Category: William Shakespeare

Shakespeare

Post author By C .T.
Post date April 4, 2025
1 Comment on Shakespeare

William Shakespeare was also a ‘man of his time’, in that his plays were performed at the London Globe. Compare this with the wretched lives of the ‘men against their time’: so ignored that, in their isolation, they usually suffer psychic annihilation (as would happen to Nietzsche).

On a mainstream television channel last century I caught glimpses of what appeared to be a series of Shakespeare’s complete works. Each drama, comedy or tragedy was performed by native actors—naturally all ethnically pure English—and I was so impressed by the more than beautiful euphony and musicality of Shakespearean English that I immediately fell in love and understood why his poetry represents one of the pinnacles of European art.

Alas, in this century, the last time I visited London, I went to Shakespeare’s Globe to see a performance of Antony and Cleopatra and… I received a horrifying shock: unlike the beautiful images I had seen on television in the previous century, now not only was the casting of the Shakespearean tragedy at the Globe itself replete with blacks, but an Arab was fondling his English girlfriend in the audience!

It is events of this kind that make one abandon the classics and devote oneself to Hitler with the utmost fanaticism! While I can recognise the very high culture represented by the English poet’s theatre, what is the point of being immersed in his dramas if what prevails in England today is the ethnosuicidal tragedy of astronomic self-hatred of the English themselves? I was a tourist in London when this happened, and it should be no surprise that Tyrone Joseph Walsh, mentioned in my previous article, vehemently refused to accompany me to the Globe.

Now Tyrone is rotting in jail for rebelling against his country’s vehement ethnosuicide. Only now do I fully understand why one loses all interest in one’s country’s greatest literary figure when things like what happened to me at the Globe happen.

So, sharing the disinterest of the friend who is now unable to communicate with us, I shall confine myself in this entry to re-posting what I have written in previous years about Shakespeare’s best-known tragedy:

______ 卐 ______

Of my list of fifty, this was the first film that, as I recount in my autobiography, really made an impression on me when I saw it on television in 1975, with my dad by my side. Precisely in trying to understand how a defect or fault in my father’s character corrupted the whole family dynamics, years later I would ponder much in the words that, in Laurence Olivier’s voice, we listen at the beginning of Hamlet (1948 film):

So oft it chances in particular men
That for some vicious mole of nature in them,
By the o’ergrowth of some complexion,
Oft breaking down the pales and forts of reason,
Or by some habit grown too much; that these men–
Carrying, I say, the stamp of one defect,
Their virtues else — be they as pure as grace,
Shall in the general censure take corruption
From that particular fault.

As a teenager watching it at home, I was most impressed by Hamlet’s inward-spiralling soliloquies in one of the early scenes, when he is left alone in the hall and the court guests leave. If instead of the forty-year-old actor Olivier, the director had cast a teenage actor of my age—as he appears in Shakespeare’s tragedy!—I would have connected much more with the character. But even so, his soliloquies near the beginning of the film made a big impression on me because that is what I used to do as a teenager, and precisely because of a family tragedy that no one but me seemed to have any introspection about.

However, it is impossible to critique the film without critiquing not only Shakespeare, but the Christian era of which both Shakespeare and I are a part.

As Alice Miller observed in one of her books, the Judeo-Christian commandment to honour the parent has been fatal to the mental health of Christians (and I would add, of atheistic neochristians alike). Although Christians destroyed the vast majority of the classical world’s plays, tragedies and comedies, in the little that remains it can be seen that in both Iphigenia and Electra it’s clear that there is maddening mistreatment of their children by their parents. But not in Hamlet where an uncle is the bad guy. Nevertheless, for the Elizabethan period Hamlet was a breakthrough in the right direction, although millennia earlier the Greeks had already reached the marrow of the human soul. In sum, for the time Hamlet definitely represented a leap forward to a more self-conscious self.

Another thing that, now grown up, struck me when I rewatched the film was the character of Ophelia when Hamlet wants to grab her: the personification of the eternal feminine that I’ve been talking about on this site, which also appears in Shakespeare when we listen: ‘In her excellent white bosom, these…’ Hamlet’s scenes with Ophelia in the castle should be paradigmatic of how women will be in the future ethnostate, and are worth seeing. But back to what I said above.

Whites won’t mature as long as they are trapped by Judeo-Christian commandments. Even in areas as distinct from racial preservation as mental disorders (in Shakespearean tragedy we read that the teenage Hamlet was said to be deranged), we can never understand each other unless we transvalue our values to the values of the times of the Greek tragedies. Back then, before the commandment to honour our parents, it was easy to see that Clytemnestra’s mistreatment had affected the mental health of her daughter Electra; or that Iphigenia’s sacrifice by Agamemnon had affected Clytemnestra terribly, and so on. Even the tough Spartans wept at these open-air tragedies when they visited Athens because they reflected what was happening in the real world.

So much do Christian ethics permeate the secular world that even in his Dictionnaire philosophique Voltaire says that ‘It is natural for children to honour their parents’, and the so-called mental health professionals of our times feel the same way. In our century, the Judeo-Christian injunction to honour the parent, now secularised, moves writers to shift the villain of the story, for example from father to uncle as in Harry Potter (and Hamlet!) and only through such a shift is audio-visual drama permitted.

To transvalue all values is to recognise that the tragedies of the classical world were more profound and direct than the indirect tragedies of our Christian era. And even though Shakespeare, like Montaigne, set religion aside in their writings, they still moved on the axiological scale of our age, where the mandate to honour the parent is so profound that there is a whole fraudulent profession, psychiatry, which tries to keep the parental figure out in the cases of traumatised children and adolescents at home (cf. my books in Spanish).

Hamlet revisited

Though fictional, Hamlet is a character who, asking himself a thousand questions as he wanders the vast halls of the Danish castle, he also struggles with mental illness. In my article ‘Hamlet’ last year [reposted above], I implied that the Greek tragedians knew the human soul better than the great writers of Christendom for the simple reason that the latter have lived under the sky of the fourth commandment, honour our parents, and that this prevented them from seeing that some parents drive their children mad. This is so true that I commented in that article that even Voltaire hadn’t broken with that Christian commandment (it was not until the 20th and 21st centuries that a Swiss writer, Alice Miller, repudiated such a toxic commandment).

But in this entry I didn’t want to talk about the trauma model of mental disorders. I want to put Shakespeare on par with Goethe in the sense that their most famous works, Faust and Hamlet, contain strong Christian residues. Like Goethe, Shakespeare needs to be contextualised.

What could a continental freethinker do in the mid-16th century during the wars between Catholics and Protestants? Become a recluse. A sceptic of Christianity, Montaigne, did exactly that: something that evokes that many contemporary racialists are now recluses because of social ostracism if they dare to come down from their towers. Montaigne impresses me because he was the true representative of the intellectual side of the Renaissance, in sharp contrast to Erasmus who still lived in the thickest medieval darkness (cf. what I wrote about Erasmus in Daybreak).

England was then freer than Montaigne’s France, and that is the background to understanding William Shakespeare. We know that Shakespeare read Florio’s translations of Montaigne and that he was very impressed by him. Kenneth Clark said that Shakespeare was the first great poet of Christendom without religious beliefs.

However, like Goethe with his Faust, this is not entirely accurate. Shakespeare’s Hamlet has to be placed within the matrix of Elizabethan England: a time when Christian doctrine was still taken very seriously, both in its Anglican and Papist versions. Hamlet suffered a schizogenic struggle. He struggled internally with the command of his father’s ghost, from purgatory, to avenge him; but Hamlet couldn’t condemn himself, should he commit the mortal sin of murdering his uncle if he was, after all, innocent: a dilemma with which he struggles internally throughout the play.

So despite being influenced by the free-thinking ideas of his time, like Goethe Shakespeare was playing with Christian post-mortem doctrine. Nonetheless, from the viewpoint of my trilogy, which tries to fulfil Delphi’s mandate, Hamlet certainly represents a breakthrough in insight: it is the first foray into what we may call the true self (as opposed to the false self: the internal struggles we read in Augustine’s Confessions).

What gives Hamlet such evocative power is that the tragedy doesn’t take place on stage but within Hamlet’s soul. The whole play is a soliloquy, and since I have finished my trilogy these days with a postscript to my own tragedy with my father, I would like to quote a few words from Hamlet’s second scene:

Would I had met my dearest foe in heaven
Or ever I had seen that day, Horatio!
My father!—methinks I see my father.

A couple of minutes of the 1948 film interpretation from this point onwards portrays Hamlet’s inward-spiralling soliloquies very well. Incidentally, when I saw that film with my father in 1975 he had already mistreated me.

Tags England, United Kingdom

Literature William Shakespeare

Hamlet revisited

Before I continue commenting on the film where Reinhard Heydrich, the ‘iron-hearted man’, is our hero, I would like to clarify what I recently said about Johann Wolfgang von Goethe. Yesterday in the comments section, I said:

I put a painting of Goethe because I mentioned him in my previous post about Heydrich. But the abject slavery of the greatest writers to Christianity is more evident in Dante, for obvious reasons; and Cervantes, who considered his masterpiece not Don Quixote but Los trabajos de Persiles y Sigismunda, where Nordic princes travel around various places in the world to end up arriving in Rome, the seat of the Vatican, and get married.

I started the discussion about Goethe because he is mentioned in the film to the detriment of the SS. But if Nietzsche had respect for him, it is precisely because Goethe represents what I called ‘Bridges’ in January, in the context of Wagner’s musical dramas taking us away from Johann Sebastian Bach’s resounding Christianity. In other words, despite the mixture of his pagan The Ring of the Nibelung with the Christian Parsifal, Wagner takes a few steps towards our side of the psychological Rubicon, even if neither Goethe nor Wagner crossed it (indeed, even Nietzsche himself didn’t fully cross it, having failed to read Gobineau).

So I can be charitable with Goethe as long as we place him as a man of his time. He indeed took a few baby steps on the Rubicon although he had a long way to reach the other shore. From this angle, I have nothing against him or Wagner, and those who want to delve deeper into the subject could reread my article ‘Bridges’.

Goethe is considered the greatest figure of German letters, but what motivated me to write this entry is that, if I mentioned the most famous writer in the Spanish language, Cervantes, and the most influential in Italian Christendom, Dante, what could I say about the greatest figure of English letters, Shakespeare?

Just as on Saturday I mentioned Faust as Goethe’s most popular drama, Hamlet is Shakespeare’s most popular play, so I must say a few words about the latter.

In Crusade against the Cross I said that my purpose was to detect and expose the vestiges of Christianity that still inhabited figures considered stellar in the Western tradition, and I pointed out that there were even those residues in the metaphysics that Nietzsche himself had wanted to elaborate. If Nietzsche had followed the command of the Delphic oracle he would have understood these residues and, perhaps, wouldn’t have become psychotic by the end of his life.

Though fictional, Hamlet is a character who, asking himself a thousand questions as he wanders the vast halls of the Danish castle, he also struggles with mental illness. In my article ‘Hamlet’ last year, I implied that the Greek tragedians knew the human soul better than the great writers of Christendom for the simple reason that the latter have lived under the sky of the fourth commandment, honour our parents, and that this prevented them from seeing that some parents drive their children mad. This is so true that I commented in that article that even Voltaire hadn’t broken with that Christian commandment (it was not until the 20th and 21st centuries that a Swiss writer, Alice Miller, repudiated such a toxic commandment).

Like Goethe, Shakespeare needs to be contextualised.

(Left, Hamlet by William Morris Hunt, a 19th century painter.) However, like Goethe with his Faust, this is not entirely accurate. Shakespeare’s Hamlet has to be placed within the matrix of Elizabethan England: a time when Christian doctrine was still taken very seriously, both in its Anglican and Papist versions. Hamlet suffered a schizogenic struggle. He struggled internally with the command of his father’s ghost, from purgatory, to avenge him; but Hamlet couldn’t condemn himself, should he commit the mortal sin of murdering his uncle if he was, after all, innocent: a dilemma with which he struggles internally throughout the play.

So despite being influenced by the free-thinking ideas of his time, like Goethe Shakespeare was playing with Christian post-mortem doctrine. Nonetheless, from the viewpoint of my autobiographical trilogy, which tries to fulfil Delphi’s mandate, Hamlet certainly represents a breakthrough in insight: it is the first foray into what we may call the true self (as opposed to the false self: the internal struggles we read in Augustine’s Confessions).

Would I had met my dearest foe in heaven
Or ever I had seen that day, Horatio!
My father!—methinks I see my father.

A couple of minutes of the 1948 film interpretation from this point onwards portrays Hamlet’s inward-spiralling soliloquies very well. Incidentally, I saw that film with my father in 1975: time when he had already mistreated me.

Tags Christian problem (CP)

Axiology Film William Shakespeare

Hamlet

Post author By C .T.
Post date November 29, 2023
1 Comment on Hamlet

However, it is impossible to critique the film without critiquing not only Shakespeare, but the Christian era of which both Shakespeare and I are a part.

As Alice Miller observed in one of her books, the Judeo-Christian commandment to honour the parent has been fatal to the mental health of Christians (and I would add, of atheistic neo-Christians alike). Although Christians destroyed the vast majority of the classical world’s plays, tragedies and comedies, in the little that remains it can be seen that in both Iphigenia and Electra it’s clear that there is maddening mistreatment of their children by their parents. But not in Hamlet where an uncle is the bad guy. Nevertheless, for the Elizabethan period Hamlet was a breakthrough in the right direction, although millennia earlier the Greeks had already reached the marrow of the human soul. In sum, for the time Hamlet definitely represented a leap forward to a more self-conscious self.

Tags Trauma model of mental disorders

Charles Darwin Racial right Richard Carrier Richard Weikart William Shakespeare

The two Richards

In my previous posts I said that I have been counter-signalling white nationalists because they maintain Judeo-Christian tails, and at the same time I have been citing Richard Carrier’s work on the nonexistence of Jesus. But Carrier is a typical liberal, as can be seen from the debate I heard yesterday between him and Richard Weikart on YouTube:

Hitler is often claimed to have been an atheist or a Christian by believers and skeptics eager to put the dictator in the other’s camp. Christian historian Richard Weikart argues he was neither in his new book Hitler’s Religion: The twisted beliefs that drove the Third Reich. Richard Carrier is an atheist historian who has researched Hitler’s purported anti-Christian statements often quoted by apologists in his book Hitler, Homer, Bible, Christ. He says that Hitler was anti-Catholic but thought of himself as a “positivist” Christian. In contrast Weikart argues Hitler was a pantheist who personally despised Christianity and only used it in public to aid his rise to power.

Everything sharp and forceful that Carrier had in debating (and refuting) the historicists of Jesus collapses when he speaks of Hitler. He is suddenly transmuted into a completely dishonest fellow. In that 2017 debate, you can tell that Carrier overstates his case when he wants to force his view that a Christianity similar to Christian Identity (‘Positive Xtianity’) was always behind Hitler. What would Carolyn Yeager say about such claim?

Weikart repeatedly replied that Hitler used the word ‘Christianity’ in his criticisms, that Hitler was not only referring to Catholicism or the Church. But Carrier, with that alchemy that he refutes in the fundamentalists, transmutes everything that Hitler said about Christianity as if he supposedly referred only to Catholicism. A case of self-delusion, and big time!

The nadir of the debate occurred in the final segment, where Carrier became as dense as those NPCs that Black Pigeon Speaks was making fun of a month ago. I mean: Carrier criticised Trump claiming that what Trump was doing was ‘demonizing Muslims and Hispanics’. Really? Why did Carrier see nothing about Muslim terrorism, and that Trump only wanted to restrict the migration of the seven countries that produce the most terrorists?

This demonstrates once again that intelligence can be accompanied by very serious character flaws that remind me of my favourite Hamlet quote (cited below). Intelligence is of no use if people voluntarily surrender themselves to self-deception. And Carrier does it. For example, in his discussion with Weikart he sugars the pill about Charles Darwin, claiming that his Darwinism was human and sensitive to other races! Does Carrier ignore that according to Darwin niggers were to be exterminated?

Both Carrier and Weikart regurgitate the widespread myth that Hitler wanted to exterminate the Jews ‘because they were an inferior race’. At this point, Weikart surprises me more than Carrier, as the latter is not a Hitler scholar, only a Jesus scholar. Is it possible that none have read Esau’s Tears, a 1997 book with an academic imprimatur and good reviews among normies, authored by a Jew who showed the depredations of the Jewish quarter in the 19th century (which caused the German reaction in the 20th century)?

White nationalism has a point. What could we possibly do with these two Richards, a typical Christian and a typical liberal, without the incredibly detailed analysis of the JQ in WN?

You must understand the POV of this site: if I criticise white nationalists, it is because they maintain a tail of Judaism in the sense of Judeo-Christian axiology, so toxic to the Aryan cause. But I don’t criticise white nationalism for its general vision of the JQ. And if there is something in which the two Richards are absolute ignorant it is the JQ. I wonder if any of them know the work of Kevin MacDonald, if they have even looked at The Occidental Observer?

The debate linked above only corroborates something that my female friend told me: that men—including myself—tend to worship the intellect at the expense of character, in the sense that there may be very intelligent people whose moral flaws eclipse their virtues, the Hamlet quote:

Tags Adolf Hitler

Kevin MacDonald Racial right William Shakespeare

The land of the winning Aryan

Post author By C .T.
Post date October 23, 2019
7 Comments on The land of the winning Aryan

‘Only Orga [humans] believe what cannot be seen or measured…’

—Gigolo Robot to David in the film A.I.

Years ago, when I blogged here without counter-signalling what white nationalists said in other forums, I sometimes had as many as two thousand daily visitors. Together with the donations, these statistics collapsed when I started criticising them. I am not going to blog as I did before as, after crossing the psychological Rubicon, there is no going back.

In ‘How Awake Are You?’ Mauricio is right that the leap from a naïve white nationalism to a mature one is as dizzying as crossing a suspension bridge. The transit is, in fact, much more spatially extensive than what it may seem at first glance with mere blog texts.

For example, secular pro-whites maintain atavisms of the previous paradigm, as the belief in the hereafter.

If one revises the texts in The Fair Race about the healthiest moments of the Aryan—Sparta (as unlike the Athenians the Spartans did not have sex with the native Mediterraneans), the Early Rome, the Germans who conquered the decadent Rome, the Vikings and the men of the Third Reich—we won’t see an obsession with the hereafter. Decadent whites became obsessed with death only in the mongrelized Imperial Rome, the dark Middle Ages and more recently with the flowering of the New Age. Even in the most lucid moments of Christendom, let’s say Elizabethan England that flourished thanks to the expulsion of the Jews, we don’t see this obsession with the hereafter. Shakespeare for example seems far more akin to secular Montaigne than the ‘spiritual’ madness of the New Age. (By the way, there isn’t anything genuinely ‘spiritual’ in the New Agers’ beliefs and I hate that they still use that term referring to crazy metaphysical systems.)

The white nationalists who argue that, since prehistory, man believed in life after death are ignorant in one respect. Those same men practiced, at the same time, horrific infanticide rituals—by billions!

I confess that most of my life I believed in life after life. These beliefs began to diminish more or less at the stage when I realised that my belief in psychokinesis was unfounded. But the spiritual odyssey of one does not say anything to the other, unless they intend to cross the psychological Rubicon.

Perhaps the best way to overcome this afterlife obsession is to study the Jews, starting with Kevin MacDonald’s first book: my favourite of his trilogy. In that book it is striking that, unlike Christians, Jews base their Judaism not on the hereafter but on the here and now and in a tribal way: not in an individualistic manner like the Christian (‘Save your soul!’, ‘Get to heaven!’). If we take into account that the healthiest moments of Greece and Rome were also focused on the here and now, it is obvious what we have to do.

But I don’t get my hopes up. I know that very few white nationalists will cross the suspension bridge, ‘the leap from 5 to 6’ in Mauricio’s list. They are much closer to Normieland than to the other side: the land of the winning Aryan. That shows not only in that secular nationalists share Christian ethics but other Christian cultural waste, such as the unhealthy obsession with an imaginary life after death.

Unobsessed with the afterlife, the Jew will continue to beat the Aryan unless the latter repudiates the last vestige of the Christian infection (see the video I embedded in my first comment in the comments section).

Axiology William Shakespeare

Internalize Yahweh, not Jesus

Post author By C .T.
Post date November 9, 2018

Yesterday, a good German took issue with my philosophy of hate with these words:

Please bear in mind, however, that hate blinds one to the laws of the divine… The first will most likely cause the downfall of everything (that is why no noble Greek or German has ever advocated it)…

I responded that demonising hatred is a Judeo-Christian trick to prevent whites from fighting. In our Christian era, only the god of the Jews is allowed to hate to the point of exterminating non-Hebrews (the books attributed to Moses).

On the other hand, Christians and non-Christian whites have internalised the ethic to love our enemies. Even white nationalists such as David Duke have internalised it, as we saw in our Wednesday post. In order to beat Yahweh’s children, shouldn’t it be wise to transvalue our Christian values?

In another thread another commenter quoted yesterday some words from Shakespeare’s The Merchant of Venice: ‘If a Jew wrong a Christian, what is his humility? Revenge. If a Christian wrong a Jew, what should his sufferance be by Christian example? Why, revenge. The villainy you teach me I will execute, and it shall go hard but I will better the instruction’.

Better the villainy instruction! Internalising their Yahweh in the Aryan psyche will certainly be handy in the Day of the Rope… When will white nationalists stop obeying the god of the Jews, that commands Jews to hate and Christians to love?

Remember, love is murdering the white race.

Tags Christian problem (CP), Transvaluation of all values

Civil war Justice / revenge Literature Mainstream media Sex William Shakespeare

Hamlet vs. Harold

Harold Covington’s novel The Hill of the Ravens is dedicated “To those who shall come after: from the time of struggle, we greet you.”

According to the internal narrative of the story, The Hill of the Ravens is the fourth book of the Northwest Quintet, though it’s the first novel of the Quintet that Covington wrote.

The Ten Principles of National Socialist Thought on pages 187-89 are a gem, of which I’ll excerpt just a few lines:

I. National Socialism above all represents living truth in its purest form

III. No one must be allowed to spoil what Nature created down through aeons of racial evolution. Your highest purpose in life is to carry on that evolution toward a stronger, better, more beautiful mankind

VIII. Every aspect of life must be judged in relation to the survival and improvement of your race; anything hindering these attainments must be ruthlessly rooted out and destroyed

X. Where there is a will, there is a way. Everything falls before the man of indomitable will. Suffering and sacrifice are necessary. We are hardening ourselves for the most decisive struggle in all human history.

These noble principles for elemental racial preservation explain a dialogue on page 278: “‘You a Nazi sir?’ ‘I am’.”

As long as we cannot openly say in the West that we are Nazis, the West, and especially the US (“the fount and wellspring of all that is evil in our time”—page 110) will be suicidal.

Consider principle III, “Every aspect of life must be judged in relation to the survival and improvement of your race; anything hindering these attainments must be ruthlessly rooted out and destroyed.” Compare its living truth to what’s happening to whites.

Throughout the West white birthrates have suffered a catastrophic decline. During this same period, ours has become the most sex-obsessed society in history. As Roger Devlin has demonstrated, these two trends are related. This is what The Hill of the Ravens, page 103, says: “The whole history of our race and our culture tells us that when women of child-bearing age remain unmarried and babies aren’t being born, then that is a sign that something is gravely wrong.” Principle III explains why in the novel’s Day of the Rope right after the revolution, mixed couples, mostly white women and their beasts of pleasure are targeted for destruction.

But not only the blood mixers got what they deserved in Covington’s novel. The traitorous media is beautifully handled. Reporters and media personnel were declared enemy combatants and legitimate military targets. Once the traitors understood that they would be held personally responsible for the content of their reportage, all of a sudden they got restrained. “They would either see the Party’s point of view, or else they’d see me.”

This said, The Hill of the Ravens has a fatal flaw.

On page 253 envious Covington depicts William Pierce as a Fed informant (see full article on this subject: here). Since his younger years Covington has built a fame of defaming his comrades, starting with Ben Klassen.

I have read most of Covington’s Quintet about the creation of a White Republic and found most of it inspiring. But Covington’s character flaw strongly reminds me the epigraph that Laurence Oliver chose for the beginning of his 1948 adaptation of Hamlet:

Tags National Socialism

Blacks Mainstream media William Shakespeare

Hollow-headed Britons

Post author By C .T.
Post date November 4, 2013

Recently I complained that the 1998 movie adaptation of Les Misérables committed an insult by using a nigger for the role of revolutionist Enjolras, who in Hugo’s novel is a good-looking white. Today I watched Richard II, a 2012 British television film based on William Shakespeare’s play of the same name, commissioned by BBC under the series title The Hollow Crown.

Was the 6th Baron de Ros a mulatto? Following the grotesque steps taken in the said adaptation of Les Misérables, Rupert Goold, the director of Richard II, chose Peter de Jersey as William de Ros: the sixth Baron de Ros (1370-1414), the brown sat flanked by two white actors in the photo.

To boot, was the Bishop of Carlisle a nigger? Adding insult to injury and not content with that, the director chose Lucian Msamati, a Zimbabwean actor, as the Bishop of Carlisle (bishop from 1397 to 1400): an even blacker and purer Negro!

On a lesser note, several other actors in this first episode of Hollow Crown look not like Anglo-Saxon Aryans but like Mediterraneans, sand-niggers and some even resemble Semites. For example, the actor Ferdinand Kingsley who played “Bushy” in Richard II doesn’t look like a credible character of 14th century England, and the actor David Suchet, who interpreted the Duke of York, is indeed of Jewish descent.

I haven’t watched the last episode of Hollow Crown, but regarding the episode of the series about the reign of Henry IV, why these looks of King Henry that evoke the appearance of a Jew? Could it be because the producer, Sam Mendes, is the son of an English Jewess? Whatever the cause, Britons must be empty-headed to watch such rubbish in the name of Shakespeare!

Tomorrow I’ll see the last episode, this one about Henry V. If further treason is spotted I shall add a brief note. How I remember now my tender years when I watched movies about historical England in the elegant and large theaters of Mexico City with pure Anglo-Saxon actors…

P.S. of November 5th

Yes: they managed to use another fucking nigger to play the role of the Duke of York (1373-1415).

Tags Jewish Question (JQ), United Kingdom

Emigration / immigration William Shakespeare

A response to Armor

By John Martínez

What you say doesn’t invalidate my remark that people who are cowering in front of the anti-White dictatorship often misinterpret their own behavior as foolish sentimentality.

Immigrants are pouring into Western countries at the invitation of Western governments, and at the consternation of most White people. If White people had their say, for example, in a referendum, immigration would stop. So, if you would like to blame White people, you have to blame their lack of courage, not their foolish sentimentality.

Anti-White dictatorship?! I beg you pardon. Last time I checked every single Western European and Northern American government had been elected by popular, democratic vote. Who voted these governments into office and where do these politicians come from? From what you’re saying, one might get the impression that these politicians are aliens from outer space who came to Earth in order to abet the niggerization / arabization / mestization of these countries, or that it is extraterrestrials who are voting for these folks, instead of adult nationals who have had ample opportunity to see (and live with) the consequences of their stupid political choices for several decades now.

Look, I have all sympathy for the people of North Korea, for example. They certainly haven’t had any say in their government ever since the mid 50’s. Their country was kidnapped by a gang of sociopaths with the aid of a million-strong army. They are real victims. There is a real case to be made that they are not responsible for what is happening to them. But for you to refer to contemporary North American and Western Europeans as poor, oppressed folks, terrorized into cowardice by autocratic, unaccountable governments (as you take it for granted that that is the case) is disingenuous, with all due respect.

I said something to this effect on another thread and a reader, Roger, apparently an English European himself, agreed 100% with me.

Trying to argue that their stupidity and their cowardice is in fact just cowardice is beside the point. The point is that Western Whites are ultimately fully responsible for what is befalling them. And trying to exonerate them from their sin against both their ancestors and their future generations is to assure that nothing will be done about it.

Whites have let the kikes in and have let them take control of their governments, finances, academia and press. Whites have allowed the inferior non White scum to colonize their societies. To blame “the elites” or “the political class” is a lame excuse because these segments of society are part and parcel of the said societies. Besides, the political class depends on votes to stay in power and what’s more, “the elites” can perfectly well be boycotted into poverty, since we are not talking about Ancient Regime aristocracy here. If stupid liberal Whites can boycott a restaurant chain because its owner said something that displeased gays (link) the reason why the treacherous elite stays where it is, is because Whites want it to be there.

To quote John Derbyshire (discussing the Jewish Question) in a context that twists the meaning of what he said (I despise his philosemitism with all my heart):

97 percent of the U.S. population [and the European one, for that matter] ended up dancing to the tune of the other three percent. If that is true, the only thing to say is the one Shakespeare’s Bianca would have said: “The more fool they.”*

If Whites can mobilize for idiotic causes like homosexual “marriage”, “human rights”, “wymyn’s rights”, “global warming” and at the same time they don’t organize to tackle real issues like Third World immigration it is because they don’t want to. They are not interested. If they are not aware of the JQ, it is because they are not interested. And if they keep voting for treacherous politicians who have [messed] their asses it is because they don’t mind it. So let them live with the consequences. At the end of the day, you have to sleep on the bed you made, right?

___________________

* In Act 5, Scene 2 of The Taming of the Shrew by William Shakespeare there’s a line, “The more fool you for betting on my loyalty.”

Tags Degeneracy

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On Kenneth Clark’s “Civilisation”

Post author By C .T.
Post date April 25, 2012

Kenneth Clark may have been clueless about the fact that race matters. Yet, that our rot goes much deeper than what white nationalists realize is all too obvious once we leave, for a while, the ghetto of nationalism and take a look at the classics, just as Clark showed us through his 1969 TV series Civilisation.

Compared to the other famous series, Clark’s was unsurpassed in the sense that, as I have implied elsewhere, only genuine art—not science—has a chance to fulfill David Lane’s fourteen words.

By “art” I mean an evolved sense of beauty which is almost completely absent in today’s nationalists. Most of them are quite a product of Jewish modernity whether with their music, lifestyles or Hollywood tastes, to a much greater degree than what they think. For nationalism to succeed an evolved sense of female beauty has to be the starting point to see the divine nature of the white race. In Clark’s own words, “For all these reasons I think it is permissible to associate the cult of ideal love with the ravishing beauty and delicacy that one finds in the madonnas of the thirteenth century. Were there ever more delicate creatures than the ladies on Gothic ivories? How gross, compared to them, are the great beauties of other woman-worshiping epochs.”