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Month: May 2021

Categories
Judeo-reductionism Racial right

The war on whites

In yesterday’s featured article on The Occidental Observer (TOO), ‘The War on Whites: Harold Covington’s Northwest Novels’, Edmund Connelly used my old, now obsolete penname ‘Chechar’ (I currently use my initials, C.T.). I would like to comment on some of the things Connelly said:

The War on Whites is moving to a higher level—fast. Signs are everywhere; they are undeniable. First and foremost, understand and accept that this is happening. For many, there will be no escape. If you are White and don’t yet grasp what is happening, quickly find out from someone who does. Lives will depend on it.

In my previous TOO article, I reviewed ‘collapse’ novels by Matthew Bracken as a means to put average Whites in the frame of mind needed to accept that ‘our’ government is now fully ready to attack us. All institutions are now arrayed against the White Christian founding stock of the United States of America: from the government, to the media, to education, to corporations, to the military, to the churches—all of it. And I know many of you readers see this…

This war is being waged by the mainstream, organized Jewish community. This cannot be denied.

This is short-sighted. While what Connelly says is technically true, in the West there are more traitorous whites than subversive Jews. Before Jews came to Connelly’s country in substantial numbers, the US had already waged a bloody war of secession against the white and in favour of the black. The racialised right has been particularly blind to this history, as the American Robert Morgan has pointed out so many times in the comments section of The Unz Review. (A selection of Morgan’s ideas when he was commenting on TOO under another penname can be seen: here.)

To my amazement, however, a hefty majority who correctly write about the danger facing the White race either fail or refuse to take their analysis to its obvious conclusion: Who is behind this vast swatch of anti-White activism? I would have thought that with the release of Kevin MacDonald’s trilogy on Jews in the 1990s and its subsequent filtering into the growing culture of the Dissident or Alt-Right, the matter of who is on the attack would be settled.

Technically true but still myopic, since what happens now is a re-enactment of what happened 1,700 years ago when other white traitors, incited by Christianised Semites, seized the power of the Roman Empire: as a few years ago we explained on this site with a series under the title ‘Apocalypse of whites’ (our core essay) which I recently linked on another thread at the TOO comments section.

Myopic I say because Connelly ignores not only what happened in Europe when Constantine came to power, but what happened in Latin America more than a millennium later.

By subscribing to the hypothesis that the JQ is the primary cause of the war against the white man, white nationalists have been reluctant to see that, in Mexico, its War of Independence (1810-1821) was consummated by white Criollos against the Peninsular whites, and its Revolution one hundred years later (1910-1917) lowered racial taboos and led to the rise of non-Criollos.

They don’t know either that the first president of Paraguay went to anti-white extremes that the US has not reached even in 2021: banning marriages among whites who were only allowed to marry mestizos or mulattos! Revilo Oliver knew better the history of Latin America. Who of the white nationalist pundits knows it now? It’s precisely because Connelly ignores the history of Europe from Constantine, or what happened in the Americas, that he writes:

This present essay names Jews as ‘the architects of this modern horror show’, the sponsors of this War on Whites…

Rather, I’d argue that Covington’s premises in his Northwest novels concerning a Jewish War on Whites are more relevant now.

However, Connelly’s article has good points. Earlier this year I complained that except for the retired writer Michael O’Meara, the pundits of white nationalism today are reactionary, not revolutionary. In his article, Connelly vindicates revolutionary thinking by introducing the TOO readership to the fiction of Harold Covington, especially the best of his novels, The Brigade.

One of the last chapters is [literally] an incendiary account titled ‘The Hotrod of the Apocalypse’… The point is that O’Meara has an unusually deep understanding of Covington’s intent in writing the Northwest novels.

Those who want to read my excerpts from The Brigade can do so: here. It’s on my list of must-read books.

Covington’s rendering of this White war for survival is gripping, compelling, and prescient beyond measure. I’ve read the book three times and without fail the 517 pages flew by as if it was only a few hours of reading.

After quoting some passages from The Brigade, Connelly tells us:

If I were to give you five narrow-lines pages of notepaper and let you loose on the Internet, how long would it take you to fill those pages with examples of how America is now lost to us? Not long, I suspect. And the main reason for this state of affairs is spelled out in MacDonald’s Culture of Critique and other works. We face a Jewish War on Whites.

Sorry but this is myopic once again. The pundits of white nationalism ignore the anti-Aryan war that the white man already waged both in the Roman Empire when it was Christianised and what happened in the Americas: an experiment that resulted in colossal miscegenation throughout this continent. (The Iberian whites irreparably polluted their DNA when the Inquisition kept even the crypto-Jews at bay!) I am not saying that Jewry doesn’t want to destroy the best of the Goyim, but that whites themselves have been their worst enemies because of Christian ethics: the paradigm of this site that replaces the paradigm of white nationalists.

And speaking of Christian ethics, a notable Christian among the pro-white forums is Hunter Wallace, who today published a piece, ‘Der Movement: Frazier Glenn Miller has Died in Prison of Natural Causes’, whose abstract reads: ‘The death of Glenn Miller is symbolic of the end of an era’. Wallace is the typical reactionary who rejects revolutionaries. As stupid as Glenn Miller’s act that landed him in jail may have been, Wallace picks on flawed revolutionaries like him instead of picking on mature intellectuals who advocate revolution like Michael O’Meara.

However, what Connelly later says under the heading ‘Media Silence and Distortion’ referring to Jewry is completely true. Regarding black-on-white crime, Connelly adds:

The truth is not hard to find—but paradoxically, it is impossible to see. Well, it seems paradoxical only to those who do not know about the evil surrounding the Jewish Question.

Unlike Revilo Oliver, monolingual racialists don’t realise that in Mexico newspapers like the Christian-owned Reforma are as subversive as Jewish-owned newspapers in the neighbouring country to the north. At least in the Americas, it isn’t only Jews but mestizos and Criollo traitors who promote the anti-white zeitgeist. The vast majority of Criollos I know are traitors to their race (see e.g., what I say in Spanish in a brief note: here).

Given that Connelly linked this site from TOO and some TOO visitors have come today to see what we say in the link that Conelly put in his article, I would suggest that visitors familiarise themselves with our new paradigm that doesn’t leave the JQ aside but rather expands it into what we call the CQ, the Christian Question (see the book The Fair Race whose PDF is available on the sidebar).

Categories
Film

The last of the Starks

‘The Last of the Starks’ is the fourth episode of the eighth season of HBO’s fantasy television series Game of Thrones, and the 71st overall.

As I said in the previous instalment of this series, ‘The Long Night’ is so exciting that the anticlimax is unwatchable. If I had directed the show, in addition to removing feminism from it; the soft-porn scenes, Arya’s psycho traits, and putting Theon as the late hero instead of an heroine, I would’ve ended the series by filming, in this episode, Bran’s coronation after Jon led a mass cremation funeral for the dead (the latter we do see in the HBO series).

In that way the series wouldn’t have ended in the eighth season but in the seventh, in 2017: this eleventh episode being the anticlimax (something common in masterpieces of literature).

If you look at the popularity statistics for Game of Thrones, after Arya killed the monarch of the white walkers and the wights, the Night King, the fan acceptance plummeted. On the one hand I am pleased, although anti-feminism wasn’t the cause of the repudiation of this season but the blunder of squeezing all the complex plots pending in a couple of episodes.

The feminist messages that continue in this episode are not worth describing further, except that while watching ‘The Last of the Starks’ tonight I counted two of them.

Categories
Racial right

So many wights!

The number of Christians in the racialist right doesn’t stop surprising me. See, for example, this recent exchange in the American Renaissance comments section.

As after midnight I saw ‘The Long Night’ I was left with the image of the Hound hiding from the wights* and telling Beric that they were too many. Exactly the same can be said of the enormous number of Christians.

It is useless to argue with them in the discussion threads of the racialist forums. Secular Christianity is already in its phase of wights or the army of the dead, spiritually dead whites that only want to spiritually kill more whites.

Robert Morgan has had the patience to argue with the Christians on The Unz Review. I have no patience with those who haven’t had the honesty to reply to my eternal argument: that long before Jewry took over the media, the Spanish and Portuguese had already ruined their blood in the Americas.

___________

(*) In Game of Thrones’ fiction, a wight is a reanimated corpse, either human or animal, raised from death by the White Walkers using necromancy to act as their minions. Wights are often referred to collectively as the Army of the Dead, or simply as the dead.

Categories
Feminism Film

The long night

‘The Long Night’ is the third episode of the eighth season of HBO’s fantasy television series Game of Thrones, and the 70th overall. Below, the most beautiful moment of the episode according to Yezen (including the music I’d add) in his video ‘Why Theon should have killed the Night King’.

I have said that Martin didn’t finish the last two novels of his epic when D&D were filming the series. If I had been the director, instead of what the D&D Jews did—trying to compact what Martin had confessed to them in a few episodes—I would have devised the script differently so as not to spoil the plot, as D&D spoiled it. I simply would have forgotten about the game of thrones, or the war between the two bitches, and focused solely on the threat that the army of the dead posed to Westeros once the Night King’s dragon brought down the Wall.

From that angle, the long night in the sense of the long battle that was fought at Winterfell would have appeared at the end of the last season. And instead of the ultra-feminist scene that D&D came up with—the girl Arya kills the Night King in this episode—I would have chosen Theon to be ‘The Hero of Winterfell’. That way we wouldn’t have seen packed together, in just six episodes, a complex plot—or rather plots—that should have been filmed over several seasons.

It’s no excuse that the directors have run out of Martin’s latest novels. If they had been good artists they would have simplified the plot, guillotining any war between Dany and Cersei from the script—that is, the ‘game of thrones’—so that the show would look more like ‘a song of ice and fire’. The Night King, the white walkers and the army of the dead live on ice on the north side of the Wall; and fire is represented by the character most loved by fans, Jon, who lives on the south side of the Wall. As we saw, in previous episodes it’s revealed that Jon is Aegon Targaryen, and in Martin’s universe the Targaryens represent fire.

Without Martin’s latest novels, that would have been the compromise a good screenwriter would have made.

In many respects, ‘The Long Night’ is the culmination of the entire series. The following episodes, # 71, # 72 and # 73 represent a huge anticlimax that disappointed the fandom. And while the battle against the army of the dead in this episode is the most exciting of all seasons, I suspect that the feminist agenda finally stretched the show’s credibility to breaking point (as we said above Theon, not a girl, should have killed the Night King).

Categories
Friedrich Nietzsche Racial right

Failure of nerve

In ‘America’s Cultural Collapse’, a YouTube audio, Gregory Hood recently joined Lipton Matthews to chronicle the demise of America. In about three minutes (starting from this moment) they touched on the subject I am so passionate about: the root of the dark hour.

Hood and Matthews suffer from the same failure of nerve as Tom Sunic, of whom I said something last week. They somehow recognise that the current psychosis of the West has Christian inspiration, but are reluctant to condemn the religion of their parents in unequivocal terms.

Nietzsche wrote: ‘The Christian church has left nothing untouched by its depravity; it has turned every value into worthlessness, and every truth into a lie, and every integrity into baseness of soul… I call Christianity the one great curse… the one immortal blemish upon the human race’. But these 21st century Americans haven’t reached the level of the German philosopher in 1888, when he wrote those lines.

Always remember: Christianity is the ultimate conclusion of Judaism.

Categories
PDF backup

WDH – pdf 388

Click: here
Categories
Feminism Music

A knight of the seven kingdoms

‘A Knight of the Seven Kingdoms’ is the second episode of the eighth season of HBO’s fantasy television series Game of Thrones, and the 69th overall. The first feminist message of the episode is seen in the Winterfell smithy, during the dialogue between Gendry and Arya. I don’t even want to detail it because, later, what happens between them is worse. As always, the woman is on top of the man in the sexual act, and in this case Arya was losing her virginity! By getting on top of him, she plays the role of the macho.

Later, speaking alone with Sansa, Dany tells her: ‘We have other things in common. We’ve both known what it means to lead people who aren’t inclined to accept a woman’s rule. And we’ve both done a damn good job of it, from what I can tell’.

But that’s nothing. The most offensive scene of the episode comes later, when Davos gives hot food to every commoner in Winterfell, outside the castle walls, in the winter. An adult male gets the soup with these words: ‘My lord, we’re no soldiers’. The men from the north are preparing to fight the Night King’s army, which has already crossed the Wall and is heading to Winterfell. Davos replies: ‘You are now’ and the man is stunned. Davos has to reassure him with personal anecdotes, as Davos isn’t a warrior either (although he has participated in important battles).

The next person who reaches out to Davos with an empty plate to receive the soup is a little girl, about ten years old, and she says to Davos with the accent of a little English girl: ‘All the children will be going below [of the castle] when the time comes. But… I want to fight’. There can be no clearer message.

Above, Podrick, Brienne’s squire, right before Jaime knighted Brienne, a woman, for the first time in Westeros history. That naming gave the episode its title, ‘A Knight of the Seven Kingdoms’.

In the next scene, Jorah Mormont asks his cousin Lyanna Mormont—the girl who, as we have seen, has admonished Jon several times in front of the lords—to stay in the crypt under the castle during the battle, along with the women and children. Lady Mormont replies that she will fight alongside her soldiers (in the next episode we will see that she dies heroically when the Night King’s army of the dead infiltrates the castle).

Perhaps what was most worth hearing from the episode was the song Podrick sings on the eve of the enemy army arriving at Winterfell, which can be heard: here. Many of those in the castle will die in a few hours. The song conveys a state of unusual relaxation before facing destiny.

Categories
NS booklets

Sieg der Waffen – Sieg des Kindes, 1

Die Innenseite des originalen Deckels:

Männer der SS und Polizei!

Zwei Waffen stehen im Kampf um’s Dasein einem jeden Volke zur Verfügung: Seine Wehrkraft und seine natürliche Fruchtbarkeit. Vergeβt nie, daβ die Wehrkraft allein dem Volke ein Fortleben in weite Zukunft nicht ermöglichen kann, sondern daβ dazu der unerschöpfliche Born seiner Fruchtbarkeit notwendig ist.

Lest die Schrift, die ich Euch übergeben lasse, und handelt danach, damit dem Sieg der deutschen Waffen nunmehr auch der Sieg des deutschen Kindes folge.

H. Himmler

(1935)

Categories
Kevin MacDonald

Morgan v. MacDonald

Kevin MacDonald:

‘Since I am not a believer…’

This is surely a strange admission for MacDonald to make, since in the preface to Giles Corey’s book, he endorsed Christianity as the way forward for whites, writing ‘I agree entirely with Corey’s conclusions and recommendations for a revival centred around the adaptive aspects of Christianity…’

Is he dissembling here in an attempt to preserve the illusion of his scholarly objectivity, or does he really mean being a believing Christian is only for other whites, of lower IQ perhaps, a case of do as I say, not as I do?

Also, he doesn’t appear to have thought very carefully about the conclusion of that sentence in the preface I just quoted, which continues ‘the aspects that produced Western expansion, innovation, discovery, individual freedom, economic prosperity, and strong family bonds’.

The West was Christian, yes. But how did Christianity make any contribution at all to expansion, innovation, and discovery? Where does Jesus recommend his followers go conquer the world? Where does it say in the Bible that Christianity has anything to do with innovation or discovery? Nowhere, as far as I know.

Further, Christianity’s track record with such endeavours isn’t very good, to put it mildly. It destroyed all the beginnings of science in the ancient world, and those texts that survived only survived by accident, having been proscribed after the Christian takeover of the Roman Empire. Christianity has typically opposed scientific innovation, from Bruno and Galileo right up to Darwin, whose theory of evolution, ironically enough for an evolutionist such as MacDonald, it continues to oppose.

He concludes:

And it can scarcely be doubted that Catholicism and mainline Protestantism have been completely corrupted and actively subverted so that millions of White Americans have been swept up by the multiculturalism and replacement-level immigration as moral imperatives. Jewish activism has certainly been part of this, but traditional Christian universalism and moral egalitarianism are also part of the equation. One might say that Christianity, despite periods when it was highly adaptive, carried the seeds of its own destruction—a chink in its armour that made it relatively easy to subvert once the culture of the West had been subverted by our new hostile elite.

But what can he mean when he both affirms that traditional Christianity’s universalism and egalitarianism were ‘seeds of its own destruction’, and that it was at the same time ‘subverted’? One online dictionary defines the word subvert thusly: ‘To overthrow (something established or existing); to cause the downfall, ruin, or destruction of; to undermine the principles of; corrupt’.

Christianity’s principles of universalism and egalitarianism in this case are being implemented, not overthrown. Far from being ‘subverted’, that Christianity has been faithful to its principles is precisely what he’s complaining about! Insofar as I can make any sense at all of what he’s saying, it seems he advocates a revival of the old corrupt Christianity that, not always successfully, tried to ignore these principles.

Seems like a losing proposition all around.

Categories
Feminism Film

Winterfell

‘Winterfell’ is the eighth season premiere episode of HBO’s fantasy television series Game of Thrones, and the 68th overall. It aired in 2019 and the previous season in 2017. What happened in 2018?

I have said several times that the slogan of contemporary cinema seems to be ‘everything for the eye, nothing for the mind’. Well, the show’s technicians spent all of 2018 doing the complicated CGI effects on the dragons for the final season. It was such a laborious task that they skipped an entire year leaving the eager audience in a long two-year wait!

Unsurprisingly, this ‘all for the eye, nothing for the mind’ practice, and in just six episodes for what should have been six more seasons, ruined the series from the point of view of a plausible narrative. However, from our point of view the series was already ruined from the first episode of the first season due to its bad messages.

If there is something ‘for the mind’ that the show left us, it is its feminist trickery. True, from a cinematic point of view, the opening scene of the eighth season is superb: from when we see a boy running in the first seconds until Jon kisses Bran on the forehead (Jon had not seen Bran since he left him comatose and his life hanging by a thread in the first season). George Lucas visited the set where the opening scene was filmed, in which Dany and Jon arrive at Winterfell with an impressive army.

But already in the great hall of Winterfell with the gathered lords we see the first ultra-feminist scene when the Mormont girl, who still doesn’t menstruate because of how young she is, reprimands Jon in front of everyone. At the time of the reprimand Jon is sitting in the hall flanked by two other women: Sansa and Dany. With these TV messages, should we be surprised that adolescent girls have become so insolent?

As is typical of the show, we then see Bronn sexually ridden by a woman (a prostitute), flanked by two other naked women. Politically correct directors seem to be reluctant to film a man riding a woman: their mission is to reverse reality even in bed.

Then we see a third feminist scene when Theon rescues Yara from Euron’s ship and, instead of thanking him Yara headbutts her brother (was it because he didn’t help her at the exact moment when Euron kidnapped her)? Already setting sail, Theon tells Yara that she is his queen, and that he will do what she orders, before a goodbye hug.

This is what fans waited patiently, for two years, to finally see…