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WDH – pdf 325
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WDH – pdf 324
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Super-super quotable quote!
‘In per capita terms Jews were the greatest mass-murderers of the twentieth century, holding that unfortunate distinction by an enormous margin and with no other nationality coming even remotely close. And yet, by the astonishing alchemy of Hollywood, the greatest killers of the last one hundred years have somehow been transmuted into being seen as the greatest victims, a transformation so seemingly implausible that future generations will surely be left gasping in awe’.
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Who to read?
Today Krist Krusher said:
Jewish prolefeed cannot be stopped by simply banning media made after 1969. It requires banning films in general. Sound films are particularly worthy of scrutiny as the first talkie was about glorifying the degeneracy that was jazz with a Jewish protagonist (Jakie Rabinowitz / Jack Robin), a Jewish actor (Al Jonson), and Jewish producers (the Wonsal brothers a.k.a The Warner Brothers). Triumph of the Will notwithstanding.
Music is the second target. Destroying rock‘n roll records is only the first step to regeneration of the soul. Only after taking the progenitors of the these horrid genres around the corner can Europa regain her sensibilities. The culprits being old Bluegrass and Appalachian folk music that was played in 1800s America. Despite their Scottish origins, they are completely degenerate; therefore they must all be eliminated.
This was posted after my article ‘On prolefeed for Alt-righters’, and what I am about to say must be understood within that context and also my other article today.
When out of curiosity I enter the podcast of a white nationalist and find that they play degenerate music, I immediately disconnect and do not hear the spoken word after such music.
This may seem like an overreaction, but if there is something in which alt-right folks are schizophrenic it is in denouncing the prolefeed of the Jews and at the same time consume it with pleasure! I have talked about degenerate music on this site but the same I say now about Hollywood. There are exceptions of course: but the norm is to use degenerate music in the alt-right podcasts and unabashedly comment on Hollywood movies as if it was a legit form of the Seventh Art.
It is precisely because of that all too obvious schizophrenia—in the vernacular sense of the term—that I no longer recommend the alt-right sites to the normies. I recommend them my collection of twenty authors in The Fair Race. One could say, again, that I am overstating my case as someone like Kevin MacDonald does not promote degenerate music or Hollywood in his webzine. But even respected professors like MacDonald have other shortcomings (also discussed in The Fair Race).
The right way is to read those who grew up before cultural degeneration reached superlative extremes: Yockey, Rockwell, Oliver and Pierce. Some of the old American spirit can still be breathed in the texts of a retired American intellectual, Michael O’Meara, who unlike the schizophrenics knew that revolution is unavoidable.
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William Pierce
This is a postscript to what I said in my previous post.
Since many people in the alt-right are true consumers of the soul-rotting junk that the Jews administer to us, I recently came up with a brilliant idea. Instead of visiting most of the sites of current white nationalism, I better read everything available on the internet that has come out of William Pierce’s pen.
Why? Because alt-right folks are not fit to tie Pierce’s shoelaces, not even fit to carry out his trash.
The last days, using Joker as a pretext to talk about other issues (trauma model, exterminationism and premature violent acts), I had no choice but to watch a few reviews about the movie on YouTube.
I was disgusted (remember that I no longer go to the movies, although I made an exception with Joker): there are countless fans from all over opining positively about the junk culture that Hollywood Jews have manufactured.
For years I was intrigued by the fact that German Wikipedia touched on serious and cultural issues, which could potentially be used for the Aryan cause. On Wikipedia in English, on the contrary, we see a swarm of featured articles about videogames, movie artists, degenerate music and the whole range of the junk culture with which our enemies degrade the Aryan.
What is most striking is that quite a few among the alt-right consume the same junk as what the normies consume. How is that possible? I answered it in ‘Suicidal nationalists’, included in The Fair Race. The degeneracy of even white nationalists is such a terrible matter that I can only approach it from the POV that Judea’s triumph over Rome is practically absolute. But instead of commenting on all the crap I’ve seen about Joker these days, I would like to approach a single subject.
(The two Jokers, Heath Ledger left.) Ledger, the actor who played The Dark Knight Joker, also played the role of a homosexual in Brokeback Mountain. This movie, Brokeback Mountain was selected last year for preservation in the US National Film Registry by the Library of Congress as being culturally and historically significant! Obviously, elevating this thing to such level is what the usual suspects do. But even the personal life of the actor, who died at twenty-eight, is revealing. The Wikipedia article on Ledger tells us about the result of his autopsy. The report concludes that ‘Mr. Heath Ledger died as the result of acute intoxication by the combined effects of oxycodone, hydrocodone, diazepam, temazepam, alprazolam and doxylamine’. It also states: ‘We have concluded that the manner of death is accident, resulting from the abuse of prescribed medications’.
The guy died for taking psychiatric drugs: licit drugs against which I had alerted so much when I was doing anti-psychiatric activism in the previous decade. As far as Ledger is concerned, tell me who you admire and I’ll tell you who you are. That saying that I invented applies even to those who believe they are defending the white race when, in reality, they are attacking it by consuming the prolefeed that Jewry manufactures for us.
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Jokers
‘Joker is a love letter to mass shooters’.
Yesterday I said I would take a few days off but today Greg Johnson once again said the same thing about one of the latest Jokers on his list:
Finally, Balliet’s “solution” to his rage and alienation—killing innocent people—just makes the racial situation worse rather than better. We will surely learn a lot more about his ideas and affiliations in the coming months. But based on what we know now, we can say that his actions certainly resemble those of racially-motivated spree killers like Brenton Tarrant (whom he was obviously imitating), John Earnest, Robert Bowers, Dylann Roof, Anders Behring Breivik, Wade Michael Page, and Frazier Glenn Miller, all of whom are products of what I call “Old Right” thinking.
By the “Old Right,” I mean classical Fascism and National Socialism and their contemporary imitators who believe that White Nationalism can be advanced through such means as one-party politics, terrorism, totalitarianism, imperialism, and genocide.
The fatal mistake with Johnson’s reasoning is to invent an animal that doesn’t exist, the ‘New Right’: a little movement in his head of clearly neochristian inspiration that will supposedly create the ethnostate without bloodshed.
I have already said it and it is worth iterating it: The correct point of view is not that of neochristians like Johnson, but that of the antichristian William Pierce who tried to dissuade Bob Mathews (as there are not even remotely enough soldiers to start a guerrilla war). But that doesn’t mean that, once Bob committed his premature act, Pierce condemned him (he didn’t).
William Pierce died at the beginning of the century. His legacy is so extraordinarily lucid—a true genius—that I will add my Monday entry, ‘Why the West Will Go Under’, one of his articles, as the Parting Word for the final pages of The Fair Race. Just compare Pierce’s ‘parting word’ with what Johnson writes today!
Also, I will add more pages from Pierce’s Who We Are to the section of that abbreviated book which also appears in The Fair Race. That means that the version that will be ready this month of The Fair Race, with these last two additions, has reached the top of 730 pages. (The Lulu printing press does not print more than 730 pages under a single cover, so I can’t add any more texts once more.)
What I want to convey is that the right message to deter people who want to fight is simple: Wait until the proper societal conditions arise! The real world is not like the movies in which Arthur Fleck (a poor guy destroyed by his mom) ignites a street revolution! Don’t act like Fleck believing that a legion of clowns will follow you, as you saw in Joker! Read instead the PDFs of The West’s Darkest Hour. Seek first how the kingdom’s dollar will crash and all these things will be given to you!
Simply put, the right path for would-be revolutionaries is the one Pierce showed us: Stop! But read The Turner Diaries. The path of the true Aryan is not the path of Johnson and his neochristian readers.
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Response to Molyneux
In my recent article ‘Joker, Molyneux and CC’ I explained my agreements with Stefan Molyneux regarding the issue of child and adolescent abuse by their parents. Now I would like to explain my differences.
In his video today, Molyneux clarifies some doubts that were raised in the comments section of his previous video about Joker. The core of his most recent video is in the last minutes. Molyneux says something we agree on: that once the adult Arthur Fleck (the future Joker) becomes aware of what his mother did to him as a kid, he has two options: a positive spin to the revelation or a negative one. But Arthur Fleck’s story is fictitious and I prefer to illustrate Molyneux’s ideas with real-life cases.
In the discussion thread of my article on Joker I linked to another Molyneux video: an extensive video when Charles Manson died. I agree with what Molyneux said in that video, in which he educates us about the ordeal that Charlie suffered as a child with a mother who even sold him when he was very young. An uncle rescued him, but a few years later the mother got rid of Charlie again because her alcoholic lover did not tolerate his presence. In children’s hospices where Charlie lived he only suffered further physical abuse and even rapes.
Molyneux is right that the adult Manson chose evil. If I was treated like this as a child, Molyneux interprets the mind of the Joker (or Manson) now I return the favour, evil by evil. But Molyneux errs in his video today, that humanity in general is good. This is a universal mistake that even white nationalists share, who have only seen the evil of the Jews as if the rest of humanity were innocent.
Let’s go back to the movie Joker. There are some shots in which Gotham City (image above) is seen from afar with hundreds of heartless buildings around it. And in the shots already at the centre of the great metropolis, which in real life were taken in New Jersey, you can see what William Pierce said about ‘economic man’ (Mammon worship) in my Monday post.
An Homo economicus that tolerates dozens of Gotham cities around the world is not good humanity. They are, as I call them in my autobiographical writings, exterminable Neanderthals. Neanderthals in the sense of simia dei, the ape of God: a primitive version of Homo sapiens that should be replaced by a more evolved version. I am referring to a version of humans that, instead of the world of Saruman that destroyed entire forests to create Gotham cities, will return us to the Shire, so to speak. In addition to Homo economicus whose visible manifestation are the Gotham cities, that today’s man is a depraved creature is easy to prove by simply visiting the slaughterhouses where cows are killed.
All this is explained in my book Day of Wrath, which is in fact a chapter selection of my books in Spanish where I delve into the subject from the point of view of an Arthur Fleck, so to speak. In the aseptic selection that is Day of Wrath, the autobiographical confessions of this ‘Fleck’ are missing, confessions that do appear in the untranslated books. (I have been falling behind in the promised translation because I must work to put some bread on my table.)
Molyneux is able to hold a less obscure vision of the human race than mine because of the simple fact that the interaction with his Jewish mother was not as destructive as those children who were assaulted at home by both parents, to the point of an internal psychic breakdown. The key to the whole thing is not only that some parents in particular behave so cruelly with one of their children, but that society turns a deaf ear towards his screams…
In my previous post I cited the words of an Armenian from the Spotlight movie, in which he told a reporter that all of Boston— not just the paedophile priests—were involved in the destruction of a child, as the police, the lawyers, the faithful of the church and the family itself covered up the perpetrators. This is the key to understanding my difference with Molyneux. There are certain types of abuse that are infinitely more serious than what paedophile priests do to children. In my previous post I quoted a few words of The Dark Knight’s Joker who confessed that his father had slit his cheeks with a knife, and that is why he had a permanent smile. That Joker’s origin is fiction, of course. But if any of my visitors reads Day of Wrath, he would find out that there have been literally millions of parents who did similar things with their children throughout history and prehistory!
I am not asking you to buy my book, as it can be read for free on this site. (Although it is somewhat uncomfortable as the book is divided into 22 entries and the final chapters appear on this site first.)
Incidentally, I will take a couple of days off before resuming my activities here, although I’ll try to answer the comments of the recently posted articles.
It is now available (here).
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Joker, Molyneux and CC
Or:
An opportunity to present the trauma model
In recent years I don’t usually go to the movies. If there is something I say to my nephews when I see them it is that, in the media and the cinema, all the messages are bad. But yesterday I broke my habit after watching Stefan Molyneux’s video about the Joker movie.
I am glad that, as Molyneux confessed in one of his latest videos, eighty percent of his audience dropped last year. Is it because of his dishonesty about the JQ? Whatever caused the drop, from alt-lite to neo-Nazism, passing through white nationalism, Molyneux is the only notable personality in our underworld who has consistently talked about child abuse.
As the visitors of this blogsite know, I spent more decades investigating child abuse than the single decade I’ve dedicated to investigating the darkest hour in the West: whose report, The Fair Race, now appears as a free PDF. Since my oldest specialty is the subject of child abuse I must say that what Molyneux tells us in his one-hour video is, in general terms, correct.
The video revolves around the character Arthur Fleck / Joker, a mentally-ill man who dreams to become a stand-up comedian but so disregarded by a hellish and diverse Gotham City that decides to become a criminal. Curiously, the actor Joaquin Phoenix did not look to previous Joker actors for inspiration: he simply read some reports about political assassinations.
Hollywood movies usually lack psychological realism. For example, in the 1989 Jack Nicholson movie the Joker origin story simply falls into a vat of acid. The 2019 movie, on the other hand, gives its central character a plausible origin. So plausible that the film has been described as reminiscent of mass shootings in the US, and the incel community loved it. What’s more, some people from the establishment have expressed concern that Joker could inspire real-world violence.
In a moment of the first minutes of his video, Molyneux confesses that he has received horrific verbal abuse just for mentioning the naked facts of his own childhood, and that hostility toward those who were abused as children or teenagers is not uncommon if the adult victim dares to open his mouth.
At this point I would like to distinguish between dysfunctional parents and schizogenic parents, that is, parents who literally murder their children’s souls. While almost everyone I know comes from family dysfunction in one way or another, the category of schizogenic parents simply does not exist in our society. Since the 1950s the Big Pharma has ensured that civil society does not find out that there is a trauma model to understand the mental disorder that competes with its profitable medical model.
But what does all this have to do with the recent film Joker? As can be deduced from Molyneux’s video, and regardless of the sinister motivation of its Jewish creators, the film could be used, by us, to present the trauma model to the public. I was the one who started this Wikipedia article on the trauma model, an academic text that appeals to the left hemisphere of our brains. He who wants to delve deeper into this research line, and in a more literary way, can read my book Day of Wrath. On the other hand, he who prefers a personal testimony that presents the trauma model appealing to our right hemisphere could read John Modrow’s touching autobiography, How to Become a Schizophrenic.
Furthermore, he who is unwilling even to read any the above literature, but willing to educate himself on the subject having some fun, could see the films Shine (1996), Monster (2003), The Piano Teacher (2001) and even Artificial Intelligence by Spielberg, which can be used to grasp what proponents of the trauma model call ‘the problem of attachment to the perpetrator’.
Although it may seem incredible, sometimes fairy tales portray the destructive interaction of parents with their children. In almost all fairy tales, including modern fairy tales like Kubrick/Spielberg’s A.I. or Harry Potter, the parental figure is substituted so as not to touch it directly. In the case of the Potter series the abusers are Harry’s uncle and aunt. As to David, the child robot in A.I., obviously he had no biological parents but Monica functions like a substitute mother. But sometimes the storyteller sneaks parents directly into the story as the villains who abandon their children (for example in Tom Thumb).
But there are more serious forms of abuse than abandoning your child in the woods, what also happened to David. What Molyneux says about not forgiving schizogenic parents is true. I would go as far as to claim that to forgive such parents is the most toxic thing for the mental health of the victim. Mine is an opposed claim to what the establishment wants us to believe.
Why is the forgiveness that religionists and therapists preach so toxic? Because it is the abusive parents and society the ones who are currently murdering young souls. As the Armenian lawyer said in Spotlight, which won the Academy Award for Best Picture in 2015: ‘This city, these people [Boston people] are making the rest of us feel like we don’t belong. But they’re no better than us. Look at how they treat their children. Mark my words, Mr. Rezendes [another Armenian]: If it takes a village to raise a child, it takes a village to abuse one’ (emphasis added).
For the victim, unilaterally forgiving the perpetrator or a society that never accepts its soul-murdering sins is simply a betrayal of oneself and the other adult victims, now suffering from mental stress and even disorders.
In addition to the first minutes of Molyneux’s video, using as a paradigm the Joker’s abusive interaction with his mother Penny in Gotham City, Molyneux advances ideas analogous to what I have known for a long time. Watch also the segments after minute 35 of his video: how female evil is still taboo in the film industry.
It is curious to note the chasm between those who, like Molyneux and I, have investigated child abuse due to our past, and those who did not have such destructive parenting.
Greg Johnson for example is a Batfan. In his recent review of Joker, which he writes under the penname of Trevor Lynch, Johnson prefers Heath Ledger’s Joker in the 2008 The Dark Knight than the Joker of the movie released this month. Johnson expresses very derogatory of this latest Joker: ‘You’d want to squash him like a bug’. ‘Ledger’s Joker launched a million memes, both because of his character and his lines. Phoenix’s Joker will have no such influence. He’s a pathetic nobody with nothing to say’. ‘Arthur [the Joker] is entirely absorbed in self-pity’. ‘Joker is a boring movie about a disgusting loser’.
Well, it didn’t look boring to me… But the commenters on Counter-Currents who opined about Johnson’s review said very similar things: ‘People like him deserve to get left behind by society, and the true tragedy of this movie is that successful, well-adjusted men like Thomas Wayne insist on trying to love the Arthur Flecks of the world and take care of them’. Really? The conservative commenter also said: ‘The defects like Arthur would be put in mental asylums and [eugenically] sterilized’. [1]
Such commenters remind me that, in the movie, Thomas Wayne, the billionaire father of the future Batman, labels those Gotham residents envious of the wealthy as ‘clowns’, not only the Joker. I don’t know how many viewers enjoyed the moment when, by the end of the movie, a rioter corners the Wayne family in an alley and murders Thomas and his wife sparing the child Bruce. Another commenter said: ‘One of the great things about Heath Ledger’s Joker in Christopher Nolan’s The Dark Knight is that he does not have an origin story’.
I dare not judge the Marvel universe as I feel deeply revolted by it. But in the real world, isn’t it good to know, say, the psychopathological motivations of those women in the Charles Manson family? But the commenters’ lack of elemental compassion is even noticeable about the previous Joker represented by Heath Ledger, an actor that incidentally has already passed away. In one of the dialogues the now dead Joker explains his scars. He said that his father ‘comes at me with a knife. “Why so serious?” He sticks a blade in my mouth. “Let’s put a smile on that face”.’
This father strikes me as ‘soul murderer’. Note this other phrase from the CC commenter: ‘Arthur [the Joker who’s alive] is far too damaged for any regular person to identify with him’.
How will a normie commenter identify with him if only one percent (or less) of Westerners have endured schizogenic parents?
Incidentally, last night, as I watched the psychological thriller, there were times when I laughed (as the character does in the film) when the audience was serious and nobody laughed. That happened to me, yesterday, in the climax of the film when the Joker kills the establishment character that Robert de Niro represented.
As I said, I usually don’t go to the movies now. But decades ago the same phenomenon occurred to me with some films by Luis Buñuel, whom I met personally, in which nobody laughed. It also happened to me when I watched Dr. Strangelove by Kubrick on the big screen. I laughed at the black humour in which the nuclear extermination of humanity was at stake while the hundreds of people watching the movie with me were quiet in the theatre. Only when I read a Kubrick biography by Vincent Lobrutto did I find out that Kubrick had a very black sense of humour. Then did I understand me and the non-laugher spectators of Dr. Strangelove!
Joker ends when Arthur laughs and tells a psychiatrist that she would not understand the joke…
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[1] In the comments section on Joker in Counter-Currents Johnson shows how ignorant he is about psychiatry: a supposed branch of medicine with as little scientific basis as parapsychology or the study of UFOs, as shown in my writings (for example: here). Johnson wrote ‘If Arthur is adopted then his mental illness cannot be inherited from this mother’. This is a credulity stance regarding the psychiatric allegations that mental illness is genetic. Apparently, Johnson forgot what I said in one of my articles in which he himself corrected my syntax (see this piece which appears in my Hojas Susurrantes).
