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Author: C .T.

Categories
American Revolutionary War Philosophy of history

Might is right, 18

Chapter III: The spinning of the web

Just as the spider weaves his silky web, to lure flies into the larder of his banqueting hall in order that he may at his leisure, pick the flesh off their bones, so deceitful ideals are cunningly woven by dexterous, political spiders, to capture and exploit swarms of human flies.

The 1823 facsimile of the Declaration of Independence.

What are the grandiose paragraphs of the Declaration of Independence, but the weft and woof of a dazing spider-web? And what are the American People but the flies that have been cleverly entangled in its gossamer meshes? For over a century this ‘Declaration’ has been the parchment divinity or all public orators, from the curbstone dervish at the street corner, to our Elective Monarch in the White House. Every 4th of July, Americans habitually scream themselves hoarse over its sounding generalities: making the welkin ring with tin-horns, giant fire-crackers, flag-idolatry, brass bands, toy pistols and herd- bellowing generally. Although the great majority of them are mental and physical dwindlings, poverty-stricken, and property-less yet how insanely they delight in amusing a sardonic world with their loquacious flamboyant charlatanry. ‘We are sovereigns and equals’ is their everlasting Barmecide chorus. ‘Sovereigns and Equals!’

In all lunatic asylums may be found inmates who fancy themselves kings and queens, and lords of the earth. These sorrowful creatures, if only permitted to wear imaginary crowns and issue imaginary commands, are the most docile and harmless of all maniacs.

As for the American People of today, Is not their written constitution but a cunningly constructed straight-jacket—their moral codes, padded prison-cells: their statute laws handcuffs and leg-irons—their Captains of Industry keepers and turnkeys in clever disguise? One hundred years ago they ostensibly commenced ‘independent’ operations with the richest continent on earth as their private property—their subscribed capital; and during the whole of that period, have they not been as busy as so many relays of draught beasts-of-burden, pumping the tremendous natural wealth out of their home soil, and pouring it over-sea, into the cess-pools of Europe?

Is not that the work of lunatics? They smashed and splintered the wooden political yoke of an English king and then proceeded to rivet around their necks a brand new yoke of bolted steel, which they forged especially to fit themselves: and which they dignified under the name of ‘Constitutional Freedom’.

Is not that also the work of lunatics? Cursed indeed are the harnessed ones! Cursed are they even though their harness be home-made—even though it tinkle musically with silver bells—aye! even though every buckle and link and rivet thereof is made of solid gold.

How absurd of men to hurrah over their ‘glorious political liberty’ who have not even been able to retain possession of the substantial products of their own laboriousness. After a century of ‘constitutional progress,’ ten per cent of the population are absolute owners of ninety-two per cent of all the property.

Now, O reader, Are not these things the outward and visible sign of organic dementia?

Categories
Degenerate art Film Kali Yuga

Netflix, etc.

Since my sister lent me her Netflix account so I could watch Breaking Bad, I decided to watch the first few minutes of other series and movies filmed during the darkest period in Western history.

Seriously, anyone who watches that stuff regularly as if it were legitimate entertainment is a person with a xenomorph in their brain, so I had a daring idea that I won’t carry out: to start reviewing each of those things and, at the first subversive message, stop watching.

For example: there’s a series about Latin American drug traffickers that begins with a scene of the drug lord Pepe Escobar. I barely watched the first few minutes and I thought to myself: “Those lands should be conquered by pure Nordics. Since the writers don’t propose turning Latin America into New Scandinavia, the series’ message is bad”, and I stopped watching it in the first scene of the first episode.

Something similar happened to me with one of the most famous Batman instalments: a film that even some white nationalists love (that’s why I said yesterday that they too have the xenomorph amalgamated in their brains). The moment I saw that they want to prosecute a gang of criminals through the American legal system I interrupted because, in a sane world, they would simply be executed like the Nazis would (the American Constitution, its laws and legal institutions are, naturally, xenomorphic).

I could say something similar about other films or series, of which I only tolerated watching a few minutes of each. But with what I’ve said, it’s clear what my reviews would be like for 100% of what’s shown on Netflix, HBO, in theaters, on free or pay television channels, not to mention the millions of accounts on various social media platforms.

Do you finally understand what I’m saying in the featured post?

The aspirant to the priesthood of the sacred words will find it hard to swallow, but only the day after tomorrow belongs to us, as Nietzsche would say; some of us will only be born posthumously…

Yes: we priests are premature births of a future yet to be verified: a future whose arrival is uncertain, but which I will strive to bring about through my work (that’s why I named the publishing house I hope to found Daybreak).

Categories
Film Racial right

Breaking

Bad, 3

Tucker Carlson asks a beautiful blonde who is behind the destruction of the white race through mass migration. Neither of them knows the answer.

The typical white nationalist would say it is the Jews, but that doesn’t explain things like white suicide in the Roman Empire through gradual miscegenation that culminated in Constantinople, or what the Spanish and Portuguese did in the Americas since the 16th century. Nor does it take into account the beginning of the repudiation of anti-miscegenation laws in some US states long before the Jews took over the country.

As I have already said, to understand what archetype has taken hold of the Aryan collective unconscious, it is necessary to look at the cultural aspect, specifically bestsellers. Ivanhoe in the 19th century idealised Jewry; Ben-Hur portrayed the Romans as the bad guys and the Jew as the good guy, and Uncle Tom’s Cabin portrayed the black man as the good guy and the Dixie landowners as the bad guys. These super-bestselling novels have something in common: they weren’t authored under Jewish influence but by Christians who vehemently subscribed to Christian ethics.

In our century, the above-mentioned novels have lost their power to X-ray the soul of the contemporary white man. But now we can do so with the television hits that the white masses loved: the zeitgeist of our century.

Yesterday I finished watching, skipping what I already remembered from the first time I saw the series, Breaking Bad including the sequel movie, El Camino: where Jesse Pinkman is the main character (Walter White had died at the end of Breaking Bad). I don’t want to dwell much on my repetitions but, like the novels mentioned (one European and the other two American), the good guy in the film perfectly portrays what I have called neochristianity on this site.

The scenes that bothered me the most were when Jesse, in a fit of St Francis-like madness (Francis gave away the clothes his father made to the poor of Assisi), gave away to the people on the street the millions of dollars that Walter had worked so hard to earn. But worst of all is that, prior to that neo-Franciscan fit, half of Jesse’s millions were destined, as he asked his lawyer Saul, for a Hispanic woman and her mestizo son…

There’s the answer to Tucker’s question!

As I said, regarding Tucker’s question a white nationalist would automatically blame Jewry, exonerating the white man. From our POV, one must take into account the great hits of Western culture as X-rays that portray the particular archetype that has taken hold of the Aryan psyche. And it is clear that this archetype is Christian ethics, which, although authored by rabbis in the form of the New Testament, has been internalised by the Aryan to the very core of his being (which is why I recently used the image of the xenomorph stuck deep in the throat of a white man).

This is what white nationalists don’t want to see. But if they don’t see it they will become extinct.

There is no point in criticising Jewry if one doesn’t perform a radical operation on one’s own soul to remove the xenomorph (the Bible in a nutshell: “Old Testament exterminationism for me; universal love for thee”). And this is done, of course, by transvaluing all Christian values including things like raping the Sabine women to create not a New Jerusalem but a New Rome; genociding the people of Jerusalem without Titus’ contemporaries feeling the slightest remorse, and even the (occasional, not normative) recreation with ephebes for centurions who haven’t seen their wives for years and want to take certain liberties with their cupbearers before battle.

All of this—mass rape of women to found Rome, occasional acceptance of pederasty, or having feelings opposite to those of Jesse Pinkman in a genocidal campaign—is completely alien to white nationalists precisely because they have the xenomorph embedded in their brains.

For Americans, who unlike Europeans were born into Christianity, it will be very difficult to transvaluate Xtian values.

But it is the only path to salvation.

Categories
Ancient Greece Ancient Rome

All values

The concept of transvaluation is not fully understood. I doubt that even the Christian and neochristian (i.e., atheist) racialists who visit this site understand it.

If we take into consideration what I recently said in my previous post in the context of Greco-Roman pederasty, we could educate visitors with this reasoning:

During Rome’s wars against Judea, Titus was given the responsibility of putting an end to the rebellious kikes, a task he carried out successfully after besieging and conquering Jerusalem in 70 c.e., whose temple was looted and destroyed by his troops in the burning of the city. His victory was rewarded with a triumph and commemorated with the construction of the Arch of Titus.

They even made a statue of him modelled on Polykleitos’ Doryphoros (79-81 c.e.), which is in the Vatican Museum. As can be seen in the statue, a pope didn’t tolerate penises and ordered all the statues in the Church’s custody to be “castrated”.

The Nazis didn’t finish revaluing all values. It was a process that in the 1930s was just beginning. If National Socialism had developed over the last eighty years, there might already have been attempts to sculpt the Aryan warriors of our century inspired by Polykleitos or other classic sculptors. But at the time, national socialists still carried the shame or guilt inherited from Judeo-Christianity: it would have been inconceivable to sculpt statues of Hitler naked even if, like Titus, he had won the war against the Judea of our times.

Transvaluing includes putting naked statues of every Aryan hero in public squares, as the Greeks and Romans did, and not having them hidden and “castrated” by deranged popes in Judeo-Christian enclosures.

Sometimes I wonder, besides myself, who has transvalued all Judeo-Christian values?

Categories
Conservatism Nick Fuentes

Webbon’s

interview – 3

Nick Fuentes says that, for St Paul, the “concession” was to marry in the sense that celibacy is better.

See the inferiority of Christianity to Judaism: the stars promised to Abraham were his future kike descendants without demonising sex. But in Judeo-Christianity sex is sinful for gentiles (i.e., white people from the Mediterranean). The god of the Jews “concedes” us marriage so that we don’t burn with lust, but the highest state is non-reproductive celibacy, and Fuentes even talks about monasteries.

Then Nick confuses marital masculinity with a feminised husband. Since I’ve been talking about Breaking Bad, let’s say that Nick confuses masculinity with a character like Walter White: a “man” who put his family above everything else. On the other hand, we see true masculinity in Sparta, pre-imperial Rome, the Goths, the Vikings and National Socialism where there is Männerbund, unlike the decadent 21st-century America so well represented in the gynocentric scenes of Breaking Bad.

In practice, Nick’s Catholic recipe is perfect for the dysgenics that has been perpetrated in Europe since Christianity was imposed on whites. This dysgenics (“Are you smart? Go to the monastery and don’t reproduce!”) caused the IQ of Jews to rise over the centuries while the IQ of whites dropped. This perverse eugenics / dysgenics reached the point where Jews now have the highest IQ: a genetic courtesy of Christianity that Nick and other racialists stupidly cling. Just look at Nick’s statement in his interview with Joel Webbon: “The priesthood, the monastic life is the most masculine thing that a guy can do…”

Above, Ascyltos, and Giton playing the role of Ganymede, in Fellini Satyricon. Zeus was capable of countless love affairs not only with goddesses but with women. On one occasion, he even fancied Ganymede and abducted him to see what the androgynous ephebe tasted like. But for Nick the masculine man is not represented by Zeus but by the Aryan humiliated with a ton of guilt—the monk—if he fails to love the Jewish god.

In sharp contrast to the Greco-Roman ethos, above we see Franciscan and Benedictine monks in the film The Name of the Rose.

Webbon then quotes Paul’s epistle to the Corinthians; he says that celibacy is a gift, and talks to Nick about “fleshy appetites” in the Christian sense. Compare this with the Greco-Romans. Their Gods were openly rapists; it was Christianity that made us feel guilty about that. Fuentes, incidentally, is a virgin as he recently confessed to Piers Morgan: something inconceivable to the ancient Greeks and Romans of his age.

Are you beginning to understand what the Judeo-Christian inversion of values was? For kikes sexuality isn’t sinful but Paul preaches something else to us, and these idiots—not just Nick but Christian racialists in general—are incapable of seeing the Jewish psyop!

A little later in the interview, Nick says that many put family above God (that is, above the Semitic god with his double standard for Jews and gentiles). That’s why Fuentes goes on to say that the pinnacle of masculinity is the celibate monk.

At minute 40, Nick says that since women are ultimate conformists to the System, they can betray you if you marry in this anti-white male era. Let’s illustrate this with Skyler who, in an episode of Breaking Bad, goes to a female psychotherapist who suggests Skyler to report her husband Walter to the police for drug trafficking. Walter had been foolish enough to confess everything to his wife in private, when you should never tell women anything about serious matters, such as committing illegal acts or having an affair with Ganymede: they are incapable of understanding the male drives.

Do you see why we should only have lunches and dinners with heterosexual soldiers? Even after the Spartans were married they didn’t eat with their wives but with other tough guys where they could talk as rudely as I do on this site.

Categories
Heinrich Himmler

Church

Himmler tells the Church their time is over:

I once told a high-ranking Church representative: Your time is over; now you will face exactly what you did to us. The 2000 years where you lived in the sunshine and we in the shadows have come to an end. Now, we will live in the sunshine, and you in the shadows.

—Heinrich Himmler, speech at the group leader meeting in Bad Tölz in 1937.

Categories
Feminism Film

Breaking

Bad, 2

I had promised a critical review of the series, but the YouTuber who reviewed it on his channel, which Mauricio transcribed and linked to in my midnight post, already covered the essentials. So, aside from this one, I won’t be posting any more articles: I’ll limit myself to saying a few things about some episodes from the first and second seasons of Breaking Bad.
 

Episode 2

In the first subversive message against Aryan sanity, we see Walter having breakfast with his family, who judge him with their stares. Remember that the right path would be to share meals in a Syssitia, not a nuclear family, but rather an extended family. Without the proper Männerbund restoring Aryan culture is impossible (women aren’t creators of great civilisations).

This lack of manliness, stemming from eating with a woman and a disabled lad instead of soldiers, is reflected in Walter having to kill a dangerous Hispanic man in Jesse’s basement. Walter first sees a knife, a hammer, the guns and a plastic bag but he doesn’t dare do anything because, like the rest of Western men, he’s feminized (compare Walter to Earl Turner from William Pierce’s novel).

Then there’s a funny scene. Walter tells Jesse that, to put the body of another dangerous non-white in two plastic containers to dissolve it with chemicals, they have to put the limbs in one container and the torso in the other: dark humour!

But in the second subversive message we see that Walter was expecting a baby girl, according to the ultrasound. What an idiot given that Walter Jr. is disabled and, in a normal world, the father should yearn for a male heir to replace the idiot (those values no longer exist in the degenerate West). Skyler, pregnant, confronts Walter and scolds him for smoking marijuana at Jesse’s house (remember that Walter dies of cancer). That probably wouldn’t happen in a Spartan home.

It was hilarious to see that when Jesse drags the already smelly corpse of the gook guy who tried to kill him, the body bangs its head on the steps as it’s carried down, and the ultimate dark humour came when the bathtub melted as the body dissolved because Jesse didn’t follow Walter’s chemical instructions. It made me laugh big time! But before that Jesse told Walter, “It’s obvious [Walter’s wife] wears the pants in the family.”
 

Episode 3

“Murder is wrong,” Walter writes during his internal struggle because he doesn’t dare kill the dangerous spic, who is tied up in Jesse’s basement. Is it possible to reclaim the Old US with such Christian morality? Then, Walter calls his wife to check in because it’s late and he hasn’t arrived, as if implying that she’s the one in charge. It’s inconceivable to become a Nazi with Americans like that. Of course, Walter coughs because cancer is eating him alive, but there are countless husbands who behave like that, even without cancer.

But then Walter regains his manhood and commits his first direct murder: he finally kills the Hispanic guy. How many of those who blog on racialist forums would commit such an act?
 

Episode 4

In the first scene after the episode’s introduction Walter is eating with his wife, his brother-in-law Hank, and Walter Jr. Part of the feminization of men—and this must be iterated—is the absence of a Männerbund. In a virile culture, there would be something similar to the laws of Lycurgus: forcing warriors to eat together to build the martial patriarchy. Instead, this bourgeois meal between two couples and a disabled son can only diminish the man’s warrior potential. Of course, the US has long been beholden to Judaism, and the only martial act permitted in that culture is defending Israel’s interests, but that is diametrically opposed to an Aryan culture and already changing among zoomers.

Watching the family scene in the Albuquerque, New Mexico, poolside on what appeared to be a relaxing Sunday, I thought to myself: What would the diners of a Spartan Syssitia (or its SS incarnation in Germany) be discussing at a table? Surely they’d be joking in the crudest way possible! Remember that Lycurgus ordered an effigy of the god of laughter to be placed in the dining halls of every Syssitia: coarse humour among warriors that would scandalize any little woman who dared approach such a place! Walter’s family is the opposite, and what’s worse is that white nationalists don’t even want to live together to create the necessary bonding within a small community of warriors (each Greek Syssitia consisted of relatively few men so that the bonds of friendship would be quite strong).

In contrast, upon hearing Walter and his brother-in-law talking on that family Sunday with their wives, the priest, preoccupied with the sacred words, can’t help but think that those families are talking rubbish—precisely because there are women present! (Remember that women infantilize everything because, psychologically, they are “between man and child” as Schopenhauer said.)

After revealing to his family that he has cancer, in the next scene we see Walter Jr. listening to degenerate music in his bedroom with headphones. After his family comforts Walter, in the following scene we see Jesse with two of his buddies: pure white trash. The priest has no interest in preserving people like that, but this white trash seems to be the current norm unlike, say, Norman Rockwell’s paintings (the image of Americans I was left with as a child watching old movies with my family).

The next toxic scene is that the oncologist, who charges five thousand dollars for a consultation and is one of the top ten in the country, is Black: typical of Hollywood, Netflix and HBO subversion.
 

Episode 5

There’s only one good scene when we see Walter with his family and Hank’s, saying he prefers quality of life to the misery of chemotherapy which would only prolong his life with terrible side effects.

Then comes a toxic scene, almost at the end: Gretchen, the Jewess wife of another Jew, Elliot Schwartz, takes pity on Walter and wants to help him financially. Walter, who needs a lot of money for his treatment, goes back to Jesse’s house and asks him, “Do you want to cook?”
 

Episode 6

Walter’s chosen alias for dealing with drug traffickers is mentioned for the first time: Heisenberg, in honour of the German who should have built the atomic bomb for the Third Reich. Now bald from chemotherapy, Walter has lost his fear of death and dares to go after the most dangerous Mexican distributor in town.
 

Episode 7

For the first time we see what would become the iconic blue methamphetamine that would make “Heisenberg” famous in the drug world.
 

Episode 8

Skyler scolds Walter for suddenly wanting to make love to her in the kitchen. On the other hand, Walter is becoming a man by dealing with tough thugs like Tuco, from the Juárez Cartel. But the screenwriter makes it clear that around his wife Walter behaves like a child: something that reflects today’s culture. Then there’s a scene with Hank and his own wife that also shows the crazy extremes of today’s feminism (I wouldn’t let a woman treat me the way this DEA agent did).
 

Episode 9

Walter and Jesse aren’t men yet. For a minute, they had Tuco Salamanca and the disabled Hector Salamanca, ruthless drug lords, at their mercy and they didn’t pull the trigger. This pair of white “heroes” wouldn’t work in the revolutionary times to come.
 

Episode 10

Nothing to report here except that feminism continues in the final scene, with Walter and Skyler in bed, Skyler not even letting Walter kiss her (compare it with the rape of the Sabine women: the foundation of Rome).
 

Episode 11

The episode begins with a subversive message: Walter tells Jesse in a small supermarket that he can’t cook right now because his wife worries if he’s gone for more than twenty minutes. Then there’s another subversive message in Walter’s breakfast scene with Skyler: the same old pandering! A great humiliation for the man.

What we see on Netflix are anti-role models par excellence, a true inversion of values: secular neochristianity taken to its apotheosis. Throughout the episode, the pregnant Skyler mistreats her husband. After Tuco’s death, all these family scenes are a tremendous anti-climax to Walter’s previous bravery with the Mexicans. And the heterosexual fag still apologizes! Can you imagine these anti-Spartans reclaiming all the territories occupied by non-Aryans in the US? “I love you,” Walter tells his wife: something we should never say to a woman.

 

Episode 12

Tough cop Hank has similar problems with his wife but l am fed up with these family dynamics and must stop here.

Categories
Literature

Ahab

Editor’s note: Below is a passage from a video about Breaking Bad, transcribed by Mauricio, in which the author alluded to the famous novel by Herman Melville.
 

______ 卐 ______

 
There is another famed literary work that may provide insight into Breaking Bad’s true significance: the aforementioned Herman Melville novel Moby Dick. The White Man, then, is America’s White Whale, and he hunts himself. His poisoned consciousness striving to slay the primal, untamed life force within, the inner Heisenberg. Pitted against himself, he despises this uninhibited inner nature, because it does not conform to the false moral system that has been imposed upon him, and by which he judges and condemns his own being.

This is why we are driven to subjugate ourselves to systems that chain us, moral precepts that harm us, and drugs that weaken us. It is why we mutilate ourselves through endless self-critique and why we relentlessly scrutinise our own thoughts and deeds. It is why we are now compelled to submit to the synthetic gods that, through AI, we are in the process of creating. And like Ahab and his Pequod, we recruit peoples from all corners of the Earth to assist us in our task. This hunt to slay the Great White Beast has become the meta-narrative of the Modern Age, and it is the secret tie that binds its many myths together [emphasis added by Ed.].

We hunt ourselves because the conflict between our primal inner being with its forbidden strength and the servile creature we have been trained to become is irreconcilable. And one force must inevitably triumph above the other. Either the moral system we have accepted dies, or we die. There is no middle ground. This is the choice that lies before us.

Categories
Aryan beauty NS booklets

Booklets, 2

Several years ago, I received several booklets in the post that I had bought from an American distributor. Some time later, I wrote on the blank pages of the following booklet (my Spanish-English translation):

SS Leitheft, year 7, issue 2b.

After all this time, I am returning to reading these booklets because only now have I matured enough to criticise this naive NS who was never openly anti-Christian. Note that I am not criticising Hitler, but the German people who had to write these politically correct things so as not to break completely with tradition.

But I am having second thoughts. I think I should first read Richard Weikart’s book on Hitler’s anti-Christianity and only then return to these booklets. Otherwise, it’s like putting the cart before the horse.

The fact is that the Nazis Lite [who wrote it] weren’t like Hitler. Perhaps my new series should be titled “NS Lite 1,” “NS Lite 2,” etc., after reading Richard’s book.

In stark contrast to what I said today in the thread whose article features a nightmarish drawing by degenerate Swiss artist H.R. Giger, in this booklet we read:

What We Find Beautiful—That is Race!

There were once strange people in Germany. Their slogan was—and in the jewized Anglo-Saxon world it is still screamed at the top of the lungs—the assertion of the equality of everything that bears a human face. These strange preachers, erring lunatics and intentional liars, should have marched with us, when we entered the ghettos of Lublin and Warsaw, or when we drove together the first black prisoners in the west! Then these equalisers would have had the right material for observation, and we would have gladly allowed them to voluntarily mix into the ranks of their crooked-nosed, flat-footed “brothers” or among the thick-lipped Negroes. That such thinking could ever find any place at all among our folk, is because within a clan many really consider it a coincidence, if the children come into the world sometimes black-haired, sometimes blond-haired, sometimes tall, sometimes short, sometimes slender, sometimes chubby. Even our peasants, who are refined breeders of farm animals with precise knowledge of breeds of domestic animals, appear to have forgotten everything within their own home and think human breeding is nonsense, if not immoral.

It has already been a success that the concept of race is expressed in our folklore at all.

But long is still the path to the implementation of the consequences that must be derived from the scientific knowledge for all and each individual.

And it is ever more difficult to affirm the working of the laws of race in those spheres that appear to be so far removed from the physical-external that they are considered a private matter. And even if the equality of the countenance is no longer believed, many still want to think that men are the same when it comes down to feelings, love, aversion, beauty and justice. [pages 7-8]

Although I read the passage in the printed booklet whose image we see above, to avoid typing I copied and pasted this passage from Renegade Tribune (specifically, here). I’ve known about that site for a long time and love that they put Goodrich’s Hellstorm at the top. But until today, I didn’t know that Renegade Tribune has excellent NS material, including links to Bitchute of our Führer’s after-dinner talks. The booklet continues:

Many Folks—Nonetheless One Ideal!

When, for example, the soil of the ancient world, hence the Hellenic-Roman folks of the time two thousand years ago, today reveals marble statues, then it is as if one of our brothers, indeed the best looking one, is there chiselled into stone. Only a few externalities of the ancient figures seem strange to us, but without hesitation we take them as paradigms, and for centuries the German world, lacking it own supreme masterpieces, admired the Greek artworks as an ideal […].

The word “race” gives the key to the explanation. And if we had nothing more about the Greek works of art, no text and nothing written—from these portrayals we could see they were men of Nordic blood, immigrants and descendants of the great tribe that even today still fills our land with its blood.

Among our Germanic ancestors, it was the opposite. Their artworks, presumably carved in wood, have long since perished in the damp German soil. But here the witness of the fairy tales, sagas and heroic songs speaks a clear language. Where beauty and manliness are portrayed there, we read the adjectives “strong, tall and blond”. Women are praised because of the shimmering white of their skin, their tenderness and the rose colour of their cheecks. The kindly goddess of Germanic man, the older example of “our dear wives”, is Berchta, whose name downright means the “light one”, the “radiant one”. [pages 9-10]

But on that same page 10 and the next, we see a monocausal slant: mentioning Jewry, but not Judeo-Christianity which has rammed the Jew’s dick down the white throat (see Giger’s drawing). Although Renegade Tribune does acknowledge the Christian Question, it doesn’t present it as the primary source of Western decline.

In the next chapter of the booklet we see a beautiful poem, although translated from German into English something must be lost. It seems to portray in verse what I have conveyed on this site in images with the paintings of Parrish and other artists:

So sings Walther von der Vogelweide:

Sweetened through and flowered are the pure women:
There was never anything so blissful to look at
In the skies, nor on the earths, nor in all the green pastures.
Where one sees a beautiful woman, that can moisten sad disposition.
And dissolves everything sorrowful at the same hour,
When her sweet, red mouth dearly laughs in love,
And rays shoot from plating eyes into the base of the man’s heart.

This reminds me of an afterthought attributed to David Lane about the second 14 words: that female beauty turned out to be a lie. That’s relative. It’s only a lie when it comes to the millions of Pod women mentioned in my comment on “Damn Christians.” But it is not a lie if we reinstate patriarchy to the extent of transvaluing Woke values to the world of Jane Austen in terms of sexual morality. “Women are automatons,” a friend just told me. I would add that they would behave only if men reclaimed their manhood (something I will discuss in one of my next comments on Breaking Bad).

On the next page of the booklet’s poem, we see a reproduction of an image of the Virgin Mary in Freiburg Cathedral as an example of nobility of soul. True, but let us remember that the Church only allowed this type of artistic eulogy to Aryan women in the context that they were Semites: something false insofar as those Christians didn’t know what the kikes of first-century Palestine looked like! The editors of the booklet do not seem to have realised that their POV was ambivalent, and even less did they know that after 1945 the Semitic side would triumph decisively over the Aryan, to such an extent that the body of the Aryan woman is now only venerated in a culture that thoroughly degrades it.

In a blank space in this booklet that I read years ago, I wrote:

In my post, I will say that Richard Wagner was a stepping stone. And so were these booklets: another stone from Christianity to ancient paganism.

I do not criticise them, because it was natural to convince the German people step by step. Now, in The West’s Darkest Hour, only the ultimate truth must be told.

Regarding the “stepping stones,” I was referring to my metaphor of crossing back the psychological Rubicon to Greco-Roman values.

Categories
Degenerate art Feminism Film

Breaking

Bad, 1

What I said in yesterday’s post means that, from now on, I must take off the gloves on this site and start throwing hard punches at those to the left of the Nazi: whites in general and white nationalists in particular.

I’ve been looking at ratings pages for the most popular television series. Breaking Bad came out on top in several of the lists.

If Breaking Bad has the reputation of being the best series, that means it is a portrait of the American psyche of the 21st century, as novels such as Ben Hur and Uncle Tom’s Cabin were in the past (I was one year old when the movie Ben Hur, starring Charlton Heston, hit the big screen). Just as these novels completely sold out to Christian ethics were supertoxic to the Aryan DNA of Americans of yesteryear, so are all the Netflix and HBO series today. But let’s focus on just one, presumably the best.

Remember that in the final essay of On Beth’s Cute Tits I critically reviewed each of the 73 episodes of Game of Thrones (GoT) because of the crazy feminism of that famous series. Although I had already written an article about Breaking Bad in September 2022, I will now do the same thing I did with GoT with each of the 62 episodes of Breaking Bad. I am doing this because I have realised that only the punches of hatred in my writings cure me of depression (remember the words of Colin Ross, who coined the expression trauma model: “The best antidepressant on the market is anger”).

The first episode of the first season of Breaking Bad is titled:
 

Pilot

The first toxic message appears at the beginning of “Pilot”. Walter White, the main character, tells his wife Skyler White in a video he records that she is the love of his life. Remember that Savitri Devi said she would despise a man who put her before him. A real man shouldn’t idolise his wife. It was precisely unconditional love that made my father believe the slander my mother spread about me (eventually, because he believed those lies, he murdered my soul). A real man can love his wife, but never idolise her. A true man loves his race, and his primary bond should be with other men—Männerbund—and his firstborn son, who should inherit his worldview, scale of values and property.

Walter White’s only child, Walter Jr. (“Flynn”), who was born with cerebral palsy, would have been euthanised in Sparta. In the first episode, in addition to his wife, Walter also addresses a message to his son in the opening scene of the video, as before committing suicide he planned to send his family a video as a posthumous farewell message. That is the second toxic message of the episode: to love defective offspring because Christian ethics prevent us from performing the most basic euthanasia, something that the pagan Hitler wanted to transvalue with his Aktion T4 programme.

The following family scene shows that Walter Jr. is even a little shit. If Christianity prevented me from euthanising him as a baby, I would disown such a creature and let the female raise him without a penny from me. But of course: Americans, including the misnamed white nationalists, live under a culture, government and laws inspired by Judeo-Christianity, not the pagan Greco-Roman world.

Authorisation drafted and signed in October 1939 by Hitler for the euthanasia programme. The Spartans would be proud!

In the following toxic message, we see Walter White teaching a mixed class: boys with girls. This is a modern aberration: Boys should be educated to wage war (exterminate Neanderthals) and girls to procreate warriors. The reason American racialists don’t want to see the obvious is that, in reality, they don’t care about their race (see the book linked above that includes my critical essay on feminism).

We see the following toxic message at Walter White’s birthday party, where women and men are mixed. This didn’t happen in more civilised times, when men and women only mixed liberally at balls intended for finding a partner to comply with the 14 words (as in Jane Austen’s England). All the women at the party at White’s house have been empowered in the ethnosuicidal American society of our century (one or no children per woman, etc.), when in a normal world it is the man who chooses how many children he will have.

Hank Schrader is Walter’s brother-in-law and a member of the DEA. We see the next toxic message at the same party, where we see for the first time that Gomey, Hank’s right-hand man, is Hispanic: someone who should never have been an American citizen; and if there are millions of Gomeys in the US we owe it to the damn Christians.

In the next toxic message, we see Skyler masturbating her husband Walter in their marital bed while Skyler is busy on her laptop: a distraction. In a normal world, serious instruments would only be used by adult males, say, the heads of households of ancient Greece with the right to vote.

In the next toxic message, after Walter is diagnosed with terminal lung cancer, we see Skyler scolding him because her husband used a credit card, presumably, for lab tests (the woman ignores he has cancer). In a normal world, only men would be in charge of family finances.

We see the next toxic message when Walter White and Jesse Pinkman, the second most important character in the series, begin cooking methamphetamine for the first time in the desert, far from the madding crowd. But the director chose degenerate music for the scene, inspired by the anti-music of blacks. That anti-music perfectly represents the corrupt soul of contemporary white men: not just gringos. When Walter flees in the van after chemically knocking out a gook and a spic who wanted to kill him, we hear niggers’ rap as background music. In the final scene Walter makes love to his wife with degenerate music, but this time apparently composed and played by white people.

It’s truly incredible how overt anger heals a depressed soul (something that applies not only to the fictional Walter White, but also to the author of these lines)!