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Vikings

Holy wrath, 7

by Evropa Soberana

Editor’s note: The White Man does not know his Story. In an ethnostate far from Judeo-Christianity, the study of the Vikings would be obligatory since grammar school.

In this section the author mentions the sacred trees in pre-Christian, Germanic religion.

Left, St. Boniface cutting a sacred tree. The only thing that reaches the public about this tragedy are literary fantasies which plot is a mere echo of the real events. In the bestseller A Song of Ice and Fire for example, it is mentioned how the invaders destroyed the sacred trees. In the television interpretation of the saga of George R.R. Martin’s novels, the Children of the Forest took revenge by creating the Night King to exterminate the human invader.

The common fan of the literary saga or the HBO series ignores that these symbols denote a very real past that even today continues to affect the West. In Game of Thrones the only one who saw the origin of the tragedy was the Three-Eyed Raven, whose last incarnation is the lad Bran the Broken.

I am not asking visitors of this site to buy Martin’s novels or the audiovisual adaptation in DVDs. As we know, Martin is a silly liberal; and the two filmmakers, Jews. But it is fundamental to point out that the enormous success of both the novels and the HBO series means that, unknowingly, Martin and these Jews have touched a fibre of the Aryan collective unconscious.
 

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The expansion of northern fury

This map shows the Nordic expansion in Europe. Red corresponds to areas of Scandinavian colonisation, and green to areas subject to incursions and Viking influence. The Vikings were particularly prolific in France, the British Isles, and the basins of the great Russian rivers. Greenland and Vinland (the Viking settlement in North America) are not included on the map.

At a certain time in the High Middle Ages, at the end of the 8th century, the Scandinavian peoples embarked on a series of prolific expeditions. Some argue that this sudden blitzkrieg of the Vikings was due to overpopulation motivated by polygamy in a little fertile land.

Others, such as Varg Vikernes, maintain that the Viking raids were a revenge against the Christian world, after Bishop Boniface cut, in Saxony, in the year 772, sacred forests and, particularly, the oak that the Saxons had consecrated to Donnar Oak—an ancient tree venerated by all the Germanic peoples of the world, considered the terrestrial version of the Irminsul, the Axis of the World.

The image that folklore and Christian propaganda has given us of the Vikings must be corrected. The Church demonised the Vikings, depicting them as dirty barbarians with horns on their helmets, when according to Chronica Joannis Wallingford by a monk, ‘The Danes, thanks to their habit of combing their hair every day, of bathing every Saturday and regularly changing their clothes, were able to undermine the virtue of married women and even seduce the daughters of nobles to be their mistresses’.

We are talking about a time when Christianity had stigmatised hygiene as something sensual and ‘pagan’. The Arab historian Ibn Fadlan, ambassador of Baghdad to the Bulgarians of the Volga, says of the Vikings: ‘I have never seen physical specimens so perfect, tall as palm trees, blond and ruddy-skinned’. He adds that often they wore tattoos of vegetable designs from foot to neck, and that they were always armed with an axe, a sword and a knife.

The Vikings ended up being famous throughout Christendom, in the non-Christian East and in much of the Islamic world. The Arabs called them Mayus and the Khazars Rus (hence ‘Russia’). In most of Western Europe they were known as Normans: that is, men of the North.

Generally their way of acting was to set sail in large fleets, sack the coastal towns, establish coastal ‘operations centres’ to plan other incursions and navigate the great rivers to reach other inland cities (such as Pamplona, Seville or Paris). Their many feats are known, from the colonisation of Iceland, Greenland and America to the takeover of Seville from the Moors (year 844), its looting and residence for a whole week, including the founding of Russian cities such as Novgorod (862) and Kiev (864), as well as the first Russian state (Kievan Rus) and the site of Paris in 885.

Left: The ray of the sea: for centuries, a fleet of longships ‘going shopping’ was the most frightening coastal vision for the medieval European.

911 was the year that the Danish Rollo received from the French king Charles the Simple the Duchy of Normandy, to appease the Viking pillage to which the whole of northern France was being subjected. (The Danish name of the king was Gang Hrolf, or ‘Ralph the Wayfarer’, as it was said to be too big for a horse to carry its weight.)

In a solemn act of homage to King Carlos, Rollo was informed that he should bow before him and kiss his feet. Scandalised and offended in his pride, he refused to humiliate himself in such a way, saying that ‘I will never bow down to anyone and I will never kiss anyone’s foot’. The adulatory bishops, however, insisted that ‘whoever receives such a gift has to kiss the king’s foot’.

Thus cornered, Rollo ordered one of his warriors to carry out the act. He took the king’s foot and, standing erect, brought it to his mouth and kissed it, causing the king to fall backward, so that the whole present court laughed loudly. This anecdote shows the arrogant and proud side of the Vikings, still innocent and uncontaminated men by the servile mentality of civilised society.

But eventually these Vikings from Normandy were Christianised. They took root in France and ended up forgetting their Scandinavian roots. Their subsequent expansion took them to England, the Mediterranean, southern Italy (the Norman kingdom of Sicily) and even the East during the Crusades. Many Normans played an important role in the cavalry orders.

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Christian art Der Antichrist (book) Friedrich Nietzsche

The Antichrist § 18

In my post yesterday we saw the prayer in the Garden of Gethsemane according to the poetic imagery of Fra Angelico. In this arid interpretation of Bellini (National Gallery, London), we see the same apostles not as blond as in Fra Angelico’s painting, but at least they are still white.

In this new series about Christian art that I started with these posts, we will see that in other representations of Jesus and the apostles, the characters were painted as mudbloods.

In his book The Antichrist, Nietzsche said (the ‘beyond’ refers to the lie about the post-mortem survival of the human soul):
 

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The Christian idea of God—God as a god of the sick, God as spider, God as spirit—is one of the most corrupt conceptions of God the world has ever seen; this may even represent a new low in the declining development of the types of god. God having degenerated into a contradiction of life instead of its transfiguration and eternal yes! God as declared aversion to life, to nature, to the will to life! God as the formula for every slander against ‘the here and now’, for every lie about the ‘beyond’!

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Real men Vikings

Holy wrath, 6

As for the clothing of symbolic animal skins, it obeys a shamanic, totemic and pagan tradition to the core, and we pay attention to this because it expresses a very important idea.

The wolf and the bear are signs of free masculinity—pure, wild, fertile and unrestrained. The skin of the bear or the wolf was achieved by fighting the animal in body-to-body combat and killing it. An initiatory test of the berserkers as well as among some Celts was killing a boar.

The berserkers were thus suggested that they seized the totemic qualities inherent in the animal in question—bear or wolf—acquiring their strength and ferocity, possessing their qualities as if they had conquered for themselves, and adopting the skin of the vanquished beast as symbol of this transformation. As a sign of prestige, many berserkers added the word björn (bear) to their names, resulting in names such as Arinbjörn, Esbjörn, Gerbjörn, Gunbjörn or Thorbjörn. The wolf (proto-Germanic ulf) resulted in names like Adolf, Rudolf, Hrolf or Ingolf.

Mircea Eliade said regarding the appropriation of animal skins that the man became a berserkr after an initiation that specifically involved warrior tests. Thus, for example, among the Chatti, Tacitus tells us, the applicant did not cut his hair or his beard before killing an enemy. Among the Taifali, the young man had to shoot down a boar or a bear and among the Heruli it was necessary to fight without weapons. Through these tests, the applicant appropriated the form of being of the beast: he became a fearsome warrior insofar as he behaved like a beast of prey. He transformed himself into a overman because he managed to assimilate the magical-religious force shared by the butchers.

Once again, this will be seen as primitive and barbaric, but the Romans did it as well, as we can see in the standard bearers of the legions, which were covered with skins of wolves, bears or wild cats (as a Barbarian Indo-European people, the ancient peoples of the Italian peninsula, ancestors of Latins, should have had their own version of the ‘possessed warrior’).

Also the Greek hero Heracles, after fighting a monstrous lion and killing him with his bare hands, put on his skin. The Irish Cú Chulainn killed a monstrous mastiff and took his place as guardian of Ulster. Siegfried, the hero of Germanism, bathed in the blood of the dragon Fafnir, killed by him, and with it he became almost invincible.

In the mysteries of Mithras, a restricted military cult only for men and practiced by the legions of Rome, the initiates were covered in the blood of the sacrificed bull in a ceremony of high suggestive power.

In the same line of related examples, we have other cases that refer to ‘second skins’ and hardening baths: Achilles was bathed by his mother in the waters of the dark Styx River, which made him invulnerable.

The Celtic goddess Ceridwen possessed a magical cauldron that gave health, strength and wisdom to all who bathed in it. Spartan mothers bathed their newborns in wine, because they thought that it hardened the hard and finished off the soft.

The waters of the Ganges, even today, are considered healthy for the Hindus. The idea behind all these myths was that exposing oneself to destructive, telluric and dark forces would help to harden the ‘envelope’ of the initiate and protect him in the future against similar experiences in the field of death and suffering.

All this symbolised, in addition, the struggle of the spirit to take control of the telluric beast, after which it was covered with the conquered; it entered the empty shell, possessed it, transformed it in its image and likeness and, at the same time, changed his personality for a different one, entering a new phase and also symbolising the transition to a new way of perceiving the environment and seeing things—a new skin, a new shell, a new shield—; the perception of the world through the senses of the beast; to take possession of matter and, from within, transform it into the image and likeness of the spirit.

This philosophy of possession is a characteristic feature of all initiatory warrior societies. In certain elite units of the Nazi SS, one of the tests was to fight, unarmed and bare-chested, against a wolfhound or a raging mastiff. As reminiscent of all these issues in the middle of the 19th century, the Imperial Hussars of the II Reich, heirs of the elite warrior units of Germanism, sang: ‘We dressed in black / blood we bathed / with the Totenkopf in the helmet / Heil! / We are invincible!’

Those Berserkers who fought naked were related to the behaviour of the early Celts, who also did it (in fact, the figure of the ‘possessed warrior’ was also recurrent among the Celts). Their bodies, tanned from childhood, did not feel cold even if they were naked on the snow. As we have said, some of them also painted themselves in black, vindicating the dark and fiery side, typical of the ages in which light is harassed.

We have already seen how the Roman Tacitus described the Harii who, painted and with black shields, launched themselves into combat with superhuman ferocity. For the ancient Indo-Iranians, the god Vishnu in the dark ages was dressed in dark armour to fight the demons, hiding to the world his luminous appearance. But at the dawn of the new golden age, he would strip off his black breastplate and the world would know his luminous inner aspect.

In Iran, the männerbund of the Mairya wore black armour and carried black flags. Symbolically, it was said that they killed the dragon, and usually they acted at night. The Cathars were dressed in long black robes, and their religious banners were black (some with a white Celtic cross inside). Also the SS dressed in black and wore black flags, in addition to the macabre Totenkopf which symbolised the domain of the darkness; of what belongs to the left hand, to the sinister side, fear, death and horror.

To dominate and to know the enemy is to dominate and know the bear, the wolf, the dragon, the bull or the totemic animal that the fighting man discovers in himself. To cover oneself with black is to cover oneself with the skin of the enemy beast, because darkness is the enemy—until it is dominated.

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Civil war Music Real men Who We Are (book)

The Rite of Spring

Or: a response to Bratok

You completely missed the point of Soberana’s essay, although I still have to translate the other half. To put it in philosophical terms, whites are dying because they fell prey of ‘the Empire of the yin’. What whites need is that the pendulum strikes back all the way toward the savage Yang.

Why? For the simple reason that the yin inertia has moved the West so far to the Left that the pendulum must return with vengeance to the other extreme of the pendulum’s arc: the ultra-Right.

To put it in musical terms I’ll rephrase Pierre Boulez, who conducted The Rite of Spring when I was much younger. In a very astute review of Stravinsky’s most famous opus, Boulez said that it represented an explosive return to the barbaric invasions of yore, if compared to classical music.

You also have to read what Pierce says about the Vikings in Who We Are, which is about the same that Soberana says. On this site I have complained a lot that those whites who fancy themselves as protectors of their race haven’t read Pierce’s only non-fiction book. Sometimes I caress the idea of not bothering to reply to commenters who have failed to read it.

I would recommend listening to The Rite of Spring and compare it to, say, the classic music of Hayden or Mozart. Tell me which spirit contemporary Aryans will need in the coming Revolutionary times: classicism or a return to horned barbarism?

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Christian art Nordicism Racial right

Renegade Tribune comment

Editor’s note: Many painters have imagined the agony in the Garden of Gethsemane with Semitic or mudblood characters. You can imagine the catastrophe for the Aryan psyche when handsome White statues and paintings of Roman frescoes representing Whites was abandoned in favour of Semitic models!

What I like about Fra Angelico is that he Nordicizes his characters. This, for example, is one of the panels of the Florentine convent of St. Mark. In any case, had there been no Judeo-Christian hostile takeover in the 4th and 5th centuries of our era, these medieval painters would have painted Nordic figures without the need of biblical passages.

Below, an old comment from a thread that the website Renegade Tribune removed:
 

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I could not agree more with this [Axe of Perun’s] article. I am regular listener of the Political Cesspool radio show, and while I like their pro-White message and pro-Southern message—I really do get turned off in a big way, when they start banging their drum for Christianity. These guys have even said that the pro-White movement has no chance of success, unless we all wrap that Jewish written, white racial suicide pact/dog collar around our White necks.