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Civil war Film Real men

‘That we won’t werewolf…’


Dr. Sally: Oh, no, no, no. No, you can’t joke about that.

Murray Franklin: Yeah, that’s not funny, Arthur. That’s not the kind of humor we do on this show.

Joker: Okay. Yeah, I’m sorry. It’s just, you know, it’s been a rough few weeks, Murray. Ever since I killed those three Wall Street guys.

[Pause.]

Murray Franklin: Okay, I’m waiting for the punchline.

Joker: There is no punchline. It’s not a joke.

Murray Franklin: You’re serious, aren’t you? You’re telling us you killed those three young men on the subway?

Joker: Mm-hmm.

Murray Franklin: And why should we believe you?

Joker: I’ve got nothing left to lose. Nothing can hurt me anymore.

[He smiles.]

Joker: My life is nothing but a comedy.

Murray Franklin: Let me get this straight, you think that killing those guys is funny?

Joker: I do. And I’m tired of pretending it’s not. Comedy is subjective, Murray. Isn’t that what they say? All of you, the System that knows so much, you decide what’s right or wrong. The same way that you decide what’s funny or not.

Audience Member: Get him off!

Murray Franklin: Okay, I think, my understanding, that you did this to start a movement to become a symbol?

Joker: Come on, Murray. Do I look like the kind of clown that could start a movement? I killed those guys because they were awful. Everybody is awful these days. It’s enough to make anyone crazy.

Murray Franklin: Okay, so that’s it. You’re crazy. That’s your defense for killing three young men?

Joker: No. They couldn’t carry a tune to save their lives.

[The audience starts booing.]

Joker: Oh, why is everybody so upset about these guys? If it was me dying on the sidewalk, you’d walk right over me. I pass you everyday and you don’t notice me! But these guys, what, because [the very wealthy] Thomas Wayne went and cried about them on TV?

Murray Franklin: Do you have a problem with Thomas Wayne?

Joker: Yes, I do. Have you seen what it’s like out there, Murray? Do you ever actually leave the studio? Everybody just yells and screams at each other. Nobody’s civil anymore! Nobody thinks what it’s like to be the other guy. You think men like Thomas Wayne ever think what it’s like to be someone like me? To be somebody but themselves? They don’t. They think that we’ll just sit down and take it like good little boys! That we won’t werewolf and go wild!

Murray Franklin: You finished? I mean, there’s so much self-pity, Arthur, you sound like you’re making excuses for killing those young men.

Not everybody, and I’ll tell you this, not everyone is awful.

Joker: But you’re awful, Murray.

Murray Franklin: Me? I’m awful? Oh, yeah? How am I awful?

Joker: Playing my video. Inviting me on this show. You just wanted to make fun of me. You’re just like the rest of them.

Murray Franklin: You don’t know the first thing about me, pal. Look what happened because of what you did? What it led to. There are riots out there. Two policemen are in critical condition.

[Arthur starts to laugh.]

Murray Franklin: You’re laughing. You’re laughing. Someone was killed today because of what you did.

Joker: I know…

How about another joke, Murray?

Murray Franklin: No, I think we’ve had enough of your jokes.

Joker: What do you get…

Murray Franklin: I don’t think so.

Joker: …when you cross…

Murray Franklin: I think we’re done with the show. That’s it.

Joker: …a mentally ill loner with a society that abandons him and treats him like trash?!

Murray Franklin: Call the police, Gene. Call the police.

Joker: I’ll tell you what you get! You get what you fucking deserve!

[Suddenly Arthur Freck, the Joker, shoots Murray in the head and the audience starts running off in terror. After killing Murray, the Joker, goes to a camera and points it at himself.]

Joker: Goodnight. And always remember, that’s…

[He gets cut off as the show is cut. After Arthur murders Murray live on TV, as riots break out across Gotham, the Waynes leave a movie theater and a clown rioter follows them down an alley.]

Clown Rioter: Hey, Wayne. You get what you fucking deserve.

[Points his gun at Thomas…]

Thomas Wayne: No, pal!

[He shoots both Thomas and his wife, Martha, in front of young Bruce, the future Batman: protector of the System. LOL!]

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PDF backup

WDH – pdf 325

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PDF backup

WDH – pdf 324

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Red terror

Super-super quotable quote!

‘In per capita terms Jews were the greatest mass-murderers of the twentieth century, holding that unfortunate distinction by an enormous margin and with no other nationality coming even remotely close. And yet, by the astonishing alchemy of Hollywood, the greatest killers of the last one hundred years have somehow been transmuted into being seen as the greatest victims, a transformation so seemingly implausible that future generations will surely be left gasping in awe’.

—Ron Unz (Jewish)

Categories
Degenerate art Music Racial right

Who to read?

Today Krist Krusher said:

Jewish prolefeed cannot be stopped by simply banning media made after 1969. It requires banning films in general. Sound films are particularly worthy of scrutiny as the first talkie was about glorifying the degeneracy that was jazz with a Jewish protagonist (Jakie Rabinowitz / Jack Robin), a Jewish actor (Al Jonson), and Jewish producers (the Wonsal brothers a.k.a The Warner Brothers). Triumph of the Will notwithstanding.

Music is the second target. Destroying rock‘n roll records is only the first step to regeneration of the soul. Only after taking the progenitors of the these horrid genres around the corner can Europa regain her sensibilities. The culprits being old Bluegrass and Appalachian folk music that was played in 1800s America. Despite their Scottish origins, they are completely degenerate; therefore they must all be eliminated.

This was posted after my article ‘On prolefeed for Alt-righters’, and what I am about to say must be understood within that context and also my other article today.

When out of curiosity I enter the podcast of a white nationalist and find that they play degenerate music, I immediately disconnect and do not hear the spoken word after such music.

This may seem like an overreaction, but if there is something in which alt-right folks are schizophrenic it is in denouncing the prolefeed of the Jews and at the same time consume it with pleasure! I have talked about degenerate music on this site but the same I say now about Hollywood. There are exceptions of course: but the norm is to use degenerate music in the alt-right podcasts and unabashedly comment on Hollywood movies as if it was a legit form of the Seventh Art.

It is precisely because of that all too obvious schizophrenia—in the vernacular sense of the term—that I no longer recommend the alt-right sites to the normies. I recommend them my collection of twenty authors in The Fair Race. One could say, again, that I am overstating my case as someone like Kevin MacDonald does not promote degenerate music or Hollywood in his webzine. But even respected professors like MacDonald have other shortcomings (also discussed in The Fair Race).

The right way is to read those who grew up before cultural degeneration reached superlative extremes: Yockey, Rockwell, Oliver and Pierce. Some of the old American spirit can still be breathed in the texts of a retired American intellectual, Michael O’Meara, who unlike the schizophrenics knew that revolution is unavoidable.

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Racial right William Pierce

William Pierce

This is a postscript to what I said in my previous post.

Since many people in the alt-right are true consumers of the soul-rotting junk that the Jews administer to us, I recently came up with a brilliant idea. Instead of visiting most of the sites of current white nationalism, I better read everything available on the internet that has come out of William Pierce’s pen.

Why? Because alt-right folks are not fit to tie Pierce’s shoelaces, not even fit to carry out his trash.

Categories
Degenerate art Psychiatry Racial right

On prolefeed for alt-righters

The last days, using Joker as a pretext to talk about other issues (trauma model, exterminationism and premature violent acts), I had no choice but to watch a few reviews about the movie on YouTube.

I was disgusted (remember that I no longer go to the movies, although I made an exception with Joker): there are countless fans from all over opining positively about the junk culture that Hollywood Jews have manufactured.

For years I was intrigued by the fact that German Wikipedia touched on serious and cultural issues, which could potentially be used for the Aryan cause. On Wikipedia in English, on the contrary, we see a swarm of featured articles about videogames, movie artists, degenerate music and the whole range of the junk culture with which our enemies degrade the Aryan.

What is most striking is that quite a few among the alt-right consume the same junk as what the normies consume. How is that possible? I answered it in ‘Suicidal nationalists’, included in The Fair Race. The degeneracy of even white nationalists is such a terrible matter that I can only approach it from the POV that Judea’s triumph over Rome is practically absolute. But instead of commenting on all the crap I’ve seen about Joker these days, I would like to approach a single subject.

(The two Jokers, Heath Ledger left.) Ledger, the actor who played The Dark Knight Joker, also played the role of a homosexual in Brokeback Mountain. This movie, Brokeback Mountain was selected last year for preservation in the US National Film Registry by the Library of Congress as being culturally and historically significant! Obviously, elevating this thing to such level is what the usual suspects do. But even the personal life of the actor, who died at twenty-eight, is revealing. The Wikipedia article on Ledger tells us about the result of his autopsy. The report concludes that ‘Mr. Heath Ledger died as the result of acute intoxication by the combined effects of oxycodone, hydrocodone, diazepam, temazepam, alprazolam and doxylamine’. It also states: ‘We have concluded that the manner of death is accident, resulting from the abuse of prescribed medications’.

The guy died for taking psychiatric drugs: licit drugs against which I had alerted so much when I was doing anti-psychiatric activism in the previous decade. As far as Ledger is concerned, tell me who you admire and I’ll tell you who you are. That saying that I invented applies even to those who believe they are defending the white race when, in reality, they are attacking it by consuming the prolefeed that Jewry manufactures for us.

Categories
Civil war William Pierce

Jokers

Joker is a love letter to mass shooters’.

Andrew Anglin

Yesterday I said I would take a few days off but today Greg Johnson once again said the same thing about one of the latest Jokers on his list:

Finally, Balliet’s “solution” to his rage and alienation—killing innocent people—just makes the racial situation worse rather than better. We will surely learn a lot more about his ideas and affiliations in the coming months. But based on what we know now, we can say that his actions certainly resemble those of racially-motivated spree killers like Brenton Tarrant (whom he was obviously imitating), John Earnest, Robert Bowers, Dylann Roof, Anders Behring Breivik, Wade Michael Page, and Frazier Glenn Miller, all of whom are products of what I call “Old Right” thinking.

By the “Old Right,” I mean classical Fascism and National Socialism and their contemporary imitators who believe that White Nationalism can be advanced through such means as one-party politics, terrorism, totalitarianism, imperialism, and genocide.

The fatal mistake with Johnson’s reasoning is to invent an animal that doesn’t exist, the ‘New Right’: a little movement in his head of clearly neochristian inspiration that will supposedly create the ethnostate without bloodshed.

I have already said it and it is worth iterating it: The correct point of view is not that of neochristians like Johnson, but that of the antichristian William Pierce who tried to dissuade Bob Mathews (as there are not even remotely enough soldiers to start a guerrilla war). But that doesn’t mean that, once Bob committed his premature act, Pierce condemned him (he didn’t).

William Pierce died at the beginning of the century. His legacy is so extraordinarily lucid—a true genius—that I will add my Monday entry, ‘Why the West Will Go Under’, one of his articles, as the Parting Word for the final pages of The Fair Race. Just compare Pierce’s ‘parting word’ with what Johnson writes today!

Also, I will add more pages from Pierce’s Who We Are to the section of that abbreviated book which also appears in The Fair Race. That means that the version that will be ready this month of The Fair Race, with these last two additions, has reached the top of 730 pages. (The Lulu printing press does not print more than 730 pages under a single cover, so I can’t add any more texts once more.)

What I want to convey is that the right message to deter people who want to fight is simple: Wait until the proper societal conditions arise! The real world is not like the movies in which Arthur Fleck (a poor guy destroyed by his mom) ignites a street revolution! Don’t act like Fleck believing that a legion of clowns will follow you, as you saw in Joker! Read instead the PDFs of The West’s Darkest Hour. Seek first how the kingdom’s dollar will crash and all these things will be given to you!

Simply put, the right path for would-be revolutionaries is the one Pierce showed us: Stop! But read The Turner Diaries. The path of the true Aryan is not the path of Johnson and his neochristian readers.

Categories
Child abuse Evil Neanderthalism

Response to Molyneux

In my recent article ‘Joker, Molyneux and CC’ I explained my agreements with Stefan Molyneux regarding the issue of child and adolescent abuse by their parents. Now I would like to explain my differences.

In his video today, Molyneux clarifies some doubts that were raised in the comments section of his previous video about Joker. The core of his most recent video is in the last minutes. Molyneux says something we agree on: that once the adult Arthur Fleck (the future Joker) becomes aware of what his mother did to him as a kid, he has two options: a positive spin to the revelation or a negative one. But Arthur Fleck’s story is fictitious and I prefer to illustrate Molyneux’s ideas with real-life cases.

In the discussion thread of my article on Joker I linked to another Molyneux video: an extensive video when Charles Manson died. I agree with what Molyneux said in that video, in which he educates us about the ordeal that Charlie suffered as a child with a mother who even sold him when he was very young. An uncle rescued him, but a few years later the mother got rid of Charlie again because her alcoholic lover did not tolerate his presence. In children’s hospices where Charlie lived he only suffered further physical abuse and even rapes.

Molyneux is right that the adult Manson chose evil. If I was treated like this as a child, Molyneux interprets the mind of the Joker (or Manson) now I return the favour, evil by evil. But Molyneux errs in his video today, that humanity in general is good. This is a universal mistake that even white nationalists share, who have only seen the evil of the Jews as if the rest of humanity were innocent.

Let’s go back to the movie Joker. There are some shots in which Gotham City (image above) is seen from afar with hundreds of heartless buildings around it. And in the shots already at the centre of the great metropolis, which in real life were taken in New Jersey, you can see what William Pierce said about ‘economic man’ (Mammon worship) in my Monday post.

An Homo economicus that tolerates dozens of Gotham cities around the world is not good humanity. They are, as I call them in my autobiographical writings, exterminable Neanderthals. Neanderthals in the sense of simia dei, the ape of God: a primitive version of Homo sapiens that should be replaced by a more evolved version. I am referring to a version of humans that, instead of the world of Saruman that destroyed entire forests to create Gotham cities, will return us to the Shire, so to speak. In addition to Homo economicus whose visible manifestation are the Gotham cities, that today’s man is a depraved creature is easy to prove by simply visiting the slaughterhouses where cows are killed.

All this is explained in my book Day of Wrath, which is in fact a chapter selection of my books in Spanish where I delve into the subject from the point of view of an Arthur Fleck, so to speak. In the aseptic selection that is Day of Wrath, the autobiographical confessions of this ‘Fleck’ are missing, confessions that do appear in the untranslated books. (I have been falling behind in the promised translation because I must work to put some bread on my table.)

Molyneux is able to hold a less obscure vision of the human race than mine because of the simple fact that the interaction with his Jewish mother was not as destructive as those children who were assaulted at home by both parents, to the point of an internal psychic breakdown. The key to the whole thing is not only that some parents in particular behave so cruelly with one of their children, but that society turns a deaf ear towards his screams…

In my previous post I cited the words of an Armenian from the Spotlight movie, in which he told a reporter that all of Boston— not just the paedophile priests—were involved in the destruction of a child, as the police, the lawyers, the faithful of the church and the family itself covered up the perpetrators. This is the key to understanding my difference with Molyneux. There are certain types of abuse that are infinitely more serious than what paedophile priests do to children. In my previous post I quoted a few words of The Dark Knight’s Joker who confessed that his father had slit his cheeks with a knife, and that is why he had a permanent smile. That Joker’s origin is fiction, of course. But if any of my visitors reads Day of Wrath, he would find out that there have been literally millions of parents who did similar things with their children throughout history and prehistory!

I am not asking you to buy my book, as it can be read for free on this site. (Although it is somewhat uncomfortable as the book is divided into 22 entries and the final chapters appear on this site first.)

Incidentally, I will take a couple of days off before resuming my activities here, although I’ll try to answer the comments of the recently posted articles.

Categories
Daybreak Publishing Kriminalgeschichte des Christentums (books)

Deschner’s PDF

It is now available (here).