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Eduardo Velasco

Evropa Soberana, backup 18

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Translation of the first paragraph of the article ‘Descendants of the Aryans—remains of Indo-European blood in Asia (I of IV)’:

Everyone has heard of that National Geographic cover of a white, green-eyed Afghan refugee. That cover caused a sensation. Countless people offered to adopt the girl in question, and became interested in the issue of ethnic groups in the East. Today, practically anyone knows that even in the most unknown corners of deep Asia, there are remnants of European genetics.

Since the image of the Afghan refugee is broken in the PDF that I link to, I am adding that image here.

European beauty

Statue of King Peter IV
in Praça da Liberdade
Porto, Portugal.

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Eduardo Velasco

Evropa Soberana, backup 17

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Translation of the final words of ‘Were the Egyptians white?’:

What happened to Egypt, why did it fall after millennia of splendour? As with the fall of all civilisations, the answer lies in biology in general and genetics in particular.

In 1296 BCE, the Egyptians conquered Nubia (South, Negroid inhabitants), building a series of forts to protect the borders and control insurrections. At one point, it was forbidden for any Nubians to cross the border into Egypt. Eventually, and as is obvious in Egyptian art, black slaves were imported. As always, a low birth rate among the Egyptian nobility, a high birth rate among the black and Semitic slaves, and the miscegenation produced by the relaxation of the warrior, aristocratic and dominant mentality, was the curse of Egypt. Finally, in 200 years, Egypt went from being a great civilisation to disappearing from the map of civilised nations, at the mercy of stronger foreign powers.

Until 1050 BCE, all pharaohs had been predominantly white or Nordic. With the advent of the 25th Dynasty and the “black pharaohs”, who had a brief and decadent reign of 75 years, during which they built rickety pyramids 20 metres high (the great pyramid of Kheops, from the good old days of the true pharaohs, was 146 metres high), the original genetic and biological substrate that had created, from nothing, the Egyptian spirit, was drowned forever in the dense thicket of dark blood.

European beauty

Gjógv is the most northern village on the island of Eysturoy

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Eduardo Velasco

Evropa Soberana, backup 16

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Title translation:

‘Evropa Soberana presents The heretic’s arsenal – great personalities advocate eugenics’.

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Videos

Green v. Jones

Adam Green vs E. Michael Jones – Is Christianity a Jewish Ploy?

Only ten minutes into this debate, I think Green’s point is so accurate that I’m adding this entry even though I still have more than an hour of listening to do…

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Eduardo Velasco

Evropa Soberana, backup 15

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Videos

Adam Green, 2

‘When you make a Jew God, then you make all Jews God.’ —Adam Green

Nick Fuentes and E. Michael Jones, heroes in some American racial right circles for their anti-Semitism, are exposed as the traitors they are to the West from the opening minutes of Green’s most recent video. If anyone watches that video, don’t miss what a rabbi said around the 36th minute (which reminds me of my Thursday post on Adam Green). And another orthodox rabbi says something similar around minute 44.

After minute 54 Green defends himself against Fuentes’ unfounded accusations of calling him a Jew. Even worse is to hear a Protestant pastor talk about the ‘debt we all owe the Jews’ after minute 58. This sermon by an influential pastor in the US shows why I say that Christians, traitors to their race, are more detrimental to our cause than Jews.

Best quote of the episode we hear at about 1: 12: ‘The real redpill is when you realise that Christianity is a Jewish trap, a Jewish deception.’ And at 1:34 Green says he will make another video about the anti-white campaign that is going on. Near 1:38 he responds to the chats and concludes that, if you don’t want a Jew-dominated West, you have to understand that Christianity is the cause of it.

Since I’m no longer visiting the racial right sites precisely because they don’t want to see the elephant in the room, I wonder if any of them has invited Green to any of their podcasts?

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Eduardo Velasco

Evropa Soberana, backup 14

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Translation of one of the final quotations from the article:

Christianity – and this was its greatest merit – subdued to some extent the brutal warlike ardour of the Germans, but it could not break it entirely, and when the Cross, that restraining talisman, falls to pieces, then the ferocity of the ancient fighters, the frenzied berserker fury of which the Norse poets have said and sung so much, will be released again. The talisman has rotted, and the day will come when it will crumble painfully into dust. The old stone gods will then rise from the forgotten ruins, and wipe from their eyes the dust of centuries, and Thor, with his giant hammer, will rise again. When you hear the tread of boots and the clash of weapons, ye sons of his neighbours, be on your guard… perchance he will unleash himself upon you.

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Richard Wagner

The Master-Singers of Nuremberg

Wow, I have just listened, complete, in four nights as it lasts over four hours, The Master-Singers of Nuremberg (original title, Die Meistersinger von Nürnberg): an opera in three acts with music and libretto in German by Richard Wagner. I didn’t plan to post anything after I finished watching it but Hans Sachs’ final speech at the end of Act III—in fact, the culmination of the opera—made a huge impression on me:

Beware! Evil tricks threaten us; if the German people and kingdom should one day decay under a false, foreign rule, soon no prince would understand his people; and foreign mists with foreign vanities they would plant in our German land; what is German and true none would know, if it did not live in the honour of German masters. Therefore I say to you: honour your German masters, then you will conjure up good spirits! And if you favour their endeavours, even if the Holy Roman Empire should dissolve in mist, for us there would yet remain holy German Art!

After WWII the words I italicised above (‘if the German people and kingdom should one day decay under a false, foreign rule, soon no prince would understand his people’) became prophetic. But if Wagner’s poetry is right, as long as the German people do not break contact with the soul of their race,[1] they can still be saved.

A small piece of advice for those who want to be introduced to Wagner’s art.

Watching his operas on YouTube is not recommended: art loses most of its numinousness. You have to go to the fancy opera house with all the ritual that goes with it and see the characters in their live costumes. I had to watch it on YouTube because I hadn’t seen Die Meistersinger and could not afford the trip to Bayreuth. (Besides, in recent years those in charge of Wagner’s legacy have betrayed the theatrical staging.)

I would suggest that the initiate simply listen, repeatedly, the majestic overture to Die Meistersinger and the long, elegiac prelude to Act III that shows a pensive Sachs in the privacy of his home.


If this truly Aryan music has been assimilated, you could watch the final half-hour of the interpretation I watched tonight, where Sachs delivers his speech to his beloved people of Nuremberg. The problem is that the subtitles of this interpretation are in French and Spanish. I could understand the plot, but not everyone knows those languages.

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[1] Speaking of saving the German spirit from the foreign forces of occupation, Savitri’s book, which I am proofreading, will not be ready until February.