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Amerindians Film Mexico City

Roma (2018 film)

Yesterday and in the first hours of this day I watched, on Netflix, the latest film by the Mexican Alfonso Cuarón, Roma, which alludes to the Colonia Roma where Cuarón lived as a child, not very far from where I also lived as a child in Mexico City.

Surely some visitors of this site will wonder how a phenotypically Creole family looks like in Mexico; that is to say, a family with little or no Amerindian blood. The autobiographic Cuarón recreates, in a black-and-white film, the daily life of one of these families in the great Mexican capital of the late 1970 and 1971 (a period that I remember so well).

Before talking about the film, I must say that I feel outraged by the awards that the Mexicans Alfonso Cuarón, Alejandro González Iñárritu and Guillermo del Toro have received by cinematographic institutions and film critics. Although none is Jewish, their films navigate the same currents of the anti-white Zeitgeist of our time.

Of Cuarón, who has a huge talent for the seventh art, I would only recommend Harry Potter and the Prisoner of Azkaban: the film with fewer bad messages for the Aryan cause. In Children of Men and Gravity the bad messages are more conspicuous, and let’s not talk about the 2015 film, The Revenant by González Iñárritu, which won three awards in a Hollywood dominated by Jews.

Exactly the same must be said of Guillermo del Toro, whose monstrous The Shape of Water gave him the Oscar for best director last year. Also, his 2006 Pan’s Labyrinth sides the wrong guys of the Spanish Civil War.

As I said, the film Roma portrays a white family in Mexico City (Cuarón and I even went to the same High School, the Colegio Madrid). As to the plot, I do not know a single father of any of these white Mexican families who, in addition to abandoning his young children and wife, has no intention of seeing them again! From this point of view, the message of Roma is analogous to del Toro’s The Shape of Water, where a typical American man of the 1950s, father of a white family, is the bad guy in the movie.

In Roma the heroine is a Mixtec Indian woman who, by at the end of the film, saves two children from drowning in the sea, putting her life at risk. This image represents the culmination of the Mexican movie with the white kids and the mother embracing the heroic Indian.

My mother has had a legion of Indian maids, and my dear grandmother was a great confidant of them who actually loved them. Needless to say, I never heard of a case in which an Indian maid risked her life to save a white child. Thus Cuarón’s heroine is the counterpart of which I’ve never heard: that a father of a white family in Colonia Roma, or another similar district in Mexico City, abandons his children to the degree of not wanting to see them again. Did Cuarón’s father did exactly this to his children? The autobiographic Cuarón doesn’t specify this in the interviews.

In both Hollywood and in art films, the cultural war against the Aryan is absolute. It bothers me that, in the white nationalist forums, these Mexican directors are not seen for what they are: little Jews even if they do not have a drop of Jewish blood. Even Greg Johnson under a penname recently wrote a review of Children of Men without fully understanding the toxicity of these acclaimed films directed by talented Mexicans.
 

Tuesday update:

Cuarón shows his true colours in this interview in Spanish, from which I translate the essential pronouncements:

To the liberal interviewer he said: ‘La perversa relación que existe en nuestro país entre raza y clase’ (‘The perverse relationship that exists in our country between race and class’) in a context in which Mexico’s poverty is blamed for this ‘perverse relationship’: a phrase that Cuarón repeats twice throughout the interview. On the second occasion, he says that ‘por el color de tu piel también estás determinado socialmente’ (‘by the colour of your skin you are also socially determined’ in Mexico).

He also said: ‘¡México es clasicista y bien racista!, y al mexicano le cuesta mucho trabajo aceptar eso… Si queremos una verdadera transformación, todo empieza con la autorreflexión’ (‘Mexico is classicist and very racist! And the Mexican has a hard time accepting that… If we want a true transformation, everything starts with self-reflection’).

Isn’t it crystal-clear now why the anti-white System has overfilled Cuarón with so many international awards?

Categories
Child abuse Day of Wrath (book) Human sacrifice Mexico City Pre-Columbian America

Day of Wrath, 16

The Boasian regression

Human beings tend to idealize their parents and carry the burden of the sins of the world: Passover lambs for the unrecognized ills of the parent. This self-reproach for supposed wrongdoing is due to the perennial problem, still unresolved in our species, of the attachment to the perpetrator. The mantras the cultural relativist uses arguing with the psychohistorian is that it is unfair to judge an ancient culture with contemporary standards, or that in those times not even the sacrifice of infants was considered wicked. As Ark pointed out above, this standpoint rationalizes the perpetrator’s behavior at the expense of the victim. It is a no-brainer that it must have been as infernal for a historic boy that his father delivered him to the priests to be incinerated alive, as a parent who burns his child’s face to the point of completely disfiguring him, as we read in the most alarming paper news. In other words, psychohistory is based upon the empathy to the children of all times. The unconscious motivation of many anthropologists, on the other hand, has been to exonerate both the parents of former ages and the non-western cultures of today.
Anthropologists defend the validity of any culture and negate an absolute evaluation unless it is done within the standards of that culture. It was not always so. In the nineteenth century the opposite school dominated British anthropology. Anthropologists argued, in a similar vein to contemporary psychohistorians, that all societies passed through the same evolutionary process, and that non-Europeans were living fossils that could be studied to understand Europe’s past, categorizing the diverse cultures in a progressive set of values from savage, barbarian to civilized. Universal progress was postulated: a sort of unilineal set of values where religion and paleologic thought gave up ground to Aristotelian logic and rational thought, with the subsequent development of social institutions. The difference of this model with psychohistory is that these first anthropologists did not use childrearing as a parameter, but technology from the Stone Age to the modern age, passing through the Iron and Bronze Ages.
The Jewish-German immigrant Franz Boas, the “father” of American anthropology, managed to shift the paradigm. Boasian anthropology considered erroneous the premise that religion had to be defined, historically, more primitive than reason (the opposite to what Arieti says about his schizophrenic patients: that paleologic thought should be considered inferior to the Aristotelian). Boasian relativism resists universal judgments of any kind. All of the work by Boas and his disciples began as a direct opposition to the evolutionary perspective, and with time it became an orthodoxy. Although in the United States there was an attempt to revive the evolutionist ideas in the 1950s and 60s, eventually anthropologists subscribed the ideology of cultural relativism: a school that in the academy became, more than an orthodoxy, axiomatic; and its proponents, staunch supporters of non-western cultures. This relativism, with its vehement phobia to “western ethnocentrism” did not only become the most influential anthropology school originated in the United States, but the dogmatic principle of this international discipline.
In its most extreme version it even considers legitimate, say, the cutting of the clitoris in Africa. A principle that, for the popular mind, apparently originated as a tolerant attitude is being used to find excuses for intolerance. In fact, since the declarations of the anthropologist Melville Jean Herskovits by the end of the 1940s, his colleagues left the political debates of human rights. The anthropologist has great difficulties to fight for the rights of, say, the black women in South Africa. The 1996 team-work Growing Up: A Cross-cultural Encyclopedia, where dozens of anthropologists offered their studies about eighty-seven cultures, is symptomatic. Although they admit that sexual contacts between adults and children are common, including those of the incestuous mothers, they declare that it “would not constitute ‘abuse’ if in that society the behavior was not proscribed.” However, as the academic who sympathized with Ark said, not all anthropologists agree with Boas. Carolyn Fluehr-Lobban confessed that, after twenty-five years of having conducted ethnological research in Sudan, she betrayed her profession by siding those who fight against female genital cutting. She mentioned the case of a Nigerian woman who was granted asylum in the United States since her daughter would have been subjected to involuntary cutting if returning home. The compulsion to recreate on the next generation the wounds received in infancy is such that in our times genital mutilation continues. Despite their theoretical statements to the public, in practice many ethnologists, anthropologists and indigenistas still cling to the Boasian paradigm.
A single example will illustrate it. Keep in mind “A reliable source” published some pages ago. In September of 2007 the Museo del Templo Mayor, a subsidiary of the Instituto Nacional de Antropología e Historia, organized a seminary in Mexico under the name “New Perspectives on Human Sacrifice Among the Mexicas.” Twenty-eight specialists were invited. According to the national press the Mexican archeologist Leonardo López Luján, who would coordinate the proceedings book of the papers (reviewed in the 2017 “A reliable source”), stated that it was advisable to distance ourselves “from the Hispanists who consider bloody and savage” the sacrificial practice. López Luján presented the paper “Huitzilopochtli and the Sacrifice of Children in Tenochtitlan’s Templo Mayor” (the Great Pyramid of Tenochtitlan). Among the professionals from abroad who participated were institutions such as Cambridge and the French National Center for Scientific Research. The Mexican Juan Alberto Román presented the conference, “The Role of Infants in the Mexica Sacrificial Practices,” and in a pseudo-eugenicist discourse López Luján stated: “Undernourished children [my emphasis] were sacrificed to eliminate the population that was a burden for the society.” (Cf. what Ark responded to the historian about administering pap to the child: a slow form of infanticide that suggest they were not undernourished accidentally.) Marie-Areti Hers, from the National Autonomous University of Mexico— a campus that the UNESCO declared a World Heritage Site the very week that the symposium was celebrated—, stated that human sacrifice was everything except “an exotic curiosity of backward peoples.”
I contacted Julieta Riveroll, the reporter who covered the event for Reforma and author of the article “Human Sacrifice Prejudices—Demolished.” I asked her if among the speakers of the conferences she attended someone condemned the deadly ritual. Emphatically she responded “No,” that they were “objective experts.” I mention the anecdote because that word, “objective” is the most abused word in academic circles, as we already saw in one of the answers of the academics to Ark. Let us imagine that, among the reporters of the Gulag, to keep objectivity they must refrain from condemning genocide. This does not happen: Stalin’s regime is broadly condemned. But the double standard of allowing condemnation of the white man and virtually forbidding condemning non-whites, is brazen. The month that followed the symposium, in the same Mexico City where the symposium was celebrated the police caught the serial killer José Luis Calva, the “cannibal poet” that horrified the Mexican citizenry. In one of his poems Calva wrote to one of his victims a poem worthy of the ancient Mexicans:
You handed over your parts to me
Your breath, your nails and your longings.
You dressed me of you and I was your bird,
Sing your song that never quiets.

Naturally, unlike the Mexicas who did exactly the same, this man was condemned by the elites.
On the other side of the Atlantic the Europeans deform reality too. In 2008 I visited the museum and archaeological park Cueva Pintada in the town Gáldar of Gran Canaria. The screened documental in the museum denoted the purest Manichaeism. Despite recognizing the widespread infanticide of girls among the tribes, the conquerors appear as the bad guys and the inhabitants of the troglodyte settlement as the noble savages victimized by the sixteenth-century Europeans. Similarly, in another museum, El Museo Canario, the following year I looked up through an academic text the subject of infanticide of these pre-Hispanic white people (curiously, they were blonder than the Spanish but they were barely leaving behind the Neolithic stage). Just as the mentioned María Alba Pastor who saw in the Mexican sacrifices “a reaction to the Conquest,” three Spanish academics postulated that the Canary sacrifice could have been the consequence “of the ongoing military, religious and cultural aggression” inflicted by the conquerors.[1] This interpretation ignores the fact that the practice predated the arrival of the Spaniards.
Unlike these documentaries and academic papers that blame westerners for the sins of non-westerners, I will quote one of the first letters written about the practice of infanticide in the seven Canary Islands. The following description comes from Diego Gómez de Cintra, a Portuguese navigator that wrote what he saw in La Palma:

The father and the mother grab the child and put the head on a rock and take another rock and hit the child on the head shattering the skull, and thus they kill the child, his eyes and brains scattered on the soil, which is a great cruelty of the parents.

Conversely, on page 166 of the mentioned article contemporary academics side the parents by claiming, “The adoption of such an extreme measure is fully justified.”
As Terry Deary put it, “History can be horrible, but historians can sometimes be horribler.” Once the new generations break away from this immoral anthropology, the slaughtering of children will be seen, again, with due compassion as felt by the first chroniclers.
In the case of Mestizo America (and this is important to understand the organizers of the 2007 symposium), the “Latin” American anthropologists were the first ones to embrace the cause of cultural relativism. In fact, the anthropologists have influenced more the society in “Latin” America than in other societies. This is partly explained by the ethnological tradition of Bernardino de Sahagún and Bartolomé de Las Casas. In the twentieth century the study and the glorification of the Indian cultures, called indigenismo, has been the predominant framework of anthropological studies in so-called Latin America. In the particular case of Mexico, since 1917 the government was the first one to recognize the utility of anthropology. Subsequently, and working for the government, anthropologists have tried to implement their policies on the Indian population.
No doubt, deMause and Ark are right about the intellectual charlatanry that represents social anthropology.
NOTE:
[1] Julio Cuenca Sanabria, Antonio Betancor Rodríguez & Guillermo Rivero López: “La práctica del infanticidio femenino como método de control natal entre los aborígenes canarios: las evidencias arqueológicas en Cendro, Telde, Gran Canaria,” El Museo Canario, LI, 1996, p. 124. Fifty pages later the authors repeat this interpretation. In spite of the fact that the long title takes for granted that the etiology of the practice was “birth control,” the same article publishes sentences from some authors who cast doubts about the validity of that explanation.
 

______ 卐 ______

 
The objective of Day of Wrath is to present to the racialist community my philosophy of The Four Words on how to eliminate all unnecessary suffering. If life allows, next month I will reproduce another chapter. Day of Wrath is available: here.

Categories
Mexico City

Hidalgo the kike

miguel-hidalgo
Miguel Hidalgo y Costilla (1753-1811), the father of the independence of Mexico, was ethnically Jewish.

All 19th century paintings of Hidalgo are fake—all of them! All were based on an original portrait of a Belgian priest who posed for the painter because nobody had taken the trouble to draw a portrait of the real, historical Hidalgo while he was alive. When his memory was elevated to the status of father of the independence of a new nation, the man was long dead. The new nation badly needed a noble face to honor and they resorted to fake portraits.

Original spoken reports describe Hidalgo not like the Aryan of noblest features that appears in the portraits, but with a hooked nose. The overwhelming majority of Mexicans ignore that the Catholic priest Hidalgo was the son of Jewish conversos!

Presently the Mexican Jews, no longer in need to hide their crypsis, have acknowledged it.

Here in Mexico City this day is a sacred holiday celebrating the Day of Independence from Spain. The streets are empty. The very few remaining criollos and the massive mestizos are in their homes.

Hidalgo’s war cry was “¡Mueran los gachupines!” (“Death to the Spaniards!”). It is so sad that these few criollos ignore, or don’t care the least bit, that the kike Hidalgo killed many civilian Iberian whites. Instead, they still regard him as a “hero.”

Categories
Aryan beauty Mexico City Neanderthalism

Surreal Mexico

Race-wise Americans should consider the sociology down the south of Río Grande. Half a millennium of miscegenation ought to be enough not to repeat the Iberian history of the Americas.

Mexico in particular is fascinating. On February 17, 1992 a Newsweek article asked humorously, “Is Mexico blond?” because sometimes the Mexican TV commercials show blond Mexicans even though they are a tiny minority here. What Newsweek failed to report is that it is not uncommon that some Mexicans with overwhelming Indian blood celebrate when, due to Mendel laws, one of their newborns surprisingly looks much whiter than most members of their family.

The most surreal case I’ve witnessed happened in the 1990s during a show of an extreme leftist in Chapultepec’s Casa del Lago, in the open forum for stand-up comedians. I was fascinated to see books on sell authored by Stalin, Trotsky, Lenin and other commie luminaries very close a place with very poor, slightly mesticized Indians listening the comedian. Naturally, he was excoriating the Mexican bourgeois culture. But he said there was an exception: their women! The comedian said humorously that he much preferred the white Mexican woman to the common female of the proles.

mex bitchI was amazed since the brown audience never stopped to laugh at the comedian’s joke. They didn’t take any offence for what he said about the absolute superiority of the white female even though there were many brown women present; actually, virtually all of them were dark browns with their families. And this was a public show coming from an extremely radical leftist in a place that still sold books by Stalin!

We can imagine what would the reaction be if today a stand-up American Negro said the same about the appearance of the First Lady compared to, say, Nicole Kidman…

The anecdote makes my point beautifully. With five hundred years of miscegenation many “Latin” Americans, even the darkest proles, still can tell the abyssal difference between the superiority of the Aryan female before the Neanderthalesque native.

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Aztecs Mexico City Pre-Columbian America

On pre-Hispanic Amerinds, 6

SunStoneColored-NG

 

Tell me which gods you worship and I’ll tell you who you are.

In another chapter of the book El Sacrificio Humano I’ve been reviewing, Marie Areti-Hers, the author of the article on human sacrifice in the Toltec-Chichimeca culture, says that “to penetrate” into the Mesoamerican world one must take into account the complex statue represented by the last incarnation of that world, the “Summa Theologica locked in the formidable images of Coatlicue” (page 241).

The Spaniards placed Our Lady of Guadalupe, the symbol of Catholic Mexicans, on the Hill of Tepeyac. But what the authorities conceal from the Mexican schoolchildren is that precisely on that hill the Aztecs used to worship their goddess. And what a goddess…!

A picture is worth a thousand words. The below photograph shows a stone representation of almost 9 feet high of the Aztec goddess that you can see at the Museum of Anthropology when you visit Mexico City.

diosa-azteca

The Coatlicue is always represented with a skirt of interwoven snakes (nahuatl: Coatlicue, coatl, snake; cueitl skirt). See her collar consisting of a skull flanked by mutilated hands and hearts; her two large snakes that by kissing each other form a hideous face because the goddess’ children had decapitated her and the original face of the mother is missing. See also the phallic snake hanging between her paws like a third leg, paws which look as claws since, in the Aztec imagery, their favorite deity feeds from corpses. (In Tenochtitlan’s houses there were more figurines of the Coatlicue than of Huitzilopochtli, the male god of the Aztecs.) This goddess that devoured human hearts and blood was also the goddess of fertility and of the sacred earth.

The above image has lost its color. How had the statue made its impact when painted with the most violent colors (see the Aztec Calendar above, also of stone) in the pre-Columbian temple? Her aspect was so terrifying that Amerind women entered the shrine headed down to avoid making eye contact with the monster while offering her beautiful flowers.

And not just flowers… As I say in my book, it was said that to placate such goddess sacrifices of juicy infants were needed.

No wonder why the Spaniards chose the hill of Tonantzin-Coatlicue, which used to house the formidable statue, to impose the image of the Lady of Guadalupe they had copied from the Spanish Virgin with the same name. Most Mexicans ignore that the name of the Lady of Guadalupe derives directly from Extremadura, homeland of many conquistadors including Hernán Cortés himself (info in Spanish including an image of the Spanish Guadalupana: here).

Only with such transposition of deities the Spanish conquerors managed to banish the Aztec cult of the terrible mother…

Categories
Civil war Mexico City Miscegenation

My “pod” cousin

hispania-serie-de-tv

I am reposting the below entry, originally published on November 20, because for a mysterious reason comments were off below this article and I just discovered it a few minutes ago (maybe the reason why this entry had received zero comments). Did I inadvertently click on a wrong button last month?

At any event, now that I have seen more Spanish television series, I must say that what my “snatched” cousin did in Mexico the Spaniards are doing it too at the other side of the Atlantic. For example in the 2010 series Hispania (article of the Spanish wiki: here) the hero and liberator of some Hispanic towns from the Roman invaders, third guy in the above pic, is not an Aryan; and his daughter, not shown above, looked like an Amerindian child. Keep in mind that these series are supposed to depict the peoples of the Iberian Peninsula in the second century B.C., long before the huge mongrelization after the Moor invasion.

I also watched the 2012 prequel of it (article of the Spanish wiki: here) but I have no more liver left to continue to debunk all these silly series. Better repost about—:



My pod cousin


Gerardo-Tort

Recently I have been complaining about the fact that American films and British and Spanish TV series are mediums for either anti-white propaganda or at least not pro-white messages (with the sole exception of the first episode of The White Queen). A naïve person could think that if I approach, instead, a series directed by one of my cousins the message would be a little more positive.

Gritos de Muerte y Libertad (Screams of Death and Freedom) is a Mexican television series based on the period of the war of independence of Mexico, produced by Leopoldo Gómez and directed by my cousin Gerardo Tort (pic above) and the lesbian Mafer Suárez. Several writers wrote thirteen episodes of the first season of the series advised by a group of historians. The series premiered on August 30, 2010 to mark the bicentenary of the independence of Mexico from Spain and ended on September 16 of that year.

I have already quoted Mexican intellectual José Vasconcelos (1882-1959) in this blog stating that the war of independence was “supposed to destroy the Spaniards, who represented the force and culture of the country… all under the pretext of freeing the Indian.” And two months ago I revealed here some hidden facts about Miguel Hidalgo y Costilla, the father of the Mexican independence.

All 19th century paintings of Hidalgo, like the one you see in the Wikipedia article about him, are fake. All were based on an original portrait of an Aryan man of Austrian origin who posed as Hidalgo because nobody had painted a portrait of the real Hidalgo by the time he was elevated to the status of father of the independence, and the man was long dead and the new nation needed a noble face to honor (just as the Americans have their portraits of George Washington).

Well, original spoken reports describe Hidalgo not like an Aryan but with hooked nose. What does it mean?

That the overwhelming majority of Mexicans ignore that the Catholic priest Hidalgo was probably the son of Jewish conversos. Presently even the Mexican Jews, no longer in the need to hide the Jewishness of their people, have acknowledged it.

Of course: my cousin Gerardo Tort was only a hired hand to direct a script written by others. But since I know him I surmise that he did not object the anti-Spain bias of the script. It is worth mentioning that at the beginning of the century Gerardo Tort had made an “author film” about homeless kids in Mexico City, and later filmed a documentary of his own about a Mexican guerrilla fighter he admires and perfectly fits his lefty ideology. I had not watched the series Gritos de Muerte y Libertad until yesterday [November 19, 2013] but now that I am reviewing other television series I would like to say something about it.

In the first episode one of the pro-Spain characters says these words (in Spanish of course) about the pro-independence movement, “Imagine a government Criollos [ see Criollo people], Indians, Mestizos and Mulattos!”

Yes: thoroughgoing leftists like my cousin know that ultimately the struggle is racial. But race conveniently disappears when Whites claim majority rights—or even minority rights in the case of New Spain. In Gritos de Muerte y Libertad what I found most surreal is that the overwhelming majority of upper class New Spaniards are depicted as Mestizos or Castizos (slightly whiter Mestizos), not even as Harnizos (Iberian whites with a distant drop of Amerind blood) or true Iberian whites. The script that Gerardo Tort directed mentions “Criollos” many times in the textual dialogues, but during the casting he selected Mestizo actors. Phenotypical Criollos do appear in the next episode, but that episode was directed by the lesbian.

gritos-de-muerte-y-libertad

Most surreal of all is that the Aryan-looking actor who was chosen for Hidalgo by both directors, the actor at the far left in the pic, was—not in the series but in real history—a kike with even the prototypical hooked nose, according to the spoken testimony of those who had seen the historical Hidalgo in the flesh. Also, in Gritos de Muerte y Libertad my cousin depicts José de Iturrigaray, the Viceroy of New Spain from 1803 to 1808 (standing in the pic with a ridiculous wig), as an ignoble character; and for María Inés de Jáuregui y Aróstegui, his wife, he chose a Mestiza actress (wasn’t the historical Inés an Iberian White too?).

So you have Gerardo Tort, the phenotypical Criollo, filming the Spanish Viceroy as the bad guy and the kike Hidalgo as the good guy of his movie. This said, I doubt that Gerardo knows that the historical Hidalgo was genetically Jewish. Like all Mexican leftists he is sleeping in a profound Matrix.

In the other episodes of the series that my cousin also directed a dialogue caught my attention. A woman asks Hidalgo: “Removing the command from the Europeans and handing it over—to who?” at the time of delivering a hostile look to a Mexican Indian beside her. Of course: the woman is depicted almost as a bigot.

Gritos de Muerte y Libertad includes explanatory notes to clarify the supposed historical events for the Mexican audience. In one of these texts it is announced that, once in jail and excommunicated by the Catholic Church, Hidalgo actually repented that the mud mobs he had commanded massacred civilians in the Alhóndiga de Granaditas—a ridiculous claim since Hidalgo was very well known for his cri de guerre “¡Viva la Virgen de Guadalupe y mueran los gachupines!” (“Life to the Virgin of Guadalupe and death to the Spaniards!”).

So clearly racial is the script of Gritos de Muerte y Libertad that it includes these words by a fearing Viceroy when Hidalgo’s mud mobs reached the capital of New Spain, “This is the main square of the Spanish crown! And no horde of Zambos [half-breeds of Amerinds and imported Negroes] will claim it ever!” This was the Viceroy who succeeded José de Iturrigaray, but my cousin also puts him under bad light.

In subsequent episodes, Gerardo Tort has Hidalgo incarcerated prior to his shooting after having lost important battles with the troops loyal to Spain. Once again my cousin used a Mestizo actor for the jailer. Hidalgo recounts his adventures to the jailer and is depicted as noble and wise. The jailer even recognizes that Hidalgo “is a good man, a son of God.” At least in that monologue my cousin has Hidalgo recognizing that in Guanajuato his furious mobs killed women and children, but he didn’t dare to film the actual scenes showing the Mexican public that the victims were probably White, and the assassins Indians and Zambos.

Gerardo Tort filmed the platoon that shot Hidalgo, again, as a group of slightly mesticized Indians. I wonder if machines to see the past are ever invented and we could see the historic scene rather as whiter men shooting an obvious kike? But before the shooting Hidalgo delivers candies—yes: candies!—to his executioners and after the shooting one of them is on the verge of tears. How moving.

There are two DVDs in the product Gritos de Muerte y Libertad that I acquired yesterday, the next one dealing with Hidalgo’s successor, the mulatto José María Morelos, who continued the killing of Iberian whites after the death of his mentor. But I don’t have any humor left to watch this second DVD.

A few years ago, here in Mexico City some nacos (insulting pejorative for Indian-looking residents of Mexico City, analogous to what in the US is called “nigger”) assaulted Gerardo’s brother. Curiously, one of Gerardo’s two sisters once told me during a private conversation that the nacos must “have the same rights.”

Yes… all of my relatives are now Pod people. And a worse kind of Pods to boot than the American liberals since among older American folks there is at least the memory of their nation being mostly White. Those who have watched the 1956 film Invasion of the Body Snatchers for instance can see a nice California town populated exclusively by Whites. This was California before Aztlán took over.

Mexico, even since the three centuries when it was known as New Spain, has experienced no less than half a millennium of miscegenation. The remaining Criollo have been so thoroughly indoctrinated through centuries of Christian and liberal propaganda that the sole mention of avoiding intercourse with the mudbloods would be considered a kind of unheard of heresy. I would go as far as claim that after the dollar crashes dragging the Mexican peso with it and after my native town burns, the apocalyptic shock won’t be enough to awaken the remaining Criollos (like Gerardo) from their catatonic sleep.

Categories
Mexico City

Escape from mud city

Mexican UntermenschenI know that many visitors of this blog are rather skeptical that the dollar will crash and thus skeptical of my urge to escape a huge metropolis that (I believe) will become a trap right after the crash.

But even completely ignoring what Austrian economists are saying, yesterday, the front page of the newspaper Reforma, announced that crime across the broader metropolitan area has already surrounded all zones of Mexico City. Sooner or later violent crime will reach the very shores of the Elysian island among a sea of mud I live in.

Some concrete proposals for my moving overseas have been made through email exchanges and even phone calls, and I must be grateful to all those who have either contacted me or made a contribution, however small, for my fundraising plea to escape a place that will become a killing zone (donate button has been moved now to the very bottom of this page).

Categories
Mexico City

Don’t let this blog disappear!

Help us escape from Mexico City and the unending Mexican Drug War: an ongoing armed conflict among rival drug cartels fighting each other for regional control and against the government forces. I for one have already been kidnapped twice in my life!

If the dollar hyperinflates the situation in the Mexico City metropolitan area, with a population of 21.2 million people—the largest metropolitan area in the western hemisphere and the largest Spanish-speaking city in the world—will become even worse! For details see my entries on the coming currency crash. (Although an original draft of this entry was posted yesterday, my August 1 updated collection of WDH articles on the crash can be found here.)

I already have enough points for a ticket to cross the Atlantic; I only need a little travel money to arrive in one piece to a saner, whiter place and make my new home there…

Categories
Autobiography Mexico City

Preparing for the crash

For those who have already read this entry,
see below my July 31 crossed-out words.



The American dollar will crash soon. The consequences will be dire for other countries insofar as many of them have most of their reserves in dollars.

I have been trying to sell a plot in the state of Morelos in Mexico to be able to get some travel money and emigrate to any racially homogenous place in the First World where the effects of the crash won’t be so ominous. However, it may take some time to find the appropriate customer.

The crash can happen today or in the next month or in 2014 or even later. Whenever it happens, the collapse of the dollar will unfold very rapidly, probably in a week or two.

If the crash surprises me without funds I’ll likely die in this Third World trap. Therefore, I’ll leave to a family member the task of selling the plot at market price—not just a desperate bargain sell but a good sell that allows me to establish properly in a better country.

Therefore, for the moment I have no choice but to accept a job that will allow me to save about $500 dollars per month [Note of 31 July: This job in Latinos Post, online news for mestizos in the US, turned out to be almost a fraud] and thus escape a large metropolis which will become pretty hellish after the American dollar hyperinflates.

At this rate, and perhaps still waiting for the area of real estate to be sold in Mexico by the end of the year, I must arrive to Europe with at least $2000 dollars (the US government is not granting me a visa).

Last month The West’s Darkest Hour (WDH) got 36,413 page loads, of which 21,051 were unique visits. If I manage to survive the crash in one piece, I plan to continue working for WDH from overseas.

Nonetheless, the job that I am about to accept is a full-time job. Presently I am adding an average of more than one entry per day. Unless I get my travel money from other sources (a minimum of $2000 dollars, independently of the one-way ticket that I already got) I will be posting only during my free time. This means that after I accept the job in the next few days I won’t be able to be as active in WDH as I have been since I started blogging in 2009.





P.S. The first one to donate $100 or more to WDH will receive by regular mail a DVD of the entire documentary End of the Road: How Money Became Worthless, which explains beautifully why will the dollar hyperinflate soon:

Categories
Autobiography Demography Mainstream media Mexico City

Nacoland

Or:

For those who still don’t believe
that the dollar will crash

Rarely I read newspapers in Spanish. My contempt for those who mixed their blood, and even for those who have not do it but who see nothing wrong with such mixing, is infinite. So much so that I have not a single friend in the town where I share the air with twenty millions…

However, out of curiosity in the case of Zimmerman’s acquittal, today I read a note on page 16 of the paper edition of the Mexican newspaper Reforma, which reproduced today an article of El País Internacional, “21 Arrested in Protests Against Racism” (my translation) by Yolanda Monge.

george-zimmerman closeup

The nigger who assaulted the mestizo Zimmerman wanted to “be a gangster” in his own words. But Yolanda omitted to say that Zimmerman, whose beaten-up face appears in the photo, was in danger of being killed when the savage was beating his face and banging his skull on the street floor.

Yolanda does not say a word—nothing!— that Zimmerman was being crushed when in self-defense he pulled the trigger.

This voluntary surrender to evil of the Mexican Reforma, the Spanish El País Internacional and those morons who buy, read and swallow such a press is hardly conceivable. After all, lots of them are as mestizos as Zimmerman! But I’d like to limit myself in recounting an autobiographical vignette that could explain the hatred I feel for today’s Mexico City.

As a child I lived a few blocks from where the Reforma edifice would be built. It was a vacant lot and, to get there from my house, I had to walk alongside other huge vacant lots: so huge in fact that children used to fly their kites on those wide and flat spaces.

Now on that same street where my grandmother’s house still exists, the San Lorenzo Street in Colonia Del Valle, they have constructed large masses of soulless buildings, and the whole colony has been flooded with crowds of Neanderthals that sprout from an underground metro station that did not exist when I was a kid. Moreover, the brown scrum that took over my former neighborhood carries with them countless street stalls that bastardize the public view of what had been my peaceful Del Valle.

The destruction of my house’s surroundings explains part of my desire for payback against Naco City (“naco” is the equivalent of nigger in the United States, although it only refers to slightly intermixed Amerinds).

I have no wish to be cannibalized by the nacos in the near future, when the dollar crashes. But I must say that those who still believe that it won’t collapse have to spend some of their time listening how Schiff debates the non-Austrians (just click on the above link, on the word “gangster”).

Escaping Naco City is the highest priority in my life. If I could escape not only the city but the entire Nacoland I could even indulge myself to learn that those who destroyed my nostalgic referents are starting to starve, after the crash…