Breaking Bad, 1

What I said in yesterday’s post means that, from now on, I must take off the gloves on this site and start throwing hard punches at those to the left of the Nazi: whites in general and white nationalists in particular.

I’ve been looking at ratings pages for the most popular television series. Breaking Bad came out on top in several of the lists.

If Breaking Bad has the reputation of being the best series, that means it is a portrait of the American psyche of the 21st century, as novels such as Ben Hur and Uncle Tom’s Cabin were in the past (I was one year old when the movie Ben Hur, starring Charlton Heston, hit the big screen). Just as these novels completely sold out to Christian ethics were supertoxic to the Aryan DNA of Americans of yesteryear, so are all the Netflix and HBO series today. But let’s focus on just one, presumably the best.

Remember that in the final essay of On Beth’s Cute Tits I critically reviewed each of the 73 episodes of Game of Thrones (GoT) because of the crazy feminism of that famous series. Although I had already written an article about Breaking Bad in September 2022, I will now do the same thing I did with GoT with each of the 62 episodes of Breaking Bad. I am doing this because I have realised that only the punches of hatred in my writings cure me of depression (remember the words of Colin Ross, who coined the expression trauma model: “The best antidepressant on the market is anger”).

The first episode of the first season of Breaking Bad is titled:
 

Pilot

The first toxic message appears at the beginning of “Pilot”. Walter White, the main character, tells his wife Skyler White in a video he records that she is the love of his life. Remember that Savitri Devi said she would despise a man who put her before him. A real man shouldn’t idolise his wife. It was precisely unconditional love that made my father believe the slander my mother spread about me (eventually, because he believed those lies, he murdered my soul). A real man can love his wife, but never idolise her. A true man loves his race, and his primary bond should be with other men—Männerbund—and his firstborn son, who should inherit his worldview, scale of values and property.

Walter White’s only child, Walter Jr. (“Flynn”), who was born with cerebral palsy, would have been euthanised in Sparta. In the first episode, in addition to his wife, Walter also addresses a message to his son in the opening scene of the video, as before committing suicide he planned to send his family a video as a posthumous farewell message. That is the second toxic message of the episode: to love defective offspring because Christian ethics prevent us from performing the most basic euthanasia, something that the pagan Hitler wanted to transvalue with his Aktion T4 programme.

The following family scene shows that Walter Jr. is even a little shit. If Christianity prevented me from euthanising him as a baby, I would disown such a creature and let the female raise him without a penny from me. But of course: Americans, including the misnamed white nationalists, live under a culture, government and laws inspired by Judeo-Christianity, not the pagan Greco-Roman world.

In the following toxic message, we see Walter White teaching a mixed class: boys with girls. This is a modern aberration: Boys should be educated to wage war (exterminate Neanderthals) and girls to procreate warriors. The reason American racialists don’t want to see the obvious is that, in reality, they don’t care about their race (see the book linked above that includes my critical essay on feminism).

We see the following toxic message at Walter White’s birthday party, where women and men are mixed. This didn’t happen in more civilised times, when men and women only mixed liberally at balls intended for finding a partner to comply with the 14 words (as in Jane Austen’s England). All the women at the party at White’s house have been empowered in the ethnosuicidal American society of our century (one or no children per woman, etc.), when in a normal world it is the man who chooses how many children he will have.

Hank Schrader is Walter’s brother-in-law and a member of the DEA. We see the next toxic message at the same party, where we see for the first time that Gomey, Hank’s right-hand man, is Hispanic: someone who should never have been an American citizen; and if there are millions of Gomeys in the US we owe it to the damn Christians.

In the next toxic message, we see Skyler masturbating her husband Walter in their marital bed while Skyler is busy on her laptop: a distraction. In a normal world, serious instruments would only be used by adult males, say, the heads of households of ancient Greece with the right to vote.

In the next toxic message, after Walter is diagnosed with terminal lung cancer, we see Skyler scolding him because her husband used a credit card, presumably, for lab tests (the woman ignores he has cancer). In a normal world, only men would be in charge of family finances.

We see the next toxic message when Walter White and Jesse Pinkman, the second most important character in the series, begin cooking methamphetamine for the first time in the desert, far from the madding crowd. But the director chose degenerate music for the scene, inspired by the anti-music of blacks. That anti-music perfectly represents the corrupt soul of contemporary white men: not just gringos. When Walter flees in the van after chemically knocking out a gook and a spic who wanted to kill him, we hear niggers’ rap as background music. In the final scene Walter makes love to his wife with degenerate music, but this time apparently composed and played by white people.

It’s truly incredible how overt anger heals a depressed soul (something that applies not only to the fictional Walter White, but also to the author of these lines)!