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Degenerate art Film Jane Austen

Blade Runner

Yesterday and the day before yesterday, I was watching a few clips on YouTube of Ridley Scott’s final cuts of Blade Runner. I saw the original one on the big screen in 1982 at the old Cine Tlalpan (there are almost no white people in Tlalpan, but I distinctly remember that the day I watched the film, a young, blond woman had gone to that theatre alone).

I was never a fan of that film.

Recently, in the comments section, I said that Sense & Sensibility (1995) and Pride & Prejudice (2005) should be the favourite films of us priests of the sacred words, because that’s the world we should be fighting for: the world that enthrones Aryan heterosexuality in the sense of culminating the plots of those films with marriages that would breed white kids: a patriarchal world in the sense that the power to reproduce rests with men. (In the crazy feminist world we live in, that power rests with women, which is why Aryans are becoming extinct around the globe.)

Those films based on Jane Austen’s novels, written before the psychosis of feminism began, could very well have been filmed in a world where Hitler had won the war.

The abysmal difference between us priests and the American racial right is that the latter, as I said a couple of days ago, are incapable of fully crossing the psychological Rubicon. In fact, many of them love films that repel the priest, as can be seen in the comment threads on Counter-Currents when they comment on movie articles by Trevor Lynch.

Blade Runner should repel National Socialists because, like thousands of films, it is the antithesis of Austen’s worlds. All of contemporary Hollywood, Netflix, and even so-called European art cinema reflect the dystopia of Kali Yuga in its purest form. And don’t tell me that filming dystopias is good for preventing them since Ridley Scott, in one of the Alien prequels, featured a pure Nordid woman fornicating with a Negro, in addition to the sacrilege of using the soundtrack of the aforementioned P&P version for grotesque sex scenes in his recent film about Napoleon.

The vast majority of Hollywood film producers should be executed on the Day of the Rope: passages from Pierce’s novel that I recently quoted on this site. In fact, I’d like to execute even those who like these films, but as Pierce’s character said in the novel, we couldn’t do it because we’d run out of Aryan males! (males who have to impregnate nymphs as cute as Rachael in the film, pictured above). That’s the priest’s dilemma: he wants to exterminate them all, but at the same time he needs their DNA for a renewed, Austen-like world.

Having said all that, I confess there’s a line I love from Blade Runner. The actor played by Harrison Ford invites Rachael to a bar and she, a very refined nymph, tells him “It’s not my kind of place.”

I’d say that about all theatres where movies are shown.

Categories
Civil war Film Racial right

The Order

For the first time today, I watched the 2024 film The Order, which six times mentions my favourite novel, The Turner Diaries and even mentions “The Day of the Rope”: the day I most long to experience, although I don’t think my dream will come true…

Surprisingly, on June 13 Counter-Currents published a good review of the movie that shows that not all is lost in that webzine: there is still a residue of revolutionary thought although, like reviewer Ondrej Mann, I believe that for now any jihad must be internal (since the conditions for an armed revolution will still be a long way off in the US).

I don’t have much to add to Mann’s review. But of the eighty-four comments in the discussion thread—which, as I said, surprise me since revolutionary thought still persists, albeit without a call to arms—I’d like to quote a passage from one of the latest threaded comments:

Here’s the thing about the movie The Order. It’s blatant propaganda, it is full of factual inaccuracies, it horribly mixes up the history, it exaggerates the violence, but this movie in the final analysis is good for us. It functions as what Greg the other day called a kind of social proof; meaning that the mainstream media takes us seriously, so seriously that they made a relatively big budget film, with big name stars [e.g., Jude Law—Ed.] and so inescapably they spread the gospel of William Pierce. Also, the movie is really well made and well-acted, it has thrilling scenes in it and is a pleasure to watch. All in all it constitutes a Victory for our side.

The truth is that I didn’t feel pleasure because of the propaganda.

And I think you are also correct too that eventually RJM [Bob Matthews] will become a folk hero if he already is not one. Shades of Paul Bunyan etc. His story has an almost mythological and legendary character to it right down the fiery Wagnerian ending. He held them at bay for 30 hours after all in his final redoubt, one man against many many more!

Indeed, but in a certain sense Bob Matthews and I—a sort of post-Nietzschean philosopher who like Friedrich’s Zarathustra wants to start a new religion—are antipodes. I believe that, for the moment, any jihad must be internal in order to purge ourselves of Judeo-Christian ethics. On the other hand, like most white nationalists today, Matthews apparently knew nothing about the Christian Question. (I understand that of The Order, not Hollywood but historical, only David Lane understood what we call here the CQ.)

Categories
Child abuse Film

Consumption, 12

Regarding the sixth chapter (five pages) of the second book of Consumption, I would like to quote this passage:

Mum was patient with me in her response, a brief irritation crossing her face as she considered Dad’s encouragement of atheism in me. She paused for a second, thought hard, and then replied, “you can believe whatever you want, Benjamin. I’m not stopping you. But I’d say to pray tonight and ask God to help you come to terms with things.”

“He’ll [his father] hate me, Mum.”

“No, no, it’ll be ok, son, he’s a patient person, and he loves you boundlessly; I think he’ll listen to you, provided you’re polite and respectful. Just see if this helps, ok?”

The big problem with “poisonous pedagogy” is that it idealises the figure of the father to the point of considering him a kind of God the Father in his relationship with his son. The quoted paragraph reminds me of a scene from LOTR, which also appears in Peter Jackson’s movie, in which Gandalf lies to Faramir, claiming that his father loves him when in fact he wants him dead (five years ago I talked about the lie of the “sage” Gandalf here).

In real life, unlike in fairy tales some parents not only love but hate their children at the same time: that’s why they have broken minds. As Ronald Laing once said, despite the claims of biological psychiatry, those who are labelled schizophrenic do have broken minds: their psyches are divided by this Jekyll-Hyde behaviour of the abusive parent.

What I have been quoting from Consumption gives an idea of the nightmare Benjamin lived through.

But for those looking for Hollywood-style entertainment, I would suggest watching Shine, which Ben and I saw yesterday (albeit separated by the Atlantic). Like Consumption, that film, which won an Oscar for Best Actor, gives a fairly good idea of how an abusive father can schizophrenise the son he loves most!

Categories
Axiology Film

Iceberg

by Gaedhal

I watched the 2014 film, Still Alice, yesterday.

One of the things that I liked about it was its treatment of the stages of grief. The denial stage is well treated. Alec Baldwin just openly denies that Alice has Alzheimer’s. Alice is quick, almost immediate, to acknowledge verbally that she has Alzheimer’s, but she still lives in denial. She still believes that she can go running, go on holiday, lecture Linguistics at college etc. And also, we kinda get a subtle hint from a neurologist who looks uncannily like Lawrence Krauss that Alice was late in seeking a diagnosis. It was only really when Alice could no longer disguise her memory problems that she sought a diagnosis.

Alice has familial early-onset Alzheimer’s. This is caused by a mutation in the genome.

I remember, in the grand old days of yore, I used to install television satellite dishes with my father. The set-top box, for to decode and unencrypt the digital television signal had a forward error correction rate. The set top box had an algorithm that could correct some errors received from the Satellite. Do not ask me about the engineering wizardry behind this. To me, digital satellite television is a technology sufficiently advanced to be indistinguishable from magic.

However, where is the forward error correction in our genome? Unintelligent design strikes again. This is why, in my view, Paley’s watchmaker argument fails in our day. In Paley’s day, technology was still, very much, in a crude and primitive state. However, in our day, the process of technological manufacturing is so refined that the organs—organum in Latin means: ‘tool’ or ‘instrument’—produced by nature are wholly deficient when compared to the tools, and instruments produced by humans. We humans can contrive forward error correction, whereas biology and nature, thus far, cannot.

And this, incidentally, is why I am pro-abortion.

One of Alice’s children has the gene for early-onset Alzheimers. She swiftly conceives twins by IVF. The embryos in the petri dish are screened for the familial-Alzheimer’s disease, and the embryos containing this gene are destroyed, and only the healthy embryos are implanted. In essence, a woman’s uterus does the same thing: it screens sperm and embryos for nasty genetic material, and if it discovers any such nasty genetic material, then it either kills the sperm, or it kills the embryo or foetus. Thus, naturally, a woman’s uterus has its own contraception and abortion mechanisms. Contraception and abortion is merely the augmentation of a natural process. And if you believe in God, then God ultimately designed these contraceptive and abortifacient faculties that a woman contains in her uterus.

Evolution explains this. Evolution wants a woman to give birth to offspring that will reach adulthood, such that they too will either give birth to or sire offspring. Evolution does not want a woman to either accept defective sperm or to incubate defective embryos. Thus, evolutionarily speaking, the contraceptive and abortifacient faculties that a woman already possesses makes sense. And if you want to defy Ockham’s razor and add a god to the mix, then go ahead. If you do so, then contraception and abortion become divine.

Anyhow, another pro-death position that I hold is euthanasia. There is a scene where Alice tries to commit suicide by ingesting an overdose of Rohypnol. I, of course, was cheering her on, because Alzheimer’s is a fate worse than death. At this point of the film, she was only ½ Alice, by my reckoning. Unfortunately, Consuela from Family Guy, her nurse and housekeeper, gives her a jump-scare, knocking the tablets out of her hand, dooming her to become a human vegetable.

If I ever get diagnosed with dementia, I will book a trip to Switzerland and ingest some Pentobarbital at a Dignitas facility. However, such a service, ideally, ought to be available in Ireland. Evangelical Protestantism prevents euthanasia from being a reality in the North—although it is becoming a reality on the British mainland—and the vestiges of a Catholic theocracy prevent euthanasia from becoming a reality in the South. Again, why I am an antitheist. On the Island of Ireland, Roman Catholicism and Calvinism—the two biggest brands of Christianity, on this island—still have way, way, way too much power. There are no good secular arguments against euthanasia, just as there are no good secular arguments against abortion. Which is why the atheist British mainland is far in advance of Ireland, North and South on these issues.

My grandmother was not still my grandmother after about a year and a half of dementia. However, she lived on as a human potted plant—a mockery of her former form—for about two years after. I was glad, for her sake, when she died. In the words of Saint Thomas More, in his Utopia she outlived herself. Annie Bessant quotes the Utopia in her essay in favour of euthanasia.

 

______ 卐 ______
 

Editor’s 2 ¢

Since I studied the fraudulent profession called psychiatry in-depth, I realised, in reviewing its 19th-century origins, that psychiatrists were simply pathologizing behaviour such as suicide, a ‘sin’ considered lèse majesté divine, dogmatically declaring it to be a disease of unknown biomedical aetiology (and the same with the other diagnostic categories ‘of unknown aetiology’!).

Like me, Benjamin has spotted a tremendous error in the racial right, for example, in the comments sections where hundreds of commenters opine in The Unz Review. None of them seem to notice the pseudo-scientificity of psychiatry. Neochristianity, as we understand it on this site, means that the axiological tail of Christian morality persists, foolishly, in today’s secular world. What Gaedhal mentions above is only one example.

I would add that the negrolatry (BLM, mixed couples, etc.) that so afflicts today’s mad West is another example of Christian morality exponentially exacerbated in the secular world (from this site’s seminal essay, ‘The Red Giant’, a Swede noted that secularism exacerbates Christian morality big time).

White nationalists shouldn’t ignore us. They should realise that rather than our paradigm (CQ) competing with theirs (JQ), our POV expands the latter as with the iceberg metaphor. They only see the iceberg’s tip but we know that the Jewish Problem is supported by the huge mass of Christian ethics that lies underneath. Dr Robert Morgan agrees with us in the post from a couple of days ago.

Categories
Film Literature Videos

Turning the other cheek

In the excellent Russian film I saw based on this Dostoevsky novel, what stuck with me most was the slap given to the idiot prince (watch it here).

Categories
Film Kalki Racial right

Sansa & Hound

I woke up early this morning and, instead of going back to sleep, I half-asleep asked myself: What do you prefer, business as usual (BAU) or that all the capitals of the West are already burning now that you have just woken up and are watching the news? (We have been in greater danger of apocalyptic war these past two days than when I was a little boy during the Cuban missile crisis—what a difference between Kennedy and Biden…!) Still half asleep, I thought it was better the apocalypse than BAU even though living so close to the US, in the next few weeks I could be killed by radiation or, if spared from radiation, nuclear winter would catch up with me in the next few months.

A good way to gauge what is being said about in the racial right is to take a brief look at the hundreds of comments at The Unz Review. As can be seen there, everyone complains about the situation but they do so as if they were women, never as men. The racialists complain without coming up with a revolutionary ideology to wrest power from the anti-white elites. As I quoted under the heading ‘Blackwater’ in the final essay of On Beth’s Cute Tits:

Sansa: ‘I´ll be safe here. Stannis won´t hurt me’.

The Hound: ‘Look at me! Stannis is a killer! The Lannisters are killers! Your father was a killer! Your brother [Robb, recently called the King of the North] is a killer! Your sons will be killers someday! The world is built by killers’.

Nothing truer. But unlike all their ancestors, white nationalists who ‘want’ to create a white nation don’t talk about killing the enemy. They are like the ladies sheltered in Holdfast praying to the old and new gods that the city doesn’t fall. And I don’t mean that they must fight right away. They haven’t even begun to devise a revolutionary ideology to encourage civil war in the future.

One of the advantages of the day after the nuclear apocalypse is that not only would freedom of speech return as all anti-white governments would have been decapitated, but the law of the jungle would also return for the few survivors. The American flags that so often appeared behind Donald Trump would become meaningless (as well as the American Constitution and everything else that has been destroying the white race).

That thought that woke me up before my usual waking hours reminded me of a passage in The Turner Diaries in which the revolutionaries launched the missiles at the Russians precisely to handicap the American government, as the Russians would respond. It also reminded me of those neochristian racialists who were shocked by those pages of the Diaries because they still think like the ladies locked up in Holdfast while the men were fighting the battle of Blackwater.

There are no longer males in the West, only feminised men. Therefore, only a nuclear catastrophe that wipes out almost all of humanity (Kalki!) is what these lobotomised eunuchs need to regrow their balls. When the antiwhite zeitgeist destroys the Aryan (think of the blue jobs happening this second between mixed couples!) it is obvious that we need a race-wide shock therapy to reboot, in the Aryan collective unconscious, their primordial survival instincts.

After finally waking up I found out that the trumpets of the Kalki apocalypse have not yet been blown! BAU is still winning. If things continue without the trumpet blast, tomorrow I will start a new series about an article by Alain de Benoist. Unlike the American racial right, so reluctant to repudiate the new testaments written by Jews, de Benoist opposes Christianity, the Declaration of the Rights of Man, representative democracy, egalitarianism and what he sees as embodying and promoting those values: the United States.

Categories
Conservatism Film

Wokism

Why aren’t the racial right forums commenting on the blockbuster film Am I Racist? Matt Walsh’s movie is a mockery of the most radical wing of anti-racism and was released this month in the US and Canada (though not in the country where I live).

Another Christian who harshly criticises the excesses of Wokism, albeit in the Spanish-speaking world, is Agustín Laje. It is worth watching this conference which Laje begins by talking about John Stuart Mill and freedom of expression.

Categories
Film

UK riots

In this post, I would like to clarify why I haven’t talked much about the riots that have been taking place in the UK.

I’ve said it before: unlike other racialist sites, this blog doesn’t cover news.

In fact, in times past I have been wrong to talk about things I thought would happen soon, such as the collapse of the dollar. I even erred when, for a while, I thought COVID was going to be as deadly as the Spanish Flu; or when more recently I thought the Israeli or Ukrainian wars were going to get much hotter than what is happening.

Had I known, I wouldn’t have even mentioned those wars! When NATO missiles hit radars on Russian territory, or when Bibi’s rabbis harangued the government to nuke the Palestinians, I thought we might already be in Kalki’s time. But we are not there yet. So I regret posting those entries. Those are or were crises that the System has managed to assimilate without major consequences.

The riots in the UK are not the subject of this site for one simple reason. As I have been saying for a long time, the only way to save whites is to go from ‘happy mode’ to ‘killing mode’. And for that, there are two intermediate stages to cross: ‘angry mode’ (what the English are just beginning to feel) and ‘combat mode’ (something like arming yourself to protect your family inside your house from possible chimps out).

But the killing mode is already a revolutionary stage, and we could visualise it with that famous scene in the film Civil War, released this year, in which a blond American says to a mestizo ‘What kind of American are you?’ before and after killing a couple of Gooks.

Until thousands of white men reach that mental stage during a racial revolution à la The Turner Diaries, there is no point in commenting on the petty news these days. I repeat: I regret talking about the collapse of the dollar (when will it happen?), COVID and even the wars in Palestine and Ukraine because they are not apocalyptic—yet. I might even die of old age in the future and the Revolution hasn’t started! (nor is it clear that it will happen, like that scene in Civil War).

The aim of The West’s Darkest Hour is not to comment on the news but to understand why whites are committing ethnic suicide. And why seems clear to me: Christians and atheists alike have let the New Testament morality of loving every human infect their hearts.

Yesterday, for example, on a pirated DVD I bought for a mere 15 pesos (0.79 dollars), I watched Horizon: a film released this June, directed and produced by Kevin Costner. This filmmaker can’t resist idealising Indians not only with good-looking semi-Indian actors (i.e. actors who already have some white blood in them). His message is something like if some Indians were cruel and exterminators of white villages, there were also heartless whites who attacked good Indians.

Like millions of other Americans, Costner faithfully fulfils the command to love thy neighbour as thyself. In a recent interview, Costner himself confessed: ‘I grew up a Baptist, and church has always been a part of my life, my grandmother, the whole thing, so I don’t mind it bleeding into a movie’.

So I will continue to write about the cause of the darkest hour for the white race, ignoring the news unless they become truly apocalyptic.

Categories
Aryan beauty Film

This

…is the world we lost when we started hating the fair race!

As a child (I’m exactly Mark Lester’s age), with my family and on the big screen, we saw this movie about six times.

Categories
Film Videos Women

Woods girl

I just saw a YouTube review of The Village. I was wrong in my post yesterday when I said that the movie starts by explaining why they created that village. It is explained well into the movie. Since I hadn’t seen the movie in twenty years, this detail was chronologically distorted in my memory.

The clip below shows what the character of our beautiful women in our village would be like even if we don’t have the money to found one!