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Ancient Rome Architecture

Temples!

Reconstructed Temple of the Nymphs at Vindolanda. Just south of Hadrian’s Wall.

Editor’s Note: Below is an excerpt from The Fair Race’s Darkest Hour. Even in a world as extremely anti-Aryan as the present one, attempting this sort of thing probably wouldn’t land us in jail, even in Europe. But what wealthy sponsor could finance such a project with a temple like the one seen above?
 

______ 卐 ______

 
But we do not need a new religion, only to be aware of our pre-Christian cultures. We must recover such cultures to educate our children according to the varied heritage that these cultures represent. I think of the Edda, of the Mabinogion; of Homer and Virgil—not to mention our tragedians, our poets, our philosophers… We must extract that immensely rich heritage and moral maxims.

We also need temples, enclosures for re-connection as I call them. An ever-living fire in these areas will suffice. We need places where we can gather and remember our stories: the readings of texts, commentaries, discussion panels and more. Something collective and social—religious and cultural centers where our people may have psychological or spiritual support, or get truthful information about our ancestors, or the incidents of our history.

We need dividing the year with special celebrations related to happy or tragic milestones of our past: the Christianization and the Islamization of our peoples, for example; with our own calendars of saints’ days (our heroes and those most representative). We need to retrieve the Greek, Roman, Celt, German and other first names… That is, to do what we could not do: having our own history because our history was usurped by the Christian clergy.

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Architecture Claude le Lorrain

Stourhead

In my Thursday post on Sense & Sensibility I said that Aryan beauty was flaunted in the temples and the streets of the Greco-Roman world. I forgot to mention that some Europeans in the post-Renaissance centuries also honoured Aryan beauty in non-commercial settings, as we see in this scene of beautiful sculptures of human nudes in the 2005 adaptation of Pride & Prejudice. Four years ago I wrote:

It is known that the wealthy Englishmen tried to bring the beautiful architecture of some paintings of Claude Lorrain (paintings that I contemplated during my last visit to London’s museums) to the countryside. The building that served as a refuge from the copious rain for the future couple, when Mr Darcy proposes to Elizabeth [clip here], is the perfect framework for the fourteen words.

Henry Hoare (1705-1785), banker and garden owner-designer, saw the paintings of Claude Lorrain (1600-1682) and was so enchanted by them that he commissioned architect Colen Campbell to design the garden we enjoyed in the film. Inside it we see the Temple of Apollo, where the scene where Mr Darcy proposes to Liza was filmed: a temple we see in more than one of Lorrain’s paintings.

Those who have visited Hoare’s garden have commented that, when you walk through Stourhead, you get the feeling that Jane Austen could walk out at any moment, or that you yourself could be portrayed in that bucolic painting you see around you. (I felt something similar a decade ago in Perth, Scotland, when I crossed a bridge and there was no one around me!)

These Stourhead gardens and temples are one of the places to visit when you are in the nearby Cotswolds. We must thank Lorrain, Hoare and his architect for being inspired by pagan architecture.

It is most unfortunate that, unlike the adolescent Adolf Hitler, those who now belong to the racial right fail to make deep inner contact with the architecture of the classical and Italian world that led the lad Hitler to activate, in his psyche, the archetype of our true Gods.

Categories
Architecture

European beauty

Dedicated to Helios, the Roman god of the sun, the Garni temple was built by the Armenian King Tiridates I in the 1st century c.e.

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Architecture

Euroepan beauty

Dublin, Ireland

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Architecture Degenerate art Film Psychiatry

Breaking Bad

As visitors to this site know, unlike what Kevin MacDonald says in The Culture of Critique (Frankfurt School, etc.), I believe that it is art for mass consumption that is central to making an x-ray of what’s wrong with the Aryan psyche. From this angle, as I have so often said, literary landmarks of the past such as Ivanhoe, Uncle Tom’s Cabin and Ben-Hur serve as x-rays for us to see the 19th-century soul of the white man. In our century as in the last century, it is the movies, and degenerate art, that can serve as X-rays.

Breaking Bad is an American drama television series created and produced by Vince Gilligan, apparently a non-Jew. It tells the story of Walter White, a chemist. To pay for his cancer treatment and secure his family’s financial future, he begins cooking and selling methamphetamine, along with Jesse Pinkman, a former student of his. The series, set and produced in Albuquerque (New Mexico), is characterised by its desert settings and has been described as a sort of contemporary Western. The series premiered on 2008 and ended in 2013. Breaking Bad has been enthusiastically acclaimed by many critics and audiences, and is considered one of the best television series of all time. In 2013 it was one of the most watched cable television shows in the US, behind Game of Thrones.

Unlike those for whom Breaking Bad has become almost a cult series, to the extent that Vince Gilligan filmed a sequel movie with the actor who portrayed Jesse Pinkman, I am repulsed by the series and want to expose it. (Remember I’m currently doing something similar with HBO’s House of the Dragon.) So here we go…

What disgusted me the most is that in several episodes Jesse inordinately loves a ‘Hispanic’ mother and her son, another mestizo. Walter and Jesse are capable of killing to survive in the underworld of drug trafficking, and yet they set Walt up as a good family man and Jesse as a good Samaritan to these ‘Hispanics’. It doesn’t even make sense to talk about the plot: this kind of thing wouldn’t be happening in the seventh art if Hitler, not Uncle Sam, had had access to the atomic bomb.

Jesse’s love for the spic family was what bothered me most about Breaking Bad, but there are other bad messages. Remember what Kenneth Clark says, that to understand a culture you have to look at its architecture? I have never been to New Mexico, but the total absence of inspiring monuments in the New Mexico filmed in Breaking Bad, and other US states, is striking to me. Aryan aesthetics are only seen in the interiors of the homes of middle- and upper-class people in Breaking Bad. But the visual message for someone used to contemplating what we’ve been seeing in our ‘European Beauty’ series is that of an empty American culture: the ideal platform for betraying one’s ethnicity and becoming a junkie.

Another thing that irritated me greatly about the series is that the roles of husband and wife are egalitarian. And I don’t just mean Walter and his wife but the latter’s sister and Walter’s brother-in-law, DEA agent Hank Schrader. An egalitarian marriage lends itself to inconceivable surrealisms and incongruities because of what Jamie, one of the commenters on this site, said and I picked up in On Beth’s Cute Tits:

I still remember my uncle mentioning something like this when I asked him for advice once: ‘If you are going to talk about serious matters, like killing someone or a coup, don’t ever let the women know about it’.

And I realised he is dam right, and so are you César.

Women will go hysterical at such things as planning a murder or a coup. They will most likely betray you and warn the authorities or government, which they believe is the strongest (expect this behaviour from very feminised men and homosexuals as well).

Dr. William Pierce once mentioned in one of his American Dissident Voices broadcasts that women, as a whole, do not understand abstract concepts such as honour and self-denial. It is not in their nature to understand. Security and comfort are their priorities, and so submission their way of getting it.

And the older I get, the more I realise how true that is. The empowering of women is truly a weapon of mass destruction.

Indeed. The wives in Breaking Bad don’t understand honour or self-denial (Walter, on the other hand, is the paradigm of the selfless man who seeks the good of his family). Another irritating thing is that Walter’s son is a hetero, albeit feminised handicapped man, to the extent that he betrays his father when the authorities realised that Walter was involved in illicit business. A true Aryan male doesn’t behave that way.

Another issue that irritated me is that the culture in which the characters move seems to have material comfort as its sole focus. One of the most abominable things I read in one of Isaac Asimov’s books, and it pains me but it is true, is that nowadays everyone in the West is working simply to live in more material comfort. (The true Aryan puts his race as the motive of his faith, his action and his wars, and the material aspect becomes secondary.)

Finally, this whole DEA (Drug Enforcement Administration) thing is aberrant. Walter’s illegal business only affected teenagers and adults, who voluntarily consumed methamphetamine. I’m not saying it’s right to sell drugs on the streets, but that’s infinitely less wrong than what psychiatry does legally. When abusive parents want to finish destroying one of their children, they turn to a third party: the psychiatrist. The first thing the psychiatrist does is hang an insulting label on the child (a pseudo-medical diagnosis) prior to involuntarily drugging him with drugs that induce a physical torment called akathisia (see my post on the subject here).

I have written a lot about psychiatry (see this summary). My point is that it is an act of astronomical hypocrisy to prosecute traffickers of illegal narcotics for adults and, at the same time, ignore the legal drugs that are used to torment defenceless children. Keep in mind that consuming illicit drugs is voluntary, and the drugging of the child with licit drugs is involuntary (insofar as the child doesn’t want to be tormented with akathisia). From this angle, all series like Breaking Bad do is reinforce the astronomically hypocritical narrative of the System. That’s why one of the few things I did like about the series is that Hank Schrader, the DEA agent, ends up with a bullet in his forehead.

In short, for a normie Breaking Bad is akin to taking methamphetamine, or rather, the soma drug from Brave New World. It is pop art that pulls us to the dark side, to continue to see ourselves through the prism of a System that wants to destroy us. The masses don’t read what the subversive Jews of the Frankfurt School write. The masses are being drugged with what Orwell called prole feed. The attitude a true Aryan should have is the opposite of the attitude of Counter-Currents, a supposed pro-white webzine that idealises Hollywood’s prolefeed.

Categories
Architecture

European beauty

Franciscan monastery on the tiny island of Visovac, Croatia

Categories
Architecture

European beauty

Castle of Trenčín on top of a steep rock in Slovakia.

Categories
Architecture

European beauty

Categories
Architecture

European beauty

Categories
Architecture Degenerate art Feminism Stanley Kubrick

The broken man

‘The Broken Man’ is the seventh episode of the sixth season of HBO’s fantasy television series Game of Thrones, and the 57th overall. Here the series exacerbates its previous feminism to surreal levels. It is not enough that the show introduces a woman as the feudal lady of the beautiful medieval castle that we see above. She is a ten-year-old girl. And worst of all, the fans loved this new character!

Some Americans wondered yesterday how the judicial system gave in to the BLM threat by condemning a white cop in the case of the black man who died on the asphalt. One clue to how the West got to this point is simply to notice what TV fans like: a world upside down. In the episode this brat, Lady Mormont, speaks authoritatively as a feudal lord, and initially disparages Jon Snow and Sansa Stark who ask for help in their campaign against the Boltons.

In Volantis we see Yara and another woman making out publicly. But Yara is not a lesbian in Martin’s novel. This is another excess of the scriptwriters to demoralise the white viewer. (Yara also harangs her ‘little brother’, the phrase she uses, so that he stops being a broken man.)

The penultimate scene is even more surreal than that of the ten-year-old feudal lady. Arya, seen here in Braavos with the background of a kind of Colossus of Rhodes, is stabbed several times in the stomach by the Waif and she survives the attack! All of these images come from this episode, including Blackfish’s Castle below, and above with Jaime Lannister on the bridge.

The trick used by the creators of Game of Thrones is to mix the beauty of Aryan architecture with poisonous messages for the white soul. It reminds me of Kubrick’s virtuosity in filming 2001: A Space Odyssey so that his next movie, A Clockwork Orange, was so poisonous that it was banned in England for several decades.