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Month: April 2020

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The pen-friend who sent me the portrait of Uncle Adolf that I’ll post at midnight also informed me:

I am Mexican-American so from time to time I have read part of the content of your blog The West’s Darkest Hour. And I totally agree with you on the attitude of the Anglo-Saxon people towards the Germans of the Second World War. I did my whole school in the USA, so I tell you from my own experience: There are no people more indoctrinated in these questions of lies about the German people than the people of the USA. If you can, please share on your blog this image.

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3-eyed crow

Fused teacher, and pupil

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Alexandr Solzhenitsyn Who We Are (book)

La Blouse Roumaine


Left, The Romanian Blouse by Nicolae Grigorescu (1838-1907).

I understand better and better why almost no white advocate values Pierce’s book, which opened my eyes to the real history of the West. And I’m not just referring to this recent exchange with a commenter. I am also referring to what is said outside this site.

In this recent conversation between an American and a Romanian we see the causes. Both are Christians and both are clueless about the double aetiology of the dark hour of Westerners: their religion and how WW2 ended up enthroning the gospels’ suicidal message, even in the secular world.

The American and the Romanian speak of how the Jews took over the US, but they fail to clarify how it was that the Americans so easily sold their souls to the devil. For example, Hunter Wallace concedes that southerners lost power after the American Civil War, and that the Yankees in turn ceded power to Jews in the decades from the 1920s to the 1940s. But not a word did he say, nor did his interviewer, that there was a war both ideological and of blood and fire against Jewry in those decades.

Their blindness has to do with Christianity. A few years ago I wondered why Solzhenitsyn, whom I quoted in my post yesterday, ‘Weirwood tree’, did not support Nazism if he wanted so badly to liquidate the Soviet state. Some years ago an Englishman answered me, on this site, that it was due to Solzhenitsyn’s religion (the same religion of the Romanian girl).

After 1:20 the Romanian, an Eastern Orthodox Christian, said: ‘We will have a strong Christian revival’ and added: ‘Christianity is part of who we are’. Let’s compare it with what is said in Who We Are (new visitors to this blog would do well to read it).

Only later did they start talking about the aftermaths of the Chinese virus, without realising that the dollar is going to fall. But that’s another song.

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PDF backup

WDH – pdf 341

Click: here
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Rape of the Sabine Women

On Anglin’s rape article

‘It’s a taboo for white nationalists to talk about it, but we don’t stand a chance unless our men become killing machines, and our women birthing machines’.

—Young White

Andrew Anglin’s article today, ‘Rape Gangs, Sex Slavery and Breeding Farms: Everything You Always Wanted to Know (But Were Afraid to Ask)’ is funny but suffers from a terrible ideological flaw.

He uses the holy book of the Jews as a paradigm for the coming Holy Racial Wars instead of using the Aryan paradigm par excellence, the rape of the Sabine women.

Judeo-Christian question aside, Anglin’s article does not say anything substantially new to what William Ventvogel already said about seventeen years ago in ‘The Future of White Women: A Speculation’, an essay that I rescued in 2011 under another title.

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Film

50 films during the quarantine

Note of December 2023:

I’ve now bolded the movies I recommend.

 

The films are arranged chronologically:

1. The Hunchback of Notre Dame (1923)

2. Frankenstein (1931)

3. Gone with the Wind (1939)

4. Fantasia (1940)

5. Beauty and the Beast (1946)

6. It’s a Wonderful Life (1946)

7. Hamlet (1948)

8. Los Olvidados – known in the US as
The Young and the Damned (1950)

9. Shane (1953)

10. Forbidden Planet (1956)

11. Lust for Life (1956)

12. The Seventh Seal (1957)

13. Wild Strawberries (1957)

14. Ben-Hur (1959)

15. Journey to the Center of the Earth (1959)

16. Sleeping Beauty (1959)

17. The Time Machine (1960)

18. Jason and the Argonauts (1963)

19. The Little Prince and the 8-Headed Dragon (1963)

20. My Fair Lady (1964)

21. The Sound of Music (1965)

22. The Agony and the Ecstasy (1965)

23. Andrei Rublev (1966)

24. 2001: A Space Odyssey (1968)

25. Romeo and Juliet (1968)

26. Oliver! (1968)

27. Planet of the Apes (1968)

28. Death in Venice (1971)

29. Bless the Beasts and Children (1971)

30. Brother Sun, Sister Moon (1972)

31. Deliverance (1972)

32. Soylent Green (1973)

33. Jesus Christ Superstar (1973)

34. Jaws (1975)

35. Barry Lyndon (1975)

36. Iphigenia (1977)

37. The Empire Strikes Back (1980)

38. Fanny and Alexander (1982)

39. Sense & Sensibility (1995)

40. Pride & Prejudice (1995 TV series)

41. Shine (1996)

42. Elizabeth (1998)

43. Artificial Intelligence (2001)

44. Lord of the Rings (2001-2003)

45. Harry Potter & the Prisoner of Azkaban (2004)

46. Pride & Prejudice (2005 movie)

47. Apocalypto (2006)

48. Spotlight (2015)

49. Game of Thrones (2011-2019 TV series)

50. Joker (2019)

With the exception of The Hunchback of Notre-Dame (instead of the 1923 version I saw the 1939 version as a teen), the above are films that left a mark in my life since I was a child. Some of my inclusions require a kind of disclaimer, as when gradually I abandoned Christianity my vision of the films changed. But they are worth seeing because they portray the zeitgeist as Christianity was understood in America (for example, Ben-Hur) or in Europe (for example Brother Sun, Sister Moon) when I was a child and adolescent.

I also include in the list two television series, Pride & Prejudice and Game of Thrones. The first contains only good messages related to sexuality, and the second contains terrible sexual messages. If I include it, it is because GoT can be very entertaining for those who are bored in these months of quarantine. I would suggest to anyone who watches the 73 episodes of the GoT series to also read my criticism of it (see pages 137-227 of my anthology On Beth’s Cute Tits). I refer especially to its grotesque feminism, which is not so accused in the novels of George R.R. Martin. We can imagine how a friend of the fourteen words could have adapted Martin’s fantastic universe to the small screen, which contains much of the white man’s medieval spirit.

When I saw The Sound of Music in the mid-1960s I knew nothing about the true history of the Nazi occupation of Austria. But the film still can be watched if we omit the propaganda after the intermission. (I remember that in the cinemas of yesteryear the theater curtain was closed during the intermission so that people could go to the restroom.) The dance music between the captain and Maria should be the absolute paradigm of what the white man should dance in the ethnostate, in contrast to the filthy music that the Gomorrahites dance today.

Joker is included at the end of the list because it illustrates what I said in my post yesterday about destructive parenting. Very rarely the subject is brought to the screen, and in the case of the main character of this movie the level of damage that child abuse caused in the grown-up adult is very evident.

Just to get an idea of the taboo that people like Moly and I try to break, consider the #38 movie from the list, Fanny and Alexander, a veiled autobiography of the Swedish director Ingmar Bergman. In real life, Bergman confesses that the one who really abused him, religiously speaking, was his biological father, not his stepfather as in the movie. This shift of guilt is very common in western folklore, as in fairy tales for children like Harry Potter, where the abusive ones are the uncles so as not to touch the figure of the parents (the ones who generally mistreat the child in real life).

The only film I know of that openly blames an abusive father of the son’s schizophrenia is Shine, #41 in the list, which received an Oscar for best actor to the one who played the role of the schizophrenised son.

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Hojas Susurrantes (book) Racial right Tree

Weirwood tree

I have said that the greatest of the taboos is not the racial question, something that only became taboo after the Second World War; not even the Jewish question, which was also discussed before WW2, even in the press. The biggest taboo is to talk about what destructive parents have done.

Stefan Molyneux has just spoken about his father’s recent death. He almost cried as his father not only didn’t defend him against the Jewish mother who abused Stefan as a child, but he never apologised, as an adult, for not having rescued him.

Why, among the alt-lite or the alt-right folk, does someone with kike blood is the one to speak out? Why haven’t white advocates who are pure Aryans said anything in online forums? I already quoted these words of mine last month but it’s worth reciting: ‘I am not asking my audience to read Miller. But my writings translate, and expand considerably, her findings for an Aryan audience. It is a very important subject for the simple reason that mental health matters, and racialists who have had mental issues are generally clueless about what caused them’.

Indeed: it is necessary to present the trauma model of mental disorders without having to read texts by an ethnic Jew like Alice Miller or watch videos by another ethnic Jew like Molyneux. That is why last month I also published the translation of the first book of my series, although it is in the sixth book where I touch on the subject of what it feels like when a father dies without having made amends with his victim.

I also have a YouTube channel where the previous decade I spoke out about the tragedy in my family: something much more destructive than what Moly has recounted. But I had to make it private because people began to misuse those confessions.

When I see white advocates blaming liberalism for the state of the West these days, I can’t help but think that their early traumas are unresolved, which involves judging not only their parents but their parents’ religion. In other words, not seeing that Christianity is behind the fallen state of the West and not seeing the behaviour of our parents are two sides of the same coin.

I freed myself because, after chasing the love of his wife, my father threw me from the high tower and I became disabled like Bran (so to speak). I had no choice but to get entangled in the tree of the past, for decades, to understand why that had happened. In no way have white nationalists, or human beings in general, gone through such a process of insight. But the serious thing is that they don’t even seem interested in listening to what the tree’s whispering leaves want to tell them, despite the fact that some of them still suffer from late symptoms of early traumas. The greatest of taboos cannot be broken because it hurts so much to take a retrospective dive to the core of our being: a being that our parents precisely formed. As Solzhenitsyn put it:

Bless you, prison!…

In prison, both in solitary confinement and outside solitary too, a human being confronts his grief face to face. This grief is a mountain, but he has to find space inside himself for it, to familiarise himself with it, to digest it…

This is the highest form of moral effort, which has always ennobled every human being. A duel with years and with walls constitutes moral work and a path upward… if you can climb it.

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Arthur C. Clarke Film Mainstream media Pandemics

Lady revisited

If there is something that draws my attention from the pundits of white nationalism it is that they make reviews of recent films omitting that, unlike the cinema of yesteryear, they are pure poison for the white race. For example, in this quarantine millions of whites are actively poisoning their souls with Netflix and few complain.

In contrast yesterday I finished watching, once again, My Fair Lady of which I had already written something on this site in 2013.

Like classical music, it is a type of cinema that the younger generations of white advocacy are not only incapable of watching on the big screen, but even incapable to appreciate if they obtained the DVD to watch it on their televisions.

The disconnect between the pundits of the alt-right with the traditional legacy of the seventh art is so enormous that, when they opine about an old movie, they can say things that only reflect their ignorance. Not long ago, for example, commenting on my favourite film 2001: A Space Odyssey, in a conversation with Richard Spencer a certain Mark, a Hollywood expert, interpreted absurd things about the intentions of Kubrick. I know they are absurd because I have studied Arthur Clarke’s philosophy since the 1980s and read his biography, and Kubrick’s too, so I know the message of his most famous sci-fi novels thoroughly. (I even exchanged correspondence with Clarke in the 1990s, who was very impressed by a journal I sent him as it mentioned the obituary of a certain Benson Herbert, whom he had not dealt with since before World War II.)

But I wanted to talk about something else. One of the reasons this site doesn’t talk about news is because after a few days the media sometimes picks up info that the most radical bloggers had already said on their websites. For example, some of my recent posts mention that the Chinese virus may have come out of a Wuhan lab. I didn’t imagine, when I posted it, that Hannity would talk about it on Fox News soon after, inviting senators who also show their outrage about how these revelations change our views on the pandemic. I could have kept my policy of not talking about that kind of news. But the thing is, I never expected the MSM to bring up the lab scandal so soon. So I generally prefer to talk about things that won’t be said in the mainstream media.

What I experienced these nights before going to bed, for example, watching some minutes of My Fair Lady every midnight until after a few nights I finished it, is a subject not only that won’t appear on MSM but also on racialist forums. And it’s important to talk about it because in these times of lockdown racially conscious whites could try to start getting acquainted with the old cinema that contained good messages (recently I was talking about the movie Shane for example).

If there’s one thing I liked about My Fair Lady now that I saw it once more it’s that it reminds me of the days when men were men and women women (when Hollywood and TV now re-enact older times they put women as early feminists). Ever since I saw My Fair Lady as a child I have loved the idea of learning to speak English—real English—through phonetic exercises: the passion of Professor Henry Higgins. The original musicality of Shakespeare’s language should be a goal to be achieved in the ethnostate, in the unlikely event that Anglo-Saxons save their stock from extinction.

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Currency crash

My fatherly advice to Americans

If you have already received your helicopter check (fiat currency), use most of it to buy real money (silver or gold) before your paper dollars turn into confetti.

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Pandemics

What a beast!

1) Even Fox News is now saying that covid-19 escaped from a Wuhan lab.

2) Instead of clinging to libertarianism, the flu bros, who increasingly resemble the 9/11 truthers, should listen to today’s episode that Chris Martenson titled ‘What a beast!’ referring to the virus, who also talks about how the economic damage has really just begun.

3) This English doc isn’t race-wise and suffers from out-group altruism, but he still gives sound prophylactic advice against the virus, already mentioned on this site. Whoever doesn’t want to listen to the whole video of the old man can only watch the first couple of minutes, when he summarises his advice.