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Child abuse Christendom Human sacrifice Islam Israel / Palestine Judaism Old Testament

Christians: clueless about Judaism

Below, “The Conspiracy of Man,” forward to The Tabernacle and its Sacrificial System, posted by Arch Stanton as a comment in this blog:


The problem with Christianity is that people do not understand the Jewish mind behind it. To understand the New Testament, one must understand Jewish culture, history and religion. Of course the Jews make no effort to enlighten the ignorant goyim on these subjects. In fact they prohibit the transference of their religious texts under penalty of death!

Long before the Temple came the era of the Tabernacle, where the sacrifice was ceremonial bloodlust. It was a place where priests butchered animals to atone for sins against their God, Yahweh.

The Torah originally referred to the first five books of the Old Testament. The books of Leviticus and Deuteronomy are Levirate laws forming the basis for Judaism’s sacrificial system. This system is naturally founded on the sacrifice of both blood offerings, in the form of specified animals, and non-blood offerings in the form of specified grains. In the early days of the sacrificial system, the Tabernacle was nothing more than a moving slaughterhouse, a place where priests butchered animals. It is telling that only the best animals, the least “blemished,” could be offered for sacrifice.

The indication as to the true purpose of the sacrificial system lay in the fact that priests took ten percent of the choicest cuts of meat for themselves and burned only the fat and viscera upon the altar as “sweet savor” to the Lord. The remaining meat was then returned to the sinner. Think about this for a moment, the Lord preferred fat and viscera to the prime cuts commanded by the priests.

Imagine for a moment, your priest as a butcher. Imagine going to church on Sunday and seeing your priest at the altar slitting the throat of various parishioners’ pets, catching their blood in a golden bowl and then splashing it around the altar as he dances around in a trance-like state chanting pleas to God for the forgiveness of sins and begging for salvation. After the service, you say to your spouse, “Boy that certainly was a different sermon this week wasn’t it dear?” Your spouse replies, “Oh I don’t know, next week is communion, when we eat the body Christ and drink his blood. Speaking of that, let’s hurry to the restaurant before the church crowd gets there.”

marked-bloodAfter making their sacrifice, the Hebrew sinner was marked with blood, mixed with other bodily fluids, on either the forehead or the big toe. This mixture ensured longevity of the mark. The blood marking was visible proof that a tribesman had paid his “sin tax.” Later, this mark was washed off in a ritual purification bath called the Mikveh, at which time the sacrificial cycle began anew.

However, this marking system had one obvious, glaring drawback. Blood is a commonly available substance produced by the higher organisms. In their attempt to control the easily counterfeited blood marking, priests forbade their followers from butchering their own animals or even possessing the instruments for doing so. This was the primary reason for the kosher slaughter, a process where the living animal’s throat is slit to ensure the pumping heart will drain the blood as completely as possible. This also led to the prohibition of various implements and practices used in the butchering process. The priests defined these as “clean” or “unclean,” but think “legal” or “illegal,” as these are in fact legalistic dictates that have almost nothing to do with hygiene.

Any contact with blood was strictly prohibited, like that produced by menstruating women or “lepers,” which meant anyone with running sores. As a result, a Byzantine legal structure arose to control the minutiae of everyday life. There is a forgettable tract in the Mishna that elaborates on the cleanliness of a bowl. The upshot of this legal commandment is that if a bowl in intact, then it is unclean; but if the bowl is smashed into pieces of which the largest piece is no larger than the tip of a man’s finger, then it is clean. This makes absolutely no sense unless one understands the bowl in question can be used to hold and mix blood products.

Eventually the phylactery replaced the blood marking. This was a small box attached to the forehead or the back of the wrist holding a scroll with a passage from the Torah. The scroll changed in accordance with the sacrificial cycle; and like tabs on a license plate, it could be checked as proof that Temple followers were current on their sacrificial tribute. Despite this modification, Levirite laws concerning blood products remained in full force.

Imagine yourself as a very young child of a primitive, nomadic, tribesman. Having heard only stories, you are dimly aware of the importance of a much talked about, upcoming ritual. You are aware this ritual occurs on regular basis and the anxiousness of your parents is palpable when discussing the subject.

On the prescribed day, the day the ritual begins. You follow your parents down to a running stream. A man richly attired in strange garb stands in the middle of the stream. One by one, your neighbors walk into the stream where the man mutters strange words as he immerses them in the water while rubbing their forehead with the palm of his hand. After your father has undergone the ritual immersion, you note the red mark he always wears on is forehead has disappeared. The ritual continues until every adult in the village has undergone immersion. You hear someone nearby whispering that the sacred cycle has ended.

The following day, your mother wakes you earlier than usual and your family spends the morning in careful preparation for the day’s activities. You want to play with your friends, but your mother insists you attended to her demands. You accompany your father as he goes out among his meager collection of animals. He spends quite a bit of time inspecting the herd until he finally chooses a prized sheep. This animal happens to be one of your favorites. You have often played with the sheep, chasing them around the meadows and finally catching one, you buried your face in its soft wool. Your nose takes delight in the earthy smell of the sheep. It is the smell of life, and life seems to be everywhere among the hills where the herds roam.

tabernacleLater that morning, your father takes you by the hand and with animal in tow, you are dragged to a portable slaughterhouse your parents refer to as the “Tabernacle.” Here you are to witness the important ritual they have been discussing over the preceding weeks. You enter a large enclosure surrounded by a fence made of cloth. In the middle of the enclosure is an odd tent-like structure with rude wooden columns and entry doors. A number of wooden tables, sagging oddly along the longitudinal center line, are set up in the makeshift courtyard directly in front of the tent. Soon, other families begin arriving with their animals.

Finally, the ceremony begins. A neighbor of yours steps forward and presents a prized calf to one of several strangely dressed men, like the men you saw at the stream the day before. Your parents refer to these men as “priests.” One by one, the sinners step forward and present their animal to a priest who then hoists it upon one of the many tables. Your neighbor drops to his knees in front of the priest, closes his eyes and begins chanting something unintelligible. As you are witnessing this, your father grabs your hand and places it alongside his on the prized sheep. You can feel its heart racing. The animal transmits its terror though the palm of your hand. The priest takes hold of the struggling animal and with quick, practiced motion, slits its throat with a razor sharp knife. The animal struggles, kicking and bellowing in protest, as geysers of blood erupts from its jugular vein. A froth of blood spews forth, splattering you and everyone present. You can feel the spark of life draining through its hide as the stillness of death overcomes the animal. You look down at the viscous red fluid splattered on the front of your robe. You stare with revulsion at the red stains soaking into the fibers as the stench of death assaults your nostrils and addles your sense.

blood-sacrifice-covenant

Even before the animal has ceased struggling, you look up from your bloodstained robe to see the head priest/butcher moving quickly to catch the animal’s blood in a golden bowl. Now you realize the sagging tabletop forms a trough that allows the blood to flow from the end, where the priest awaits with his bowl. With eyelids half closed and muttering some strange incantation, he seems to be in a trance. Shouting, he lifts the golden bowl skyward at arms’ length before splashing the rapidly congealing blood over and around the base of the altar. The priest then comes out of his trance and begins eviscerating the animal. During this process, the animal’s bloody guts are laid aside so they can later be burned on the altar as sweet savor to the lord, who evidently has an abiding taste for burnt fat and viscera.

In just a few strokes, the priest/butcher finishes his gory task. Working rapidly, he begins cutting the animal’s joints. As he separates the portions of meat, he carefully lays aside a large portion of the best cuts for himself. He then returns the remaining meat to your neighbor, who by now has given the priest full admission of his sins.

After the sacrifice is complete, the priest produces a smaller bowl with a cupful of the animal’s blood. The priest mixes it with another bodily fluid that appears to be semen. He uses his thumb to smear a large daub of the mixture on the forehead of the entranced, chanting sinner kneeling before him with closed eyes. Then, with a loud shout, the priest/butcher declares that by this act, your neighbor’s sins have been atoned. Your neighbor staggers to his feet and like a drunk, lurches away from the butchering table with a beatific look on his face, even as the priest calls for the next sinner to step forward with his animal.

Suddenly you feel the full emotional horror of the fate awaiting the other animals brought to the ritual. All the while, these men called priests, howl, chant and dance about, reciting their ritualistic incantations that beg god’s forgiveness; it must have been a bloody spectacle. The bloodlust continues well into evening.

BundesladeWhat you never witness is the secret ceremony inside the Tabernacle’s tent where the high priest in a final act of crazed bloodlust drinks the sacrificial blood before the mercy seat. The Levirate injunction against consuming blood is a public admonishment to restrict the use of blood products. However, the priesthood exempted itself from its own laws and secretly does not observe such restrictions. This covert act, along with the acceptable act of consuming sacrificial meat, will later be replayed by Yeshu during his last supper, when he symbolically offers wine and bread representing his blood and body to his disciples.

yeshu A few days later the priests fold their Tabernacle tent and move on. They will move to the next tribe where the sacrificial cycle will be played out once again.

Consider the effect of this gruesome spectacle on a child. Blood spewing everywhere, chanting priests mesmerized in their crazed bloodlust, driven by the howling and grunting of animals bleeding out the last of their life on the ground. The restless bleating of animals, now aware of their fate. Sinners raising their hands towards the heavens as they cry out for god’s forgiveness. Imagine your parents continually consumed with the thought of blood and the avoidance of it, thoughts that translate into an unnatural obsession about the stuff.

Extrapolate this horror out over the generational millennium and you have the foundations of a psychopathic bloodlust that is not a preference, not a peculiar, incidental twist in a few exceptional personalities: it is a culturally inbred condition, one that can neither be altered nor escaped. This culture of blood has permeated the very core of Judaism until it has become a genetic component of their race.

The Bible is a book whose stories have influenced humanity in the most profound manner. Few would argue the statement that it has been the single most influential book in history. Yet few truly comprehend the true breadth and depth of its influence. Fewer still stop to consider why this ancient book has had such a powerful influence when other similar books of antiquity faded into complete obscurity; curious artifacts examined only by experts. What is it about the Bible that is different? Why is this particular book considered relevant to modern man, when its contemporaries are considered irrelevant, archaic works of ancient, primitive, tribes? What is it about these stories that drive modern man in the same manner as they drove the men of ancient times?

The original book was known to Jews as the Torah. These were the first five books attributed to Moses. “Torah” is an interesting word. Many words in Jewish culture have multiple constructs. Therefore, to understand the intent, such words must be taken within the frame of reference to the context in which they are used. To Jews, Torah can refer to anything from the first five books of Moses to the entire linage of Hebraic religious works, ranging from Genesis to the last volume of the Talmud. For our purpose, Torah will refer to those five books of the Old Testament attributed to Moses. This collection is commonly known to Christians as the “Pentateuch.”

Hyman-Bloom-Still

The actual definition of “Torah” is likewise interesting. Again, we find a double definition in that the word is defined as both “law or legal” as well as “instruction.” From this definition, we find the Torah is in fact books of legal instruction. The reader is asked to keep this definition in mind while reading this book.

The Torah spawned three of the most influential religions on the planet today: Judaism and her unwanted daughters, Islam and Christianity; unwanted because the Jews never intended their book or beliefs to be adopted by non-Jews. It is truly ironic how few Christians realize that these two daughters have far more in common with each other than they do with their mother religion. All three religions are based on the original stories found in the Torah. All three recognize and revere the ancient patriarchs of the Old Testament. All three pay tribute to these stories as their foundational beliefs about monotheism. All three base their concepts of God upon the descriptions found in these stories. One only needs to compare these three religions with a religion like Buddhism or Hinduism to find the close relationship of mother Judaism and her two daughters.

Yet, while Western civilization has been profoundly influenced by these stories, the book in fact addresses the issues of the ancient Jews. The Bible was written by Jews, about Jews, for Jews. The information in the Torah was never intended to play any part outside Jewish culture for as it is written in the Babylonian Talmud, Sanhedrin 59a, (“Gemara… Johanan said: A heathen who studies the Torah deserves death, for it is written, Moses commanded us a law for an inheritance; it is our inheritance, not theirs”).

cross-and-star-of-david-togetherIt has been written that the worst reference source for information about water is a fish, for a fish is immersed in the fluid. The immersion of the fish is so complete that it does not even perceive that water exists. Thus, the fish’s immersion and dependence on water precludes any objective analysis of the fluid by the fish and so is the case with the Bible. Western civilization has been so profoundly influenced by its immersion in these stories that it can no longer see the original, objective truths behind them. The Bible is not a book about the history of the Jews: it is a book about the culture and beliefs of a people instrumental in shaping our world. Essentially, the Torah is a cookbook that might well be titled in the same manner as the one in Rod Serling’s play, To Serve Man.

Throughout their history, Jews have been renowned storytellers. Much of their superior verbal skills are undoubtedly derived from the history of their religion’s long oral tradition. Storytelling has long been the common method used by primitive cultures to pass down traditional beliefs and law, but the Jews elevated storytelling to the highest level possible. For Jews, storytelling goes well beyond even an art form, it is in fact the very thread from which they weave the fabric of their culture.

From the first millennia of their existence, Hebrew law and religious beliefs were passed down in the form of storytelling. Around the time of Yeshu, heated debate arose among the Sadducees and Pharisees over whether or not to continue adhering to the oral tradition. By the time of the second Temple period, a major point of friction between the Pharisees and the Sadducees was the validity of the oral law, since the Sadducees only adhered to the written law. Attempts were made to codify a collection of rulings, but the Sadducees rejected the Pharisees’ notion of abiding by the Oral tradition before it was later committed to ink.

There are some interesting considerations inherent to this disagreement. First and foremost, an oral tradition can be much more closely controlled as to who is allowed to receive the information. By this, one can see that had these stories not been committed to the written form, modern Christians would have no more idea of their content than they have of the Hebrew language. Secondly, oral traditions lend themselves to modification far more easily than written traditions. Orwell pointed out this difficulty in his book 1984, where an entire ministry is devoted exclusively to changing the written history of a culture. The Pharisees eventually won the argument as the modern Talmud teaches “God made a covenant with Israel only for the sake of that which was transmitted orally.” Yet, to this day, Jewish boys devote much of their time memorizing and reciting long, torturous, Talmudic tracts and arguing the legal precedence set by these laws, doing so in the very same manner as their ancestors.

Today, Hollywood’s writers, producers, and directors are predominantly Jewish; so it comes as no surprise to find the Torah’s influence clearly visible throughout most Hollywood productions. This marvelous ability to fantasize and tell tall tales can be visibly witnessed in numerous Hollywood and TV shows written and produced by these Jews. While names like Spielberg, Lear and Katzenberg have replaced Biblical names like Moses, Ezekiel, and Saul, the same form of story telling is still much in evidence. When one examines the fantastic and fanciful stories written and produced by those like Spielberg or Serling, or morality plays written by Norman Lear, one has a direct window into the mind of the Biblical storyteller.

 

_________

My two cents:

The author of the above foreword restricts his critique to animal sacrifice. More recent scholarship has established that those sacrifices, which would be condemned by any animal rights advocate today, were the sublimation of the ancient Hebrews’ filicidal impulses toward their own children: sublimation of actual child sacrifices in even more ancient Israelite history. See the pages of my book where I address this extremely disturbing subject: here.

Categories
Ancient Greece Ancient Rome Art Aryan beauty Beauty Eduardo Velasco Iliad (epic book) Metaphysics of race / sex Nordicism Racial studies

Were the Greeks blond and blue-eyed?

greek_blonds

This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Categories
Chess

Chess from the racial perspective

“I am a Jew by blood, Russian by culture, Soviet by upbringing.”

—Botvinnik


I used to be a chess fan but have only participated in a single official FIDE chess tournament in 2004, which gave me a provisional rating of 2109; a rating I might improve if I played more FIDE tournaments. However, after my racial awakening, of which the most emblematic knowledge has been the anti-German Holocaust that the media hides since 1945—which proves that the Second World war continues in the sense of postmortem propaganda—, I cannot see my former hobby as I used to see it. Some snippets of the life of world chess champion Mikhail Botvinnik (1911-1995), who conquered the crown of chess right after the Holocaust of millions of Germans, illustrates my point.

Botvinnik_1936

According to the Soviet politician Nikolai Krylenko, Botvinnik, who here appears in a 1936 photo, “exhibited the traits of a true Bolshevik,” and Botvinnik’s pupil Garry Kasparov described his mentor as a “staunch communist, son of Stalin’s regime.” In his memoirs Botvinnik himself recognized that he was lucky in life because his “interests coincided with those of the society.”

In my opinion the Estonian Paul Keres, not the Jew Botvinnik, should have conquered the crown after the pro-Nazi world champion of chess, Alexander Alekhine (my idol around my middle teens), died in 1946. In fact, Alekhine virtually had offered the crown to Keres by means of challenging Keres to a match for the title when Alekhine was already well beyond his prime. The young Keres committed the blunder of his life by refusing this gracious glove, and in fact Keres morally succumbed right after the summer of 1940 when his nation, Estonia, was annexed by the Soviet Union. I would dare to claim that the outcome of the 1948 match-tournament, that crowned the Jew Botvinnik as the successor of the Aryan Alekhine, was the logic conclusion of the Judaization of the Soviet Union and Eastern Europe, and the debasement of the Estonians in Stalin’s postwar society.

Kasparov

Curiously, Kasparov, whose real Jewish last name is Weinstein before he changed it—a fact that Bobby Fischer repeatedly stressed in the media until the US government didn’t allow Bobby to return to the US—, confesses in his book on his predecessors that as a child he, Kasparov, was the only intimate pupil of Botvinnik. His mentor only played the teacher role with other children, but with the young Garry the former champion maintained regular contacts through fourteen years—something that, Kasparov concedes, “helped me enormously” in his career to conquer the chess crown. “In those times life was difficult for me and for my mother, and Mikhail Moiseyevich did everything he could to help us, and provided food coupons.”

Jews helping Jews… I am so glad that by the end of this year a Norwegian gentile kid, Magnus Carlsen, will probably beat the current world champion, the Indian Viswanathan Anand… Hadn’t we been living through the darkest hour of the West, the fair race would’ve never lost the title of World Champion of Chess for so long.

Categories
Democracy

Trainspotter on GD crackdown

Meandros_flag.svg

Chechar, glad you are following this. I believe we are witnessing an event of historical importance, with tremendous and far-reaching ramifications no matter how it plays out.

It’s early days yet, but it would seem that the system is dropping even the pretense that the ballot box can be used to mount a meaningful challenge to establishment anti-white policies. For all of our lives, the system argument against us has been, “You are unpopular losers.” But when we can prove popularity, in spite of the system throwing every obstacle in the book at us, the hammer falls. Of course.

Apparently, the only acceptable choices are Anti-White Fast and Anti-White Slow—in other words we can dispute the speed at which we move along the anti-white trajectory, but we are not allowed to dispute the trajectory itself.

The legitimacy of the modern democratic system is coming under enormous strain, something we’ve been discussing for years. It’s playing out more or less as we’ve expected, and at this point it looks like a win no matter what. If Golden Dawn is crushed, the legitimacy of the democratic system takes a tremendous beating, and the anti-whites will enjoy a Pyrrhic victory at best.

If, on the other hand, Golden Dawn survives and even prospers, then the legitimacy of the anti-white system still takes a beating, perhaps a far more severe beating. All of our lives it has been a case of “heads they win, tails we lose.” In an important sense, that may be reversed here.

I think that the system has blundered, though it might not have had a choice. Either way the system loses, whether in the short or longer run. And that may reveal the value of democratic politics… forcing a system reaction like this. I hope Golden Dawn has a Plan B, but we’ll see. At least they forced the reaction, revealing that the emperor has no clothes.

golden-dawn-flagsIn any event, I’ll check back in the days ahead, and look forward to any commentary that you might have. Long Live Golden Dawn!

____________________________

For the context of this entry, see here.

Categories
Democracy Kali Yuga Mainstream media

Golden Dawn crackdown

Or

Greek government makes it impossible
for GD to win elections


This is such an important, unfolding event that I’ll violate my policy of not posting news in this blog. In fact, I’ll leave this post “sticky” as long as necessary. The below exchanges come from a current discussion at VNN (last page, here):

GD leader

(Michaloliakos shows his face with no shame; police escorts hide their faces like bank robbers.)


The Chief of the Golden Dawn Nikolaos G. Michaloliakos has been arrested, along with at least three or four MPs while about thirty executives led the General Police Directorate of Attica after warrants were issued for “criminal organization.”


Alex Linder said…

Government spokesman Simos Kedikoglou told The Associated Press, hinting that Saturday’s arrests were the culmination of a long strategy to deal with Golden Dawn as a criminal, not a political force. In other words, simply declare Golden Dawn’s political views illegal, since they are too popular. Essentially, it’s a criminal act not to be a leftist. “The prime minister and the government were determined to deal with Golden Dawn solely through the justice system… We have succeeded in stripping them of their political cover and deal with them as what they really are, a criminal organization,” Kedikoglou said. This is democracy: either go along with the System or be branded a criminal.

VNN commenter said…

That’s the rub, isn’t it? Any successful creation of a party that challenges the establishment will be declared illegal. They are branded as criminals against the state for merely having political views and ideologies that fly in the face of the establishment, and have succeeded in gathering support in the populace. Any threat to the continuance of the establishment’s power will be dealt with, not through elections, but by literally declaring any successful opposition to be criminal in nature.

Successful is the key. GD endured the media onslaught and character assassination. The people did not believe the lies the press and government were feeding them—because GD was actually feeding them! When GD was viewed as a minor annoyance, TPTB were happy to handle them in the traditional means, i.e. media attacks, bad press, and harassment (such as any grass roots political party or organization). But because GD weathered these attacks, and continued to gain the support of the people, now we see how the established power deals with them as an actual threat: Arbitrarily making new laws and statutes, ignoring established laws and procedure as they see fit, and bringing the full weight of a corrupt system to dismantle the will of the people.

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Ancient Greece Aristotle Athens Eduardo Velasco Friedrich Nietzsche Homer Oracle of Delphi Plato Sparta (Lacedaemon)

Sparta – XVI

This specific chapter of Sparta and its Law has been moved: here.

If you want to read the book Sparta and its Law from the beginning, click: here.

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Ancient Greece Athens Eduardo Velasco Leonidas Oracle of Delphi Sparta (Lacedaemon) Sword

Sparta – XV

This specific chapter of Sparta and its Law has been moved: here.

If you want to read the book Sparta and its Law from the beginning, click: here.

Categories
American Revolutionary War Autobiography Music Racial studies

Mexico: The crypto and the mulatto

Here in Mexico, a couple of days ago, after my family celebrated the Day of Independence, I caught my Catholic father and sister speaking in high terms about Miguel Hidalgo, the Catholic priest that in 1810 started the war of independence; and José María Morelos, the mulatto that continued Hidalgo’s anti-white wars. While father and daughter recognized that Hidalgo and Morelos killed lots of Iberian white civilians and “from 20,000 to 30,000 prisoners of war,” they, nonetheless, regard them as “heroes.” In the Mexican wars of independence from Spain of 1810 to 1821 my father and sister could have been confused with Spaniards and, still, like many other Mexicans who could pass as Mediterraneans, they side the crypto-Jew and the mulatto. Why?

miguel-hidalgo

The 19th century portraits of Hidalgo are fake. All of them used a man of Austrian origin who posed as the father of the independence. Original reports depict Hidalgo with hooked nose. The overwhelming majority of Mexicans ignore that the Catholic priest Hidalgo was probably the son of Jewish conversos. Even the Mexican Jews, no longer cryptos, acknowledge it: “Two genealogical studies of the eighteenth century, the Archivo General de la Nación de Mexico and the Ramo de la Inquisición, suggest that Father Miguel Hidalgo y Costilla, the father of Mexican Independence, had a Converso background and that Bartolomé de las Casas, a Bishop who fought to free slaves in Nueva España, also had Jewish ancestors.” In case of my family, they are under the naïve impression that both Hidalgo and Las Casas were of pure Spanish origin.

But what about the mulatto Morelos? The 1944 edition of José Vasconcelos’ A Brief History of Mexico that my father read long ago, says (my translation):

For Morelos, for example, to be comparable to Washington, it must be assumed that Washington had decided to recruit blacks and mulattoes to kill the English. Instead, Washington disdained blacks and mulattoes and recruited the English of America, who did not commit the folly of killing their own brothers, uncles, and relatives, only because they were born in England. Quite the contrary, each participant of the American Revolution felt pride for his British ancestry and hoped for the betterment of the English. This should have been the sense of our own emancipation, to transform New Spain into an improved Spain, better than that of the peninsula but with its blood, our blood. The whole later disaster of Mexico is explained by the blind, criminal decision that emerged from the womb of Hidalgo’s mobs and is expressed in the suicidal cry: “Death to the Spaniards!”

So why many Mexicans who physiognomically could pass as southern Italians, Greeks or Spaniards side the mulatto against their blood? Recently, for example, my father’s orchestra composition, La Espada (The Sword), was a success in Mexico City: an homage to the mulatto Morelos (my father has zero black blood by the way).

The music is good—the first ten minutes can be listened in the above clip—, but the libretto is outrageous. The poet Carlos Pellicer (1897-1977) wrote it and my father adapted it for 150 voices and orchestra:

Tú fuiste una espada de Cristo,
que alguna vez, tal vez, tocó el demonio.
Gloria a ti por la tierra repartida.
Perdón a tu crueldad de mármol negro…
Gloria a ti al igualar indios, negros y blancos…
Gloria a ti que empobreciste a los ricos
Y te hiciste comer de los humildes,
Procurador de Cristo en el Magníficat.

My rough translation:

You [Morelos] were a sword of Christ,
once, perhaps, touched by the devil.
Glory to you for distributing the land.
Sorry for your cruelty of black marble…
Glory to you for equating indians, blacks and whites…
Glory to you that made the rich poor
And made the humble eat,
Attorney of Christ in the Magnificat.

When Pellicer said “touched by the devil” he meant the killings of unarmed Iberian whites that the mulatto ordered in cold blood. That’s why Pellicer said “black marble”: Morelos’ appearance was even darker than the Amerind skin! So much that, to avoid being called names, Morelos covered his curly hair—obvious black heritage—with the legendary bandana that adorns his head in every single picture that represents him.

JOSE MARIA MORELOS Y PAVONThe rest of my rough translation of the famed poet needs no explanation. However, as far as I know Catholic Pellicer (whom I met as a child when my family visited him at Tepoztlán) didn’t have black blood either. You can imagine where all of these ethno-suicidal ideas came from: the religion of the inversion of values of these Body-snatched Mexican Pods, my family included.

Categories
Architecture Art Civilisation (TV series) Demography Industrial Revolution Kali Yuga Kenneth Clark London New York

Civilisation’s “Heroic Materialism”

Originally I posted this article on April 25, 2012. But now that I have been postulating that the One Ring of greed and power—that we might start calling “the Aryan Problem”—could be the main factor in the West’s darkest hour, I am moving it at the top of this blog.

Below, some excerpts of “Heroic Materialism,” the last chapter of Civilisation by Kenneth Clark. (For an introduction to these series, see here.) Ellipsis omitted between unquoted passages. Also, the headings don’t appear in the original text:

The westerners’ new god: Mammon

Imagine an immensely speeded up movie of Manhattan Island during the last hundred years. It would look less like a work of man than like some tremendous natural upheaval. It’s godless, it’s brutal, it’s violent—but one can’t laugh it off, because in the energy, strength of will and mental grasp that have gone to make New York, materialism has transcended itself. It took almost the same time to reach its present conditions as it did to complete the Gothic cathedrals. At which point a very obvious reflection crosses one’s mind: that the cathedrals were built to the glory of God, New York was built to the glory of mammon—money, gain, the new god of the nineteenth century. So many of the same human ingredients have gone into its construction that at a distance it does look rather like a celestial city. At a distance. Come closer and it’s not so good. Lots of squalor, and, in the luxury, something parasitical.


Blake’s Satan

One sees why heroic materialism is still linked with an uneasy conscience. The first large iron foundries like the Carron Works or Coalbrookdale, date from about 1780. The only people who saw through industrialism in those early days were the poets. Blake, as everybody knows, thought that mills were the work of Satan. ‘Oh Satan, my youngest born… thy work is Eternal death with Mills and Ovens and Cauldrons.’

The [slave] trade was prohibited in 1807, and as Wilberforce lay dying in 1835, slavery itself was abolished. One must regard this as a step forward for the human race, and be proud, I think, that it happened in England. But not too proud. The Victorians were very smug about it, and chose to avert their eyes from something almost equally horrible that was happening to their own countrymen.

In its early stages the Industrial Revolution was also a part of the Romantic movement. And here I may digress to say that painters had for long used iron foundries to heighten the imaginative impact of their work with what we call a romantic effect; and that they had introduced them into pictures as symbolising the mouth of hell. However, the influence of the Industrial Revolution on Romantic painters is a side issue, almost an impertinence, when compared to its influence on human life. I needn’t remind you of how cruelly it degraded and exploited a mass of people for sixty or seventy years.

What was destructive was size. After about 1790 to 1800 there appeared the large foundries and mills which dehumanised life. Long before Carlyle and Karl Marx, Wordsworth had described the arrival of a night shift ‘that turns the multitude of dizzy wheels, Men, maidens, youths, Mothers and little children, boys and girls, Perpetual sacrifice.’

The terrible truth is that the rise in population did nearly ruin us. It struck a blow at civilisation such as it hadn’t received since the barbarian invasions. First it produced the horrors of urban poverty. It must have seemed—may still seem—insoluble; yet this doesn’t excuse the callousness with which prosperous people ignored the conditions of life among the poor on which to a large extent their prosperity depended, and this in spite of the many detailed and eloquent descriptions that were available to them. I need mention only two—Engels’s Conditions of the Working Classes in England, written in 1844, and the novels written by Dickens between 1840 and 1855. Everybody read Dickens. But his terrible descriptions of poverty had very little practical effect: partly because the problem was too big; partly because politicians were held in the intellectual prison of classical economics.

The images that fit Dickens are by the French illustrator Gustave Doré. He was originally a humorist; but the sight of London sobered him. His drawings were done in the 1870s, after Dickens’s death. But one can see that things hadn’t changed much. Perhaps it took an outsider to see London as it really was.


Degenerate architecture

At the beginning of this series I said that I thought one could tell more about a civilisation from its architecture that from anything else it leaves behind. Painting and literature depend largely on unpredictable individuals. But architecture is to some extent a communal art. However, I must admit that the public buildings on the nineteenth century are often lacking in style and conviction; and I believe that this is because the strongest creative impulse of the time didn’t go into the town halls or country houses, but into what was then thought of as engineering. In fact, all modern New York started with the Brooklyn Bridge.

In this series I have followed the ups and downs of civilisation historically, trying to discover results as well as causes; well, obviously I can’t do that any longer. We have no idea where we are going, and sweeping, confident articles of the future seem to me, intellectually, the most disreputable of all forms of utterance. The scientists who are best qualified to talk have kept their moths shut.

The incomprehensibility of our new cosmos seems to me, ultimately, to be the reason for the chaos of modern art. I know next to nothing about science, but I’ve spent my life trying to learn about art, and I am completely baffled by what is taking place today. I sometimes like what I see, but when I read modern critics I realise that my preferences are merely accidental.

Western civilisation has been a series of rebirths. Surely this should give us confidence in ourselves. I said at the beginning that it is lack of confidence, more than anything else, that kills a civilisation. We can destroy ourselves by cynicism and disillusion, just as effectively as by bombs. Fifty years ago W.B. Yeats, who was more like a man of genius than anyone I have ever known, wrote a famous poem.

Things fall apart; the centre cannot hold;
Mere anarchy is loosed upon the world,
The blood-dimmed tide is loosed, and everywhere
The ceremony of innocence is drowned;
The best lack all conviction, while the worst
Are full of passionate intensity.

Categories
Ancient Rome Demography Kali Yuga Kevin MacDonald Michael O'Meara Tom Sunic William Pierce

The One Ring

“In ancient Rome, as in modern America, the economic system and its imperatives are treated as absolute and fixed, whereas the people are treated as liquid and fungible.”

—Greg Johnson

“After all, the chief business of the American people is business.”

—President Calvin Coolidge



Yesterday I listened Tom Sunic’s interviews of Andrew Fraser, author of The WASP Question. Fraser is a Protestant and Sunic, of Catholic background, like me has given up Christianity. Although their very friendly discussion on the role that Calvinism and Puritanism may have played in today’s suicidal zeitgeist was fascinating, what piqued my interest was the view that both Sunic and Fraser share: how White Anglo-Saxon Protestants fell into the spell of the One Ring (economics-over-race policies).

Since the Jewish Question was almost absent in this two-part interview, it reminds me very strongly Michael O’Meara’s view that the JQ is secondary to America’s Low Church worship of Mammon. In the heated debate at Counter-Currents between O’Meara and the monocausalists (those who believe that whites are blameless), that I copied and pasted, O’Meara said:

Kevin MacDonald, unlike his epigones, knows how to make an argument and support it with substantiating evidence. Nevertheless, his argument proves nothing (except his own intelligence), for with the same methods but in reference to different facts, I could make an equally convincing argument to “prove” that corporate capitalism (or the Cold War state, Catholicism, Protestantism, or a half-dozen other factors) were far more influential in legalizing the formal de-Europeanization of the American people.

I think that Sunic, Fraser and O’Meara are right. In fact, the moral of the historical books by William Pierce and Arthur Kemp is that non-whites have always overwhelmed the white minority after some centuries. Pierce and Kemp have proven, to my satisfaction, that ever since the civilizations of the Ancient World to date, whites have been losing because they don’t follow the golden rule: total separation from non-whites. Instead, they have fallen, and still fall, in the temptation of trying to use non-whites as “capital”: whether slaves, servants, second-class citizens, or wet-backs in the US and elsewhere.

From this meta-perspective that reviews several millennia of history the culprits of the West’s darkest hour may be listed, in order of importance, thus:

1) The One Ring

2) The Christian Problem

3) The Jewish Problem

This blog has been focusing on the second etiological factor because other white nationalist blogs are reluctant to fully discuss it. Nonetheless, both the Christian and the Jewish problems are far from being the most influential factors, and it is a pity that nobody is sponsoring O’Meara because, in addition to his published articles, I believe that his thesis must be expanded as thoroughly as MacDonald has presented his views on Judaism. (But why does this movement have no wealthy sponsors…?)