St. Thomas making sure of the sores of the ‘Master’ is one of the most classic figures in the iconography of the apparitions of Jesus after his resurrection, as in this oil on canvas that we can contemplate in Rome, Pinacoteca Vaticana, ascribed to Guercino (c. 1620).
Currently, only fundamentalists believe in the historicity of the resurrection. Liberal New Testament exegetes, who somehow remain Christians, resemble the sceptic St. Thomas more than what white nationalist Christians believe.