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Category: Feminism
As a Sanskrit saying goes, from the corruption of women all evils follow. And as I have shown in many articles on my website The West’s Darkest Hour, feminism goes hand in hand with a thoroughgoing feminisation of the Western male. Both are two sides of the same coin: a folie en masse that has been destroying the fair race throughout the West. Feminism’s third wave began with the sexual revolution of the 1960s that has caused the disintegration of the family and the fall in birth rates due to the emancipation of women from all family responsibilities. But in this compilation we will also talk about the first and second waves, which explain the third and which long precede what happened in the 60s.
Feminism, ‘the great destroyer’ as William Pierce called it in an interview abridged for this book, has been corrupting whites ever since Nietzsche complained that Europeans were beginning to abandon the institution of marriage. George Lincoln Rockwell said something similar in a passage of one of his books, also reproduced here. Today’s suicidal ethos among whites cannot contrast more with the pamphlets that the SS gave to its soldiers so that they could procreate abundantly with their wives or Aryan lovers. Unlike the West of today, Hitler’s Germany was a very healthy society. After I finish putting this book together I will start quoting some passages from those pamphlets on my website, including Sieg des Waffen, Sieg des Kindes.
Instead of National Socialism what we see in the United States is a small group of diligent pro-white advocates often referred to as white nationalists. Rarely do their proponents declare intellectual war on feminism. One exception is Roger Devlin, whose seminal article on the subject is reproduced here. Some white nationalists are so incredibly obtuse that in the comments section of ‘A Breakthrough Year’, a December 30, 2015 piece of The Occidental Observer, Devlin had to say:
When I began writing and talking about sex in racialist circles a few years ago, even some very intelligent people did not understand the relevance of what I was saying to their concerns. The relevance is, of course, that races reproduce sexually. Feminism in all its aspects is as much an attack on our race as Boasian egalitarian dogma, and the same struggle must be waged against both. Like the Soviet Union of old, the contemporary West is a regime built upon lies, and cannot survive once those lies are brought into open and general contempt.
To expose the lies here I also reproduce a brief comment of someone who used to sign his comments with the penname of Stubbs; some texts authored by Andrew Anglin who runs The Daily Stormer, what Lord Kenneth Clark said in Civilisation, and the words of a MGTOW man who uploads videos under the controversial pseudonym of Turd Flinging Monkey. John Sparks studied animal behaviour with Desmond Morris at the Zoological Society of London. Here I reproduce some excerpts of Sparks’ BBC book Battle of the Sexes.
This book comprises eleven texts, of which I am the author of the first, the last and a brief note about Pride & Prejudice. The title is inspired by a passage from Morris’ The Naked Ape. That essay, ‘On Beth’s cute tits’, also alludes to the character from the series The Queen’s Gambit, which according to Netflix has been its most popular limited series. The longest essay in this book is my critique of HBO’s most popular series, Game of Thrones, which also promotes feminism. My final words on ‘The Iron Throne’ summarise my philosophy in such a way that it will remain linked in the sticky post on my website.
C.T. (Editor)
June 2021
‘The Bells’ is the fifth and penultimate episode of the eighth season of HBO’s fantasy television series Game of Thrones, and the 72nd overall. It was written by D&D and aired on May 12, 2019. ‘The Bells’ features the final battle for control of the Iron Throne, with Dany’s forces commencing their assault on Cersei’s forces at King’s Landing.
Quite apart from D&D’s big mistake of compacting the plots that were left unfinished in a couple of episodes, fans also erred big by misjudging the last two episodes of the show. Although it would’ve required more seasons for proper execution, it makes sense for Dany to burn King’s Landing in this penultimate episode. See Yezenirl’s video ‘Foreshadowing is not Character Development: The Rationalization of Tyranny’.
Instead of commenting on the bad messages from ‘The Bells’, I prefer to talk about one of the bad messages from the next episode, the finale.
Even at the show’s most interesting moment, Tyrion’s speech, the writers managed to insert a feminist message: Sansa’s little sermon that left her as Queen of the North! As Yezenirl observed in an interview, that is cheating on the profound message of that moment.
Incidentally, on the 19th of this month I’ll post a transcript of Yezenirl’s video on why Bran’s coronation was precisely where Martin’s story was headed.
‘The Long Night’ is the third episode of the eighth season of HBO’s fantasy television series Game of Thrones, and the 70th overall. Below, the most beautiful moment of the episode according to Yezen (including the music I’d add) in his video ‘Why Theon should have killed the Night King’.
I have said that Martin didn’t finish the last two novels of his epic when D&D were filming the series. If I had been the director, instead of what the D&D Jews did—trying to compact what Martin had confessed to them in a few episodes—I would have devised the script differently so as not to spoil the plot, as D&D spoiled it. I simply would have forgotten about the game of thrones, or the war between the two bitches, and focused solely on the threat that the army of the dead posed to Westeros once the Night King’s dragon brought down the Wall.
From that angle, the long night in the sense of the long battle that was fought at Winterfell would have appeared at the end of the last season. And instead of the ultra-feminist scene that D&D came up with—the girl Arya kills the Night King in this episode—I would have chosen Theon to be ‘The Hero of Winterfell’. That way we wouldn’t have seen packed together, in just six episodes, a complex plot—or rather plots—that should have been filmed over several seasons.
It’s no excuse that the directors have run out of Martin’s latest novels. If they had been good artists they would have simplified the plot, guillotining any war between Dany and Cersei from the script—that is, the ‘game of thrones’—so that the show would look more like ‘a song of ice and fire’. The Night King, the white walkers and the army of the dead live on ice on the north side of the Wall; and fire is represented by the character most loved by fans, Jon, who lives on the south side of the Wall. As we saw, in previous episodes it’s revealed that Jon is Aegon Targaryen, and in Martin’s universe the Targaryens represent fire.
Without Martin’s latest novels, that would have been the compromise a good screenwriter would have made.
In many respects, ‘The Long Night’ is the culmination of the entire series. The following episodes, # 71, # 72 and # 73 represent a huge anticlimax that disappointed the fandom. And while the battle against the army of the dead in this episode is the most exciting of all seasons, I suspect that the feminist agenda finally stretched the show’s credibility to breaking point (as we said above Theon, not a girl, should have killed the Night King).
‘A Knight of the Seven Kingdoms’ is the second episode of the eighth season of HBO’s fantasy television series Game of Thrones, and the 69th overall. The first feminist message of the episode is seen in the Winterfell smithy, during the dialogue between Gendry and Arya. I don’t even want to detail it because, later, what happens between them is worse. As always, the woman is on top of the man in the sexual act, and in this case Arya was losing her virginity! By getting on top of him, she plays the role of the macho.
Later, speaking alone with Sansa, Dany tells her: ‘We have other things in common. We’ve both known what it means to lead people who aren’t inclined to accept a woman’s rule. And we’ve both done a damn good job of it, from what I can tell’.
But that’s nothing. The most offensive scene of the episode comes later, when Davos gives hot food to every commoner in Winterfell, outside the castle walls, in the winter. An adult male gets the soup with these words: ‘My lord, we’re no soldiers’. The men from the north are preparing to fight the Night King’s army, which has already crossed the Wall and is heading to Winterfell. Davos replies: ‘You are now’ and the man is stunned. Davos has to reassure him with personal anecdotes, as Davos isn’t a warrior either (although he has participated in important battles).
The next person who reaches out to Davos with an empty plate to receive the soup is a little girl, about ten years old, and she says to Davos with the accent of a little English girl: ‘All the children will be going below [of the castle] when the time comes. But… I want to fight’. There can be no clearer message.
Above, Podrick, Brienne’s squire, right before Jaime knighted Brienne, a woman, for the first time in Westeros history. That naming gave the episode its title, ‘A Knight of the Seven Kingdoms’.
In the next scene, Jorah Mormont asks his cousin Lyanna Mormont—the girl who, as we have seen, has admonished Jon several times in front of the lords—to stay in the crypt under the castle during the battle, along with the women and children. Lady Mormont replies that she will fight alongside her soldiers (in the next episode we will see that she dies heroically when the Night King’s army of the dead infiltrates the castle).
Perhaps what was most worth hearing from the episode was the song Podrick sings on the eve of the enemy army arriving at Winterfell, which can be heard: here. Many of those in the castle will die in a few hours. The song conveys a state of unusual relaxation before facing destiny.
‘Winterfell’ is the eighth season premiere episode of HBO’s fantasy television series Game of Thrones, and the 68th overall. It aired in 2019 and the previous season in 2017. What happened in 2018?
I have said several times that the slogan of contemporary cinema seems to be ‘everything for the eye, nothing for the mind’. Well, the show’s technicians spent all of 2018 doing the complicated CGI effects on the dragons for the final season. It was such a laborious task that they skipped an entire year leaving the eager audience in a long two-year wait!
Unsurprisingly, this ‘all for the eye, nothing for the mind’ practice, and in just six episodes for what should have been six more seasons, ruined the series from the point of view of a plausible narrative. However, from our point of view the series was already ruined from the first episode of the first season due to its bad messages.
If there is something ‘for the mind’ that the show left us, it is its feminist trickery. True, from a cinematic point of view, the opening scene of the eighth season is superb: from when we see a boy running in the first seconds until Jon kisses Bran on the forehead (Jon had not seen Bran since he left him comatose and his life hanging by a thread in the first season). George Lucas visited the set where the opening scene was filmed, in which Dany and Jon arrive at Winterfell with an impressive army.
But already in the great hall of Winterfell with the gathered lords we see the first ultra-feminist scene when the Mormont girl, who still doesn’t menstruate because of how young she is, reprimands Jon in front of everyone. At the time of the reprimand Jon is sitting in the hall flanked by two other women: Sansa and Dany. With these TV messages, should we be surprised that adolescent girls have become so insolent?
As is typical of the show, we then see Bronn sexually ridden by a woman (a prostitute), flanked by two other naked women. Politically correct directors seem to be reluctant to film a man riding a woman: their mission is to reverse reality even in bed.
Then we see a third feminist scene when Theon rescues Yara from Euron’s ship and, instead of thanking him Yara headbutts her brother (was it because he didn’t help her at the exact moment when Euron kidnapped her)? Already setting sail, Theon tells Yara that she is his queen, and that he will do what she orders, before a goodbye hug.
This is what fans waited patiently, for two years, to finally see…
‘Beyond the Wall’ is the sixth and penultimate episode of the seventh season of HBO’s fantasy television series Game of Thrones, and the 66th overall. Here we see Beric talking to Jon on the other side of the Wall.
From this episode until the grand finale we began to see problems of another kind. Since George R.R. Martin didn’t finish the last two novels of his epic when they were filming the last two seasons, the producers rushed the story to levels that spoiled the rhythm of the series.
Many fans of the novels are furious with Martin because even today he has not finished the last two novels of A Song of Ice and Fire. I feel a little more empathy for the writer. Writing is a thankless task that is done in solitude, in the writer’s home. Most writers can’t even make a living from their craft. When the miracle happens, as it happened to Martin when HBO decided to bring his most ambitious work to the small screen, it is natural that with the river of money flowing towards the writer he changes his lifestyle, doing the writing in the bedroom more difficult, especially due to Martin’s advanced age.
But the mistake of this episode and others of the following season is that Martin was right in asking the creators of the HBO series David Benioff and D. B. Weiss that the series should run for about fourteen seasons. That would mean that filming would be roughly halfway through by now. If we assume one season per year, the eighth season should have been released in 2018; the ninth in 2019, the tenth in 2020 and this month that I write the fans would be watching the eleventh.
Benioff and Weiss went their own way by taking a shortcut, narrowing down the remaining seven seasons in episodes 66 to 73. And unlike previous seasons that had ten episodes each, the seventh season only has seven. The following season, the eighth and last, only six episodes. That’s far from the adequate pace, although it was only until the middle of the eighth season that fans were very disappointed by this rush.
But still, in this rushed episode 66, we see two conversations between the Stark sisters in which Arya tells Sansa that since she was a child she wanted to become a knight, though there are still no female knights in Westeros; and that she wanted to break the rules. (Worse still, the writers recast this Arya girl with psychopathic traits as we see when she talks to Sansa.) But feminism doesn’t end there. Near the end of the episode the king of the north, Jon, promises Dany that he will bend the knee before her.
Categories
The spoils of war
‘The Spoils of War’ is the fourth episode of the seventh season of HBO’s fantasy television series Game of Thrones, and the 64th overall. The stills show the Stark siblings reunited in this episode, for the first time after they tragically parted ways in the first season. All the scenes in the series and the novels where a heart tree appears have a special charm (below, Sansa under Winterfell’s heart tree).
The first feminist scene takes place in Dragonstone Cave, where Jon shows Dany some ancient cave paintings. Given that Dany and Cersei are the queens who are fighting to see who will sit on the Iron Throne, one might think that Dany could at least tolerate a single king (Jon) in the far north. But no: she tells Jon that she will only help him defeat the Night King if he bends the knee and accepts Dany as the queen of the Seven Kingdoms. If Jon accepts Dany’s proposal, all of Westeros will be ruled by one woman when the powerful Dany defeats Cersei.
Another ultra-feminist message occurs when Brienne tells her male squire, ‘Move aside, Podrick!’, who had fallen to the ground several times training with Brienne. She says those words to him because Arya requests a training exercise from her. Now these two women are the best swordsmen in Winterfell! (It is useless to reiterate that this is an absolute reversal of sexual roles and historical reality in a medieval castle.)
In the previous post we saw that Dany’s mulatto army defeats the Aryan Lannisters in another castle, Casterly Rock. At the end of this episode Dany’s other coloured army, which as I have said Martin seems to have been inspired by the Mongols, defeated the Lannister on the Roseroad (although this time aided by Dany’s dragons).
Categories
The queen’s justice
‘The Queen’s Justice’ is the third episode of the seventh season of HBO’s fantasy television series Game of Thrones, and the 63rd overall.
The first feminist message of the episode is the meeting between Dany and Jon at Dragonstone. I’ve been mentioning the nickname ‘Dany’ that Jon would give the queen when, in later episodes, they became lovers. But the official title of this feminist icon is just the way Missandei introduced her queen to Jon: ‘You stand in the presence of Daenerys Stormborn, of the House Targaryen: Rightful Queen of the Andals and the First Men, protector of the Seven Kingdoms, the Mother of Dragons, the Khalessi of the Great Grass Sea, the Unburnt [fire doesn’t burn her] and the Breaker of Chains [i.e., a SJW queen]’.
Regarding the other queen who also claims to be the protector of the Seven Kingdoms, Tycho Nestoris of the Iron Bank tells Cersei that she is the first queen in the history of Westeros. In other words, there had been no women in power prior to the show’s internal timeline.
It’s becoming increasingly clear that the show is, as we have been saying, a projection of the current lifestyles of a dying race to a medieval world that never existed. Later the episode shows us another kind of bad message: Grey Worm’s mulatto army infiltrates Casterly Rock and captures the castle of the Aryan Lannisters.
Then we see how, after Jaime, Randyll and their armies take Highgarden, Jaime Lannister (pic above) speaks one last time with Olenna before she drinks a poisoned cup.
YouTube fans are already starting to talk about the new series that HBO wants to premiere next year: a prequel to Game of Thrones based on Martin’s fiction (something akin to what Peter Jackson did after his LOTR trilogy). From the casting we can guess that feminism will apparently continue, and perhaps this time one of the main characters is a black man. Hopefully the US dollar will collapse before its release so that the circus will stop looking funny to these degenerate whites…
‘Stormborn’ is the second episode of the seventh season of HBO’s fantasy television series Game of Thrones, and the 62nd overall. We see the first feminist message in Dany’s war council that used to be Stannis’ headquarters. Dany invited three powerful women, Olenna Tyrell, Yara Greyjoy, and Ellaria Sand as allies to overthrow another woman, Queen Cersei. Olenna, Yara, and Ellaria are hawks while Tyrion recommends restraint to avoid unnecessary genocide.
The warriors with balls are women, and those who care for civilians are men (Varys is also in the Dragonstone war council as Dany’s counsel). That eagerness to behave like a hawk is even more noticeable when Olenna is left alone talking to Dany, haranguing her to honour her Targaryen surname, that she becomes a true dragon.
We see the second feminist message of the episode when Sansa, once again in the war council of Winterfell with the lords of the north, again contradicts, and resoundingly, the decisions of the king of the north, Jon. In the real world, an insolent woman who had done a scene like the one Sansa had done in the previous episode would not have entered the war council room again. But here, obviously, the male kings tolerate these mouthy little women, even the Mormont girl who opens her little mouth again at Jon’s war council to show her disagreements.
The worst thing is that, when Jon Snow accepts the invitation to visit Dany in Dragonstone, he leaves Sansa as Guardian of the North in Winterfell. So now three women rule Westeros: Cersei in King’s Landing, Dany the invader (who has allied with Olenna, Yara and Ellaria), and Sansa as guardian of the north while Jon Snow returns from his dangerous diplomatic mission.