web analytics

Category: Degenerate art

Categories
Degenerate art

Unbowed, unbent, unbroken

‘Unbowed, Unbent, Unbroken’ is the sixth episode of the fifth season of HBO’s fantasy television series Game of Thrones, and the 46th overall. In the pic we see a shot of King’s Landing in this episode, where we can see the Castle and also the Great Sept of Baelor: a kind of Vatican within Rome.

As you may have observed, it isn’t my intention to summarise the plots of each adventure thread in various parts of Westeros, but to record the bad messages of the series. The plots are mostly empty and fantastic, although I admit that Martin has a great command of the language.

For example, when in Braavos Arya enters the sanctum sanctorum of the House of Black and White after some time working as a servant and sees the columns with thousands of inlaid faces, there is nothing profound in that idea. It is pure imagery of a writer who, in interviews, has shown himself to be a traitor to his race and who writes for an audience that all it wants is cheap bread and circuses. The only mystery in those scenes that initiate Arya into the mystery cult is a psychological trick: the viewer is eager to find out what exactly the Faceless Men’s religion is. Believing that he is going to find out just by watching all the seasons, he forgets that it’s all cheap fantasy.

Cheap I say, because it’s far more difficult to try to decipher the religions of the real world. (See for example the efforts I made in Day of Wrath in trying to figure out why, in the past, parents led their children to the sacrificial stone.) And precisely because it is infinitely more difficult to understand the religions of the real world, the typical westerner takes a shortcut: attend television circuses even if they lack the least depth. In the episode then we see the first bad message on the Valyrian peninsula: a black slave trader hits the Aryan Jorah twice in the face.

In the warm King’s Landing there is a phrase by Lancel Lannister, now called simply Brother Lancel—a kind of monk of those who destroyed the Greco-Roman world in the 4th century—that deserves to be quoted: ‘The city has changed since you were here last. We flooded the gutters with wine, smashed the false idols, and set the godless on the run’. Far from there, in the cold Winterfell, in the novels Ramsay doesn’t rape Sansa in front of Theon after their wedding, as we see at the end of the episode. But as we know, those who produced the series are worse than Martin.

Categories
Degenerate art

What happened to Michael Colhaze?

In the comments section of my recent piece about Parsifal I said: ‘This is the Verwandlungsmusik and the first version of Parsifal that I saw when I was still in my thirties. Nonetheless, without a couple of good speakers, almost all of the magnificence of Wagner’s music is lost in this YouTube video. And even with a couple of speakers the numinosity is lost if you are not in an elegant opera house’.

I omitted to add something fundamental. Currently, the scenery they use in most of the theatres is pure mud and one has to look hard to find a representation that respects the traditional scenery: a lotus, among all the mud.

Michael Colhaze had already complained about this profanation of Wagner in a 2012 article I copied and pasted from The Occidental Observer. Unfortunately, all the articles by this German, Colhaze, have been deleted in The Occidental Observer. Why?

Parsifal, which premiered at Bayreuth on July 26, 1882, is Wagner’s most numinous work. It was performed sixteen times that first year and was the most carefully prepared premiere of an opera in history. European royalty made the pilgrimage to hear Wagner’s new work.

The original sketches for the sets and costumes were designed by German-Russian painter Paul von Joukowsky, who based his design for Act One on the Cathedral of Siena, and for Klingsor’s Magic Garden, in Act Two, on the gardens of the Palazzo Rufolo in Ravello.

After Wagner’s death, this production acquired mythic proportions but in our times the sets have become increasingly dilapidated in most representations, where we see the rubbish scenery that Colhaze complained about another of Wagner’s musical dramas.

Categories
Degenerate art Music Obituaries

Roger Scruton (1944-2020)

Author of The Aesthetics of Music (1997), Scruton also wrote many books on philosophy, art, politics, literature, culture, sexuality and religion; he also wrote novels and two operas.

However, Scruton errs in this video by speculating how to correct the problem of degenerate music that ubiquitously is scorching the Aryan soul. There is only one way to correct it: banning degenerate music as the Nazis banned it. Scruton simply recommended educating people in classical music. Well, my father, who disliked degenerate music, was a music pedagogue for children and yet my siblings and nephews, who studied in his music school, listen to degenerate music.

I expose such a flawed approach in music education in my second autobiographical volume, ¿Me Ayudarás? I must add that the libertarians in white nationalism, that is, those who fear Nazi collectivism, are wrong. They start from the assumption of the Enlightenment that Man is good by nature. The reality is that Man is not so good (again, see the book linked in this paragraph) and we need a Fourth Reich to control him. Consider, for example, how many white nationalists enjoy hearing degenerate music!

It seems a lie, but on this issue a woman like Carolyn Yeager, who admires National Socialism, is far closer to the truth than the men of white nationalism.

Categories
Degenerate art Who We Are (book) William Pierce

William Pierce’s blunder

Recently Will Williams commented on this site. In 1992 Williams became Membership Coordinator for Pierce’s National Alliance, continuing with the Alliance until Pierce’s death in 2002.

Today I was about to read what Williams linked, ‘Ideology of the National Alliance’ but then I realised that not even they mention Pierce’s only non-fiction book, his story of the white race. This means that the ‘Alliance’ that Pierce left behind makes no hard copies for his book.

Although this vindicates my initiative to have an abridged version of Who We Are within The Fair Race, I cannot put all the blame on the National Alliance. Piece himself committed a great mistake when in the 1990s he used his savings to acquire partial ownership of a records company of degenerate music.

Before Americanizing his movement, Pierce was closer to German National Socialism.

The first issue of National Socialist World appeared in the Spring 1966 and was edited by Pierce. The publication was quarterly and would have a run of only six issues, the last one being in 1968. The publication had an appeal to a well-educated elite, each issue having over a hundred pages. Three thousand copies were initially printed and a promotional mailing was sent to libraries, news agencies, and some prominent right-wing politicians. The mailing generated a hundred and twenty subscriptions.

Had Pierce remained closer to the German movement of the previous decades, he wouldn’t have committed a gross blunder: spending his precious savings in a company of degenerate music. With that money he would have founded, instead, a publishing house. Presently, his legacy would appear backed by a house of more than half a century, and Who We Are wouldn’t be out-of-print.

Categories
Degenerate art Hate Kali Yuga

The Aryan race is sick

Hi Cesar,

This is a piece of writing I thought I’d share with you. You can use it on your website if you’d like or if you don’t wish to do so it can just be for your own viewing pleasure.

The Aryan race is sick. Sick from rejecting the Aryan Saviour Adolf Hitler who tried to save all Aryans (one now wonders why he bothered to save such a thankless people).

Spiritually sick from the spiritual death of 1945, the almost complete triumph of Christianity over the Aryan soul. Morally sick from the Christian ethics which preach tolerance and acceptance of all that is weak and degenerate, a pacifist and submissive cowardice in the face of one’s enemies and hatred of all that is superior and noble. Mentally sick from having been defeated by the Jews psychologically. Aryans have been convinced to destroy themselves and when your enemy is internal i.e. yourself, you are your own worst enemy and can defeat yourself more effectively than any external enemy can. The Aryan race wasn’t defeated militarily. It was defeated in its own mind thus rendering its weapons and militaries useless. Our enemies didn’t need to invade our lands, they were allowed in.

Physically sick, witness the obesity, the tattoos, the drug and pornography addictions, etc.

Culturally sick as evidenced by the degenerate art, architecture and music, etc., products of the influence of alien (Jewish, Negro) culture over the High Culture of the Aryan.

Self-destructing on the collective (racial) level, the familial level and finally the individual level.

Our race’s weaknesses we’ve always had to fight in one way or another and will always have to fight. It is our own weakness and sickness that gave the Jews spiritual, mental, and economic domination over our people in the first place. Jewish power in the West is a symptom of this illness and not the cause, as so many mistakenly believe [emphasis by Ed.]. The Aryan Problem caused the Jewish Problem. It is wise to understand The Final Solution to the Aryan Problem before one can enact The Final Solution to the Jewish Problem.

The Swiss psychologist Carl Jung analyzed National Socialist Germany as the awakening of the Wotan archetype in the Germanic soul. Hitler acted as an Avatar of the Germanic tribal god Wotan and awoke a collective ‘Wotan consciousness’ in the collective unconscious of the Germans that could rival the Yahweh consciousness in the collective unconscious of the Jews, manifesting itself as an ethnocentrism that was capable of matching the intense ethnocentrism of the Jews. When Germany lost WWII Jung went to work for the Allies and wrote about how the collective unconscious of the Germans felt a collective guilt for having expressed their anti-Christian pagan shadow Self, Wotan, and having thrown off the Christian veneer.

The blond beast, the Germanic barbarian had been once again wounded and conquered with guilt like when he was first forced to become a worshiper of the sickly Jesus at the hands of Charlemagne, but this time worse and more fatally than before. This guilt, this apologetic remorse for being ourselves (for nothing is more White than Nazi Germany, because Adolf Hitler, the soul and creator, the artist of National Socialist Germany, was the embodiment of the White Man), the core of the guilt and remorse being in Germany, is manifesting as a psychotic death wish that has devoured the whole collective unconscious of the Aryan race and is making the Aryan sick, indeed terminally ill.

When the majority of the Aryan race murdered their saviour Adolf Hitler on 30/04/1945 (or rather, forced Adolf Hitler to commit suicide) they may as well have murdered their own soul.

Yes, the Aryan race is sick. And sick to the death.

If Aryan males don’t learn to murder the Big Jew Jesus in their own minds and embrace the manly and heroic spirit of Adolf Hitler they should and will die a genocidal death at the hands of their enemies.

The amount of time, energy, money and sacrifice that has been expended by racists since 1945 trying to save a people, the overwhelming majority of which can’t be bothered to save themselves and indeed don’t want to be saved (because they have a collective death wish), is unreal.

The ‘movement’ has more than made its sacrifice on behalf of the Aryan race. No matter the courage of numerous ‘lone wolves’, effective action is only possible via military action. Effective action on the part of the white race is impossible if the vast majority of white males are and remain too cowardly and timid to act. If the threat of imminent extinction doesn’t cause the majority of white males to kill their enemies with weapons in hand then nothing will. Because effective action is impossible at present we are stuck just waiting and waiting… we are stuck with inaction and we wait and wait and wait while we cannot but watch in powerless horror as things continue to get worse and worse.

Despite my disagreements with you and criticisms with you Cesar, I still wish you the best.

T[…]

______ 卐 ______

 

Editor’s reply: Not long ago I asked Jez Turner—you were listening—something like: ‘Why don’t the Brits amalgamate their minds with The Turner Diaries?’ He completely misunderstood my question and replied that it was because the novel was not being sold at the UK’s bookstores.

I should have rephrased the question thus: ‘Why don’t the Brits are already fantasising with the “rivers of blood” scenario predicted by Enoch Powell?’ In other words, ‘Why am I so able to hate and you don’t?’

Problem is, that was ultimately a subjective question (comparing my essentialy normal mind with the mind of deranged ‘normies’). It’s like George Wells asking the Eloi: Why aren’t you capable to hate the Morlocks (you simply behave like lambs at the slaughterhouse when they’re hungry)?

Present-day whites are, literally, the Eloi. They won’t fight or do anything, white nationalists included, until the first of the three catastrophes occurs (currency crash, energy devolution, and finally the use of weapons of mass destruction during the international peak-oil crises: nations desperately trying to obtain the remaining oil through war, etc.).

Categories
Degenerate art Music Racial right

Who to read?

Today Krist Krusher said:

Jewish prolefeed cannot be stopped by simply banning media made after 1969. It requires banning films in general. Sound films are particularly worthy of scrutiny as the first talkie was about glorifying the degeneracy that was jazz with a Jewish protagonist (Jakie Rabinowitz / Jack Robin), a Jewish actor (Al Jonson), and Jewish producers (the Wonsal brothers a.k.a The Warner Brothers). Triumph of the Will notwithstanding.

Music is the second target. Destroying rock‘n roll records is only the first step to regeneration of the soul. Only after taking the progenitors of the these horrid genres around the corner can Europa regain her sensibilities. The culprits being old Bluegrass and Appalachian folk music that was played in 1800s America. Despite their Scottish origins, they are completely degenerate; therefore they must all be eliminated.

This was posted after my article ‘On prolefeed for Alt-righters’, and what I am about to say must be understood within that context and also my other article today.

When out of curiosity I enter the podcast of a white nationalist and find that they play degenerate music, I immediately disconnect and do not hear the spoken word after such music.

This may seem like an overreaction, but if there is something in which alt-right folks are schizophrenic it is in denouncing the prolefeed of the Jews and at the same time consume it with pleasure! I have talked about degenerate music on this site but the same I say now about Hollywood. There are exceptions of course: but the norm is to use degenerate music in the alt-right podcasts and unabashedly comment on Hollywood movies as if it was a legit form of the Seventh Art.

It is precisely because of that all too obvious schizophrenia—in the vernacular sense of the term—that I no longer recommend the alt-right sites to the normies. I recommend them my collection of twenty authors in The Fair Race. One could say, again, that I am overstating my case as someone like Kevin MacDonald does not promote degenerate music or Hollywood in his webzine. But even respected professors like MacDonald have other shortcomings (also discussed in The Fair Race).

The right way is to read those who grew up before cultural degeneration reached superlative extremes: Yockey, Rockwell, Oliver and Pierce. Some of the old American spirit can still be breathed in the texts of a retired American intellectual, Michael O’Meara, who unlike the schizophrenics knew that revolution is unavoidable.

Categories
Degenerate art Psychiatry Racial right

On prolefeed for alt-righters

The last days, using Joker as a pretext to talk about other issues (trauma model, exterminationism and premature violent acts), I had no choice but to watch a few reviews about the movie on YouTube.

I was disgusted (remember that I no longer go to the movies, although I made an exception with Joker): there are countless fans from all over opining positively about the junk culture that Hollywood Jews have manufactured.

For years I was intrigued by the fact that German Wikipedia touched on serious and cultural issues, which could potentially be used for the Aryan cause. On Wikipedia in English, on the contrary, we see a swarm of featured articles about videogames, movie artists, degenerate music and the whole range of the junk culture with which our enemies degrade the Aryan.

What is most striking is that quite a few among the alt-right consume the same junk as what the normies consume. How is that possible? I answered it in ‘Suicidal nationalists’, included in The Fair Race. The degeneracy of even white nationalists is such a terrible matter that I can only approach it from the POV that Judea’s triumph over Rome is practically absolute. But instead of commenting on all the crap I’ve seen about Joker these days, I would like to approach a single subject.

(The two Jokers, Heath Ledger left.) Ledger, the actor who played The Dark Knight Joker, also played the role of a homosexual in Brokeback Mountain. This movie, Brokeback Mountain was selected last year for preservation in the US National Film Registry by the Library of Congress as being culturally and historically significant! Obviously, elevating this thing to such level is what the usual suspects do. But even the personal life of the actor, who died at twenty-eight, is revealing. The Wikipedia article on Ledger tells us about the result of his autopsy. The report concludes that ‘Mr. Heath Ledger died as the result of acute intoxication by the combined effects of oxycodone, hydrocodone, diazepam, temazepam, alprazolam and doxylamine’. It also states: ‘We have concluded that the manner of death is accident, resulting from the abuse of prescribed medications’.

The guy died for taking psychiatric drugs: licit drugs against which I had alerted so much when I was doing anti-psychiatric activism in the previous decade. As far as Ledger is concerned, tell me who you admire and I’ll tell you who you are. That saying that I invented applies even to those who believe they are defending the white race when, in reality, they are attacking it by consuming the prolefeed that Jewry manufactures for us.

Categories
Degenerate art Technology

Vig’s epistle

Hi Cesar,

I wanted to write a comment relating to your post of “MacDonald the lapsed Catholic”, but as usual the text became too long so I decided like last time to mail it to you first. You have my permission to use it for WDH under the name Vig if you want.

Yes, as I said before your site is as far as I know the only site where the core question as to what causes the decline and the looming extinction of the white race or Aryans if you want, is being discussed in a consequent way. Again, this is beyond praise because there is no other way to initiate awareness about it.

Personally I have reached a saturation with the format of blogging and want to move to more practical ways to live up to my insights. What I see as a disadvantage of blogging is that one does not see the face of contributors and that most of them have a short breath as far as tackling the depth of a presented issue. Posting a comment as I saw on other blogs soon descends into a tit for tat of arguments that is more like a mental combat to show tactical superiority instead of slowly carving ones way to the depth of an issue.

Anyway reminding commentators not to digress, is very important.

Inspired by all the posts that I read on WDH the last year I have spiralled my way into an understanding of things that I want to share here. It relates especially to the MacDonald posts and might be interesting for commentators.

I saw two long interviews that Kyle Hunt had with Dr. MacDonald and I have to say that I was not impressed. I am sure that the answer for us will not come through the academic approaches of Dr. MacDonald because he has not wholeheartedly delved into the roots of Christianity.

I demand from every text in this situation that it must be obvious that it comes from a genuine life experience which includes experiences of suffering and does not purely arise out of a speculative philosophising.

My study on the core question has led me to see the connection between a few things.

Inspired by Nietzsche’s remarkable analysis of Socrates I concluded that the fall from grace for the European culture started already around 400 B.C. with the verbal firework of Socrates and Plato, and that these thinkers themselves are just the symptoms of a degeneration of instinctive health of the Greeks of that time. Their culture fell apart and lost its vital centre.

In a psychological sense the dominance that the spoken word had acquired by the values that Socrates and Plato had created, was not compensated by a cultural mechanism that could have kept the balance of the right and the left brain halves, which, as I understand it, is absolutely needed for real creativity to happen.

It is a historical fact that Greek society shortly after this development started to become instable and that its brilliant culture stifled up into Hellenism which was characterized by mannerism and the lack of true innovation.

What the influence of Socrates and Plato indicated was the need for an analytical and rational use of the mind of which the tactical use of speech and the ability of calculation was just an extension. The whole culture of debate in the Greek agora (a public place for “mental duelling”), as was sophistry, was rooted in this.

My insight is that it was not like Socrates and Plato inventing this and the Greeks following them. Especially Plato was just expressing the collective Greek mind because that collective mind needed that aggressive faculty of speech to be able to organise their growing technology, which they needed to win the war against the Persians. Think of the technology you need to build warships and weapons fortifications and temples in a relatively short time. This is really underestimated by all historians because they are academicians who never worked with their hands. This is shown by the fundamental changes these days in the understanding of the pyramid builders. Historians have usually not the slightest understanding of technology and its requirements and therefore a great deal of history has to be rewritten.

The essence of my view is that the very quick development of this faculty (on the level of the collective mind) threw the Greeks off balance and so they lost their creative power.

In the time of Socrates started already the weakening of the instinctive intelligence in favour of an aggressive and philosophising intellect.

Actually it was a neurological instead of a cultural issue. In this process of lateralisation of mental faculties the integration of the soul got lost. The Greeks one could say got stuck in one dimension of their expressive abilities because of the tremendous success of that ability. A contemporary German brain specialist Professor Manfred Spitzer confirms this by saying that the brain reinforces every nervous track every time that one uses it till it becomes a nervous “highway” so to say. The only way to escape out of this is conscious adventurism, but that I am sure is prevented by human laziness.

That white Europeans in the last two thousand years have been so creative in spite of Christ-insanity is only thanks to an inborn and Aryan (genetic as they prefer it these days) devotion to the higher states of mind, which one could define as the essence of aesthetic awareness. But now bleeding themselves hollow in this process of serving Mammon emotional schizophrenia is the result.

They have finally lost this costly thin thread (Das Goldene Band by Miguel Serrano) that connects them to their spiritual dimension as is demonstrated by the degeneration of European contemporary art after WWII, and the absolute collapse of real creativity we can witness in European art.

I don’t equate real creativity with technological smartness here.

The white European as the inventor of science, got “lobotomised” so to say, not being able to express and live his emotional dimension because of his inner distortion that the victory of his beloved science has cost him. Since the end of the 19th century and the ascent of technology the costly thin thread (Das Goldene Band) has been cut off and the desire to live and to reproduce are vanishing as we witness.

Is it not so that white Europeans have lost completely the dimension of celebration and the ability to have festivities of a joyous and emotional nature without the help of alcohol or designer drugs?

What one can measure in PET and MRI scans is that Chinese and Japanese have a much more efficient use of their brain than westerners when they calculate and think. There must be a connection with them using pictograms instead of ideograms as we do in Indo Germanic language.

I have a suspicion that exactly because of this weakening of instinctual health, that means the ability to defend your own interests, in Roman times already, the white Europeans could not resist the mental pestilence that was being spread by Christians and through the backdoor also by Jews. No historian has realised the immense weight that the keeping up of an imperium lays on the rational faculties of a ruling class like the Romans.

Miscegenation of the Romans was an indication of a weakened awareness of one’s own interest, an extreme rational mentality interfering with an autonomous vital biological process which was basically derailed by this aggressive rationality. The Roman pantheon notwithstanding its pagan nature was not really an authentic happening, their real thing was building aquaducts, temples and roads and have standing armies.

As I see it European man did not create a mechanism that would bring back the balance in his mind by keeping conscious connection to emotional and instinctive expressions. This is the basic mechanism that stifles all cultures that don’t renew themselves consciously but keep hanging on to old traumata or mechanisms that were once successful but now fill up their minds and prevent them from experiencing reality.

Our “Institutions” have to go.

Remains to clarify the connection between Christians and Jews and the degeneration as such.

To put it in the simplest and crudest form of explanation: The Aryan, sacrificing his integrity by creating and then by hanging on too long to a frenetic use of science and technology, finally has reached a state of being that is cut of from his spiritual dimension, being emotionally “lobotomised”, that means he does not know what his feelings are and when he knows them he cannot express them authentically.

This makes him depraved, spiritually incapacitated so to say, but he is still longing for the higher states of being. If one listens carefully to the great European thinkers like all the great German philosophers all they are after is the kick of attaining a higher state of mind. One could say that it is a masturbatory activity.

Philosophy is a complete waste of time because it is an illusion that actually separates one from reality. The only one not falling in this category is Nietzsche.

In short the white man has become needy and insecure.

The Jew has because of his circumcision trip landed up in the same boat. Since a few thousand years he has an unnatural mind and his costly thin thread (Das Goldene Band) is also cut off. His depravity is essentially on the instinctive and the heart level but therefore the more potent. At least he has power and money and is emotionally more integrated than the Christian.

His addiction is not philosophy as with the Germans and is therefore also not so serious as the Germans, but his addiction is status and power. That is why his mind is urging him to do business by delivering seductive illusions to the unhappy Christians like Paul of Tarsus was doing. He has created communism, psycho-analysis, all kinds of suddho religions that seems to relieve suffering.

The interaction between Jews and Christians is an involuntary one indeed, and it is not strange that since a few thousand years they have become intertwined in a sort of parasitic symbiosis, rooted in a mutually dependant spiritual depravity. In a very blunt way one could say that this symbiosis is of the nature of the relation between a prostitute and a pimp.

Categories
Degenerate art

Back to the Future

For years now I have been telling family members, on the rare occasions when I talk to them, that all films of the last decades have bad messages.

My late sister asked me some years ago, smiling triumphantly as if challenging me, what a bad message Back to the Future could have. I did not answer because I’d have had to speak in a big way on issues that she would not accept. But I do now, even though my sister can no longer read my answer.

The film begins with an experiment that Marty McFly (Michael Fox) makes with a huge speaker and his electric guitar. Well: the invention of the electric guitar alone was a blunder for Western culture. See, for example, this comment by the British Roger that we reproduced on this site six years ago.

So badly does Back to the Future initiate that the audience doesn’t disapprove of that experiment in which Marty harms his hearing with such decibels—something that, in the real world, many teenagers do with rock music.

Another bad message in the film occurs in the first scene inside the cafeteria of Hill Valley town, when Marty tells the humble black waiter that, in the future, he will be mayor of the town. The film implies that those changes from 1955 to 1985 would be seen as natural, that the inversion of values is perfectly okay.

I do not need to say more to show that even the funniest movie—Ronald Reagan himself loved Back to the Future when he saw it in the White House in 1985—may harbour a toxic message for the 14 words. But I could finish this brief review by pointing out that the film culminates with Marty playing the degenerate music of the future in the school dance of 1955: a time when the music for dancing was not so degenerating.

Categories
Degenerate art

Degenerate Alt-Right

I don’t want to spend a lot of time on the Alt-Right but every day, when I finish work at midnight, I watch five minutes of television and, as there is usually nothing, I see some new YouTube clips.
Yesterday I saw part of the recent talk between Richard Spencer and Styxhexenhammer666, who is not an androgynous ephebe and should be ashamed to show his bare chest before the cameras (at least he’s properly dressed in this pic).
I could not hear them: they are as degenerate as that MSM I cannot stand even five minutes. I ignore the subject or the names they mentioned but I think they talked about degenerate music (as if it was not degenerate music). Just compare it with Wagner’s Parsifal, whose prelude even the anti-Christian Nietzsche liked.
At one point Spencer said he understood where vegetarians come from because of what happens in the slaughterhouses—but that he ate meat anyway, and the shirtless 666 said something similar.
If we compare this pair with the morale of some Nazis—how they prevented the animals from being unnecessarily tortured—we will better understand the tragedy of their coming extinction. This type of people and I do not mean only Spencer but the Alt-Right, in general,​ will never develop the psychogenic emergency (cf. my Day of Wrath) to save the Aryans from extinction.