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Child abuse

WN ∩ child abuse = Ø?

Let’s remember the Venn Diagrams that we were taught in school. Many people believe that the issue of the mistreatment of children by their parents has nothing to do with white preservation. In set theory, that claim could be visualised by saying that the circles of white nationalism (WN) and child abuse don’t share any area, that they form an empty subset (symbolically, WN ∩ child abuse = Ø).

But that isn’t true. Let’s also remember my old essay ‘A body-snatched Spaniard’. And now that I was reviewing Erectus Walks Amongst Us I noticed that in Chapter 33, ‘Re-Classifying the Left’, Richard Fuerle wrote (square brackets are mine):

Before leaving this chapter, let us address the important question of why so many whites are anti-white. It has not escaped notice that the most fervent of the white white-haters are not only on the left politically, but many are Marxist. When the working class did not rise up against the exploiting capitalists, as predicted by Marx, the Marxists ideologues of the Frankfort school (Frankfort, Germany, which moved to Columbia University in New York City when Hitler came to power) sought out other classes of exploited victims who could be induced to rebel against the hated establishment. They settled on women, homosexuals, and minorities. The [Jewish] Marxists have no real concern with these oppressed classes, but find them handy weapons for weakening white societies so that they can be more easily overthrown. Why so many whites eagerly embrace white-hating, however, remains to be explained.

If you have been reading this book, you know that egalitarianism is clearly false—populations are not genetically the same and that is obvious even to small children. To hold a view that so clearly conflicts with reality is surely psychopathological, i.e., these people are mentally ill. Nor is it a trivial illness, as it perverts their most important biological function—passing on their alleles. It is only because psychologists and psychiatrists are also mired in the same psychopathology that egalitarians [as I have said elsewhere, psychiatry is pseudoscientific] do not have their own special place in the Manual [the shrinks’ DSM].

I have written elsewhere on this subject, where I argue that the problem has its genesis in the inevitable conflicts that children have with their parents. If children decide that it is the parents who are wrong, unfair, even evil, they readily identify with those whom they see as similarly oppressed, urging them to overthrow the ruling class, i.e., initially their white parents but, by projection, all whites, including themselves. The parent’s justification for ruling over them, that there are biological classes, in this case, children and adults, must be refuted, hence fervently held egalitarianism, that there are no biological classes. Marxism, which promotes class warfare and hatred of those who have and rule (i.e., for children, their parents), is just an extension of this psychopathology. Unfortunately, the egalitarians will be with us forever unless children can be raised to see their parents as wise and loving guardians, not as arbitrarily frustrating obstacles.

Never mind what Fuerle later said in endnotes 25-27 (he was no expert on the subject). Although the subject is huge, only those who have read my Day of Wrath will know what I have in mind. Suffice it to say that while Christian ethics is the basic aetiology of the dark hour, in cases of abject self-hatred like the Antifas I could assure that they were devastated by their parents, and presently are transferring their wrath onto a scapegoat: their own race.

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3-eyed crow Game of Thrones

The dragon and the wolf

‘The Dragon and the Wolf’ is the seventh and final episode of the seventh season of HBO’s fantasy television series Game of Thrones, and the 67th episode overall. It was written by series co-creators David Benioff and D. B. Weiss (hereafter referred to as D&D), and directed by Jeremy Podeswa. In this episode the two bitches meet for the first time and agree to a truce while the Night King is defeated. Note that when the series began, King Robert Baratheon ruled the Seven Kingdoms that these two queens now dispute, although the threat north of the Wall has become a distraction that will be resolved in the following season.

We see the climactic scene of this episode when Littlefinger is executed: the man who, with his lies, had started the war between the Starks and the Lannisters although before his trial we see a memorable dialogue between Theon and Jon in the main hall of Dragonstone.

D&D and/or the director deleted a crucial scene showing that the real hero in uncovering Littlefinger’s wiles had been Brandon Stark, as can be seen from what a fan wrote:

Bran Stark actor Isaac Hempstead Wright revealed in a past interview with Variety that he and his Game of Thrones co-star Sophie Turner, who plays Sansa, shot a sequence in which Sansa consults him ahead of Littlefinger’s trial. You see, Sansa was first convinced that her own sister, Arya, was out to murder her in attempts to become the Lady of Winterfell. Arya felt certain of the same—and it was all thanks to the master manipulator Littlefinger. Viewers were sweating buckets watching the season 7 finale, believing that one of the Stark girls would turn on the other and commit fratricide within the halls of their House’s ancestral seat. Sansa and Arya flipping the script and sentencing Littlefinger to death was a massive twist—and seemed to leave a wide plot hole that went completely unpatched. The deleted scene Hempstead Wright discussed with Variety would have stitched up the gap and detailed exactly how the Stark sisters knew what Littlefinger was up to and how they arrived at their plan to execute the former Master of Coin.

In the scene, Sansa consults Bran about what to do regarding the whole ‘I think our sister is going to kill me’ dilemma. Using his newfound abilities as the Three-Eyed Raven, Bran peers into Littlefinger’s past and unearths every underhanded thing he’s done to secure power.

As Hempstead Wright describes it, ‘We actually did a scene that clearly got cut, a short scene with Sansa where she knocks on Bran’s door and says, ‘I need your help’, or something along those lines. So basically, as far as I know, the story was that it suddenly occurred to Sansa that she had a huge CCTV department at her discretion and it might be a good idea to check with him first before she guts her own sister. So she goes to Bran, and Bran tells her everything she needs to know, and she’s like, Oh, s***.

Though audiences can fill in the blanks without this scene, it makes Bran’s powers all the more real, and, frankly, terrifying. Nothing can be kept from him, and as a result, nothing can be kept from his family. There is no secret Bran cannot uncover—and the biggest skeleton he drew out of the proverbial closet was the truth behind Jon Snow’s birth. Bran knew of his brother-cousin Jon’s true parentage and real identity as Aegon Targaryen, the son of Rhaegar Targaryen and Lyanna Stark, and his rightful claim to the Iron Throne over the wannabe queen Daenerys Targaryen before others did. His knowledge spread to Samwell Tarly, then to Jon himself, and (spoiler alert) quickly made its way to Sansa and Arya themselves.

Not all the audience filled the gap. Censoring that scene made some believe, at Littlefinger’s trial, that Sansa had understood for herself the betrayal of the master of intrigues. The confusion was such that some fans commented that Sansa would never have been able to outwit Littlefinger. Sometimes I wonder if D&D abandoned the already filmed scene because of their feminist agenda.