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The Yankee problem enabled the Jewish problem

“There is no human as willfully, malignantly, and self-destructively stupid as a White person in the throes of a moral panic.”

Matt Parrott

 
After summarizing the Jewish problem in the foreword to Tomislav Sunić’s Homo Americanus, Kevin MacDonald wrote:

But the other side of the equation must also be examined—the traits that predispose Westerners to willingly accept their own oblivion as a moral necessity. Here Sunić emphasizes the heritage of Christian universalism and, especially, in the case of America, the heritage of Puritan moralism. [page xxxiii]

However, for most white nationalists it is unthinkable that the primary cause of our woes is White pathology—Judeo-Christianity and its secular version of egalitarianism—, not the Jewish problem, which according to Sunić is only a secondary infection.

Below I’ve typed directly from my copy of Homo Americanus: Child of the Postmodern Age, published in 2007. In the third chapter, “The origins of political correctness and America’s role in its perfection,” Sunić wrote:



NPI_Conference-Tom_Sunic

“Political correctness” is a euphemism for intellectual censorship whose legal and cultural origins can be traced to America and Europe, immediately after the Second World War. For the first time in European history, a large scale attempt was made by the victorious United States of America, the Soviet Union and their allies, to condemn a large number of thinkers and writers from defeated Germany and its allies to intellectual oblivion… Any criticism—however mild it may be—of egalitarianism and multiculturalism can earn the author or politician the stigma of “fascism,” or even worse, of “anti-Semitism”… How did this happen and who introduced this climate of intellectual censorship and self-censorship in America and Europe at the beginning of the third millennium?

Brainwashing the Germans

In the aftermath of World War II, the role of the American-based Frankfurt School scholars and European Marxist intellectuals was decisive in shaping the new European cultural scene. Scores of American left-leaning psychoanalysts—under the auspices of the Truman government—swarmed over Germany in an attempt to rectify not just the German mind but also change the brains of all Europeans. Frankfurt School activists were mostly of German-Jewish extraction who had been expelled by the German authorities during National Socialist rule and who, after the Second World War, came back to Europe and began laying the foundations for a new approach in the study of humanities.

But there were also a considerable number of WASP Puritan-minded scholars and military men active in post-war Germany, such as Major General McClure, the poet Archibald MacLeish, the political scientist Harold Laswell, the jurist Robert Jackson and the philosopher John Dewey, who had envisaged copying the American way of democracy into the European public scene. They thought of themselves as divinely chosen people called to preach American democracy—a procedure which would be used by American elites in the decades to come of each occasion and in every spot of the world. It never crossed the mind of American post-war educators that their actions would facilitate the rise of Marxist cultural hegemony in Europe and lead to the prolongation of the Cold War.

As a result of Frankfurt School reeducational endeavors in Germany, thousands of book titles in the fields of genetics and anthropology were removed from library shelves and thousands of museum artifacts were, if not destroyed in the preceding Allied fire bombing, shipped to the USA and the Soviet Union. The liberal and communist tenets of free speech and freedom of expression did not apply at all to the defeated side which had earlier been branded as “the enemy of humanity.”

Particularly harsh was the Allied treatment of German teachers and academics. Since National Socialist Germany had significant support among German teachers and university professors, it was to be expected that the US reeducational authorities would start screening German intellectuals, writers, journalists and film makers. Having destroyed dozens of major libraries in Germany, with millions of volumes gone up in flames, the American occupying powers resorted to improvising measures in order to give some semblance of normalcy in what later became “the democratic Germany.” The occupying powers realized that universities and other places of higher learning could always turn into centers of civil unrest, and therefore, their attempts at denazification were first focused on German teachers and academics…

Among the new American educators, the opinion prevailed that the allegedly repressive European family was the breeding ground of political neurosis, xenophobia, and racism among young children… Therefore, in the eyes of the American reeducational authorities, the old fashioned European family needed to be removed and with it some of its Christian trappings. Similar antifascist approaches to cultural purges were in full swing in Soviet-occupied Eastern Europe, but as subsequent events showed, the Western version of political correctness proved to be far more effective.

In the early postwar years the Americans and their war allies carried out large scale intellectual purges in the media, notably with issuing special licenses to newly launched newspaper outlets in Germany. The words “Nazism” and “Fascism” gradually lost their original meaning and turned, instead, into synonyms of evil. The new educational principle of reduction ad hitlerum became a new paradigm for studying social sciences. A scholar who would slightly diverge from these newly installed antifascist pedagogical methods would have meager chances for career advancement if not outright fired. In some cases, even sixty years after the end of World War II, he would have to face stiff penalties, including jail term. During the same postwar period in communist Eastern Europe, Soviet-led cultural repression was far more severe, but, ironically, its vulgar transparency, as seen in previous chapters, gave its victims an aura of martyrdom…

The ideology of antifascism became by the late 20th century a form of negative legitimacy for the entire West… Western European political elites went a step further; in order to show to their American sponsors democratic credentials and their philo-Semitic attitudes, they introduced strict legislation forbidding historical revisionism of the Second World War and any critical study of mass immigration into Western Europe…

At the beginning of the 21st century, the whole intellectual climate in America and especially in Europe came to resemble the medieval period by forbidding critical inquiry into “self-evident truths”… The German Criminal Code appears in substance more repressive than the former Soviet Criminal Code… Day after day Germany has to prove that it can perform self-educational tasks better than its American tutor. It must show signs of being the most servile disciple of the American hegemon, given that the “transformation of the German mind (was) the main home work of the military regime.” If one wishes to grasp the concept of modern political correctness, one must study in detail the political psychology of the traumatized German people…

Given that all signs of nationalism, let alone racialism, are reprimanded in Germany… it is considered legally desirable to hunt down European heretics… Germany, along with other European countries, has now evolved into a “secular theocracy”… Similar to Communism, historical truth in Western Europe is not established by an open academic debate but by state legislation… The entire West, including America itself, has become a victim of collective guilt… Thus the ruling class in America and Europe successfully resorts to the scarecrow of debate stopping words, such as “anti-Semitism” and “Neo-Nazism,” as an alibi for legitimizing its perpetual status quo.

The specter of a projected catastrophic scenario must silence all free spirits. Naturally, if fascism is legally decreed as absolute evil, any aberration in the liberal system will automatically appear as a lesser evil. The modern liberal system, which originated in America, functions as a self-perpetuating machine of total mind control.

The proportion of writers and journalists who were shot, imprisoned, and barred from their profession surpasses all other professional categories. Do we need to be reminded of the assassination of Albert Clément, Philippe Henriot, Robert Denoël, of the suicide of Drieu La Rochelle, of the death of Paul Allard in prison prior to court hearings and of the executions of Georges Suarez, Robert Brasillach, Jean Luchaire… the death sentence pronounced in absentia or a commuted prison sentence for Lucien Rebatet, Pierre-Antoine Cousteau, etc.? The targets were the providers of the ideas more than the entrepreneurs who had contributed to the German war industry. By 1944 the professional interdiction by the CNE (Comité nationale des écrivains) targeted approximately 160 journalists and writers. [Dominique Venner, Historie de la Collaboration (Paris: Pygmalion, 2000), pp. 515-516]

After the Second World War, an ex post facto law was adopted in France, making some political opinions a crime… The defendants are not blamed for their acts—provided there were any—but for their ideas. At the beginning of the 21st century, as a result of this repressive intellectual climate of Europe, hundreds of French and German authors showing sympathies for anti-liberal authors or who voice criticism of multicultural experiments in postmodern Europe or America are subject to legal sanctions and public ostracism…

It is true that Western Europe, unlike Eastern Europe, could escape the naked terror of communism, although Western Europe’s own subspecies, the antifascist homunculi, as German scholar Günther Maschke derogatorily calls modern Americanized opinion makers in Europe, tirelessly watch for any sign of nationalist revival… One wonders, why does not the Communist criminal legacy trigger a similar negative outcry in the wider public as the fascist legacy? Why must the public stay tuned to endless recitals of National Socialist crimes, whereas rarely ever does it have an opportunity to hear something about Communist horrors?…

The larger public in America and Europe have little knowledge that in Germany alone, in the last decade of the 20th century, thousands of individuals, ranging from German youngsters cracking jokes about non-European immigrants, to scholars dealing critically with the Jewish Holocaust, have been sentenced to either fines or to considerable prison terms. In the political and academic environment, writes the modern German heretic Germar Rudolf, it must, therefore, not come as a surprise that “political scientists, sociologists and historians do not wish to call things by their names”…

The spiral of intellectual cowardice only reinforces the Americanized system’s thought control. The silence of American academics and prominent human rights advocates, following the arrest of Rudolf in America, proves time and again that American intellectuals realize that there must be limits to their freedom of speech… The American brain child, the post-war Federal Republic of Germany, might enter some day into history books as the most bizarre system ever seen in Europe.


Chapter IV: The Biblical origins of American fundamentalism

America is a land of the Bible. In America, it is virtually unheard of to openly declare oneself an agnostic or an atheist and to aspire at the same time to some high political office. No country on earth has ever known such a high degree of Biblical influence as the United States of America…

The legacy of Biblical Puritanism lost its original theological God-fearing message and adopted, at the turn of the 20th century, a secular neo-liberal form of the human rights gospel. Subsequently, by a bizarre twist of fate, the Calvinist legacy of Puritanism that had been chased from Europe by the end of the 17th century started its journey back home to Europe—particularly after America came out victorious after the Second World War. Although Europe remains a much less Bible-oriented society than America, the moralistic message, as an old Bible derivative, is making strong headways in the postmodern European social arena. However much the surface of America shows everywhere signs of secularism, rejecting the Christian dogma and diverse religious paraphernalia, in the background of American political thought always looms the mark of the Bible.

In hindsight, the British context of the 17th century, the strongest political standard bearer of Puritanism, Oliver Cromwell, appears as a passing figure who did not leave a lasting political impact on the future of the United Kingdom or on the rest of continental Europe. Yet Cromwell’s unwitting political legacy had more influence on the American mindset than Lenin’s rhetoric did on the future of communized Russia…

In contrast to European Catholicism and Lutheranism, Calvinist Puritanism managed to strip Christianity of pagan elements regarding the transcendental and the sacred, and reduced the Christian message solely to the basic ethical precepts of good behavior. American Puritanism deprived Christianity of its aesthetic connotations and symbolism, thereby alienating American Christians as well as American cultural life in general, further from its European origins. In this way, Americans became ripe for modernism in architecture and new approaches in social science… This hypertrophy of moralism had its birth place in New England during the early reign of the Pilgrim fathers, which only proves our thesis that New England and not Washington D.C. was the birth place of Americanism…

It was to be expected with the Puritans’ idea of self-chosenness that Americans took a special delight in the Old Testament. From it, almost exclusively, they drew their texts, and it never failed to provide them with justification for their most inhuman and bloodthirsty acts. Their God was the God of the Old Testament; their laws were the laws of the Old Testament. Their Sabbath was Jewish, not Christian…

“Judeo-American” monotheism

American founding myths drew their inspiration from Hebrew thought. The notion of the “City on the Hill” and “God’s own country” were borrowed from the Old Testament and the Jewish people… Of all Christian denominations, Calvinism was the closest to the Jewish religion and as some authors have noted, the United States owes its very existence to the Jews. “For what we call Americanism,” writes Werner Sombart, “is nothing else than the Jewish spirit distilled.” Sombart further writes that “the United States is filled to the brain with the Jewish spirit”…

Very early on America’s founding fathers, pioneers, and politicians identified themselves as Jews who had come to the new American Canaan from the pestilence of Europe. In a postmodern Freudian twist, these pilgrims and these new American pioneers were obliged to kill their European fathers [the Germans] in order to facilitate the spreading of American democracy world-wide. “Heaven has placed our country in this situation to try us; to see whether we would faithfully use the incalculable power in our hands for spreading forward the world’s regeneration”…

Does that, therefore, mean that our proverbial Homo americanus is a universal carbon copy of Homo judaicus? The word “anti-Semite” will likely be studied one day as a telling example of postmodern political discourse, i.e. as a signifier for somebody who advocates the reign of demonology… How does one dare critically talk about the predominance of the Judeo-American spirit in America without running the risk of social opprobrium or of landing into psychiatric asylum, as Ezra Pound once did?…

Eventually, both American Jews and American Gentiles will be pitted into an ugly clash from which there will be no escape for any of them… It is the lack of open discussion about the topic of the Jews that confirms how Jews play a crucial role in American conscience building, and by extension, in the entire West… But contrary to classical anti-Semitic arguments, strong Jewish influence in America is not only the product of Jews; it is the logical result of Gentiles’ acceptance of the Jewish founding myths that have seeped over centuries into Europe and America in their diverse Christian modalities. Postmodern Americanism is just the latest secular version of the Judean mindset… Blaming American Jews for extraterrestrial powers and their purported conspiracy to subvert gentile culture borders on delusion and only reflects the absence of dialogue…

One can naturally concur that Americans are influenced by Jews, but then the question arises as to how did it happen?… Jews in America did not drop from the moon. Jewish social prominence, both in Europe and America, has been the direct result of the white Gentile’s acceptance of Jewish apostles—an event which was brought to its perfection in America by early Puritan Pilgrim Founding Fathers. Be it in Europe or in the USA, Christian religious denominations are differentiated versions of Jewish monotheism. Therefore, the whole history of philo-Semitism, or anti-Semitism in America and in Europe, verges on serious social neurosis.

American pro-Jewish or “Jewified” intellectuals often show signs of being more Jewish than Jews themselves… As the latest version of Christianized and secularized monotheism, Judeo-Americanism represents the most radical departure from the ancient European pre-Christian genius loci… Christian anti-Semites in America often forget, in their endless lamentation about the changing racial structure of America, that Christianity is by definition a universal religion aiming to achieve a pan-racial system of governance. Therefore, Christians, regardless whether they are hypermoralistic Puritans or more authority prone Catholics, are in no position to found an ethnically and racially all white Gentile society while adhering at the same time to the Christian dogma of pan-racial universalism…

The West, and particularly America, will cease to be Israelite once it leaves this neurosis, once it returns to its own local myths… Many Jewish scholars rightly acknowledge deep theological links between Americanism and Judaism. Also, American traditionalists and conservatives are correct in denouncing secular myths, such as Freudism, Marxism, and neo-liberalism which they see as ideologies concocted by Jewish and pro-Jewish thinkers. They fail to go a step further and examine the Judaic origins of Christianity and mutual proximity of these two monotheist religions that make up the foundations of the modern West. Only within the framework of Judeo-Christianity can one understand modern democratic aberrations and the proliferation of new civic religions in postmodernity…

Also, the reason America has been so protective of the state of Israel has little to do with America’s geopolitical security. Rather, Israel is an archetype and a pseudo-spiritual receptacle of American ideology and its Puritan founding fathers. Israel must function as America’s democratic Super-Ego…

Modern individuals who reject Jewish influence in America often forget that much of their neurosis would disappear if their Biblical fundamentalism was abandoned. One may contend that the rejection of monotheism does not imply a return to the worship of ancient Indo-European deities or the veneration of some exotic gods and goddesses. It means forging another civilization, or rather, a modernized version of scientific and cultural Hellenism, considered once as a common receptacle of all European peoples…

In short, Judeo-Christian universalism, practiced in America with its various multicultural and secular offshoots, set the stage for the rise of postmodern egalitarian aberrations and the complete promiscuity of all values. That Americanism can also be a fanatical and intolerant system “without God,” is quite obvious. This system, nonetheless, is the inheritor of a Christian thought in the sense in which Carl Schmitt demonstrated that the majority of modern political principles are secularized theological principles…

America is bound to become more and more a racial pluriverse… Guilt feelings inspired in the Bible, along with the belief in economic progress and the system of big business, pushed America onto a different historical path of no return…

Undoubtedly, many American atheists and agnostics also admit that in the realm of ethics all men and women of the world are the children of Abraham. Indeed even the bolder ones who somewhat self-righteously claim to have rejected Christian or Jewish theologies, and who claim to have replaced them with “secular humanism,” frequently ignore the fact that their self-styled secular beliefs are also grounded in Judeo-Christian ethics. Abraham, Jesus and Moses may be dethroned today, but their moral edicts and spiritual ordinances are much alive in American foreign policy. “The pathologies of the modern world are genuine, albeit illegitimate daughters of Christian theology,” writes De Benoist…

Who can dispute the fact that Athens was the homeland of European America before Jerusalem became its painful edifice?

Chapter V: In Yahweh we trust: A divine foreign policy

It was largely the Biblical message which stood as the origin of America’s endeavor to “make the world safe for democracy.” Contrary to many European observers critical of America, American military interventions have never had as a sole objective economic imperialism but rather the desire to spread American democracy around the world…

American involvement in Europe during World War II and the later occupation of Germany were motivated by America’s self-appointed do-gooding efforts and the belief that Evil in its fascist form had to be removed, whatever the costs might be. Clearly, Hitler declared war on “neutral” America, but Germany’s act of belligerence against America needs to be put into perspective. An objective scholar must examine America’s previous illegal supplying of war material to the Soviet Union and Great Britain. Equally illegal under international law was America’s engaging German submarines in the Atlantic prior to the German declaration of war, which was accompanied by incessant anti-German media hectoring by American Jews—a strategy carried out in the name of a divine mission of “making the world safe for democracy.”

“The crisis of Americanism in our epoch,” wrote a German scholar, Giselher Wirsing, who had close ties with propaganda officials in the Third Reich, “falls short of degeneracy of the Puritan mindset. In degenerated Puritanism lies, side by side with Judaism, America’s inborn danger”…

A war crime of the Bible

In the first half of the 20th century American Biblical fundamentalism resulted in military behavior that American postmodern elites are not very fond of discussing in a public forum. It is common place in American academia and the film industry to criticize National Socialism for its real or alleged terror. But the American way of conducting World War II—under the guise of democracy and world peace—was just as violent if not even worse.

Puritanism had given birth to a distinctive type of American fanaticism which does not have parallels anywhere else in the world. Just as in 17th century England, Cromwell was persuaded that he had been sent by God Almighty to purge England of its enemies; so did his American liberal successors by the end of the 20th century think themselves elected in order to impose their own code of military and political conduct in both domestic and foreign affairs. M.E. Bradford notes that this type of Puritan self-righteousness could be easily observed from Monroe to Lincoln and Lincoln’s lieutenants Sherman and Grant…

Whereas everybody in American and European postmodern political establishment are obliged to know by heart the body count of Fascist and National Socialist victims, nobody still knows the exact number of Germans killed by American forces during and after World War II. Worse, as noted earlier, a different perspective in describing the US post-war foreign policy toward Europe and Germany is not considered politically correct… [in spite of the fact that] the American mistreatment of German POWs and civilians during World War II must have been far worse than that on Iraq after 2003.

Just as communism, following the Second World War, used large scale terror in the implementation of its foreign policy goals in Eastern Europe, so did America use its own type of repression to silence heretics in the occupied parts of postwar Europe… The American crusade to extirpate evil was felt by Germans in full force in the aftermath of World War II. Freda Utley, an English-American writer depicts graphically in her books the barbaric methods applied by American military authorities against German civilians and prisoners in war ravaged Germany. Although Utley enjoyed popularity among American conservatives, her name and her works fell quickly into oblivion…

In hindsight one wonders whether there was any substantive difference between warmongering Americanism and Communism? If one takes into account the behavior of American military authorities in Germany after World War II, it becomes clear why American elites, half a century later, were unwilling to initiate a process of decommunisation in Eastern Europe, Yalta_summitas well as the process of demarxisation in American and European higher education. After all, were not Roosevelt and Stalin war time allies? Were not American and Soviet soldiers fighting the same “Nazi evil”?

It was the inhumane behavior of the American military interrogators that left deep scars on the German psyche and which explains why Germans, and by extension all Europeans, act today in foreign affairs like scared lackeys of American geopolitical interests…

A whole fleet of aircraft was used by General Eisenhower to bring journalists, Congressmen, and churchmen to see the concentration camps; the idea being that the sight of Hitler’s starved victims would obliterate consciousness of our own guilt. Certainly it worked out that way. No American newspaper of large circulation in those days wrote up the horror of our bombing or described the ghastly conditions in which the survivors were living in the corpse-filled ruins. American readers sipped their fill only of German atrocities. [Freda Utley, The High Cost of Vengeance (Chicago: Henry Regnery Co. 1949), p. 183]

Utley’s work is today unknown in American higher education although her prose constitutes a valuable document in studying the crusading and inquisitorial character of Americanism in Europe.

There are legions of similar revisionist books on the topic describing the plight of Germans and Europeans after the Second World War, but due to academic silence and self-censorship of many scholars, these books do not reach mainstream political and academic circles. Moreover, both American and European historians still seem to be light years away from historicizing contemporary history and its aftermath. This is understandable, in view of the fact that acting and writing otherwise would throw an ugly light on crimes committed by the Americans in Germany during and after the second World War and would substantially ruin antifascist victimology, including the Holocaust narrative.

American crimes in Europe, committed in the immediate aftermath of the Second World War, included extra-killings of countless German civilians and disarmed soldiers, while tacitly approving serial Soviet genocides and mass expulsions of the German civilian population in Eastern Europe… As years and decades went by, crimes committed by the Americans against the Germans were either whitewashed or ascribed to the defeated Germans…

The exact number of German causalities during and after the Second World War remains unknown. The number of German dead varies wildly, ranging from 6 to 16 million Germans, including civilians and soldiers… It is only the fascist criminology of World War II, along with the rhetorical projection of the evil side of the Holocaust that modern historiographers like to repeat, with Jewish American historians and commentators being at the helm of this narrative. Other victimhoods and other victimologies, notably those people who suffered under communism, are rarely mentioned… According to some German historians over a million and a half of German soldiers died after the end of hostilities in American and Soviet-run prison camps…

The masters of discourse in postmodern America have powerful means to decide the meaning of historical truth and provide the meaning with their own historical context. Mentioning extensively Germany’s war loses runs the risk of eclipsing the scope of Jewish war loses, which makes many Jewish intellectuals exceedingly nervous. Every nation likes to see its own sacred victimhood on the top of the list of global suffering. Moreover, if critical revisionist literature were ever to gain a mainstream foothold in America and Europe, it would render a serious blow to the ideology of Americanism and would dramatically change the course of history in the coming decades.

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Brigade (novel) Civil war

The Brigade excerpts, chapter XV

by Harold Covington


“Ragnarok On Flanders Street”


Covington in uniform
“COPS!” screamed Kicky at the top of her voice. “Cops! It’s a trap! They’re all around us!” She reversed the Escalade, hit the gas and roared back into the street tailgate first. Wing looked up to see the armored personnel carrier for Delta One team turning into Flanders Street from Twelfth Avenue.

“Shit!” he shouted. He yelled into the phone, “They’re onto us! Ambush on Flanders! Beat feet! Kicky, go down 13th and head back toward the interstate, not toward the river, so we can try to lose them! Cat, heads up, see if you can spot any copters overhead!”

The street was full of screaming people, and 13th Avenue was now blocked going both ways by lunch-hour traffic, cars that were simply abandoned and left standing by their drivers who jumped out and fled for cover.

“I’ll do more than keep their damned heads down, I’ll blow a few of ’em off!” Cat-Eyes Lockhart yelled back. He was out the back of the SUV and he swung himself up onto the roof of the vehicle in one smooth motion, snapped down the bipod on the .50-caliber Barrett, and sighted in. He pulled the trigger, flame vomited from the Barrett’s muzzle, a mighty roar echoed from the buildings, and up the street a SWAT man went flying back through the air, his feet leaving the ground. Lainie Martinez and Jamal Jarvis had struggled into their body armor and were now out on the street. Lainie kneeled and fired her M-16 and Jarvis stood over her, blazing away with his. Chief Linda Hirsch [Chechar’s interpolated note: the police chief was a coveted affirmative action three-fer, being simultaneously female, Jewish, and lesbian] was jumping up and down for a bit, then leveling her Armalite and firing a wild burst, then jumping up and down some more while she screamed dementedly in Yiddish. The street sounded like the inside of a garbage can or a metal locker that was being beaten with sticks by a troop of demented monkeys.

Wingo had ducked around behind the Escalade for more cover while he slapped another magazine into the Kalashnikov, another of the taped-together clips. He slung the weapon, pulled a hand grenade off his belt, and then winding up like a baseball pitcher he hurled it up the street where it bounced off several car roofs and rolled down into the street, the blast hurling shrapnel and shaking the street. Then he did the same with a second grenade. The police all hit the ground or dove for cover. Wingo then recovered the Kalashnikov and started firing again. On the roof, Cat Lockhart also slammed a new magazine into the .50-cal rifle, rose calmly into a kneeling position oblivious to the police bullets whizzing around him like electrons, and resumed firing. Just then the CNN crew, who had been cowering behind the overturned UPS truck, decided that it was time to do their jobs.

They ran along Flanders Street and turned right into 13th Avenue, the cameraman braced his camera on top of a parked car, and Cassie Ransome started shouting a disjointed narration into her microphone, trying to explain to the satellite-uplinked studio and worldwide audience what was happening in front of her on a Portland street. The next twenty seconds of film footage eventually won Cassie and the cameraman Pulitzer Prizes. The video clip was shown all over the world for weeks, it became an integral part of the visual history of the Northwest War of Independence, and is still shown today in virtually every documentary made on the subject.

Linda Hirsch was hiding behind the Oak Harbor moving van, but every few seconds she would lean out, gibber, fire a one-handed burst with her M-16 that she held like a pistol, and vanish again. Lockhart had no idea who the fat babbling target was, but it annoyed him, and he was determined to hit it.

Kicky McGee was dazed, disoriented, and by now she was completely out of her mind with pain from her wound and from incandescent rage at the destruction of her whole life by these people. She staggered up the street, screaming wordlessly in a hoarse voice, her left arm and side soaked with bright red blood, her honey blonde hair streaming behind her. In her mindless rage she held the Glock pistol at arm’s length in her right hand, firing it blindly in the general direction of her tormentors, hitting nothing.

It was a confused scene, and actually pretty pointless and ineffectual. Nobody was hitting anything, and no one besides Lockhart was even aiming. But it looked cool as hell on TV, and in America, that was what mattered. By sheer fortuitous accident, what the CNN camera caught for twenty seconds—and twenty seconds is a long sound byte on TV news—was a perfectly blocked shot of stunning dramatic impact. In the far center right of the screen Kicky seemed to stalk up the street. She was firing blindly, howling like an animal in an unthinking spasm of rage and madness, but what the world saw was a wounded Valkyrie screaming her war cry and charging the enemy machine guns that splattered in round strikes all around her.

Cat Lockhart fired one last .50-caliber round, the one that smashed Linda Hirsch’s skull to fragments like an exploding melon, and then he whirled and made a spectacular Zorro-like leap from the back of the Escalade into the flatbed of the Chevrolet. Jimmy Wingo ran forward, grabbed the berserk Kicky around her waist and lifted her over his shoulder, then ran back and tossed her into the back of the pickup like a sack of potatoes, before jumping in himself. Thing One leaped back into the cab and the blue Chevy then roared off down Flanders Street on the sidewalk, knocking over sandwich-board shop signs and sending an espresso cart flying. At 14th Avenue they were joined by the Grand Prix, and both vehicles floored it out along Highway 30.

There was no pursuit. Almost all the mobile police in the city were surrounding Waterfront Park [defending the US Vice President] and no one was available or willing to organize any response. No one had even bothered to radio Delta Two team or any other police and tell them what was going on. From the time Kicky McGee slammed the Escalade into Andy McCafferty until the time the blue Chevy pickup departed the area with all five Volunteers, exactly seventy seconds elapsed.

“You saw?” asked Cat in surprise.

“You were on live, my man. You’re all over CNN and every other damned channel. I got to tell you, if that little gun bunny (*) in there ever wants a transfer, you send her down our way,” he said admiringly, nodding into the living room toward Kicky. “Looked like she was ready to take on the whole Portland police force single-handedly.”

“They ambushed us on Flanders Street, sir,” said Lockhart. “The whole thing stinks. I think they knew we were coming.”


_______________________

(*) Gun Bunny—Adolescent female Northwest Volunteer or associate of the NVA. A number of these young women distinguished themselves in combat, intelligence, and support roles during the War of Independence.

Chechar’s note: Every time I reread the lines of this blonde woman firing at her tormentors they move me almost on the verge of tears…

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Christian art My pinacoteca

Il Penseroso

Cole_Thomas_Il_Penseroso_1845

Painting of the day:

Thomas Cole
Il Penseroso ~ 1845
Art of the Americas Building

Categories
Brigade (novel) Civil war Homosexuality

The Brigade excerpts, chapter XVI

by Harold Covington


“Things That Go Boom In The Night”


Covington in uniform
“The NVA [Northwest Volunteer Army] uses explosives in three basic situations. First off, when there is an economic or strategic or propaganda-related target that has to be physically destroyed, sometimes loudly and visibly in order to set an example.

The second instance in which we use bombing is against enemy armor and fortifications, like when we toss these primitive rockets and mortar shells here over the Bremer walls (*) and razor wire and give Daddy a kiss. This is where the good old IED or Improvised Explosive Device, otherwise known as the Baghdad Banger, comes into its own. Like some other NVA guys who are vets, I have the unusual experience of having been on both ends of an IED, and between the Muslims and ourselves, we have refined them down to an art form. Through the use of IEDs we make enemy troop movements dangerous and difficult to plan and execute, and in some areas of the Northwest, we have succeeded in more or less driving the police and the military off the highways completely, forcing them to fall back on helicopters. If we ever succeed in obtaining any shoulder-fired missiles or some other way to bring those birds down, Uncle Slime is going to be really fucked. I imagine that some of you guys are already familiar with the third way in which the NVA uses explosives. Anyone?”

“Booby-traps!” said Annette.

“You got it,” confirmed Pascarella. “Whenever it is physically possible, the NVA always booby-traps the scene of an operation before un-assing the area. Pascarella chuckled. “Okay, now, as to the practical aspect of assembling and detonating ordnance. Every explosive device consists of three basic components. There is the main charge, the dynamite or Semtex or whatever will provide the main blast. The key to blowing the enemy into smithereens and not yourselves is simple: you keep these three components disconnected until the last possible minute.

“The champagne of all insurrectionary explosives is still Semtex, which is now manufactured in a dozen countries as well as the Czech Republic where it was invented,” the lieutenant continued. Semtex is the charge of choice for big jobs when we can lay hands on it. It’s just about the most potent stuff available for our purposes. A pound of it can take down a good-sized house, a briefcase full can decapitate an office building, and in the rare cases where we want to go that distance, a car trunk full of Semtex can send an entire city block to the moon. Gelignite, jellied nitroglycerine, is actually a bit more powerful, but it’s not manufactured anymore and like I mentioned, the bathtub variety is dangerous to work with.”

“How about C-4, sir?” asked Eric Sellars.

“We do still get hold of some, but it’s actually a lot easier and simpler and more cost effective for us to load up on dynamite and TNT. Now—delivery. This is where you guys come in.”

The young Volunteers leaned forward. “There are car and truck bombs, of course,” Pascarella told them. “Sometimes that’s the only way. We do not want the streets of Northwest cities turned into Baghdad or the Gaza Strip. Our sharp-eyed lads in the sniper companies inflict more physical and psychological harm on the enemy than a hundred carbombs could do, and they do it surgically and with a panache that excites admiration among whites, not fear and loathing.

“Most bombing is specifically targeted against indoor installations, the object being to slip inside their defensive perimeters and hit them where they think they’re safe. Have any of you been asked to deliver a package yet?”

“I have,” said Kicky. “It was my first solo tickle. That faggot bookstore and sex shop downtown with the big cartoon character sign, Homer Erotica. The Red Baron himself made up my package. I was given a fake student ID, and I brought in a shoulder bag full of books on the poems of Sappho and the Joy of Lesbian Sex and all that crap. Each book was cut out, and it had a stick or two of dynamite inside.”

“Good job, comrade, and a typical day’s work for our parcel post,” responded Pascarella with a nod, impressed. “It is entirely likely that you other three will at one stage or other be asked to deliver a package. There is no mission in the Army that requires more courage, more cool-headedness, and more just plain balls, as well as the ability to think on your feet and be a better actor or actress than anyone in Hollywood, which this classy lady here seems to have. Each one of these missions is unique, and I can’t really prepare you for them except to say that you will be given full training in everything you are to carry, its risks and how to handle and use it.”

_______________

(*) Bremer Wall—Heavy concrete berm, portable and lowered into place by a crane, used by the Americans to fortify police stations, FATPO (Federal Anti-Terrorist Police Organization) barracks, Green Zones (federal headquarters), etc. Also used extensively by American occupation forces in conquered Middle Eastern countries.

Chechar’s note:

Just compare Covington’s views about homosexualism to Counter Currents’ constant promotion of an author that likes to post images like this one… and demand tolerance from the pro-white community!

Categories
Arcadia My pinacoteca

An evening in Arcadia

an-evening-in-arcadia-1843

Painting of the day:

Thomas Cole
An evening in Arcadia ~ 1843
Wadsworth Atheneum, Hartford, CT, USA

Categories
Brigade (novel) Civil war

The Brigade excerpts, chapter XVII

by Harold Covington


“Taking Down Tinsel Town”


Covington in uniform
“Gentlemen, I don’t have to tell you that ever since the invention of the motion picture over a century ago, the movie industry has been the most completely Jewish field of private enterprise in the world, with the exception of international banking and the stock exchange. Even today, Yiddish is considered to be Hollywood’s second language. Literally so. It is spoken regularly on movie lots and sound sets, and in every office and casting department and boardroom. The senior executive office complex of every major production studio contains a private synagogue or chapel called a mincha, with one or more rabbis attached, as well as special glatt kosher catering facilities and kitchens. Entire boards of directors in Hollywood and also at their parent companies in New York sometimes hold Jewish religious services prior to meetings. Every crucial, non-technical job on the business and creative end of any major movie is either held by a Jew or is in the power of a Jew, from the studio heads, the producers and the directors, down to the scriptwriters, the casting directors, the agents, the accountants, and anything to do with the money. Even in areas that seem to be controlled by Gentiles, you will find that somewhere along the line during the process, Jews have crucial input and veto power. This control by the Tribe is pervasive and complete, and it extends into television as well, with the exception of two of the major cable networks, which are heavily Jewish in their senior personnel but are owned by consortiums of super-wealthy Protestant evangelical Christians of the Israel-worshipping persuasion, who are in their own way even more poisonous in their evil than the Jews themselves, because they have no excuse for turning on their own blood.

“I do not need to tell you of the terrible and largely irreversible damage that Hollywood has done to the white race and to Western civilization over the past century. For four generations, the international bankers and the corrupt politicians have committed unspeakable crimes against humanity, especially the war after war after bloody war they have plunged our people into for Jewry’s sake, but it is Hollywood and Hollywood’s mutant bastard spawn television that has made the white people of America and the world swallow these atrocities and actually support them with enthusiasm. It is Hollywood that has spent the past 50 years pushing every conceivable kind of perversion of body and mind down the throats of white people. It is Hollywood that has turned the loathsome practice of homosexuality into something cute and trendy, the subject for silly jokes, when it is in fact a poison of the very soul. It is Hollywood that has turned white women as portrayed on film into either mindless sex objects, or else degendered, masculinized, man-hating neurotics. It is Hollywood that has poisoned the minds and broken the spirits of generation after generation of white children who are now beyond recovery, and turned them into whiggers. The bankers have stolen our money. The federal government of the United States has stolen our lives and our freedom and soaked the earth with Aryan blood, spilled to save a filthy race of Asiatic parasites. But Hollywood has stolen our peoples’ minds and souls, and in some ways that makes Hollywood more evil to my mind even than the sinks of iniquity centered in New York and Washington, D.C. Comrades, we will go down to southern California, we will grip this monster by the throat, and we will cut its heart out!

There was a cheer from around the table; the men found the project to their liking. “At this point I’ll turn the floor over to Lieutenant Hill,” said Morehouse.

“Thank you, Red, and isn’t this a great audience in our studio tonight?” There was a chuckle from the assembled men. “I need to begin by explaining just what has precipitated this operation, which by the way, has been designated Operation We Are Not Amused,” said Hill. There was more laughter. “Obviously, any revolutionary movement within North America has to deal with the Hollywood problem at some point or other. It’s pretty obvious that barring some catastrophic event, the NVA [Northwest Volunteer Army] is here to stay as a permanent feature of Northwest life, and for us, to survive is eventually to win. The time has come for us to take our offensive for balance in the media right into the belly of the Beast.”

“Now we are about to start…” Harry Hannon interjected.

“But it’s not just simple fear that’s made Hollywood go a little easy on us so far,” Red Morehouse said. “I don’t want to get metaphysical, but Hollywood has always been the American ruling establishment with its heart on its sleeve, and southern California has always taken point in the culture wars, openly and brazenly, so you can read them like a book. And I can sense a deep and definite malaise. The Jewish and liberal establishment down there is not just afraid, they’re puzzled, disturbed, confused. They don’t know what to make of us quite yet. They’ve never seen white men act like this before—hell, no one in living memory has seen white men act like this before. Comrades, even if we were all wiped out tomorrow, the NVA has managed to achieve one incredible accomplishment, and something that for the entire century, no one ever thought was possible. We have reintroduced the gun into American politics, the ultimate fount of all law and political power.”

Morehouse smiled and shook his head in admiration. “For the first time since the Civil War, the United States of America no longer has a credible monopoly of armed force, and that fact has thrown the whole ruling élite in this country for a loop, unbalanced them. We’ve taken a hundred years of this shit from these people. No more! It ends now!”

“Who gets to be the hammer?” asked Tommy Coyle eagerly.

“Sorry, Tom,” said Morehouse, genuinely commiserating. “You and Harry are too badly needed up here with your brigades, and that goes for you battalion commanders as well. I’m afraid the reason you are here is because we’re going to need your help and your concurrence to cherry-pick your units. The actual hammering will be planned and organized by the Third Section, but the nails will be from Portland and the North Shore.”

“What will be your plan of attack, Lieutenant Randall?” asked Hatfield.

“The main strategic objective here is to neutralize the Hollywood movie and television apparatus as an effective weapon of enemy propaganda,” said Randall. “It is now such a weapon because of the Jewish control of these industries. We have to get the Jews’ hands off the levers of power and creative control down there as much as possible, not only by terminating individual hebes, but by establishing a credible deterrent sufficient to prevent those reptiles from producing dingo doo like those things there.”

Randall pointed to the scripts on the coffee table. “They have to know that even to contemplate producing an anti-NVA movie or television episode means bloody near certain death. We won’t be so much going after movie stars or actors themselves as we will be taking down the Jews who actually decide what movies and shows are made, and what their contents will be—studio heads, producers, directors, and screenwriters, and the moneymen. We have several objectives. First, to physically prevent these Jews from doing the dirty. A dead Jew can’t make an anti-white movie. Secondly, to create a psychological disincentive to make propaganda movies and telly for the Americans, since live Jews and liberals don’t wish to become dead ones. Finally, and this is a long-term goal, we want to demonstrate to the extensive Gentile community in the movie and television world down there that Jewish control of their industry, their money, their speech, and their creative talents is not some kind of perpetual, God ordained inevitability. We want to show them and the whole world that Jewish power can be broken, right in the heart of their own oldest and most cherished empire in this country.”

“In a way, we’re trying to show the stars and the genuine film artists down there the same thing we’re trying to show our own people here in the Homeland—that it is possible to resist, and that the enemy is not invincible.”


Chechar’s note:

Just compare Covington’s views about Hollywood to Counter Currents’ opposite views and leave a comment: either below, or in a recent thread.

Categories
Architecture My pinacoteca

The Architect’s dream

Cole_Thomas_The_Architect-s_Dream_1840

Painting of the day:

Thomas Cole
The Architect’s dream ~ 1840
Toledo Museum of Art in Toledo, Ohio

Categories
Brigade (novel) Civil war

The Brigade excerpts, chapter XVIII

by Harold Covington


“All The World’s A Stage”


Covington in uniform
“This will be the most significant mass assault on a Zionist target that the Northwest Volunteer Army has yet attempted,” said Hill. “It will also send an indelible message to the enemy and to the world, one that Hollywood is particularly able to understand. Do you remember the famous scene in The Godfather where the big Jew movie producer wakes up in the dawn, in his big mansion and his big bed with the silk sheets, and he looks over and he sees the severed head of his million-dollar race horse lying next to him in a bloody mess, and he screams and screams and screams and screams as the camera fades? That is the effect we are looking for in every sense of the word.”

“I remember the producer caved in and gave the Godfather what he wanted,” said Christina.

“Exactly. And why?” asked Hill. “The big kike, the Burger King, caved because he suddenly understood that he was dealing with people to whom his power, his money, his influence and his personal viciousness meant nothing. For possibly the first time in his life, the big Jew was dealing with men who weren’t afraid of him and all he could command, and who would accept nothing less from him than total compliance and submission. That is the message we want to send, not only to the big Jews who rule Hollywood, but also to the whole world. The power of these people is at an end. This tickle is going to be our equivalent of a big bloody horse’s head in the Jews’ beds. But there is more to the message we are sending even than that. We want all of white America to see, and to think: If ZOG cannot protect the cream of Hollywood’s élite, then they can’t protect anybody. If ZOG can’t protect the powerful Jews of Hollywood, then maybe it’s time we got onto the winning side. That is why it is imperative that we hit the Oscar ceremony itself, live and on camera.”

“Right, thanks to The Talented Mr. Ripley here, we have been able to score a few intelligence coups,” said Randall.

Hill sighed. “I want this to be as surgical as we can make it, and take out as many major influentials as we can, crippling the Dream Machine by decapitating its leadership and management. I don’t just want all these glitterati shitting in their pants when they hear machine guns as their bodyguards are hustling them out the emergency exits, I want them on the floor bleeding.”

 

LynchCoverChechar’s note:

Just compare Covington’s views about Hollywood to Greg Johnson’s opposite views and leave a comment: either below, or in a recent thread.

Categories
Brigade (novel) Free speech / association

The Brigade excerpts, chapter XIX

by Harold Covington


“A Star Is Suborned”


Covington in uniform
In the meantime Hill and Randall took the liberty of examining the bookshelves that lined the wall of the living rooms, containing not only books but an extensive collection of music CDs and movie DVDs. Hill always did this whenever he had the chance, since nothing helped better in his assessment of someone’s character than learning what that person read and watched and listened to. The woman’s literary taste ran toward the classics of drama, and weighty novels such as no one actually read anymore. The plays ran from the Elizabethan and Restoration dramatists such as Dryden, Webster, Ben Jonson, and of course the complete works of Shakespeare, on to the nineteenth century masters such as Chekhov, Strindberg, Ibsen, and Gilbert and Sullivan, with a couple of slim volumes of Eugene O’Neill, a tag end of modernity.

There were writers such as Dickens, Hawthorne, Trollope, Wilkie Collins, Thomas Hardy, Robert Louis Stevenson, and Balzac. Hill was delighted to see collections of Jules Verne and Arthur Conan Doyle’s historicals as well, his boyhood favorites. Her poetry library boasted Walt Whitman, Tennyson, and T.S. Eliot, but verged closely enough on political incorrectness so that Hill wondered why it hadn’t gotten her into trouble, since she also owned the legal but frowned-upon works of Rudyard Kipling and Ezra Pound. He was further surprised to see the outright legally banned works of the Australian poet laureate Henry Lawson, published by one of the pre-10/22 covert Party imprints, which might well have gotten her arrested if anyone had noticed it. The conspicuous absence of anything gay, lesbian, multicultural, and psychobabble-ish was almost as telling a point in her favor as was what was there. Her musical tastes were wide-ranging. There were CDs of Wagner, Mozart, Verdi, Tchaikovsky, Handel, numerous operas, Gregorian chants, the motets of Gesualdo, Celtic music collections, Russian chorals, Doc Watson and Appalachian shape-note singing. Randall looked at Hill oddly, both of them sharing an unspoken thought: a young white female with this kind of taste and education was almost completely unknown in their experience.

“Henry Lawson?” asked Charlie Randall, holding up the volume. She blushed. “I really need to put that away where no one can see it.”

Randall opened the book and found a passage, and quoted sadly,

“And it is our fate that we’ll wake too late
To the truth that we were blind,
With a foreign foe at our harbour gate
And a blazing drought behind!”

“Hard to believe that was written well over a century ago,” Randall sighed.

“Lawson had it too right, mate. Not knocking the Northwest Homeland, but it’s my own land I’d be fighting for if our people had listened to Lawson, or even possessed two brain cells to rub together.”


http://northwestfront.org/

Categories
Brigade (novel) Civil war Homosexuality

The Brigade excerpts, chapter XX

by Harold Covington


“Setting The Scene”


Covington in uniform
On the day before the Oscars, for the first time, Task Force Director’s Cut was all gathered in one place, a large private home with a green lawn and hissing sprinklers on 20th Street in Santa Monica. It was very risky, and some of the crew were on sentry duty and would be briefed later by their team leaders, but this was the most important operation that the Northwest Volunteer Army had undertaken to date.

“I’ll run the operation down for you from beginning to end,” said Hill. “Hit the lights please, somebody.” The lights dimmed and one overhead projector cast a floor plan of the Kodak Theater onto the wall, while a second showed the plan of the Hollywood Royale hotel. “The actual infiltration of the theater and the assault will be carried out by seven personnel. Red fire team will consist of Volunteers Lockhart, Wingo, and McGee. Gold team will consist of Volunteers Kolchak, Gauss, and Washburn. As always, comrades, the gods favor us. I’ve noticed that happens a lot since we decided to quit running around street corners holding signs and wearing silly costumes, and took up the gun.”

“Amen,” spoke up one of the Volunteers.

“We want a Mad Minute of Shock and Awe,” said Hill. “The maddest ever, because remember, this is going to be on live nationwide TV. Cat, you and Ron will both fire twenty well-aimed rounds apiece, and remember, after those two initial faggots for camera effect, you’re going for the Burger Kings, the Big Kikes. The grenadiers will throw both their grenades, one each as soon as the firing begins, and a second after approximately thirty seconds. They will also open fire on full automatic, into what will almost certainly be a screaming vortex of sheer madness, concentrating on the VIP circle in front of the orchestra pit. There will be no innocent parties down there. Anyone who rates a seat in that section is Hollywood up to their eyeballs, and guilty as sin. Ideally not one glitterati pig or bitch who sits down at one of those little Parisian café tables to pose for us unwashed masses in all their haute couture glory should make it out of that theater alive. But especially not Jews. Bear in mind what all this is in aid of, comrades.

Hollywood is possibly the greatest weapon the Jews have against our race, maybe even more powerful and dangerous in some ways than their control of the federal government and of international banking. Hollywood is the biggest leg of that unholy tripod, and we have to knock it out from under them.”

 

LynchCoverChechar’s note:

Just compare Covington’s views about Hollywood to Greg Johnson’s opposite views and leave a comment: either below, or in a recent thread.