The concept of transvaluation is not fully understood. I doubt that even the Christian and neochristian (i.e., atheist) racialists who visit this site understand it.
If we take into consideration what I recently said in my previous post in the context of Greco-Roman pederasty, we could educate visitors with this reasoning:
During Rome’s wars against Judea, Titus was given the responsibility of putting an end to the rebellious kikes, a task he carried out successfully after besieging and conquering Jerusalem in 70 c.e., whose temple was looted and destroyed by his troops in the burning of the city. His victory was rewarded with a triumph and commemorated with the construction of the Arch of Titus.
They even made a statue of him modelled on Polykleitos’ Doryphoros (79-81 c.e.), which is in the Vatican Museum. As can be seen in the statue, a pope didn’t tolerate penises and ordered all the statues in the Church’s custody to be “castrated”.
The Nazis didn’t finish revaluing all values. It was a process that in the 1930s was just beginning. If National Socialism had developed over the last eighty years, there might already have been attempts to sculpt the Aryan warriors of our century inspired by Polykleitos or other classic sculptors. But at the time, national socialists still carried the shame or guilt inherited from Judeo-Christianity: it would have been inconceivable to sculpt statues of Hitler naked even if, like Titus, he had won the war against the Judea of our times.
Transvaluing includes putting naked statues of every Aryan hero in public squares, as the Greeks and Romans did, and not having them hidden and “castrated” by deranged popes in Judeo-Christian enclosures.
Sometimes I wonder, besides myself, who has transvalued all Judeo-Christian values?
2 replies on “All values”
I told you some months back about my frustrations trying to commission a piece of computer graphic art from one of the members of Patriotic Alternative. I’d asked for a primal Nordic Aryan warrior, deliberately full frontal nude, staring at the zenith of an ancient swastika glyph from Meaning and Path of the Swastika on Third Reich Books. I even drew a simple, rough and ready sketch for him to take as basic inspiration. What I got was a Photoshopped collage of Michelangelo’s David with horizonal pink lightning acting as a bizarre and subversive ‘fig leaf’ over him, his silhouette blocking out a grey Black Sun (I’d asked for a further reference to The Lightning and the Sun, but did not expect this). I remarked to my diary at the time ‘he’s as good at chopping up statues with his computer as any 4th century Christian monk with their iron bar, this man too afraid to draw adult male genitalia aesthetically!’. I see he was also too afraid (or too obdurate) to draw a swastika. Perhaps he was afraid he would ‘get into trouble’. I found it extremely frustrating, though forced myself to be polite and accept the expensive f**k-up, as I was under strict time pressures to have the image ready. I could have bought two new classically-trained oil paintings on Etsy for the price he charged!
During the year I spent in Manchester, I was very surprised that even when I left the hostel bathroom with a towel covering me from the waist down as I headed to my dorm, some people (women?) still complained to management.
Later, a foreigner who lived there told me about English puritanism.