing separating American order from African anarchy is that “thin blue line of police armed with high-powered weapons.”)

How, though, is this racial turmoil reflective of the system’s growing dysfunctionality? Besides the fact that the system has eroded the country’s earlier White civilizational forms and violated the most elementary requirements of every social organization (i.e. the biological defense of its people’s genetic interests), it has encouraged the growth of the non-White population through a consciously-implemented policy of open borders and mass immigration, through welfare programs that subsidize non-White births and discourage White ones, through a brain-washing, totalitarian ideology of multiculturalism that undermines the historic conventions of America’s European culture and allows whole cities to be turned over to alien hordes. All these policies, to one degree or another, reflect the system’s effort to undermine the country’s White population and replace it with a non-White one attuned to the demographic requirements of the new global economy.

That the barely humanoid character of many of these “new Americans” lack the civilizational potential of Whites, that they are inordinately prone to violence and aggression, that they harbor murderous feelings towards the former majority, that they sustain a counter-culture of drugs, prostitution, and crime, that they soak up public funds and deprive other programs, like levee maintenance, of needed monies, that they made New Orleans one of America’s murder capitals, all, again, stem from the system’s Judeo-liberal disposition to privilege market exchanges, international labor markets, population transfers, multicultural deculturation, and the destruction of the nation’s historic European core. These anti-White policies are, indeed, so extreme that even criminals and miscreants were allowed to serve in New Orleans police force (as long as they had the proper hue). Was it surprising, then, that Whites caught in this multicultural hell were targeted for aggression, that nursing homes and children hospitals were attacked, or that White areas of Louisiana and Mississippi devastated by the storm have since been ignored or marginalized by government relief efforts?

For those who care to see, the horrors of New Orleans herald America’s possible future. Given the nature of the dominant forces, and the system nurturing and directing them, things are almost certain to get much worse, and do so at a quickening rate. Thus, as the various catastrophes afflicting American life begin to converge in a greater systemic disaster, the system itself is likely to collapse. Such a collapse will be either good or bad, depending: For collapse will either threaten our people with new, more horrendous ethnocidal forces, or it will create an opportunity to begin again. To ensure that the latter is the case, the defenders of America’s European core will need to start heeding the writing on the wall. As Guillaume Faye says, we need to start thinking in post-catastrophic terms.

Categories
Degeneracy Degenerate art Lord of the Rings Music Neanderthalism

Spitting on the avatar of God

Now that I am reproducing the best essays of Michael O’Meara’s Toward the White Republic, I’m becoming more conscious than ever that the so-called Jewish problem (like the Muslim problem) is but an epiphenomenon of a deep corruption within the white psyche, which unlike Christendom allowed the emancipation of Jews in the first place right after the French Revolution.

What strikes me the most about self-styled “counter-jihadists” is that they fancy themselves as defenders of the West, when, in reality, through their blind philo-Semitism they’re attacking the West.

Something similar could be said of white nationalists who support the unspiritual, degenerate music that has possessed westerners since the 1960s—what I call Neanderthalism—, as manifested in the following piece, “Is there no end?” that Iranian for Aryans wrote today.

But before reproducing his article let me indulge with a few compasses of music with a solo from a Norwegian fiddle called a Hardinger that represent the spirit of Rohan’s capital and Éowyn, its nymph. A single minute of music composed in our century that, in sharp contrast to rock, I consider inspiring (listen LOTR’s music here from the scene of Éowyn and the Golden Hall of Meduseld.)

 

______ 卐 ______

 

I [Iranian for Aryans] started my first blog back in 2004. One of my first entries was on the topic of non-classical music within the WN [white nationalist] “movement”. I excoriated the “music” and, therefore, did not condone those who listened to it. Today, I’m still of the same opinion. However, I realize now that the poison is deeper and is beloved by those to whom one should look up to, or at least, respect.

One such example is a spate of articles on Counter Currents extolling WN “music”. Basically, the music is a hodge-podge of heavy metal, rock’n’roll, and folksy music. To sum it up, it reeks.

Julian Lee has authored two articles that deal with the topic of the “white singing voice”. His style is insipid and his tenets and conclusions are dubious if not straight-out wrong. He goes through a litany of various White (are they White men at all?) vocal types (crooners, screechers, whatnot). He deconstructs them, he views them as if through a microscope, and then pontificates on them. But these are not the issue.  The problem lies with his espousal of, and love for, non-classical music; for rock “music”. I don’t refer to old-school country and bluegrass. I refer to WN “music” and its non-, or even anti-, WN forbears.

The man goes on and on about this rock “star” and that rock “star”. Enough already! It’s all junk. The godawful, mephitic, aural violations that emanate from what-passes-for-music in his article are not only an embarrassment and a waste of time, but antipodal to a truly uplifted soul that yearns for everything pulchritudinous, elevated, noble, veracious, and supernal.

What’s worse is that Greg Johnson, the editor of Counter Currents, who posts good articles on Mahler and Elgar, in addition to featuring lovely paintings, likes rock’n’roll, and, apparently, dislikes my barrage of antagonistic criticism, so much so, in fact, that I think he’s not publishing it.

I’ve given up on making my point as it has become an ad nauseum issue.

I agree with the mullahs of Iran. Those who promote “Western” music, are, according to the Shia clerics, enemies of God (Truth, Beauty, Enlightenment, Health, and Joy).

If one is in love with the White race, in love with what it has created, then to promote, or let alone, listen to rock, is to spit on the avatar of God.

Categories
Child abuse Degeneracy Degenerate art Hate Music Neanderthalism

Why do nationalists support non-classical music?

Further to my previous post on Neanderthalesque music. The blogger known as Iranian for Aryans has just responded in that thread including the following points.

These are my views on the subject:

1. If you support non-classical music you’re suspect.

2. Those who say they “like” classical music are disingenuous, for the most part, since they don’t listen to it.

3. Burzum and the other [Black Metal] groups are abominable.

4. If society loses its original and healthy musical heritage, it cannot use something sick, demented, and ugly to revivify itself. The latter is too ugly and evil. Why not go back to the Masters? They are assured of being sane, beautiful, and progressive.

Thank you for putting our views so succinctly. These are my very personal views:

He who dances classical ballet can dance everything, even if he loathes a specific dancing genre. Similarly, he who can understand the most abstract forms of classical music can understand every music genre, even if he loathes a specific genre.

As I said in the previous post, music has been my native language. I understood atonal Ligeti at the age of ten. So let me be a little arrogant for a moment.

Analogously to those people who have an unusual development of the sense of olfaction to the point of “smelling” human moods—or so they claim—, I believe I can “decode” the moods of all musical genres, however disgusting I find some of their tantrums, and therefore the genre, that they represent. On the basis of this intuitive and unheard of psychological knowledge, the following is my interpretation of black metal.

Since the late 1960’s I interpreted rock as a “psychorragic” manifestation of an extremely pissed off generation with regard to their parents’ traditional, and often engulfing, culture. Like heavy rock, I feel that the black metal promoted by notable white nationalists is but the acting out of anti-traditional, anti-Christian sentiments among its fans.

Don’t take me wrong. Psychorragic rebellion is good. There’s nothing wrong with volcanic eruptions of rage after one’s own dignity has been crushed by the surrounding culture. However, if instead of using that sickening music to vent their legit rage the metalheads wrote books like my Whispering Leaves, where I expose both my parents and their abusive culturecf. my blog Fallen Leaves, the psychorrage would be healthy, controlled and genuinely artistic. But since the metalheads’ musical reaction only conveys unprocessed trauma, I’d dare to claim that it collides with psychopathology (for my explanation of unhealthy rage in contrast to my healthy rage see e.g., here).

Of course: those whose mother tongue was not classical music won’t be able to “read” the psychological whys of those headbangers who enjoy emphatic beats, amplified distortion and especially deafening loudness. But shouln’t the fact that their music so patently damages our hearing be enough for white nationalists of sound mind to see the genre for what it is?

Categories
2001: A Space Odyssey (movie) Abortion Beethoven Degeneracy Degenerate art Music Neanderthalism

A manifestation of an inner degenerated state

“Tell me which music you like
and I’ll tell you who you are”


Yesterday at the comments section of Counter-Currents about music (here)—

Iranian for Aryans said referring to the CC article:

Allow me to dissent. Though the general tenor (ha ha!) of the piece (ha ha!) is salubrious, it shows a ignorance towards European music heritage. Allow me to explain.

Yes, there is a difference between “black singing” and “white singing”. Yes, the media promotes that which is bad, to put it weakly. However, the examples cited of what is good are lacking and wholly degenerated.

There is no mention of real singing as exemplified through classical music. Rather, examples are shared of Nat King Cole, Sinatra, and some other nugatory folksy personages. Personally, I think Sinatra and Cole were horrid. Real examples of singers would be Franco Corelli, Anna Moffo (mamma mia!), Renata Tebaldi, Caballe, del Monaco, di Stefano, Giacomini, Siepi, Schwartzkopf, Ludwig, Melchior, et al. These persons are our vocal stars. They might have been ugly and fat, but they were true singers, artists of the highest order. Roy Orbison? Good God…! As for the hackneyed reference to Beethoven, I’ll make a wager.

People, white people, WNs [white nationalists], can make references to classical music as much as they want, but the majority, overwhelmingly so, do not live classical music, their heritage. Do they turn on the classical radio station and listen to Haydn or Schumann? When speaking of the voice, do they go crazy over Schubert’s Die Schone Mullerin? Of course not. The espousal of amity towards classical music is disingenuous and a trite tip of the hat to “that which was”, and, as far as most are concerned, no longer is, thank God. Empty signs of respect are worthless: do you live the music? Who wants to listen to Ockeghem when there’s Prussian Blue?

Another example of ignorance of classical music is the citation of Warlock. Warlock, best known for his Capriol Suite, is a big nothing. The world expects novelty and uniqueness, even if framed in a conservative mould, from a composer. Given that Warlock’s magnum opus is a collection of Elizabethan tunes, I can’t place him as a luminary.

CC proclaims a “New Right”. Let’s proclaim it through music. Let’s open up readers to the Western musical heritage: Bruckner, Josquin, Schumann, Handel, Brahms, Vivaldi, et al.

I said:

Iranian: As much as I like WNists I feel an insurmountable abyss with them every time I learn in threads like this that they like rock, heavy metal or even old folkloric—as in Covington’s podcasts—music. This is because I learnt classical music before I was born—literally, since my mother used to be a piano concertista and throughout her pregnancy I sensed and listened the piano through my mother’s womb. And my father was a composer of classical music (when I was a small child some of my dad’s orchestral pieces were played in New York).

My first love, still as a small child of five, was Mussorgsky. Alas, musically and sexually, in today’s culture I feel like Lot in Gomorrah.

I hate monkey music as much as I hate degenerate sexual mores that are driving whites straight to the path of extinction. In fact, like Hegel I believe that if music represents the Geist then the degeneracy we see every day on the streets, TV and Hollywood is faithfully represented in the spirit of that music. For example, the Neanderthal spirit I see every day among the beaners is faithfully represented in their salsa antimusic.

I don’t know if “billions will die”, including the beaners, during the coming convergence of catastrophes (though like Lot I wish their cities burn under Heaven’s fire). But my educated guess is that, after the end of the world as we know it, there will be a resurgence of traditional sexual mores and, with it, repudiation of both violent and perverted Hollywood along with all pop music after the 1960s that “sound like demons trying to cough-up the world’s biggest hair ball”.

Iranian for Aryans said:

Chechar,

I sympathize with your feeling of alienation. I live with it and am reminded of it ubiquitously. I think your analogy of Lot in Gomorrah is good.

The monkey music (black and “white”, rap and rock, respectively) that we both loathe has become a manifestation of an inner degenerated state. But to see WNs, the so-called enlightened ones, purvey such excrescences is truly troubling and indicative of a much lowered state.

Pat Hannagan answered me:

Those “old” folkloric songs in Covington’s podcasts are the songs sung by a people who held their culture together, and successfully won their independence against an invading tyrant. My kids love them instinctively…

I replied (slightly edited):

Pat: I wholeheartedly agree with you. You know, I said that my father used to be a composer. But he abandoned composing classical music when he had to earn a buck. He taught music to children and his mantra is that folk songs are paramount for the spirit of a culture. Yes: there’s a gulf between legit folk music and what I call “Neanderthal music”: the music for whiggers, niggers, and beaners (the mexicans).

Nonetheless, when I wrote my above posts I was in soliloquy mood. To put it simply, I am stirred when I listen some music of Wagner (e.g., Parsifal), which means that musically I’m closer to the Third Reich than to the coming Northwest Republic. I simply cannot feel American folk music because Lot has no nation, and no folk music can stir the stateless individual.

In another CC thread I said that the music I most identify with is the atonal Lux Aeterna by Ligeti, especially the compasses that Kubrick chose for the scenes of desolate moon landscapes with a floating bus en-route from Clavius to Tycho. Why that cinematic vision expressing the most extreme form of solitude describes me? Because that’s the way Lot feels in Gomorrah: There’s, literally, nobody around: not even the blue sky visible in central Antarctica. (However desolate among the ice, the lone scientist in his post at least sees the blue color of the sky, meaning that there must be oxygen somewhere out there on the planet—plants, life.)

In contrast, in 2001’s moon landscapes there’s not even that: only a black sky and, without atmosphere, no shades: only black and white abyssal desolation among a world of elemental rock (link).

Update of November 23:

In the other recent CC thread about music, Iranian for Aryans said:

The espousal of amity towards classical music [in the CC article] is disingenuous and a trite tip of the hat to “that which was”, and, as far as most are concerned, no longer is, thank God.

This is exactly what Christopher Pankhurst has done in the above article (here). Pankhurst is confusing Christendom—which is dying and will finally die later in the century—with orchestral music. I would claim that, unlike Burzum, the Black Metal abomination featured in his article (what a blasphemy putting it together with Strauss’ Metamorphosen!), orchestral music has a bright future once the West awakens from its dormition.

The great musical tradition that reached a high watermark with Bach, and that subsequently sought expression through the individual genius of Beethoven and Schubert, had its funeral song in Strauss’ Metamorphosen.

False. Tragically false. Even Pankhurst concedes that after the World Wars Ligeti created numinous pieces of music.

My father also composed good pieces of music before he had to make a living through music education for children. In a more healthy culture he wouldn’t have faced economic need. Instead, he could’ve devoted all of his energies in continuing to compose (at the Utica Observer-Dispatch, in 1962 Chuck Booth wrote about my father’s symphonic piece Estirpes played in New York).

Since the whole West is in dormition, the only way that a composer of classical music can make a good living is thru soundtracks. But even in this lesser genre one can listen that orchestral music has not experienced the funeral claimed by Pankhurst.

Of the eight Harry Potter films only one, the third of the series, was superbly directed. John Williams’ music during Buckbeak’s flight and the werewolf transformation scene are examples of good orchestral music composed in the 21st century. One can imagine how far could the likes of Williams had gone if, in a non-dormition culture, they could devote all of their time composing pure music outside Hollywood. But even in Hollywood once in a while some soundtracks represent the most exquisite form of musical art. Don’t you remember how in 1968 Kubrick used Khachaturian’s most elegiac piece, Gayane Ballet Suite, when the spaceship Discovery One is bound for Jupiter?

Every time I hear stuff like paying lip service to Classical Music and at the same time promoting abominations like Heavy Metal, I cannot but compare the situation with a so-called white nationalist woman boasting a T-shirt telling us, “I had an abortion” without apparently noticing the contradiction in both statements. But again, only after the West collapses and awakens from its dormition—a cultural nightmare actually—will it be all too clear that most pop music during the interregnum was but a manifestation of an inner degenerated state, even among the white nationalists.

Categories
Alexander the Great Ethnic cleansing Neanderthalism Will Durant

Manifest destiny


This is the corollary of my previous email exchange about Latin America. Ever since I read Will Durant’s book on Greece, my opinion about Alexander the Great changed dramatically:


When, in 399 b. c, Socrates was put to death, the soul of Athens died with him, lingering only in his proud pupil, Plato. And when Philip of Macedon defeated the Athenians at Chaeronea in 338 b. c, and Alexander burned the great city of Thebes to the ground three years later, even the ostentatious sparing of Pindar’s home could not cover up the fact that Athenian independence, in government and in thought, was irrevocably destroyed.

The domination of Greek philosophy by the Macedonian Aristotle mirrored the political subjection of Greece by the virile and younger peoples of the north. The death of Alexander (323 b. c.) quickened this process of decay. The boy-emperor, barbarian though he remained after all of Aristotle’s tutoring, had yet learned to revere the rich culture of Greece, and had dreamed of spreading that culture through the Orient in the wake of his victorious armies. The development of Greek commerce, and the multiplication of Greek trading posts throughout Asia Minor, had provided an economic basis for the unification of this region as part of an Hellenic empire; and Alexander hoped that from these busy stations Greek thought, as well as Greek goods, would radiate and conquer.

But he had underrated the inertia and resistance of the Oriental mind, and the mass and depth of Oriental culture. It was only a youthful fancy, after all, to suppose that so immature and unstable a civilization as that of Greece could be imposed upon a civilization immeasurably more widespread, and rooted in the most venerable traditions.

The quantity of Asia proved too much for the quality of Greece. Alexander himself, in the hour of his triumph, was conquered by the soul of the East; he married (among several ladies) the daughter of Darius; he adopted the Persian diadem and robe of state; he introduced into Europe the Oriental notion of the divine right of kings; and at last he astonished a sceptic Greece by announcing, in magnificent Eastern style, that he was a god. Greece laughed; and Alexander drank himself to death.

This subtle infusion of an Asiatic soul into the wearied body of the master Greek was followed rapidly by the pouring of Oriental cults and faiths into Greece along those very lines of communication which the young conqueror had opened up; the broken dykes let in the ocean of Eastern thought upon the lowlands of the still adolescent European mind. The mystic and superstitious faiths which had taken root among the poorer people of Hellas were reinforced and spread about; and the Oriental spirit of apathy and resignation found a ready soil in decadent and despondent Greece.

In antiquity a change of the magnitude that we are living through is summarized also in The Germanization of Early Medieval Christianity. Like Will Durant, James Russell claims that:

From whatever point of view Alexander’s campaigns are judged… their consequences were profound and irrevocable… The number of Greek settlers was, in absolute terms insignificant… Despite [these] intentions the ultimate result was not cultural conformity but… cultural confusion, and the loss of cultural identity by native and immigrant alike… Native Greek culture was gradually transformed and “de-Hellenized.”

Going back to the American continent.

The right way to conquer land was the way the English did in the New World, emigrating with their whole families instead of bachelor soldiers conquering the Aztecs and marrying Indian women, as the Catholic Spaniards did. If an adolescent, proto-nation like New Spain absorbs what it conquers it becomes what it colonizes.

If a future Northwest Republic is ever created later in this century, let’s not repeat the mistakes that my Spaniard ancestors committed. Only ethnically cleansing the whole land (as the English did from the 17th through the 19th centuries), whether Aztlán or still further down the South to the border of Antarctica—sparing Iberian white countries like Uruguay or Argentina—, would prevent the blunders of Alexander and Cortés that eventually overwhelmed both the Hellenic and the Iberian empires.

My dream is that Kendall’s communication to Andrew Jackson telling him that someday Anglo-Saxons will be majority in Mexico becomes a reality after the Holy Race Wars that are coming ahead in this century.

I am curious though: Why do I love your race more than you do…?

Categories
Blacks Civil war London Neanderthalism

The UK race riots



(A most embarrasing scene in the recent London riots…)

“In this country in 15 or 20 years’ time the black man will have the whip hand over the white man.”
—Enoch Powell, Rivers of Blood speech.


Enoch Powell was right. But the System killed the messenger. The Labour government with its insane immigration policies is guilty of a colossal crime against its own people. In the most recent thread about the UK race riots at The Occidental Observer:


Mark said…

@ “The events we see in the UK and in Wisconsin will continue until White men defy the laws of the land and start conducting guerrilla warfare against our enemies. No amount of blogging or book review writing is going to change a thing.”


Jon Wood said…

Mark: Thank God! Someone finally said it!

The reason we are all stuck in this blog to intellectualise about this crisis, is because that is what we have allowed ourselves to be reduced to. We are allowed to ‘talk’, but even then, blogs such as this are compelled by law to impose limits on what people can say. In particular there is a widespread prohibition in most Western countries against any statement which could be construed as inciting hatred against a particular race, ethnic group or ‘people’, unless it’s about whites.

So, we are really stuffed unless people can break free of what is clearly a determination to prevent white people from forming a ‘meeting of minds’ with the purpose of getting our act together.

On the issue of the media coverage of the UK race riots (yes, that’s what they are!), it has been quiet amazing to watch the lunatic left internationalists going into verbal overdrive on every media outlet. It’s almost funny, if it were not so serious, to watch these morons prattle on with one social theory after the other. And, and, and! Not once has the racial element been acknowledged.

The racial element to these riots is right at the core of the issue, and everyone knows about it, but no one in the media will speak its name.


I said…

Mark and Jon: you just nailed it. Time to order The Brigade from Amazon and start to think seriously…