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Tag: Degeneracy

Categories
Ancient Rome Hate Justice / revenge Real men William Pierce

The future is for the bloodthirsty,

not for the alt-righters



Panina said…

There are very tangible reasons to stop associating with the “white nationalist” movement:

1) It is dead. Anyone with two eyes, a brain and enough courage can attest this fact. Though disappointing, it is understandable that it has not achieved a single victory in its entire history. What is far more problematic is that it is losing adherents and sympathizers at a steady pace instead of gaining new ones. This is a raw estimation, but I don’t think there are more than 50,000 active and declared WNs in the entire US territory as of now… That’s called a sect, a cult.

2) It is pathetic. Read Stormfront, the world hub of WNism, to understand what I mean. Who wants to associate with those who post there? I’d rather live among Hispanics or Asians than among the lowbrow skinheads, mixed-race “Whites”, Slavs, feminist women and Christian creationists of Stormfront.

3) The term “white nationalism” bothers me because “white” is too vague. I’ve seen enough specimens of white Untermenschen in my life to understand that skin color alone is unfortunately not enough, in times of accelerating dysgenism, to assert the nobility, intelligence and probity of someone.

I like the terms “realism” (since were are, in fine, observers and accepters of scientific truths), “white advocacy”, “pro-white” (which has a double meaning), or “new right”.

I replied…

White nationalism is a term for American whites (I have the impression you live in Europe. Am I wrong? I for one live in Mestizo America). American whites need a nation now that they are becoming a minority.

I don’t believe that the movement is dead. It’s just a tiny embryo that has chances to grow after the dollar crashes.

It has scored zero victories not because the story of the movement or the character flaws of nationalists, but because after the war America reached a period of economic prosperity unparalleled in history, and now that I am studying the history of the decline and fall of Rome it’s clear that people tend to become lazy and even self-destructive in periods of easy panem and free circenses. If we have to blame something, we must blame the increasingly degenerate westerners of the last forty or fifty years.

The movement has no chance to make a real breakthrough unless and until the dollar crashes. After the coming financial armageddon we will experience runaway racial turmoil in western cities and after that continuing crisis, since the race problem cannot be solved until the ethno-state is established in NorthAm and non-whites expelled from Europe. Then the entire world will suffer from the peak-oil, energy devolution crises. The convergence of catastrophes predicted by Faye will become reality for sure. All of this will happen within the lifetimes of some of us, and contrary to Greg Johnson et al’s reactionary, non-revolutionary stance, I look forward to watch, as Pierce put it, “blood flowing ankle-deep in the streets of many of Europe’s great cities.”

Yesterday I listened the two hours of the opening podcast of Carolyn Yeager and Tanstaafl’s new internet radio show. It was good. If I were billionaire I’d purchase Fox News and invite these bloggers for a daily show. The sound of their voices is exactly right during pre-crash America.

But there’s no question that the dollar will collapse. And after the collapse people will be mad as hell. Then, and only then, will bloodthirsty revolutionaries like me have a chance.

Categories
Homosexuality

A question

One of the things that disappoints me in today’s white nationalist movement is that they are unwilling to pronounce value judgments about homosexuality. When they interview overt homos, just as Robert Stark recently interviewed James O’Meara (who must never be confused with Michael O’Meara), the questions are always respectful, as if Stark believes that the kind of behavior that James promotes is perfectly okay.

Greg Johnson will soon publish James’s book The Homo and the Negro for Counter-Currents (CC).

Johnson also included an essay of James in another book, the compilation of CC essays that has been released today and that contains no essay coming from the pen of the one who, in my opinion, was the best thinker among the writers that Johnson published in 2009-2011: Michael O’Meara.

My question:

Do you think that people like James are an asset to the movement? In Stark’s interview last week James mentioned his “wild boys,” the “heavy metal music” he loves, “drug induced mysticism” and said that all of this is compatible with “Aryan culture.” He also mentioned “androgyny”, “hermaphrodites,” “sexual rituals,” and that “all these are roots of Aryan culture.” James even spoke of “drugs creating Western culture” and that “the great opponent of that is the Jew,” who has hated “the horrible faggotry of paganism.”

(See my formal refutation of these sorts of claims in Gitone’s magic.)

In the comments section I’ve already mentioned James’ blog, Where the Wild Boys Are, with the arresting subtitle “Aryan Futurism, Heavy Metal Entheogenic Mysticism, and Pitiless Hordes of Adolescent Warriors in Rainbow Thongs.” Following next is what I already said at that comments section of my blog, some syntax corrected:

Who are the “warriors in rainbow thongs”? When James linked Johnson’s interview in his blog, he used a pic of a transvestite under the title “Shameless Public Posturing.” I guess James is trying to say that there’s nothing wrong with such posturing.

I consider myself fairly tolerant toward homosexuality. But tolerance is restricted to the homos who live discreet lives and keep their preferences in the privacy of their homes. Overt transvestite behavior crosses the line. And not only transvestism. Consider this:

James’ blog features the below image at the top of his blog (just as I feature the face of Botticelli’s Venus above). Note the blood/semen—whatever—running through the hairy legs, presumably of a male with rainbow butts.

The Wild Boys is a novel about the violent world of homosexual renegade boys. It was authored by William Burroughs, a well-known writer who despite marrying a Jewess he picked up boys in steam baths and moved in a circle of homosexuals and runaways. Something analogous without the overt sexuality can be said about the grotesque cheering that, in the commentariat section of CC, Jef Costello got for his review of Fight Club: another nihilistic novel written by another homosexual.

Am I living in a different cultural world from the one that white nationalists inhabit? Like the monocausalists who cannot see that Christian axiology is involved in the darkest hour of our civilization, nationalists seem to be clueless about the fact that some of them are part of the cultural movement that is driving our civilization straight toward the abyss.

This is the pic advertised in James’ “About Me” section of his blog. Does this look like a white nationalist to you?

Even a child could easily grasp the idea that nationalism means a nation for whites with hetero men enjoying the privilege to woo young females (see the first Max Parrish pic that I advertise in this blog) and found large families: an institution that, in the recent Stark interview, James seems to abhor. Yes: both James and I suffered from abusive Catholic upbringing. But unlike me James doesn’t seem to have come out in one piece after such upbringing (cf. my essay, “A woman chasing after her revenge” to see what do I mean).

Last February I watched a documentary of the Hassidic Jews in New York. Guess what? They forbid among themselves the sort of heavy metal music and “drug induced mysticism” that James so heartily approves; the kind of nihilistic films and novels that are reviewed at CC, and even the internet: the only way to convince all of their women to get married, according to the rabbi interviewed in the documentary.

Hitler and the Nazis saw it clearly too. They forbade non-closet, overt homosexuality and degenerate music. And male bonding among the Teutons was basically heterosexual. They ended up forming families—nothing of the sort found in the novels of outright degenerates like William Burroughs.

Categories
Christendom Deranged altruism

“Christianity is simply too universalist…”

I think James Whistler makes a good point when he says that “everybody knows” Wall Street is run by Jews, just like “everybody knows” Hollywood is run by Jews.

“Everybody knows” that Bernie Madoff was a Jew. Zero Hedge is a hugely popular forum for the financial industry, and discussions of Jewish fraud is open; attempts to silence discussion of Jews by the usual hand-wringing have not been successful. “Everybody knows” Goldman Sachs is a Jewish company.

The problem seems to be that there is no organized opposition to Jewish power. “White” is far too broad a category, and our traditional religion of Christianity is simply too universalist to serve as a counter “evolutionary strategy” (not to mention how Jewish it is). Of the Forbes 500 richest Americans, at least 60% or more are White, but the only example I can remember of any of them working together, sans Jews, would be Bill Gates and Warren Buffet, and that was all personal, and even anti-White in the larger sense.

The implicity-near-explicitly White Republican party eagerly falls to their knees fawning over Jewish power and serves only to tamp down any anti-Jewish sentiment among the conservative rank-and-file, like their predecessors in the John Birch Society.

A while back The Occidental Observer talked a lot about Glenn Beck, who was hugely popular and went right up to the line discussing Jewish power—even going so far as to resurrect the notorious Cleon Skousen—but his fan base just seemed to be too dense to take the hint. The lump-fundies of the Evangelical right basically worship Jews and Israel, and the patriotard right wingers idolize the IDF and want nothing more than to join them in a world-wide counter-jihad against Israel’s enemies.

So it’s not even a lack of awareness, it’s more like Stockholm Syndrome. It’s as if Whites have fallen in love with a Jewess, and want nothing more than to gain her favor, even if it requires giving up their last shred of dignity.

—Richard Pierce

Categories
Alexandr Solzhenitsyn Degenerate art Music Neanderthalism Patriarchy

Simian music

“In the long history of mankind there have not been so very many democratic republics, yet people lived for centuries without them and were not always worse off. They even experienced that ‘happiness’ we are forever hearing about, which was sometimes called pastoral or patriarchal… They preserved the physical health of the nation… They preserved its moral health, too, which has left its imprint at least on folklore and proverbs—a level of moral health incomparably higher than that expressed today in simian radio music, pop songs and insulting advertisements. Could a listener from outer space imagine that our planet had already known and left behind it Bach, Rembrandt and Dante?”

—Solzhenitsyn (From Under the Rubble)

Categories
Ancient Greece Arcadia Architecture Art Arthur C. Clarke Beauty Child abuse Christendom Civilisation (TV series) Counter-Reformation Demography Free speech / association Friedrich Nietzsche Homosexuality Industrial Revolution Islamization of Europe Kali Yuga Kenneth Clark Mainstream media Martin Luther Michelangelo Montaigne New York Philosophy Philosophy of history Protestantism Real men Reformation Rembrandt St Francis William Shakespeare

On Kenneth Clark’s “Civilisation”

Kenneth Clark may have been clueless about the fact that race matters. Yet, that our rot goes much deeper than what white nationalists realize is all too obvious once we leave, for a while, the ghetto of nationalism and take a look at the classics, just as Clark showed us through his 1969 TV series Civilisation.

Compared to the other famous series, Clark’s was unsurpassed in the sense that, as I have implied elsewhere, only genuine art—not science—has a chance to fulfill David Lane’s fourteen words.

By “art” I mean an evolved sense of beauty which is almost completely absent in today’s nationalists. Most of them are quite a product of Jewish modernity whether with their music, lifestyles or Hollywood tastes, to a much greater degree than what they think. For nationalism to succeed an evolved sense of female beauty has to be the starting point to see the divine nature of the white race. In Clark’s own words, “For all these reasons I think it is permissible to associate the cult of ideal love with the ravishing beauty and delicacy that one finds in the madonnas of the thirteenth century. Were there ever more delicate creatures than the ladies on Gothic ivories? How gross, compared to them, are the great beauties of other woman-worshiping epochs.”

Below, links to excerpts of most of the chapters of the 1969 series, where Clark followed the ups and downs of our civilisation historically:

“The Skin of our Teeth”

“The Great Thaw”

“Romance and Reality”

“Man—the Measure of all Things”

“The Hero as Artist”

“Protest and Communication”

“Grandeur and Obedience”

“The Light of Experience”

“Heroic Materialism”

Categories
Arcadia Architecture Art Arthur C. Clarke Beauty Civilisation (TV series) Kenneth Clark Painting

Civilisation’s “Man—the Measure of all Things”

For an introduction to these series, see here.

Below, some indented excerpts of “Man—the Measure of all Things,” the fourth chapter of Civilisation by Kenneth Clark, after which I offer my comments.

Ellipsis omitted between unquoted passages:

The Pazzi Chapel, built by the great Florentine Brunellesco in about 1430, is in a style that has been called the architecture of humanism. His friend and fellow-architect, Leon Battista Alberti, addressed man in these words: ‘To you is given a body more graceful than other animals.’

There is no better instance of how a burst of civilisation depends on confidence than the Florentine state of mind in the early fifteenth century. For fifty years the fortunes of the republic, which in a material sense had declined, were directed by a group of the most intelligent individuals who have ever been elected to power by a democratic government. From Salutati onwards the Florentine chancellors were scholars, believers in the studia humanitatis, in which learning could be used to achieve a happy life.

In Florence the first thirty years of the fifteenth century were the heroic age of scholarship when new texts were discovered and old texts edited. It was to house these precious texts, any one of which might contain some new revelation that might alter the course of human thought, that Cosimo de Medici built the library of San Marco. It looks to us peaceful and remote—but the first studies that took place there were not remote from life at all. It was the humanist equivalent of the Cavendish Laboratory. The manuscripts unpacked and studied under these harmonious vaults could alter the course of history with an explosion, not of matter, but of mind.

The discipline of trade and banking, in its most austere form, was beginning to be relaxed, and life—a full use of the human faculties—became more important than making money.

The dignity of man. Today these words die on our lips. But in the fifteenth century Florence their meaning was still a fresh and invigorating belief. Gianozzo Manetti, a humanist man of affection, who had seen the seamy side of politics, nevertheless wrote a book entitled On the Dignity and Excellence of Man. And this is the concept that Brunellesco’s friends were making visible.

Gravitas, the heavy tread of moral earnestness, becomes a bore if it is not accompanied by the light step of intelligence. Next to the Pazzi Chapel are the cloisters of Santa Croce, also built by Brunellesco. I said that the Gothic cathedrals were hymns to the divine light. These cloisters happily celebrate the light of human intelligence, and sitting in them I find it quite easy to believe in man. They have the qualities that give distinction to a mathematical theorem: clarity, economy, elegance.

Alberti, in his great book on building, describes the necessity of a public square ‘where young men may be diverted from the mischievousness and folly natural to their age.’ The early Florentine Renaissance was an urban culture, bourgeois properly so-called. Men spent their time in the streets and squares, and in the shops.

Elsewhere I’ve talked about how the modern world of money is inimical to racial interests. As to date, no white nationalist that I know has criticized the barbarous architecture, symptomatic in the worshiping of the new god of capitalism, so well epitomized in both London and New York: the subject of the last episode of Civilisation.

Together with the degenerate music, TV and Hollywood tastes and sexual lifestyles of some nationalists, architecture is another facet where the uncorrupted individual can read the signs of a decadent society; and why he cannot blame non-gentiles for all our problems when even the nationalists themselves are part of this problem.

Remember Clark’s words in the first episode? “If I had to say which was telling the truth about society, a speech by a Minister of Housing or the actual buildings put up in his time, I should believe the buildings.” One only has to contrast the completely soulless edifices we see everyday going to work with Raphael’s town square and see how extremely degraded, Mammonesque in fact our large cities have become.

In the popular imagination, the extreme examples of this degeneracy are the Foundation novels of Asimov and the latest Star Wars films, where a whole planet has become metropolis: the exact opposite of the most humane sci-fi novels by Arthur C. Clarke where, like the Florentines, the white people lived in small Elysian towns. Architecture today is so degenerate that even Roger Scruton in Why Beauty Matters—a 2009 BBC documentary that, unlike Clark’s Civilisation, is marred by the constant presence of non-whites—pays special attention to the sterile architectural forms of today’s world.

I wish young nationalists became believers in the studia humanitatis and familiarise themselves with those intellectuals in the movement that (like Clark) have a much broader sense of European culture than the common white nationalist blogger. I refer to people like Tom Sunic in Europe and Michael O’Meara in America. Both could help us to leave behind the provincial scene so common in the nationalist sphere as well as the simplistic single-cause hypothesis.

It is true that, unlike the Athenians, fifteenth century Florentines were chiefly interested, like contemporary western man, in making money. But like the Athenians the Florentines… loved beauty. Of the landscapes whose beauty mostly caught my attention during a trip through Europe by train, I still remember the Italian, about which Clark said:

Looking at the Tuscan landscape with its terraces of vines and olives and the dark vertical accents of the cypresses, one has the impression of timeless order. There must have been a time when it was all forest and swamp—shapeless, formless; and to bring order out of chaos is a process of civilisation.

Then, in the first years of the sixteenth century, the Venetian painter Giorgione transformed this happy contact with nature into something openly sensual. The ladies who, in the Gothic gardens, had been protected by voluminous draperies, are now naked; and, as a result, his Fête Champêtre opens a new chapter in European art. Giorgione was, indeed, one of the inspired, unpredictable innovators who disturb the course of history; and in this picture he has illustrated one of the comforting illusions of civilised man, the myth of Arcadia, which had been popularised some twenty years earlier by the poet Sannazaro. Of course, it is only a myth. Country life isn’t at all like this, and even on a picnic ants attack the sandwiches and wasps buzz round the wine glasses. But the pastoral fallacy had inspired Theocritus and Virgil, and had not been unknown in the Middle Ages. Giorgione has seen how fundamentally pagan it is.

True, but I don’t believe that the pastoral fallacy is childish. Pace Arthur Clarke, achieving Arcadia is an essentially psychogenic endeavour rather than a technological one. And I sincerely believe that utopia is feasible: only human primitivism, and especially the “monsters from the Id” currently affecting the white peoples, prevent it.

It has long seemed to me wise thinking about an ideal to direct our efforts toward it. It doesn’t matter if the ideal encounters numerous pitfalls: our will should incessantly be directional toward the worlds of the Florentine Fête. If the will of a sufficiently massive amount of white people is noble, the outside world can and will only represent the nobility of that will. Clark said:

With Giorgione’s picnic the balance and enjoyment of our human faculties seems to achieve perfection. But in history all points of supposed perfection have a hint of menace; and Giorgione himself discovers it in that mysterious picture known as the Tempesta.

What on earth is going on? What is the meaning of this half-naked woman suckling a baby, this flash of lightening, this broken column? Nobody knows; nobody has ever known.

To me the meaning is obvious. Even since the Renaissance artists started to see that the cities, more inclined to Mammon than to Raphael’s square, were places of tribulation in contrast to the madonna and her child with the man standing in contrapposto. Broken pillars often symbolize death (that bucolic world was about to die), and the painting’s storm in the background could be interpreted to symbolize urban turmoil.

Categories
Christendom Judeo-reductionism Kali Yuga

Fascinating Guessedworker / Linder exchange

In 2009 the British Guessedworker interviewed the American Alex Linder. The full interview (here) is 1:17 hrs. I boiled it down to the bare essentials: only 15 minutes.

It touches the subjects discussed in the previous entries: the single-cause hypothesis—i.e., Jews as the basic etiology of Western malaise—versus the more complex models that would involve depth psychology of the white people.

My edited clip also includes other topics discussed here recently, such as Christianity and Anti-christianity, the toxic role played by Hollywood and more:

Categories
Art Civilisation (TV series) Kali Yuga Kenneth Clark

Kenneth Clark’s “Civilisation”

The evil that has possessed Western civilization—or perhaps should I write the word with “s,” as the British do: civilisation?—after the Second World War is far more extended than what most white nationalists suspect, even in their wildest dreams. This evil even encompasses many aspects of our culture that white nationalists actively embrace: pop music, degenerate sexual mores, a Christianity taken to its logical conclusion through liberalism, and much, much more.

In the next entries I will try to argue this case through my comments to excerpts of Civilisation: A Personal View by Kenneth Clark (1903–1983), a television documentary series outlining the history of Western art, architecture and philosophy since the Dark Ages.

The series was produced by the BBC and aired in 1969. Both the television material and an accompanying book—a book that, incidentally, I purchased in Houston at the ridiculous price of 50¢ during a garage sell—were written by Clark (photo above), who also presented the series.

The series is considered to be a landmark in British Television’s broadcasting of the visual arts, and was remastered and last year re-broadcasted in the United Kingdom.

Clark’s series inspired both Jacob Bronowski and Carl Sagan to write scripts for their respective personal views, also in thirteen programs of television documentary series, as I said in my last post. However, unlike Bronowski and Sagan I definitively reject the naïve idea that science can save our civilization. I agree with Clark that, in this age of “heroic materialism” or worshiping of Mammon as he put it, we must review our classics to understand us (or as I would say, to understand the West’s darkest hour: a mechanized, dehumanized and soulless age).

Only a revival of the white people’s soul, not of science and technology, will save us.

Categories
Civil war

Fuck Hollywood!

Now that we are talking about why overt, out-of-the-closet homos such as James O’Meara (who must not be confused with Michael O’Meara) and Jack Donovan should not be given platforms in white nationalist forums, a recent comment in a previous post moved me to collect the following comments in related threaded discussions.

I refer to Greg Johnson who, under the penname of Trevor Lynch, extraordinarily reviewed Quentin Tarantino’s Pulp Fiction (below I changed textual references to “Lynch” as “Johnson”). Johnson’s review was sectioned in two parts. Let’s start with the second.

For obvious reasons, the first commenters to jump on that thread were O’Meara and Donovan. I was the third one to comment, the dissident voice. Pay special attention to my words way below in this post in the context of what I recently said in Gitone’s magic (“Just compare this homosexual shit [two whites raping a Negro] with the Platonic love for Tadzio in Death in Venice: one inspires the sensitive soul and the other trashes the god Eros”).

After the cheers that Johnson got from O’Meara and Donovan for his favorable review of this filthy film, the most frank criticism I found about Johnson’s bizarre review came out from Howard.


John Norman Howard commenting on Johnson’s review…

 “Yes, Pulp Fiction contains interracial couples, villainous bumbling whites, and noble, eloquent blacks. One just has to look beyond the casting to the story itself.”
[in Johnson’s review]

The eyes are the window to the soul. The outward appearance of the characters is anything but superficial: one would have to look beyond the casting, the scenes, and the dialog as well. Sorry, but Fail one.

 “Pulp Fiction is only superficially anti-white. On a deeper level, it can aid us in rejecting modernity and recovering the spiritual foundations of something better.”
[in Johnson’s review]

Fail two. It’s overtly anti-White or at best, pro-diversity: which in the end analysis is White genocide. Big talk of “honor” yet admitting it was merely an opportunistic double-cross in the end? Can’t have it both ways, mate. And the whole “watch in the rectum” thing was just another of Tarantino’s gratuitous homosexual jokes. Just like the whole hillbilly pawnshop luridness. Whether you want to credit him for using Walken in the way Walken seems to work best, well. Funny in the usual South Park manner, but certainly not “genius”.

Greg Johnson said…

Your eyes might be the windows to your soul, which is what that saying means. But it certainly does not mean that your eyes are the windows to other people’s souls, or that they penetrate to the essence of whatever surface they light on.

John Norman Howard said…

I know what the saying means. My point is, the outward appearance of the characters in the movie are said movie’s “eyes”, as it were. Hence, one can readily see the indisputable “soul” of the movie. Leastwise, those of us with eyes to see, and without the scales of our pet theories, notions, and pseudo-intellectual baggage covering them.

I said…

I cannot conceive any good film featuring a black married to a white girl [as in Pulp Fiction] unless the film has an explicitly pro-white message, which obviously every film by this repulsive being [Tarantino] lacks.

The film starts with a white man with his white girlfriend assaulting a restaurant: the opposite of what usually happens in the real world, as revealed by color of crime stats. At the end of the film we see a flashback in that very restaurant with a spiritually powerful black man lecturing the weakling white robbers. Other instances of inverted travesties in Pulp Fiction could be cited, but it is unnecessary.

Art

True filmic art, like Death in Venice or Andrei Rublev inspires people. But in this decadent century only a handful of Hollywood films have inspired me. Ninety-nine per cent of them are so replete with anti-West, multicult messages that almost every time I visit the theaters I feel morally raped.

In the other thread I said that one of my sisters sings classical music hymns. When Pulp Fiction appeared instead of finding inspiration she felt visually raped. My sister is very sensitive, and the scene of the silent masked man referred to as “the gimp” (the one who was awakened up from a S&M dungeon to watch a tied-up Butch) shocked her deeply. Just compare this homosexual shit with the Platonic love for Tadzio in Death in Venice: one inspires the sensitive soul and the other trashes the god Eros. The same with Tarantino’s violence: unlike the gratuitous violence in Pulp Fiction a group of Tatars raid the city of Vladimir in Andrei Rublev: a historically accurate and shocking yet inspiring sequence for white viewers.

It could be argued that art depicting a decadent culture is still art, for instance Polanski’s Bitter Moon; the film by the Mexican director Alfonso Cuarón, Children of Men and, according to Johnson, Pulp Fiction.

My trouble with this approach is that all of these films have contributed to debilitate the spirit of the westerners. Like the character Vincent in Pulp Fiction, Bitter Moon reflects how the extremes of the hedonistic lifestyle in Paris are leading the French to ethnical suicide, literally. Like Pulp Fiction, in Children of Men the message is traitorously inverted: the white hero must save a black baby from extinction in a dying world that is no longer breeding any babies.

Yes: there is art in both Polanski and Cuarón’s films. But since their message hurts the Western soul Howard’s reply to me in the other thread is worth reciting: “Exactly… and kudos on mention The Brigade for its much-needed hammer on Hollywood and how to handle that sewer”.

Johnson deleted this comment by Howard.
In the other thread about the same film,
Part 1 of Johnson’s review:

Joe Owens said…

Whatever moral message Pulp Fiction is supposed to convey is well and truly lost in all the filth it’s wrapped up in. I’m sure we can find some moral reasoning in all this twisted rubbish. Yes, what about Inglourious Basterds or Hostel: Part II by Quentin Jerome Tarantino? Come on, time to leave this filth to the cranks and Jews who produce it!

Uncle Fritz said…

Good heavens: I thought it was just me!! I couldn’t even get through the damned film—after two attempts. Maybe too much philosophical immersion really is a dangerous thing…

John Norman Howard said…

Exactly. Pulp Fiction is the product of an unsound mind, and bestowing it with all this metaphysical mumbo-jumbo accolades is laughable.

It’s natural that a generation raised upon South Park would find it “deep” and “innovative”. But the bottom-line is this: The only thing remarkable about the film is that it marks a true line of demarcation in American culture (such as it is) whereby trash cinema passes as art, and an overt “up yours” to Whitey previously witnessed only in the most prurient blaxploitation junk of the seventies.
I’ve always found it serendipitous that this film’s release and subsequent lionization occurred at about the same time as the O.J. murders. Another stark line of demarcation in America’s racial demise.

Iranian for Aryans said…

Amen! The same can be said of everything popular, especially what passes for music.

Joe Owens said…

Why are you spoiling the pages of Counter Currents with this rubbish??? Shabbos Goy movies shouldn’t be praised by white nationalists. Come on, let’s get back to basics, Greg Johnson, I think you’re partying too much!

I said… (responding to Meh)

“Anyone expecting explicitly pro-white movies in this era might just as well stop watching movies.”

Ergo, I have stopped watching films—though as a big fan of the seventh art I still continue to watch the classics. Yesterday for example I saw the original, black-and-white version of The Hunchback of Notre Dame.

“Art, even decadent art, can be worth something…”

Rubbish. Please, see “The Philosophy of Beauty”, a six-video series in the playlist presently featured at The Occidental Observer.

I was born in a family of artists. Real artists I mean. So it’s easy for me to distinguish real art from “decadent art” (an oxymoron).

If I had children I would never allow any of them watching how two white males sodomize a Neanderthalesque nigger [see the Pulp Fiction photo above]. Never. How grotesque! (Not grotesque of the sublime kind, like the shots of Quasimodo at the upper balcony of the cathedral, saying to the gargoyles, “Why was I not made of stone, like thee?”) What a travesty of what is really happening in America (blacks raping whites)!

In The Brigade Covington makes a point: when secession war begins, the only thing that could defeat white revolutionaries is… Hollywood! Actually the climax of the novel is the way the revolutionaries finally hit Hollywood.

I would recommend all nationalists to stop watching modern films and use that time to read The Brigade.


Postscript note:

In Covington’s latest novel about how our new country will look like, all of this Hollywood rape scenes, which can only turn on our decadent nationalists, will be forbidden for our budding families (“The theaters were showing virtually nothing made after 1965 or so”). Instead, inspiring films, the polar opposite of the Tarantino degenerate scum, will be exhibited in the theaters such as Frank Capra’s It’s a Wonderful Life.

Let me finish this post with another comment that Johnson deleted when, last year at Counter Currents, I dared to criticize another silly review of another Hollywood movie.

When Johnson argued that his deep philosophical interpretations of the movies were pertinent, my response was: “I prefer Covington’s approach,” and quoted directly from his last novel:

“The once vibrant city of San Francisco, officially deeded by the Aztlan government to a huge ‘gay community,’ had lost two thirds of its population owing either to death from phosgene and sarin gas, or else through flight away from the V-3s. The section of the white and Jewish entertainment industry that had remained in Hollywood and their mansions in Beverly Hills, Santa Monica and Carmel being sacked and plundered by mobs of campesinos.”

That’s the spirit! That’s the way all true nationalists should handle the Hollywood foe once our nation is established…

Categories
Axiology Christendom Egalitarianism Liberalism Psychiatry Universalism

Fuck Anglo-Saxons!

A recent article about a psychiatric pill in the United Kingdom that “cures racism” elicited some lively comments at The Occidental Observer of which I’ll only reproduce a few:



Fender said…

“Why am I not surprised to see that such a ‘study’ should come out of England?”
(Jarvis Dingle-Daden)

The Anglos are natural schemers and utopians, just like the tribe [the Jews]. That’s why they’ve been natural allies for the past four centuries. Along with the tribe, they feel they have a right to “improve” and rule over the world.

This is why I’m starting to believe that the Anglos, and to a lesser extent, the Western Europeans, need to be miscegenated out of existence by the lower races. They’re a downright dangerous race of people—basically the vicious bulldogs of the tribe, attacking anyone who stands up to them.

The Northern and Western European nations are hotbeds of Marxism, “antiracism,” and utopian thought. They’re a threat to Central and Eastern Europe, where many people have been immunized against Judaic nonsense due to their past histories with communism. We never, ever see studies like this [the search of an anti-racist psychiatric drug] coming from Russia, the Czech republic, Ukraine, etc. Estonia recently honored its SS heroes and its government actually prevented the dumb antifa from interfering. Tens of thousands of proud nationalists openly march the streets of Russia and Ukraine. The governments of Belarus and Hungary are explicitly pro-White. These are the governments and nations that the Anglo-Jewish power establishment wants to destroy.

This may offend some, but if the European races hope to survive, its most infected limbs need to be amputated. In my mind, this means the Anglos and Nordics. Both tribes are fiercely Marxist, universalist, and suicidal, and they cannot be allowed to take the rest of Europe down with them.


Bobby said…

Fender, I agree with you completely on the views you hold of the groups you mentioned. I have had a theory about this for quite a while now. Let me try it out on you.

After the disaster for Europe called World War II, most Europeans were devastated in a way that Americans cannot even imagine. War, or any aggression at all, became anathema to them. They became sick and tired of any conflict. So they decided to throw themselves fully into materialism. The factories of Europe started going and because of the Soviet and American distrust of each other a mere two to three years after the war, the U.S. quickly lost any “moralistic” ideas of punishing Germany any longer. Instead some money was pumped into Europe not out of any altruism, but for the practical purpose of helping to defend America’s interests.

So Western Europe experienced a boom in prosperity that it had never known in modern times. You could see this by the increase in car ownership, and the general state of better living. In fact, the German Chancellor Ludwig Erhard, a trained economist, announced that concentrating on economics would be Germany’s salvation. All kinds of frivolous activities were engaged in and it continues. What I’m saying is that Western Europeans, unlike their poor and caged-in relatives in the East, became lazy, supermaterialistic, and confused.

The confusion was the result of the widespread leftist egalitarian teachings in almost every single university in Western Europe. And of course, along with this teaching went the usual guilt-trip that whites were the problem and need to repent and change the world, etc. The Western Eurocrats got away with pushing this stuff, because the economies of Europe were good and no one saw a reason to complain.

So, even though things are rapidly changing in Western Europe, due to economics and the left’s successes in preaching egalitarianism, [what] this sixty-plus year brainwashing and shangrilla Western Europe experienced is still the model in the minds of most Western Europeans, even though the paradigm is changing.

Things are most dangerous when an accepted paradigm no longer has relevance and a new one is about to emerge.


Hasbara Matata said…

Slavic superiority. Right.

The root of the problem with all Whites in this regard­—being “liberal” [means] suicide—is Christianity. Like Marxism, which is Christianity’s twin that was born second, Christianity is proxy-Judaism; it makes us self-destructive, since we’ve internalized universalist kosher hokum along with a Jew as the savior and creator of the universe. Unfortunately, after 2000 years of Whites soaking their brains with Jewish myths, there are very few who are psychologically capable of accepting it.

It’s a lesson that even Kevin MacDonald himself needs to learn.


Fender said…

Apartheid was constructed because the WASPs thought that, deep down, blacks are just like them. Same thing with Manifest Destiny and colonialism: these never happened due to racial supremacism, but because WASPs thought savages can be civilized. Now the WASPs think White racialists are the savages, and that they too can be civilized, in their “altruism” they’re going to murder and oppress any Whites in their attempt to improve and civilize the world.

I’ll grant you that Slavs have a grin-and-bear-it mentality, but let’s not forget that the Jews needed to mass murder millions in the East to gain power while they took over the West without firing a shot.


Vened said…

Fender: I have an acquaintance. She and her parents were born in Rhodesia (Zimbabwe). They left Rhodesia long time ago for obvious reasons. She still thinks that giving up that land to blacks was the right thing to do. She is of English descent. I see exactly the same Anglo mindset in the United States of America.

As an Eastern Slav, my blood boils watching Anglos abandoning North America…