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WDH – pdf 387
Click: here
Author: C .T.
Editor’s note: The October 2020 article by Ron Unz is worth reading, ‘White Racialism in America, Then and Now: An Intellectual History of the Last One Hundred Years’ of which I’ll quote only a passage:
______ 卐 ______
The overwhelming majority of the world’s leading academics and intellectuals from one hundred years ago—whether left, right, or centre—held many views that would surely have gotten them branded as ‘White Nationalists’ in today’s severely constricted ideological climate.
But whereas today’s WNs are an extremely vilified and marginalised group, with their ranks therefore necessarily skewed towards eccentrics and misfits, the situation was entirely different back then. Their counterparts of the past included many of the foremost academic scholars and public intellectuals of that era, who openly discussed their views in leading opinion journals rather than by pseudonymous postings in dark corners of the Internet. Partly for this reason, such individuals tended to approach the same issues with far greater sophistication.
Until the early 2000s, nearly all these names would have been almost unknown to me, either rating a sentence or two in my introductory history textbooks, or else being entirely omitted. But I spent most of that decade building a content-archiving system that provided convenient access to over a million articles from more than 200 of our leading periodicals since the mid-19th century, and was stunned by the severe distortions and enormous lacunae in my knowledge which this revealed. As I wrote a couple of years ago on related matters:
I sometimes imagined myself a little like an earnest young Soviet researcher of the 1970s who began digging into the musty files of long-forgotten Kremlin archives and made some stunning discoveries. Trotsky was apparently not the notorious Nazi spy and traitor portrayed in all the textbooks, but instead had been the right-hand man of the sainted Lenin himself during the glorious days of the great Bolshevik Revolution, and for some years afterward had remained in the topmost ranks of the Party elite. And who were these other figures—Zinoviev, Kamenev, Bukharin, Rykov—who also spent those early years at the very top of the Communist hierarchy? In history courses, they had barely rated a few mentions, as minor Capitalist agents who were quickly unmasked and paid for their treachery with their lives…
As I gradually discovered, large portions of America’s entire intellectual past had been hidden or altered beyond recognition, and racial beliefs constituted a major portion of this transformation. The ongoing ‘cancel-culture’ of today’s elite-backed Black Lives Matter movement represents merely the latest iteration of this long process.
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The queen’s justice
‘The Queen’s Justice’ is the third episode of the seventh season of HBO’s fantasy television series Game of Thrones, and the 63rd overall.
The first feminist message of the episode is the meeting between Dany and Jon at Dragonstone. I’ve been mentioning the nickname ‘Dany’ that Jon would give the queen when, in later episodes, they became lovers. But the official title of this feminist icon is just the way Missandei introduced her queen to Jon: ‘You stand in the presence of Daenerys Stormborn, of the House Targaryen: Rightful Queen of the Andals and the First Men, protector of the Seven Kingdoms, the Mother of Dragons, the Khalessi of the Great Grass Sea, the Unburnt [fire doesn’t burn her] and the Breaker of Chains [i.e., a SJW queen]’.
Regarding the other queen who also claims to be the protector of the Seven Kingdoms, Tycho Nestoris of the Iron Bank tells Cersei that she is the first queen in the history of Westeros. In other words, there had been no women in power prior to the show’s internal timeline.
It’s becoming increasingly clear that the show is, as we have been saying, a projection of the current lifestyles of a dying race to a medieval world that never existed. Later the episode shows us another kind of bad message: Grey Worm’s mulatto army infiltrates Casterly Rock and captures the castle of the Aryan Lannisters.
Then we see how, after Jaime, Randyll and their armies take Highgarden, Jaime Lannister (pic above) speaks one last time with Olenna before she drinks a poisoned cup.
YouTube fans are already starting to talk about the new series that HBO wants to premiere next year: a prequel to Game of Thrones based on Martin’s fiction (something akin to what Peter Jackson did after his LOTR trilogy). From the casting we can guess that feminism will apparently continue, and perhaps this time one of the main characters is a black man. Hopefully the US dollar will collapse before its release so that the circus will stop looking funny to these degenerate whites…
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O Christians!
The quantity of Christians in the racialist right still surprises me, and I’m not just talking about Americans.
The last time I saw a video of Keith Woods, it seemed to me that this beardless boy was in the process of abandoning racialism in pursuit of his parents’ religion. Now he interviews an apologist of his faith on YouTube (here): a channel that hasn’t been taken down because Woods’ message isn’t a threat to the System’s narrative.
I think I should link here some of the most incisive criticisms of various racialist authors of Christianity because the message of this site seems to be being preached on deaf ears. No Christian that I know of has tried to refute, say, what we say in the masthead of this site (here). Even the shortest articles don’t seem to have prompted them to reflect.
Let’s start by quoting Tom Sunic, who unlike the beardless Woods is a mature intellectual: ‘Christianity became a Universalist religion with a special mission to transform the Other into the Same. The seeds of egalitarianism—albeit on the religious, not yet on the secular level—were sown. Many Whites make a fundamental mistake when they portray new civil religions as part of an organised conspiracy of a small number of wicked people. In essence, civil religions are just secular transpositions of the Judeo-Christian monotheist mindset’.
Sunic is European. In America, writing about today’s Christian racialists, William Pierce said: ‘They ignore the Jewish origins of Christianity’. Also in the US, Jack Frost compared Christianity to cancer that started as a sort of Jewish psyop in the first century: ‘Cancer, too, doesn’t necessarily kill immediately. You can have cancer for years until it suddenly metastasises and kills you. You can have it and be apparently strong and have many accomplishments; but nevertheless, you have it, and it will eventually kill you’ (read the long text: here). Frost had in mind something akin to what another commenter has said and I quote on the sidebar: ‘1945 was the year of the total inversion of Aryan values into Christian values’, the current metastasises that is killing the West.
What Wood’s apologist says about the mischaracterisation of Nietzsche and that the state ideology (the George Floyd incident) is unrelated to historical Christianity, is unfounded. See my article in English (here) that has recently been translated to German (here).
Okay, I am an obscure blogger. But Woods and his Christian apologist even ignore what Hitler said about Christianity (here) or what William Pierce said about the same subject (here). New visitors of this should know the ideas of a Swede that prompted my awakening to the Christian Question (here).
‘Stormborn’ is the second episode of the seventh season of HBO’s fantasy television series Game of Thrones, and the 62nd overall. We see the first feminist message in Dany’s war council that used to be Stannis’ headquarters. Dany invited three powerful women, Olenna Tyrell, Yara Greyjoy, and Ellaria Sand as allies to overthrow another woman, Queen Cersei. Olenna, Yara, and Ellaria are hawks while Tyrion recommends restraint to avoid unnecessary genocide.
The warriors with balls are women, and those who care for civilians are men (Varys is also in the Dragonstone war council as Dany’s counsel). That eagerness to behave like a hawk is even more noticeable when Olenna is left alone talking to Dany, haranguing her to honour her Targaryen surname, that she becomes a true dragon.
We see the second feminist message of the episode when Sansa, once again in the war council of Winterfell with the lords of the north, again contradicts, and resoundingly, the decisions of the king of the north, Jon. In the real world, an insolent woman who had done a scene like the one Sansa had done in the previous episode would not have entered the war council room again. But here, obviously, the male kings tolerate these mouthy little women, even the Mormont girl who opens her little mouth again at Jon’s war council to show her disagreements.
The worst thing is that, when Jon Snow accepts the invitation to visit Dany in Dragonstone, he leaves Sansa as Guardian of the North in Winterfell. So now three women rule Westeros: Cersei in King’s Landing, Dany the invader (who has allied with Olenna, Yara and Ellaria), and Sansa as guardian of the north while Jon Snow returns from his dangerous diplomatic mission.
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Jared
It is fascinating to listen to Jared Taylor in this interview from about minute 25 to 30. We can see the ideological gulf between him and us, especially what he says about Hitler and fascism, democracy as the only legit approach for a solution to the racial problem in his country, and—God forbid!—never think about the possibility of a violent revolution in the future.
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Dragonstone
‘Dragonstone’ is the seventh season premiere episode of HBO’s fantasy television series Game of Thrones, and the 61st overall. Almost all episodes begin with a minute and a half opening credits in which we listen to the musical theme of the series that became so popular. Here, instead, David Benioff and D. B. Weiss kicked off the season with an ultra-feminist scene. In my previous post I said that the girl Arya had killed the principals of House Frey. But this girl is so powerful, and let’s remember that we are in the scene before the opening credits, that she manages to kill the rest of House Frey—dozens of them, all males, and in the end she walks over the corpses.
The imbecile fans loved the scene. For me, the fact that millions of fans didn’t mind that a single girl was capable of killing all the males in their own feudal castle, shows that the Aryan problem encompasses the Jewish problem. Not wanting to see that the masses are surreally brutalised is part of the blindness of white nationalists, who don’t quite understand what’s happening.
But the opening scene is only the overture of what comes next. In Winterfell, the Mormont girl returns with her practice of lecturing a feudal lord and Jon Snow allows Sansa to confront him before the lords and ladies of the north. Sansa is not the wife of Jon, the king of the north. In the real feudal world she had to be completely subordinate to the will of her stepbrother. She shouldn’t even have a voice on the war council. But we are in a series in which the same actor who played Jon said in an interview that Game of Thrones was a feminist show.
It is true what I said in my previous post: the great hits of white culture should be studied more than the subversion of the Frankfurt School. But reviewing these episodes represents a great test of patience for me. However, since there is no blogger among racialists who dedicates himself to exposing every bad message on television series, I feel compelled to do so at least with the most popular series of all, no matter what bile my body secretes by imposing this homework on me.
Returning to the initial episode of the season, it ends when Dany arrives with her armada at Dragonstone, from where she plans how to defeat the other queen, Cersei.
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Derbyshire’s blindness
‘For the future of our civilisation’, John Derbyshire wrote in an article published yesterday, ‘I would like to see a task force—a Manhattan Project—of historians, psychiatrists, neurologists, behavioural geneticists, quantitative psychologists, sociologists, and anthropologists get to work explaining this strange, weird, suicidal phenomenon’ (white ethnosuicide).
Derbyshire is blind of course, inasmuch as he doesn’t want to see the elephant in the room. See what Robert Morgan answered him today: Christian ethics alone is the culprit. You don’t need a Manhattan Project of so-called ‘specialists’ to see the obvious!
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The winds of winter
‘The Winds of Winter’ is the tenth and final episode of the sixth season of HBO’s fantasy television series Game of Thrones, and the sixtieth overall.
It opens with artistic scenes in the Great Sept that are worth watching even if you don’t see the rest of the episode. Martin was obviously inspired by the medieval church.
High Sparrow: ‘Will you fight to defend your faith against heretics and apostates?’
Brother Loras: ‘I will’.
But even in the Big Sept the writers put up a damn feminist scene. Addressing the High Sparrow, Margaery blasphemes (‘Forget about the Bloody Gods and listen to what I’m telling you!’) in front of the Faith Militant, a sort of inquisitors, and all the nobles gathered at the trial of Loras and Cersei.
This is something as inconceivable as a woman shouting something similar to the pope of other times in St. Peter’s Basilica with the Holy Inquisition present.
The scene is ultra-feminist because Margaery not only curses in a holy place. She’s so clever that she senses that somehow the Great Sept is going to be attacked—something unbelievable within the plot itself. After the Night King killed the old man tangled in the tree only his disciple, the new three-eyed raven, has the power to know these things clairvoyantly (wildfire cache about to explode under the Great Sept).
Even worse, much worse, is what happens after the Great Sept explodes killing everyone, religious and nobles included. This level of feminism is so repulsive that I will tell it very briefly. The girl Arya, who should be dead from the stab wounds she received in a previous episode, single-handedly murders the feudal lord of House Frey and his sons. (Before that scene, Tyrion, supposedly the most intelligent man in Westeros, tells Dany ‘I believe in you’ and Dany turns him into Hand of the Queen with all the ritual of kneeling before the queen, etc.)
But the ridiculous feminist messages don’t end there. In Winterfell, after a few words from Jon Snow now that the Boltons were defeated for good, the prepubescent Mormont girl lectures three mature feudal lords! And it is this girl who, speaking to all the assembled lords of the north, proposes, now that there is no longer a guardian of the north, Jon Snow as the king and all acclaim him.
I have said it elsewhere and it bears repeating. To understand the darkest hour of the West what is needed is to understand the greatest hits of mass culture, as it was in the 19th century Uncle Tom’s Cabin (remember that Lincoln told its author: ‘So you’re the little woman who wrote the book that made this great war!’) and Ben-Hur: A Tale of the Christ, which also became a tremendous bestseller in the United States. In the 20th century, the film based on it would win eleven Academy Awards, and in the 21st century BLM would inherit the message from the little woman Lincoln spoke to.
It is there, the hits, where we can calibrate the pulse of the white man’s collective unconscious. In other words, to understand the dark hour it’s better to understand Game of Thrones than the boring texts of the Frankfurt School. It’s pop culture that drives the stupid masses, not so much what Kevin MacDonald discusses in The Culture of Critique.
To culminate the end of the sixth season, after the suicide of King Tommen there are no longer any men sitting on the Iron Throne. Now it’s a woman’s turn:
Qyburn: ‘I now proclaim Cersei of the House Lannister, First of Her Name, Queen of the Andals and the First Men, Protector of the Seven Kingdoms. Long may she reign!’
But Cersei is not the only queen. In the final scene of the season we see Dany with a massive armada, with her dragons flying above, crossing the sea to conquer Westeros.
The Battle of the Bitches is what lies ahead…
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WDH – pdf 386
Click: here