The power to *see* the past

Recently I used the three-eyed raven symbol, a fictional character in A Song of Ice and Fire, to make a point. I would like to continue clarifying it.

Last week I mentioned three American junk culture fans who didn’t understand what Yezen wanted to convey about Game of Thrones. One of the criticisms of these guys refers to the penultimate season of GoT, the seventh, claiming that it was implausible that Sansa and Arya outwitted Littlefinger. The problem is that this season suppressed a crucial scene:

Bran Stark actor Isaac Hempstead Wright revealed in a past interview with Variety that he and his Game of Thrones co-star Sophie Turner, who plays Sansa, shot a sequence in which Sansa consults him ahead of Littlefinger’s trial. You see, Sansa was first convinced that her own sister, Arya, was out to murder her in attempts to become the Lady of Winterfell. Arya felt certain of the same—and it was all thanks to the master manipulator Littlefinger. Viewers were sweating buckets watching the season 7 finale, believing that one of the Stark girls would turn on the other and commit fratricide within the halls of their House’s ancestral seat. Sansa and Arya flipping the script and sentencing Littlefinger to death was a massive twist—and seemed to leave a wide plot hole that went completely unpatched. The deleted scene Hempstead Wright discussed with Variety would have stitched up the gap and detailed exactly how the Stark sisters knew what Littlefinger was up to and how they arrived at their plan to execute the former Master of Coin.

In the scene, Sansa consults Bran about what to do regarding the whole “I think our sister is going to kill me” dilemma. Using his newfound abilities as the Three-Eyed Raven, Bran peers into Littlefinger’s past and unearths every underhanded thing he’s done to secure power.

As Hempstead Wright describes it, “We actually did a scene that clearly got cut, a short scene with Sansa where she knocks on Bran’s door and says, ‘I need your help,’ or something along those lines. So basically, as far as I know, the story was that it suddenly occurred to Sansa that she had a huge CCTV department at her discretion and it might be a good idea to check with him first before she guts her own sister. So she goes to Bran, and Bran tells her everything she needs to know, and she’s like, ‘Oh, s***.’”

Though audiences can fill in the blanks without this scene, it makes Bran’s powers all the more real, and, frankly, terrifying. Nothing can be kept from him, and as a result, nothing can be kept from his family. There is no secret Bran cannot uncover—and the biggest skeleton he drew out of the proverbial closet was the truth behind Jon Snow’s birth. Bran knew of his brother-cousin Jon’s true parentage and real identity as Aegon Targaryen, the son of Rhaegar Targaryen and Lyanna Stark, and his rightful claim to the Iron Throne over the wannabe queen Daenerys Targaryen before others did. His knowledge spread to Samwell Tarly, then to Jon himself, and (spoiler alert) quickly made its way to Sansa and Arya themselves.

When I saw the scene of Season 7 when Littlefinger was executed after a summary trial, I filled the blank assuming they had consulted Bran. But apparently others did not fill it with their imagination, such as the aforementioned fans arguing with Yezen. But the point is that this fantastic story serves to explain the power of ‘seeing’ the past, the power of The West’s Darkest Hour (WDH).

The history of the West, as I have been saying, is as if the Night King had killed the three-eyed crows. (This is a title rather than a special person. Originally, the one who held the title was the old mummified guy among a tree’s roots. When he died his young pupil, Bran, inherited the title of the three-eyed raven—or ‘crow’ in George R.R. Martin’s novels.)

Unlike GoT, the real history of the West is tragic. It is as if Sansa, without consulting her brother Bran, would have gutted Arya by believing the apocryphal story of Littlefinger. This is so as, for more than a millennium, all westerners have believed the stories of martyrs, and that the Christianisation of southern Europe was peaceful. As we have seen on this site, it was actually a story as violent as the bloodthirsty conquest of India by Islam. Conversely, the Christian martyr stories are largely fictional. (In addition to Evropa Soberana’s essay of Judea against Rome in The Fair Race, see what Deschner says about the stories of martyrs in this book.) In other words, what the Aryans have believed about Christian history is an exact inversion of the facts, and the objective of inverting history in this way is for the Aryans to invert their values from these lies, as it tragically happened.

The metaphor makes sense. In this parallel GoT story, Arya (the Aryans) was killed by Sansa (her white sister) for believing the apocryphal story of Littlefinger (curiously, Littlefinger seemed like a Jew for a commenter on this site). The business of WDH is to set the record straight with respect to what happened in the 1st to 6th centuries of our era, when Christianity was imposed in southern Europe not through Jesus-like methods but through extremely violent and even genocidal methods. (Since I also mention the 1st century, I not only refer to the texts of Evropa Soberana or Deschner but also to what Richard Carrier wrote about the inexistence of Jesus.)

The problem is that not even the so-called anti-Semites of white nationalism believe Bran. They still believe Littlefinger so to speak. Who among them is interested in knowing what happened in the 1st to 6th centuries (this is one of the reasons I call them ‘Jew obeyers’)?

By the way, although on one occasion I identified myself with the three-eyed raven, since it is only a title, the identification is not absolute. On this continent, before me the crow was William Pierce, who died at 68, for having seen the past in Who We Are. And after I die the ‘title’ must pass to a younger pupil, a Bran so to speak.

I wouldn’t like to finish this symbolic post without the scene in which, thanks to Bran’s retrocognitive vision, his Stark House executes Littlefinger, the master of palatial intrigues and lies. In the real world, the equivalent would be for Westerners to take very seriously what Evropa Soberana (the ‘crow’ on the other side of the Atlantic) has written. The power to see the past as it happened has the potential to change the ethno-suicidal paradigm, and the first thing to do is to ‘execute’ the false story about early Christianity:

https://youtu.be/ExkPxHxcP3Q