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Month: March 2021

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Aryan beauty Film Game of Thrones Metaphysics of race / sex Neanderthalism Voltaire

Fire and blood

‘Il y a une autre canaille à laquelle on sacrifie tout, et cette canaille est le peuple’. —Voltaire

‘Fire and Blood’, the tenth and final episode of the first season of the HBO medieval fantasy television series Game of Thrones, was first aired on June 19, 2011. There is not much to say about the final episode of the first season but I will still say a thing or two about the opening scene and the ending scene.

The mob that Voltaire spoke of, the common people, has been idealised by those who limit themselves to criticising the elites. In reality the people are as despicable as the elites. They’re like King Joffrey who had Ned Stark beheaded only because Ned was faithful to Joffrey’s father’s will. The King’s Landing mob not only yells the ‘traitor’ slander when poor Ned is led to the scaffold, but cheers when his blood-dripping head is flaunted in the public square.

In the same way as Westeros, the contemptible mob that is the people of the West consume everything the elites tell them about Hitler. And the experience I’ve had with Christian friends whom I have broken off with (and it makes me want to translate some anecdotes from El Grial) is that they don’t give a damn about well-known sources, like Solzhenitsyn’s non-fiction books, when I try to convey that the Allied narrative is a myth. People in general follow and believe what the Joffreys of today tell them to believe and feel. Even cultured people rant in the ‘two minutes hate’ imposed by the System. As Andrew Hamilton put it in one of his Counter-Currents articles, even the so-called intellectuals of the West are mass-man.

That is for the opening scene of the episode. Regarding the final scene, for the second time in the first season Dany is shown naked without showing her pubic hair (above Dany appears the first time we saw her in the series). I think that not having shown her in her full-frontal glory was a serious mistake, as well as another scene from ‘Fire and Blood’ that shows naked Cersei Lannister’s new lover, her cousin Lancel, who had been the squire of the now-deceased King Robert. Both Dany and Lancel should have appeared frontally naked.

It is important to say this if we remember those words of a well-known white nationalist that I picked up on Daybreak: ‘We need a regime that bans pornography and erects statues of gorgeous naked nymphs and athletes in every public square and crossroads’. As seen in the photo above, if there is something that the Aryan should promote it is the human nude that doesn’t awaken our appetites but merely exalts the beauty of the Aryan body. As the Greeks and Romans understood it before the envious Christians, many with Semitic blood, destroyed almost all their statues, the Aryan nude should not be hidden if it comes from splendid young specimens.

But what can we expect if our seventh art has been taken over by Jews and neochristian gentiles? We get the crap we saw in a previous episode of Game of Thrones: a lesbian act between a northern white woman and a brunette in Littlefinger’s brothel. So aberrant was that prolonged scene that even the normies disliked it. And this northern prostitute appeared even in the first episode on a bed with the Lannister dwarf, and in another episode she shows her pubic hair to Theon when she moves south in a carriage.

Unlike the art I have in mind, these shots only degrade the Aryan. In our times the values have been inverted even in the human nude.

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Feminism Feminized western males Game of Thrones Liberalism Patriarchy Rape of the Sabine Women

Baelor

‘Baelor’ is the ninth and penultimate episode of the first season of the HBO medieval fantasy television series Game of Thrones. As I did in the last entry, I won’t be reviewing everything that happens in it but I use the episodes to express my philosophy: in this post, what I think about the psychosis suffered by the white race, including those who claim to defend it. Thus, I will focus on a single scene in Baelor.

Lady Catelyn appears before the feudal lord Walder Frey, the head of House Frey and Lord of the Crossing (a bridge) to negotiate the crossing of the troops of his son in their war against the Lannisters, who are about to execute Ned Stark. Although Lord Frey is an old man (the actor who played his role was known for playing Argus Filch in Harry Potter), he still maintains a very active role in managing his household.

After the West collapses, the white man will find himself at a crossroads. Both paths will lead to the return of patriarchy, as feminism is but an astronomical and massive psychotic breakdown that cannot be sustained for more than a century (the group that suffers from it is extinguished as their women cease to breed). The Jew Lawrence Auster was right in saying that liberalism, in the sense of the principle of non-discrimination that includes antiracism, feminism and sexual orientation is the most destructive ideology of all times.

Well then: before the crossroads of the two roads that lead to the return of patriarchy, the white man will have to decide what form of patriarchy will return: if his white women will belong to the Muslims of Europe and the blacks of America, or if the Aryan finally regains his sanity and reclaims them for himself.

In the episode Lord Walder Frey, opposite Lady Catelyn Stark, grabs his wife’s buttocks and then spanks her when he goes to negotiate privately with Lady Catelyn. After clearing a room full of his descendants, Lord Frey addresses the surprised Catelyn with these words:

‘You see that? Fifteen, she is. A little flower [licking his lips in lust]. And her honey’s all mine [chuckles]’.

In my soliloquies I call that delicious honey a Caperucita, and it is a shame that the supposed defenders of her race don’t see the naked truth of what Catelyn replied:

‘I’m sure she will give you many sons’.

A decade ago, when I still subscribed to white nationalism, I didn’t understand why some of their articles left me depressed. It didn’t take me long to realise that many nationalists had betrayed their principles by subscribing to at least some form of feminism. Ten years ago I reproduced the response of a critic of Alex Kurtagic since the latter dared to label ‘defectives’ those from the racial right who didn’t subscribe to feminism. Looking back, it seems clear to me that the only defective was Kurtagic himself, who like me was raised in Latin America. Now I can say that except for Andrew Anglin white nationalists continue to blind themselves as to how we should treat women.

If the white man chooses the right path when he reaches the crossroads, after the Day of the Rope he won’t behave like the men of Murka II in Covington’s fiction (see ‘Freedom daughters’ in my Daybreak). Since the pendulum has swung to the extreme left its inertia will carry it to the extreme right, and if whites wake up the warlords, the new Walder Freys, won’t be the exception but the rule. And even if the white man chooses the wrong path women will still be subdued, but this time like the Muslim women I saw the year I lived in Manchester.

Part of the feminisation of the white man lies in not wanting to even fix his own bedroom. Before killing the enemy he must control his women, at least through an internal transvaluation of values as the police would stop any actual transvaluation. He who doesn’t fuck won’t fight and many white nationalists don’t do it because, as good neochristians they are, they believe they should ask permission.

Sex is to be taken as the feudal lord Frey took it, at least in the most primitive stage of civilisation: what looms again after the collapse. There is already this situation with the massive rapes of Caperucitas in the UK, but the System only allows non-white wolfies to eat them.

Much of the revulsion I feel for white nationalism lies in that they tolerate this reversal of values. The critic of feminism, Roger Devlin, speaks like a conservative; not like the MGTOW people do and much less as I speak. A man who in one of the forums in which Devlin discusses would talk like Walder Frey, licking his lips while imaginarily savouring a Caperucita, would be annihilated by the thousands of Kutragics that swarm today’s racialism, and they would not answer any of the most elementary realities about the subject of feminism that I have linked so many times on this site.

That’s why I will continue to say that white nationalism is a fraud, and that to recover our lands we must first wage a great internal jihad that allows us to think as we were before, even in medieval times: as Martin’s prose about the lands of Riverrun.

Categories
2001: A Space Odyssey (movie) 3-eyed crow A Song of Ice and Fire (novels) Game of Thrones

The pointy end

Almost two years ago I wrote:

‘The Pointy End’ is the eighth episode of the first season of Game of Thrones. It is the eighth episode of the series overall among the 73 episodes aired over eight seasons from 2011 to 2019. This episode premiered on June 5, 2011 when I didn’t even know that Game of Thrones existed. It was written by George R.R. Martin and directed by Daniel Minahan, who is not classified as ‘Jew’ at least in his Wikipedia article (the series has changed directors several times).

Bran the Broken, still a boy, prays by the heart tree when he is approached by Osha, a woman of the Free Folk or ‘Wildlings’ (in this pic, Osha is barely visible because she’s laying on the ground). Osha tells Bran about hearing the Old Gods of the Forest and that the Wildlings also worship the Old Gods. She laments that the South has lost touch with the past, and that the southern weirwood trees were cut down long ago and, therefore, the Southerners have no idea about what’s awakening in the north.

I have just watched again the scene in ‘The Pointy End’ when the above photograph was taken and must add something to what I said four days ago in the article ‘New subtitle’. In the scene, a couple of times Osha calls the attention of Bran about the hidden message that could be heard from the gods by listening to the whispering leaves of the heart tree.

When four days ago I wrote ‘I will leave the image of Bran in the sticky post unless I can think of a better one that symbolises this site’ I hadn’t re-watched the scene with due attention. Now I see that it resonates not only with my editorial note in my previous article today, but with the heart of my own life (cf. my book Whispering Leaves). This day I make official the above pic as the ‘logo’ of this site.

As some readers may have observed, I have been using Game of Thrones not as fans see it, but as a sort of Rorschach test to project things that I have in mind.

From when I saw 2001: A Space Odyssey as a child I projected my most cherished ideals on that film. Decades later I realised that there was a problem: the transformations of 2001 involve extraterrestrial agency, without which the transformation of the Australopithecus Moonwatcher and his descendant Dave Bowman wouldn’t have been possible at the end of the film. But something tells me that there is no intelligent life in the Milky Way, and instead of an ‘eschatology from above’ I began to forge an ‘eschatology from below’, in the sense that some of us have to transform ourselves into mutants if we are to save the planet from the most primitive version of humans that currently swarms it.

As there is something very specific that I project onto Game of Thrones I won’t talk about what happened in this episode in the Mountains, the Eyrie, the Riverlands, at the Wall, the non-white lands of Lhazar, and King’s Landing. The only thing that has interested me in the episode is how the arc of the boy Bran Stark unfolds, specifically this scene, as only he will undergo a psychic metamorphosis in subsequent seasons.

The difference between David Bowman and Bran Stark is, as I already implied, that the latter doesn’t require extraterrestrial agency to metamorphose into a new man. If there is anything to save us from the Neanderthals he won’t be a personal god (let alone a Semitic god!) or benevolent aliens. That’s human fantasy ‘from above’. On the contrary: the symbols of the forest and the sacred trees of the ancient religion behind the Wall are exclusively terrestrial. By ‘eschatology from below’ I mean that only with the resources that we already have on Earth, and with the mind that Nature has provided us, we, a kind of feathered serpents, aspire to the wings of the caduceus.

That’s why if Martin were to publish his next novel in the saga soon, as speculation among fans of A Song of Ice and Fire has already begun, I’d only read Bran’s arc to see how it differs from the HBO series. If, like Bran’s mentor, one lives in a cave entangled in the roots of a weirwood, he won’t devote himself to talking about the inane events of the immediate present as is done in the forums of white nationalism. Rather he will ponder the past and the archetypes that have taken over the white man’s psyche trying to figure out the deeper roots of Westeros’ darkest hour.

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Quotable quotes

Latin phrase

Memento mori.

Categories
Game of Thrones George R.R. Martin Poetry

You win or you die

‘You Win or You Die’ is the seventh episode of the first season of the HBO medieval fantasy television series Game of Thrones. The implausible blunders on the part of the most honourable people surrounding the death of King Robert are outrageous to see even if it is only fiction: e.g., a document without witnesses about the succession signed by the sick king on his bed. But worst of all, Ned doesn’t know that the Lannisters will make sure that Joffrey, Robert’s supposed son, is the immediate heir independently of the king’s will.

There is some truth to this whole story of the Starks from the north, who fare badly when they travel south. The Northmen don’t smell the tricks of the Southerners, just as the pure Aryans don’t smell the Mediterranean ways, especially of the Semites.

As night fell Ned was warned by Renly, the dying king’s brother, that Cercei Lannister would not care about King Robert’s last written will. Ned responds that he isn’t going to pre-empt an alleged Lannister coup by dragging frightened children from their beds, referring to Joffrey: the future teenage king who, in a couple more episodes, would have Ned Stark beheaded! This ninth-episode spoiler is worth mentioning now because that’s how, in the real world, white people with very different honour codes reason compared to people from the South, and I mean the real world, not this television series.

Back to the seventh episode. Ned had a second chance when Littlefinger also proposed a pre-emptive strike to the coup that the Lannisters could forge. But blind to his honourable Northman code Ned is unable to see what’s happening, and that he may be betrayed at any time by those who he trusts when the succession to the Iron Throne is in suspense.

But I don’t want to tell about the pathetic way this episode ends for Ned and the welfare of the Seven Kingdoms because I prefer to focus on something more important from the point of view of genuine spirituality. I mean the vows that Jon Snow and Sam Tarly take on the other side of the Wall.

In the novel there is a more numinous environment than what we see in this seventh episode. Martin’s prose reveals nine weirwood trees, all with carved faces, that is, heart trees. A heart tree is a weirwood tree that has a face carved into the wood of the trunk. Heart trees are sacred in the religion of the Old Gods of the Forest, the closest thing to a shrine that the old, dying religion still possesses. Jon is astonished to see the spectacle of these nine trees as he has never seen so many weirwoods together south of the Wall, let alone heart trees. It’s the first time in his life that he has crossed the wall. But we are now in the lands on the north side of the Wall where, long before, magic flourished before the arrival of the bearers of a new religion.

Let us remember that the heart tree is the symbol of this site, and instead of quoting what Jon and Sam said in the episode when kneeling before one of them, and reciting the oath that makes them members of the Night’s Watch (a military order which holds and guards the Wall to keep the wildlings from crossing into the Seven Kingdoms), I prefer to quote some lines that do not come from Martin’s pen:

Nicht in kalten Marmorsteinen,
Nicht in Tempeln, dumpf und tot:
In den frischen Eichenhainen
Webt und rauscht der deutsche Gott.

Not in cold marble stones,
Not in temples dull and dead:
In the fresh oak groves
Weaves and rustles the German god.

Categories
Aryan beauty Game of Thrones Harold Covington

A golden crown

‘A Golden Crown’ is the sixth episode of the first season of the HBO medieval fantasy television series Game of Thrones, first aired on May 22, 2011.

Dany eats a raw heart: a visual outrage for me, who would like blondes like her to inhabit a Parrishesque world (see the nymphs on my sidebar). Instead, Dany has to live in the world of the non-white Dothraki. But today even in white lands, like England, I have seen everywhere images degrading the Aryan woman with apes.

In the episode, the ritual of eating a raw heart is a celebration that Dany has been impregnated by her husband, the warlord Drogo. The scene sharply contrasts with the poetic prose of Darío that I cited in the first instalment of this series about a white girl eating grapes with the swarthy people who surrounded her (‘And on that background of soot and coal, her delicate and smooth shoulders were naked bringing out her beautiful lily colour, with an almost impenetrable golden hue’). It sounds better in Spanish of course, although I couldn’t find a more poetic English translation on the internet and had to do the translation myself.

In the castle of King’s Landing, Sansa continues her embroidery lessons while her little sister Arya continues with that fantasy of our times, which didn’t happen in the Middle Ages, of training to become a swordsman. It reminds me of the madness of another novelist, Covington, who depicted his new white republic with women having eight children side by side with butch women, as if that were possible within the same society! (Here we see once again that white nationalists aren’t really breaking with the narrative that’s killing the West.)

Ned Stark appears once more in his cosy study, although this time at night and with candles. I work at a long wooden table like Ned’s. But sometimes I wonder how many white nationalists have the pleasure of having such a cosy studio as Ned Stark’s? The Aryan aesthetic includes the interior furnishings and ornaments of a room. They are a fundamental part of recovering the West, starting with our clothing. Why not dress as Ned does in this episode? It is perfectly possible to pay a tailor to make us similar clothing, and only our poverty justifies our wearing American Gomorrah-inspired T-shirts, etc.

The final scene of this episode is grotesque. Viserys Targaryen virtually commits suicide by doing a scene in front of Drogo: the first death of an incredibly stupid male in the series. Now there is only one young Targaryen left in the world: Dany.

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WDH – pdf 375

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The software converter could not add the image of the video within the article ‘Christopher Plummer’, but I’ve embedded it below: