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New Testament

Home

‘Home’ is the second episode of the sixth season of HBO’s fantasy television series Game of Thrones, and the 52nd overall. By now, it should be clear that the show is just a series that stands out from other television series simply because Martin writes well. But it is feminist propaganda of the worst kind: the retro-projective as I have said.

For example, the day after Euron kills his older brother, King Balon Geyjoy, in the rainy passage of the castle of the Iron Islands, the Drowned Priest Aeron tells Yara: ‘Perhaps you’ll be the first woman in history to rule the iron born’, which is true, as we will see in the eighth season, after Euron’s death.

The form of Martin’s prose, as well as the visual artistry in some of the directors’ shots, places this series above the others. But I use it to criticise the madness of the West. For example, on DVD it is worth watching the final eight minutes of the episode, from when Davos talks to Melisandre until Jon Snow is resurrected.

Melisandre, Davos, Edd and Tormund before Jon’s corpse.

Gaedhal recently told me something in the comments section that I hadn’t thought of. White nationalists are, on the subject of New Testament exegesis, much more primitive than liberal Christians insofar as the latter at least acknowledge that the gospels are full of problems. Read Albert Schweitzer’s classic The Quest of the Historical Jesus or, for someone completely unfamiliar with the subject, the didactic book of another Christian (excerpts: here).

But once we abandon liberal exegesis from the pen of Christians and read the exegesis of an atheist, we are faced with a completely different approach to the New Testament, insofar as there is no evidence that Jesus even existed (let alone risen from the dead).

The resurrection of Jon Snow at the end of this episode is no more fictitious than the resurrection of Jesus at the end of the Gospel of Mark (a text that would later be used by Matthew and Luke for further equally fictitious narratives). If it were possible to make white nationalists understand that what they believe is no more historical than the ritual that Melisandre practices when reviving Jon, they would find themselves halfway into the psychological Rubicon and not just three steps away from Normieland, although with their feet already wet.

I would suggest new visitors watch the video on the sidebar of Richard Carrier’s conference. The only historical difference between the resurrection of Jon Snow and that of Jesus is that millions of whites have believed the story that some Jews wrote two thousand years ago.

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Kevin MacDonald

Morgan replies to MacDonald

Kevin MacDonald: ‘So now a substantial proportion of Whites think it’s a moral imperative to replace the White population’.

Robert Morgan: I don’t think that’s true. What they think is a moral imperative is to be raceless themselves; to see everyone, regardless of race, just as people, members of a common humanity. In their view, a moral person sees race as unimportant, and this is largely due to only two factors, both of which the right perversely endorses: Christianity and its influence on white culture, and the meritocratic nature of technological civilization.

The right confirms this with its endless complaints about Negro crime, as if to ask ‘Why can’t these Negroes just be good Christian citizens and stop committing crimes? Why aren’t they colour-blind, just as we are? Then they could be useful members of our society!’, and again with the Jew, MacDonald’s specialty, as if to ask ‘Why won’t these Jews love us back? We love them! We love everyone, just as Jesus told us to!’

They complain about the Jew and the Negro not because of what they are—aliens—but because of what they do, or more precisely, what they don’t do, which is act like white people. If only we could fix that! If only the Jew and the Negro would start acting white, everything would be perfect…!

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Feminism Kali Yuga

The Red Woman

‘The Red Woman’ is the sixth season premiere episode of HBO’s fantasy television series Game of Thrones, and the 51st overall. From a cinematic point of view the first shot, and indeed the opening scenes of this season, are a masterpiece. The camera zooms in on the Wall on a night in Castle Black as Jon Snow’s direwolf Ghost begins to howl, though we haven’t seen it yet. The next scene keeps the mystery, when we finally see Ghost and later Ser Davos until the close-up towards Jon’s corpse.

Far from there and already in the daytime, on the sea crossing from Dorne to King’s Landing we see that the blonde Myrcella, Jaime and Cersei’s daughter, has been fatally poisoned. A priest of the fourteen words would think that that was better than Myrcella marrying her non-white fiancée and fathered a café-au-lait prince to unite Houses Lannister and Martel.

Then we see the most grotesque scenes of the episode. Ellaria Sand and her daughters carry out a coup, killing Doran and his son. We can already imagine four Muslim women staging a successful coup by killing the caliph and the young prince, taking over the caliphate! But let’s remember that we are facing the most serious disinformation campaign in Western history regarding the roles of men and women. And the most serious thing of all is not what these Hollywood Jews do, but that white people consume their liquid poison as Myrcella consumed hers, with their eyes closed.

The last scene, which gave the episode its title, is as well done as the first scenes but once again: from a strictly cinematic point of view. We see that the witch Melisandre is actually much older than she appears, thanks to her dark magic.

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Exterminationism Neanderthalism Revilo Oliver Welfare of animals

Anthropoid vermin

A comment by Gaedhal

You said, C.T., that mankind are the devils upon the earth who torture innocent animals. Watch the trailer of Seaspiracy. If Rosenberg had won the war, the animal and plant kingdom would be far less tortured and exploited than it is today.

From a theist’s perspective: the argument from animal suffering is a powerful argument for atheism. Thus Christianity creates to a large extent the atheism of our times. Why are we breeding up an infinite number of subhumans, ‘anthropoid vermin’—Revilo P. Oliver—, life unworthy of life, as the National Socialists rightly said. You breed up unfit featherless bipeds, who, because they are unfit, can only suffer.

Nature tells us that human life is verminous. Semitism tells us that human life is sacred.

Nature tells us that the supply of human life exceeds the demand for it. Semitism tells you to breed up an infinite number of subhuman souls to praise Yahweh in Heaven.

People become atheists… and yet they usually cling to the notion that human life is sacred.

I want the best of white mankind to flourish. I want the best of white mankind to eventually become the benefactors of animal and plant life and not their destroyers and implacable persecutors.

It is the Semitic axiology, the notion of ‘image-bearing’ and ‘souls of inestimable worth’ that is fuelling the population explosion and destruction of the natural world.

It is not just that the doctrines of orthodox Christianity are slightly wrong, slightly misguided and slightly mistaken—it is that they are diametrically opposite to the truth of the matter on many occasions… and cause huge destruction.

Christianity is not just a religion from the desert: it is a religion that creates deserts.—Acharya S.

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Degenerate art

Mother’s mercy

‘Mother’s Mercy’ is the fifth season finale episode of HBO’s fantasy television series Game of Thrones, and the 50th overall. It was written by the series creators David Benioff and D. B. Weiss. In the episode we see how Tryion stays to rule Meereen with the mulatto couple that we see in this image, after their queen Dany fled the city on her dragon.

I have said that I don’t want to go into detail about Ramsay’s sadism. But at least the directors had the decorum not to put the camera in when he skinned his victims alive. In this episode, however, they did put the camera in a room where Arya empties Trant’s eyes in a brothel, before killing him. Of course, the Jewish directors frame the scene as legitimate revenge for Arya’s teacher being killed by Trent, that swordsman we saw in the first season (plus Trent was beating up some young prostitutes). But it is a scene that offends the viewer whose soul hasn’t been irreparably damaged by Hollywood.

What is most outrageous is that a lot of gentile fans loved the scene. This is verified simply by watching their reactions on YouTube when the episode premiered. And this scene appears in the season’s finale! Remember that the finales of each season were always the most anticipated since the producers would take a year to launch the next season.

It’s so disturbing that the perverted fandom of this series hadn’t repudiated it at this stage, that it’s not worth commenting further on the episode.

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PDF backup

WDH – pdf 384

Click: here

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Wikipedia

An online comment

‘Wikipedia is increasingly representing the voice of the oppressor. It is not only becoming the main source of misinformation and defamation, but also of intimidation and censorship’.

Categories
Day of Wrath (book) Evil Human sacrifice

The dance of dragons

‘The Dance of Dragons’ is the ninth and penultimate episode of the fifth season of HBO’s fantasy television series Game of Thrones, and the 49th overall. In the image we see Jaime Lannister in Dorne toasting with the prince in a building that looks like a copy of the Islamic buildings.

It is also in this episode that Stannis takes his little daughter Shireen to the stake despite the girl’s horrifying screams when she’s burned alive. I couldn’t resist seeing the scene again since it was released and I better hit fast forward on my remote control. However, it’s good to know that these things happened for thousands of years. Let us remember that the Bible itself speaks of some parents ‘passing their children through the fire’ in the context of human sacrifice.

But even here there is anti-white propaganda in this HBO series, as in Martin’s novel Shireen remains alive and well at the end of A Dance with Dragons. Furthermore, in real history it was the Semitic peoples, including the Hebrews, who passed their sons through the fire, not the Aryans. Here they put a white man, Stannis, influenced by a white woman, Melisandre, as the ones who commit the unforgivable atrocity.

Day of Wrath is a better product than this episode of Game of Thrones. But degenerate whites prefer to continue consuming their Semitic shit…

Companies that get woke

‘Corporate America is lining up behind leftists just like corporate Germany lined up behind the Nazis, and for much the same reason. They want to back the winner to protect themselves from being on the losing side. That’s a collective judgement they’ve made’. —AmRen commenter

Categories
Feminism

Hardhome

‘Hardhome’ is the eighth episode of the fifth season of HBO’s fantasy television series Game of Thrones and the 48th overall. In the picture we see Jorah, the poor knight in love with Dany, expelled from the city for the second time by the woman he loves!

Now that I see some passages of these episodes on Blu-ray, I have the option to change languages including the voices in Latin American Spanish for the voices of the Spanish language as used in the Iberian Peninsula. Hearing Dany how the Spaniards speak, she reminded me of the television series Isabel about which I have written an article. In this episode Dany looks somewhat like what I saw years ago in the Spanish series.

The trick of both series, Isabel and Game of Thrones is to put these little women as if they were mature statesmen perfectly capable of their work. But if you want to see how women reign when empowered in the real world just look at what happens around the West, for example in Sweden.

In this episode Dany is still in the semi-desert region of Meereen, as you can see in the above pic of the pyramid. But feminism continues even in the Arctic world, on the other side of the Wall, in the town Hardhome. When Jon Snow meets with the announced elders of that primitive town, the one who stands out from that group of ‘elders’ is a young woman. Years ago Kit Harington, who played Jon, probably the character most beloved by fans, declared in an interview that Game of Thrones was a feminist series.