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Month: March 2021

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Child abuse Neanderthalism

Neanderthals

A week ago I posted ‘A psychotic Christian’ and today I visited the comment thread of a new article by the author I criticised a week ago. A Neanderthal opined:

I believe, with all my heart, that both genders need corporal punishment from time to time as children, from their fathers (and sometimes, though less so, from their mothers). I’m of the belief that this is especially true of boys, but to spare the rod with our daughters is to ruin them…

If it is possible to educate a dog without beating it, it must be possible to educate your own offspring without beating them (the Neanderthal later says that he beats his children). People like him are unaware that it’s precisely this type of upbringing that, in our time, makes grown children take revenge on their parent by indulging in the suicidal liberalism of our time, as I have said elsewhere. Independently of the commenter, the author is another Neanderthal. In the comment thread he said:

But yeah, subjugating the female id and transforming females into women is a society-wide project, which will have to involve the state and official church.

An official church! Remember that the author is an Orthodox Christian. The ideology of both commenters is nothing other than the old, long-established traditional morality as if such morality, including the official church that for centuries dominated Europe, hadn’t led to the situation we have now.

I said that once a week I visit Counter-Currents. I think I should stop. Neanderthalism disgusts me. For new visitors I must say that child abuse is my specialty, or rather the havoc that abuse causes in their adult life. Read my Day of Wrath on the sidebar as an introduction to my point of view.

Categories
Aryan beauty Feminism

The climb

‘The Climb’ is the sixth episode of the third season of HBO’s fantasy television series Game of Thrones, and the 26th episode of the series. The episode’s title comes from climbing of the Wall by Jon Snow and Ygritte, and also refers to a very memorable dialogue between Lord Petyr Baelish (‘Littlefinger’) and Lord Varys.

Almost at the beginning of the episode, when they are about to climb over the Wall to pass to the other side, Ygritte tells Jon that she is just one more soldier in Mance Rayder’s army.

Again, this is a bad message for the fair-skinned audience. In normal societies it is about protecting the woman (and her children): not sending them to the front on the battlefield! We can already imagine a beautiful Spartan girl fighting side by side with the most fearsome Aryan warriors that Europe has ever seen. The Spartan girl stayed in the city either taking care of her children or educating herself for future motherhood.

All Game of Thrones feminism is pure fantasy: that members of the two sexes are interchangeable even in the severest task of all, war. Any culture that treats its women this way is extinguished by necessity. Not only because she abandons motherhood, but because the woman is in danger of dying on the battlefield (as Ygritte herself died in a subsequent season).

The scene that follows continues with the same message but this time south of the Wall, in Riverlands: where a Brotherhood archer trains Arya how to use the bow. It’s funny that the episode presents her sister Sansa, who is still in King’s Landing, as ultra-feminine.

If someone saw the isolated scene between Sansa and Loras in the castle gardens, her fiancé until this scene, he might think it was filmed in a parallel world where Germany won the war. The actress who played Sansa has perfect features and her blue-gray eyes remind me of what Europa Soberana wrote about the Nordid type (it hurt me to learn that this actress has married a non-white). But still: whoever sees that scene in isolation, without knowing the context, would only see a good message from the visual point of view.

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PDF backup

WDH – pdf 379

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Tom Sunic

Why is there no axiological revolution?

Today a commenter of Prussian heritage commented: ‘It is because of Christian values and morality that there has not yet been a true uprising over the current order’.

This is absolutely true, and we can illustrate it even with the best mind the American continent has produced: William Pierce. After his first novel, in which he throws Christian ethics overboard while proposing exterminationism as the solution to our problems, Pierce cucked somewhat with his second novel: in which he used the figure of a Christian preacher as a possible way to wake up his people.

But that’s impossible. From Christian ethics the movement will get nowhere. It was precisely because of Christian ethics that Americans felt a moral obligation to destroy the Third Reich (read Tom Sunic’s Homo Americanus with a preface by Kevin MacDonald).

Categories
Aryan beauty

Kissed by fire

‘Kissed by Fire’ is the fifth episode of the third season of HBO’s fantasy television series Game of Thrones, and the 25th episode of the series. The title of the episode refers to the red-haired wildlings, like Ygritte, who are said to be ‘kissed by fire’.

The first stupid scene of the episode is the love scene in a cave between Jon and Ygritte. In real life, a foreigner could never fuck a beautiful woman from a tribe, as the wildlings apparently allowed Jon north of the Wall. However, unlike the crap they filmed in Littlefinger’s brothel in other episodes, the director failed once again in not showing the redhead’s pubic hair, just her breasts and then her buttocks. A pubic hair of the colour of her hair would have lived up to the episode’s title as it’s implied that Jon kisses the redhead there.

But even after making love you can see the feminist follies of the screenwriters. Jon was a virgin and has just popped his cherry. Ygritte, on the other hand, tells him a couple of anecdotes of her sexual adventures from which she apparently didn’t get pregnant (remember that a semi-wild tribe doesn’t practice birth control). Here we see once again the reversal of the sexual roles, especially since in the intimate chat after the kiss of fire Ygritte is over Jon in front of the cameras, both talking lying down.

South of the Wall, before Robb sentenced Lord Karstark to death for having killed two Lannister captives without approval, Karstark tells a great truth to he who had married non-white buttocks: ‘the King who lost the North’. And sure enough: because Robb publicly beheaded him, Karstark’s soldiers abandon Robb, which means that the boy lost almost half his army (in Martin’s novel Robb is younger than the actor we see in the HBO interpretation).

What can be gathered from this story, although it is fictitious, is that a lad-king commits blunders. In A Song of Ice and Fire Martin seems to philosophise around the idea of who should rule, although the moral he arrives at doesn’t appear until the finale that would premiere on television six years after this episode.

Away from the green and rainy Riverrun, in the desert Slaver’s Bay the two seasoned knights who serve as Dany’s advisers have a conversation. Barristan asks: ‘Do you believe in her?’ To which Jorah replies: ‘With all my heart’.

Curiously, this scene follows a very interesting dialogue between Jaime and Brienne, both of whom are naked. (The scene isn’t erotic, as they were cleaning their mud at the baths after Roose Bolton freed them from Locke’s captivity.) Jaime confesses to the naked Valkyrie that King Aerys Targaryen, the father of Dany, had wanted to incinerate King’s Landing in a fit of madness and that Jaime prevented it by killing him. In the previous episode to the finale we’ll see that Dany did in King’s Landing what her father had wanted to do. But this pair of naïve watchdogs of Dany trust the last Targaryen with all their heart.

Although the last two novels of A Song of Ice and Fire are yet to be published, inadvertently to viewers Martin is gradually weaving a platonic fabric, although unlike The Republic he does so in novel format. Fans, even those with exclusive channels on Game of Thrones, never smelled a deeper message than the superficial one of castles and a social justice warrior Targaryen who wants to regain the throne for her House, or the right to the throne of Jon Snow that we shall see a few seasons later. Normies see this series as they see other TV series. I’ve already talked about it when they premiered the grand finale, although I’ll revisit it when we get to that season.

Categories
Conservatism Feminism Racial right

And now his watch is ended

‘And Now His Watch Is Ended’ is the fourth episode of the third season of HBO’s fantasy television series Game of Thrones, and the 24th episode of the series. Above we see Lord Tywin in his study with his daughter during the episode. The lion is the symbol of the Lannisters, the wealthiest House in Westeros.

A recurring mistake in Game of Thrones, and I mean a cinematic mistake, is putting a cruel scene and then putting a similar one immediately afterwards. Thus begins the episode, with the continuous torment of Jaime Lannsiter with his amputated hand, and then Lord Varys shows to Tyron the witcher who, in a magic ritual, had castrated Varys as a child (Varys has the witcher locked in a wooden box apparently with his lips sewn so that he can’t speak). A good director doesn’t put the two scenes together. If you have to film them, separate them so as not to overwhelm the viewer. But in these degenerate times TV viewers have already lost their taste for good cinema.

After a few more scenes in various places in Westeros we see a third scene of cruelty. This time Ramsay Bolton, the most sadistic character in the series, returns Theon to the torture chamber to torment him again. Despite three cruel scenes in the same episode, afterwards we hear a dialogue between Jaime and Brienne, from which it is worth quoting what the latter said to him in one night, in front of a campfire, both being prisoners of the Boltons:

‘You had a taste of the real world where people have important things [Jaime’s sword hand] taken from them’.

Much very true. In real life I have come across many people who are absolutely incapable of generating the slightest empathy in the face of some human tragedies simply because, like Jaime Lannister before he lost his hand, they have had a gifted life. It is precisely for this reason that I speak so badly of the racialist bourgeoisie and of those who in the US are called conservatives (a word that means something different in Europe). In fact, after the above words, Brienne tells Jaime that because of his defeatist attitude he now looks like a woman. Similarly, unlike the Nazis the racialists’ attitude is defeatist (who speaks now of taking power, as Hitler and his own did?).

But even in this episode the scriptwriters cannot control themselves and launch their typical feminist message. The Brotherhood Without Banners kidnaps the Hound and Arya and takes them to a secret lair, a cave. In a discussion with all the members of the Brotherhood and the Hound, the leader, Lord Beric Dondarrion says that perhaps the girl Arya is the bravest among all those gathered!

But that’s nothing compared to the scene that follows, in which Dany takes over an entire army by burning the slavers of Astapor with the fire of her recovered dragon, implanting for the first time in the series her Diktat of brave social justice warrior. Then she delivers a liberation speech to her army of mulattoes: ‘Will you fight for me as free men?’ They accept of course.

The triumphant music played for Dany, the conquering SJW woman, ends the crude episode.

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Quotable quotes

Juvenal quote

Vitam impendere vero

Categories
Feminism Film Manosphere Music Patriarchy

Walk of punishment

‘Walk of Punishment’ is the third episode of the third season of HBO’s fantasy television series Game of Thrones, and the 23rd episode of the series.

‘I want you’, poor Stannis said to the witch Melisandre on the beach, almost begging her to stay with him instead of going on a boat in search of someone to sacrifice. One might think that women cast a spell on us. But as some of the MGTOW have noted, that isn’t the case. It is our desire to possess them that makes us annul ourselves at their whim when we are in heat.

Of course, this wouldn’t happen if we had patriarchy like Republican Rome, when women were treated as property. And even in a softer patriarchy, like what we read in Jane Austen’s novels, no stupid laws had been enacted regarding marital rape. We only make a fool of ourselves when we empower them and give up the power with which Nature endowed us to the degree that we allow ourselves to be handled like puppets. That wouldn’t happen if the West regained its judgment and transvalued its values if not as far as the Roman world, at least as the values in Austen’s world.

In the episode Melisandre sees with open contempt the lust of poor Stannis. Declarations of love don’t work. We give them the power to say ‘no’. A king like Stannis Baratheon who can’t control the woman who was always by his side—compare him with the way his brother Robert Baratheon treated women—is not a true king.

In Astapor, on the other side of the world, we heard a dialogue between Jorah and Dany about war. The theme of the sword always reminds me of how feminised white nationalists are:

Jorah: You know what I saw? Butchery. Babies, children, old men. More women raped than what you can count. There’s a beast in every man, and it stirs when you put a sword in his hand.

Dany then scolds his two loyal advisers, Jorah and Barristan, when they advised her not to sell one of her dragons in exchange for an army of mulattos. The scene represents a very bad message for the white viewer. And the irony is that Emilia Clarke, the actress who played the role of Dany in all seasons, has a very feminine character in real life; so much so that she had difficulties filming scenes in which she appears as a dragon-woman in full command of her leader personality. But that’s the point of Game of Thrones: to reverse male-female roles in the perennial campaign of the media, government and universities to brainwash the white man. Dany’s dialogue with the mulatto woman Missandei, the translator she just got in Astapor while trying to sell one of her dragons, epitomises the feminist message:

Dany: And what about you? You know that I’m taking you to war. You may go hungry. You may fall sick. You may be killed.

Missandei: Valar Morghulis.

Dany: Yes, all men must die. But we are not men.

Missandei smiles. But in the penultimate episode of the last season, during the war of the bitches Dany and Cersei (note that the most powerful were queens, not kings), the latter orders Missandei be beheaded in front of Dany. But back to the episode ‘Walk of Punishment’, in the scene at Littlefinger’s brothel the Jewish director manages to keep the viewer from craving any of his white whores. I can imagine if the Germans were in charge of the cinema instead of the Jews. What would whites be watching now on the small screen?

The degenerate music of the end credits is the final insult, after Locke cut off Jaime Lannister’s hand (in the novels Locke is a cruel man sworn to House Bolton, considered by Roose Bolton as his best hunter). Again, if the Germans had won the war what music would we hear in the end credits of films today?

Categories
Nordicism Racial right

Racialists who hate me

Regarding Krist Krusher’s most recent comment about a blogger after I opened again the comments section after two and a half months of closing it, this is my response:

This guy is an anti-Nordicist. And he just calls me names, never tries to rebut what Nordicists have said since the French Arthur Gobineau, the Briton Houston Stewart Chamberlain, the American Madison Grant, all Nazi raciologists, William Pierce and more recently Arthur Kemp (see also Evropa Soberana’s essays I’ve translated from Spanish to English). As to the Nordic stock of the original Greeks and Romans, see what American Renaissance has said: here. But he also lies.

That is of course Chechar’s [this is how one of my nephews called me long time ago] intention: harm Whites.

And also:

If by ‘Spanish imposter’ that means he’s a Mexican posing as Iberian, I agree.

I have never claimed I’m Spaniard. And this is libellous:

Of course he is hostile to White nationalism. He is anti-White… I’m sure exterminating Whites makes great sense to him.

Crazy guy. But those white nationalists who are also anti-Nordicists have always hated me.

Categories
3-eyed crow Feminism Tree

Dark wings, dark words

‘Dark Wings, Dark Words’ is the second episode of the third season of HBO’s fantasy television series Game of Thrones, and the 22nd episode of the series. In King’s Landing the messages that put men as silly continue. In the castle gardens we hear this conversation:

Olenna Tyrell: ‘Do you know my son, the Lord of Highgarden?’

Sansa: ‘I haven’t had the pleasure’.

Olenna Tyrell laughs: ‘No great pleasure, believe me: a ponderous oaf. His father was an oaf as well, my husband, the late Lord Luthor’.

But in the Riverlands, Rickard Karstark tells King Robb a great truth: ‘I think you lost the war the day you married her’, referring to non-white buttocks.

In the North, while heading to the Wall, Bran Stark has a dream, where he tries to kill the three-eyed raven, but a boy tells him that this is impossible because the raven is Bran himself. When he wakes up and they continue with the march, Osha suspects that someone is following them and goes out to investigate. At this moment the boy from Bran’s dream arrives and reveals that his name is Jojen Reed. Another message in which the male-female roles are reversed is seen when Jojen, who is accompanied by his sister Meera, tells Bran’s caregiver Osha: ‘I’m unarmed. My sister carries the weapons’.

But the writers were still unsatisfied with those two scenes and included one more scene that reverses the male-female roles. Travelling North, Arya, Gendry, and a fat boy nicknamed Hot Pie are discovered by a small group called The Brotherhood Without Banners led by Thoros of Myr, who suspect the three of them have escaped from Harrenhall. Arya draws her sword to face alone the group that has found them while her two friends, Gendry and Hot Pie, hide behind the rocks. We can already imagine in the real medieval period a girl doing that, in the context of crossing a dangerous forest where there could be highway robbers!

Back at King’s Landing, the erotic scene between Tyrion and Shae is disgusting. Those scenes, and many other erotic scenes of Game of Thrones would never have been shot in a healthy West.

En route to the Wall, Bran receives from Jojen the first revelation about what has been happening to him since Jaime threw him from the tower of his home. Jojen says that, like Bran, he is also a greenseer: as those gifted with clairvoyant powers (out-of-body experiences, also known as astral projection) were called in the ancient religion. Greenseers also have retrocognitive powers (seeing the past paranormally) and precognitive powers (glimpses of the future). Jojen explains that the three-eyed raven that appears in Bran’s dreams means someone who ‘brings the sight’.

Bran still ignores it but the old man in a hiding cave under a huge weirwood tree on the other side of the Wall, who has been sending him those dreams under the image of the raven, is the most powerful man in Westeros even though he can no longer move (in Martin’s novels Bloodraven’s power in Westeros affairs is more conspicuous than in the HBO series). Jojen, another gifted psychic who tries to guide Bran, tells him that he too has had the same dream and that he has followed Bran believing that the boy will play an important role in the future. But even during that conversation between two gifted thanks to the old religion, the reversals of roles arise between the women who follow Hodor, Bran and Jojen from behind:

Osha: Isn’t he [Jojen] ashamed, your brother, needing you to protect him?

Meera: Where’s the shame in that?

Osha: Any boy his age who needs his sister to protect him is gonna find himself needing lots of protection.