had won WW2…
…instead of the imbecile Western presidents supporting Israel in the war with Iran, this is what we would see on the streets of Europe.
Lebenskraft ! (4)
Bratislava
27th April
En route to Budapest I made a stop to visit the beautiful capital of Slovakia, a city bathed by the Danube, to explore its small streets.
But it is the beauty of the Aryan race that moves me to blog. In the studio where I work you can see some framed pictures I took from Parrish’s poster book (here and here), where we see perfect nymphs. In Parrish’s book we can also see ephebes, like these in the first illustration of the book, although I didn’t frame that image.
In Bratislava I made a disturbing find.
Since only the most beautiful specimens of the Aryan race are my inspiration, I couldn’t fight for the whites I saw in the Slovak Republic capital. I even saw a short woman walking next to a black man. Unlike the nymph I saw in Prague who was kissed by a gook, a female specimen who might as well have modelled for Parrish, the spectacle of the short woman in Bratislava didn’t bother me at all: her face was ugly, like most of the whites I saw there.
Another thing that surprised me was that the white men in Bratislava were shorter in stature than I was. In my soliloquies I re-evaluated the years I spent in the UK and the US, where I got to see women as beautiful as the paintings that now adorn the walls of my studio.
In my notebook I wrote: ‘For this race I wouldn’t fight, only for the perfect nymphs I have seen in regions much less mixed with non-Aryans. What a gulf with Catalina and Carmen!’[1] And I thought of the Norwegian actress Marta Kristen from Lost in Space, who had been born in one of Himmler’s human farms to breed a perfect race. I also wrote in the notebook I had bought in Prague: ‘These are the kind of purebred creatures who should now be living in all the parts of Europe I have visited, instead of these third-rate Europeans who evoke spaghetti Westerns’. And added: ‘I greatly despise white nationalists because, given their Christian/neochristian programming—egalitarianism among whites—they are incapable of making these distinctions. Himmler wasn’t of this perfect prototype, but he was noble enough to recognise it and to seek out, among the Nordics, the prototype’.
Then I sat down on a street famous for its trees to look at the faces of the people passing by. After a while I realised that I was next to the American embassy!
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[1] I talk about Catalina and Carmen in Lágrimas, the third book of my autobiography.
A brief word about Pyotr Ilyich Tchaikovsky.
In the comments section, the day before yesterday I spoke of the need to ban all kinds of dances in vogue in the Gomorrah world, even if they are heterosexual Gomorrahites: dances that involve such degenerate music that they make one want to flee the West as much as Lot fled from Gomorrah.
To understand a contemporary Lot it is necessary to be musically educated from early childhood. Since I was a very small child my father, a composer, put on the record player so I could listen to works by Mussorgsky and Stravinsky. So Russian orchestral music was my first love. Already at the age of six, I went with my mother to see Sleeping Beauty on the big screen, whose musical score, in which Walt Disney used Tchaikovsky, is magnificent. Thus I would like to say a few words about this composer.
What is most striking is that in 1854 his mother died during a cholera epidemic: a brutal blow when Tchaikovsky was fourteen years old. Almost forty years later, it is rumoured, Tchaikovsky drank water during another cholera epidemic without boiling it, knowing it was forbidden. How he was treated as a child we will not know, although I would like to know if any biographies speak of what his early years at home were like. All I know is that, according to a booklet by Javier Alfaya, Tchaikovsky ‘always kept open the wounds of his childhood and adolescence’. The fact that his brother Modest also became a homosexual makes me suspect some toxic atmosphere in the family dynamics of his childhood and adolescence.
But the current era that inverts values to the extent of glorifying Gomorrah, when speaking of Tchaikovsky omits extremely important data, such as the fact that in 1867 he fell in love with a woman, the singer Désirée Artôt, whom he wanted to marry. This fact belies the fashion of calling Tchaikovsky ‘homosexual’ in this era of glorification of inverts. Considering this simple fact he was bisexual.
True, Tchaikovsky didn’t understand the music of Wagner, who was my favourite composer even when I was an anti-Nazi normie. But he loved Italy and especially Florence, which I have visited. I like that Tchaikovsky rejected Brahms’ music: ‘His music doesn´t burn with the fire of genuine feeling, it lacks poetry’ and is ‘just empty space’. And I am also pleased that he despaired of Beethoven’s quartets (well into the 1970s I made an enormous effort to understand them but even now I find them very depressing). Of Bach, Tchaikovsky simply said that he was interested in him but didn’t consider him a great genius; once again, just what I feel.
I don’t want to say much in a very brief note except to add that my favourites of Tchaikovsky’s are the Nutcracker Suite, the Fourth Symphony and the first movement of his Piano Concerto No. 1.
I listened to a couple of black guys’ recent interview with Derek Lambert and found it very instructive.
What I loved about the interview was a family anecdote. In trying to reason gently with his Christian mom, rather than giving her the exegetical spiel he mentions on his MythVision podcasts, Derek compared the NT to the tale of Odysseus: the religion of the ancient world for white people. At one point, Derek mentioned that the Greek Gods were absolutely beautiful physically (which is just what I’ve tried to convey on this blog since the site’s earlier incarnations)! So admirably did he summarise the adventures of Odysseus that, in a soliloquy, I said to myself: This segment could very well have come from the lips of an NS man trying to raise Aryan children!
Indeed, Derek’s words about The Odyssey are the best introduction to the ethos of Homer’s epic poem that I know of. Alas, although in that interview Derek spoke eloquently about the dishonesty of Christian apologists, as a good neochristian he doesn’t tolerate ‘racists’, ‘homophobes’ and ‘misogynists’ (see here why we put quotation marks around these words).
…is the world we lost when we started hating the fair race!
As a child (I’m exactly Mark Lester’s age), with my family and on the big screen, we saw this movie about six times.