Gone with the Wind

I have already written on several occasions about this 1939 film, the third on my list of 50, and here I would just like to copy and paste what I have said in past years.

Above, we can see the image of the carpetbagger scene in Gone with the Wind, a war that freed the Negroes and occurred at a time when there were no Jewish-owned mass media and even before mass Jewish immigration began. (Oh, Judeo-reductionist racialists who don’t want to see that, in addition to the JQ, we have a Christian problem…!)

In a couple of those opera-type theatres, I saw Gone with the Wind as a kid and then as a teenager. Many scenes of Rhett Butler (Clark Gable) with Scarlett O’Hara (Vivien Leigh) made a deep impression on my youthful mind:

– Throughout the film, from the opening scenes in Georgia, women’s outfits duly concealed the sexual appeal of their bodies, especially the dresses of the Southern beauties; and I don’t just mean Scarlett and the feminine elements of her family, but Ashley’s fiancée and the other society women. Melanie Hamilton, who eventually married Ashley, is the perfect model of how women should behave again in the future ethnostate! (the actress who played Melanie died three years ago at the age of 104!).

– At the Twelve Oaks party, before the barbecue is interrupted by the declaration of war, all the women are taking the obligatory nap (except Scarlett, who escapes to the upstairs bedroom) while the men discuss serious matters. It was unthinkable that a woman would have a say in such matters.

– Even after she is widowed, Scarlett is called ‘Mrs Charles Hamilton’, in the sense that her reputation remains in the shadow of a man who died in uniform.

– Similarly, following the Entr’acte Frank (Scarlett’s second husband), Ashley, Rhett and several other accomplices carry out a night-time raid on a shanty town after Scarlett, driving alone, is attacked by Negroes resulting in Frank’s death. Needless to say, on this night the wives of these brave men stayed at home sewing and reading decent literature.

– Once married to Rhett Butler, ‘Captain Butler’ was always greeted first by pedestrians in the street as he strolled with Scarlett. She, faithfully at her husband’s side on these street strolls, was only mentioned after pedestrians greeted Rhett.

– Let us never forget Scarlett’s marital rape when Rhett lifted her in his arms and said, ‘This is the one night you’re not going to throw me out’.

In those luxurious cinemas of yesteryear, when I was young, the film depicted wholesome Western mores, before values were corrupted and completely reversed in our darkest hour. I even remember that my mother, who wasn’t racist at all, felt compassion for the Southerners in the scene where the carpetbagger we see in the image above appears, and we both resented the presence of the black singer who took advantage of the situation. That must have happened about forty-five years ago in one of those theatres.