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Ancient Greece Art Aryan beauty Beauty Eduardo Velasco Hesiod Homer Iliad (epic book) Metaphysics of race / sex Nordicism Ovid Racial studies

The face of Classical Europe (I)

Were the Greeks blond and blue-eyed?

 

In 2013 I translated this article from the Spanish blogsite Evropa Soberana in fragmented form. Now that I am reviewing The Fair Race’s Darkest Hour for the 2015 edition, I would like to see it reproduced here in a single entry:

 

I remember a movie that came out in 2004. Troy was called. Naturally, many fans of Greece went to see it quite interested; some of them because they sincerely admired Hellas and its legacy. But some uncultivated specimens attended the theaters too. Everyone knows that, in our day, Greece is regarded as a mark of snobbery and sophistication even though you do not know who Orion was, or what was the color of Achilles’ hair according to mythology. The movie’s Helen (one with a look of a neighborhood slut) and Achilles (Brad Pitt) were rather cute. Adding the special effects, advertising and usual movie attendance there was no reason not to see this movie that, incidentally, is crap except for a few redeemable moments.

Upon first glance at the big screen, one of the many reactions that could be heard from the mouth of alleged scholarly individuals, was something like the following:

Outrageous: Achilles and Helen, blond and blue-eyed! Oh tragedy! Oh tantrum! Such a huge stupidity! Irreparable affront! It is obvious that Nazism, fascism, Nordicism, Francoism, anti-Semitism, homophobia and sexism are booming in Hollywood, because who would have the crazy notion to represent the Greeks as blond, when their phenotype was Mediterranean? Only the Americans could be so uneducated and egocentric and ethnocentric and Eurocentric and fascists and Nazis and blah blah…

These good people were not outraged by the desecration of The Iliad; for the absurd and fallacious script, for representing Achilles like an Australian surfer, or Helen as a cunt or the great kings as truckers of a brothel. No. They didn’t give a hoot about that. What mattered was leaving very clearly that they were sophisticated people, conscious of what was happening and that, besides being progressive democrats and international multi-culturalists without blemish, and able to pronounce “phenotype” without binding the tongue, they were also sufficiently “sincere admirers of Greece” to be indignant and losing their monocles before a blond Achilles.

The same could be said about the ultra-educated reaction to the movie 300. When it was released, we could see an outraged mass (and when we say “outraged” we are saying really outraged) complaining in the most grotesque way, by the presence here and there, of blond Spartans throughout the movie—fascist xenophobia by Hollywood and the like. How easy it is for the big mouths when there are large doses of daring ignorance involved, and when they have no idea what it stands to reason.

What I did not expect was to hear similar statements from the admirers of classical culture: people that one generously assumes they have read the Greco-Roman works or that are minimally informed—at least enough to not put one’s foot in it in a such a loudly manner. For Achilles, considered the greatest warrior of all time, and sole and exclusive holder of the holy anger, is described in The Iliad as blond, along with an overwhelming proportion of heroes, heroines, gods, goddesses—and even slaves considered desirable and worthy for the harem of the Greek warriors to seed the world with good genes.

The same could be said of the Spartans if we consider the physical appearance of their northern Dorian ancestors, who had come “among the snows” according to Herodotus. In fact, the movie 300 was too generous with the number of Spartans of dark hair, and too stingy with the number of blonds.

Whoever declares himself an admirer of classical European culture (Greece and Rome) and, at the same time, asserts that it was founded by swarthy, Mediterraneans-like-me folks is placing himself in the most uncomfortable form of self-consciousness. As I have said, if such individual really admired the classical world and bothered to read the classical works, he would have ascertained to what extent Nordic blood prevailed in the leaders of both Greece and Rome—especially in Greece. In short, those who claim being ultra-fans of Greece, Rome or both only throw garbage on themselves by demonstrating that they had not even read the original writings.

There are many truths about Nordic blood and Hellas but perhaps the most eloquent and overwhelming truth is that Greek literature is full of references to the appearance of the heroes and gods because the Greeks liked to place adjectives on all the characters, and nicknames and epithets representing their presence. So much so that it is really hard to find a swarthy character. In the case, for example, of Pindar, it is a real scandal: there is not a single character that is not “blonde,” “golden,” “white,” “of snowy arms,” and therefore “godlike.”

The blue eyes were described as γλαυκώπισ (glaukopis), which derives from γλαῦκος (glaukos), “brilliant,” “shiny.” The Roman writer Aulus Gellius, in his Attic Nights describes the concept of colors in a conversation between a Greek and a Roman. The Roman tells the Greek that glaucum (from which derives the Castilian glaucous) means gray-blue, and the Greek translates glaukopis into Latin as caesia, “sky,” i.e., sky blue. As Günther observes, the very word “iris,” of Greek origin, that describes the color of the eye, could only have been chosen by a people whom clear and bright eye colors dominated (blue, green or gray), and that a predominately swarthy people would have never compared the eye color with the image of the rainbow.

The Greek word for blond was ξανθός (xanthus), “yellow,” “gold,” “blond.” The xanthus color in the hair, as well as extreme beauty, light skin, high height, athletic build and luminous eyes were considered by the Greeks as proof of divine descent.


The physical appearance of Greek gods and heroes

DemeterDemeter as it was conceived by the Greeks. We must remember that the statues had a deeply sacred and religious character for the Hellenes and that, in addition of being works of art, they were also the height of geometric feeling and engineering, since the balance had to be perfect. The Greeks, who had a great knowledge of the analyses of features, represented in their statues not only beautiful people, but beautiful people with a necessarily beautiful soul.

There is a persistent tendency among the Hellenes to describe their idols as “dazzling,” “radiant,” “shiny,” “bright,” “full of light,” etc., something that very obviously correspond to a barely pigmented, “Nordic” appearance. To be more direct, I’ll omit these ambiguous quotes and focus on the concrete: the specific references to the color of skin, eyes, hair, and more. Where possible I’ve inserted the works, specific chapters and verses so that anyone can refer to the original passage.

• Demeter is described as “the blonde Demeter” in The Iliad (Song V: 500) and in Hymn to Demeter (I: 302), based on the mysteries of Eleusis. It is generally considered a matriarchal and telluric goddess from the East and of the pre-Indo-European peoples of Greece. However, here we should be inclined to think that, at best, she was a Europeanized goddess by the Greeks, integrated into their pantheon. The very name of Demeter comes from Dea Mater (Mother Goddess) and therefore would, in a sense, be the counterpart of Deus Pater—Zeus Pater or Jupiter, Dyaus Piter.

• Persephone, daughter of Demeter, is described as “white-armed” by Hesiod (Theogony: 913). At least it is clear here that Persephone was not a brown skinned goddess, nor that her physique coincided with the “Mediterranean” type. It is more reasonable to assume that her appearance was, at best, predominantly Nordic.

• Athena, the daughter of Zeus, goddess of wisdom, insight, cunning and strategic warfare in The Iliad, is described no more no less than a total of 57 times as “blue eyed” (in some variations, “green eyed”), and in The Odyssey a comparable number of times. Pindar referred to her as xanthus and glaukopis, meaning “blonde, blue-eyed.” Hesiod is content to call her “of green eyes” in his Theogony (15, 573, 587, 890 and 924), as well as Alcaeus and Simonides; while the Roman Ovid, in his Metamorphoses, which tells the perdition of Arachne, calls the goddess “manly and blond maiden.”

• Hera, the heavenly wife of Zeus, is called “white-armed” by Hesiod (Theogony, 315), while Homer called her “of snowy arms” and “white-armed goddess” at least thirteen times in The Iliad (I: 55, 195, 208, 572. 595, III 121, V: 775, 784; VIII: 350, 381, 484; XV: 78, 130).

• Zephyrus, the progenitor of Eros along with Iris, is described by Alcaeus (VII-VI centuries BCE) as “golden hair Zephyr” (Hymn to Eros, fragment V, 327).

• Eros, the god of eroticism, considered “the most terrible of the gods,” is described by an unknown, archaic Greek author as “golden-haired Eros.”

Belvedere_Apollo

• Apollo as it was conceived by the very Greek sculptors. We are talking about a Nordic-white racial type slightly Armenized. Along with Athena, he was the most worshiped god throughout Greece, and particularly loved in Sparta.

Apollo is described by Alcaeus as “fair-haired Phoebus.” Phoebus is Apollo. On the other hand, Alcman of Sparta, Simonides (paean to Delos, 84), and an anonymous author, call Apollo “of golden hair,” while another epithet of his by Góngora—a Spanish author of the Renaissance but based on classic literary evidence—is “blond archpoet.” The famous Sappho of Lesbos speaks of “golden-haired Phoebus” in her hymn to Artemis.

• The god Rhadamanthus, son of Zeus and Europa, is described as blond in The Odyssey, and Strabo calls him “the blond Rhadamanthus” in his Geographica (Book III, 11-13).

• Dionysus is called by Hesiod “golden-haired” (Theogony 947).

• Hecate, goddess of the wilderness and also of the Parthians, is described by an unknown Greek poet as “golden haired Hecate, daughter of Zeus.”

Artemis

• Artemis (illustration), the sister of Apollo is described by Sappho and Anacreon (Hymn to Artemis) as “blond daughter of Zeus.”

• The goddess Thetis, mother of Achilles, is called by Hesiod “of silver feet” (Theogony 1007), and by Homer “of silvery feet” (Iliad, I: 538, 556, IX : 410; XVI : 574, XVIII : 369, 381, XIV:89). Needless to say that a brown-skinned woman cannot have silvery feet: this is an attribute of extremely pale women.

• The Eunice and Hipponoe mermaids are described as “rosy-armed” by Hesiod (Theogony, ll. 240-264).

• Aphrodite, daughter of Zeus, goddess of love, beauty and female eroticism, is always described as a blonde. Its conventional title is almost always “Golden Aphrodite.” Ibycus (in Ode to Polycrates) calls Aphrodite “Cypris of blond hair.” Aphrodite held the title of Cypris (Lady of Cyprus) because the Greeks believed she was born in Cyprus, where she was particularly revered. In Hesiod’s Theogony she is called “golden Aphrodite” (824, 962, 975, 1006 and 1015) and “very golden Aphrodite” (980). In Homer’s Iliad we have “Aura Aphrodite” (IX: 389), and in The Odyssey as “golden haired.”

• The Graces were described by Ibycus as “green eyed” (fragment papery, PMG 288).

Above I listed Wilhelm Sieglin’s conclusions regarding the Hellenic pantheon as a whole. Let us now see the heroes.

• Helen, considered the most beautiful woman ever and an indirect cause of the Trojan War, was described by Stesichorus, Sappho (first book of poems, Alexandrian compilation) and Ibycus as “the blonde Helen” (Ode to Polycrates).

• King Menelaus of Sparta, absolute model of noble warrior, brother of Agamemnon and legitimate husband of Helen is many times “the blond Menelaus” both in The Iliad (a minimum of fourteen times, III: 284, IV: 183, 210, X: 240, XI: 125; XVII: 6, 18, 113, 124, 578, 673, 684, XXIII: 293, 438) and The Odyssey. Peisander described him as xanthokómes, mégas en glaukómmatos, meaning “blond of big blue eyes.” In Greek mythology, Menelaus is one of the few heroes who achieved immortality in the Islands of the Blessed.

• Cassandra, the daughter of Agamemnon and sister of Orestes, is described by Philoxenus of Cythera with “golden curls,” and by Ibycus as “green-eyed Cassandra.”

• Meleager is described as “the blond Meleager” by Homer (Iliad, II: 642), and in his Argonautica

Apollonius of Rhodes also describes him as blond.

• Patroclus, the teacher and friend of Achilles, is described as blond by Dion of Prusa.

• Heracles is described as strongly built and of curly blond hair, among others, by Apollonius of Rhodes in Argonautica.

• Achilles, considered the greatest warrior of the past, present and future, is described as blond by Homer in the Iliad when he is about to attack Agamemnon and, to avoid it, the goddess Athena retains him “and seized the son of Peleus by his yellow hair” (I:197).

• The Greek hero Ajax (Aias in the Iliad) is described as blond.

• Hector, the Trojan hero,[1] is described as swarthy in the Iliad.

• Odysseus, king of Ithaca, Achaean hero at Troy and protagonist of Homer’s Odyssey, is generally considered as swarthy. However, this can be tempered. Although he is described as white skinned and “dark bearded” in The Odyssey, his hair ishyakinthos, i.e., color of hyacinths. Traditionally this color was translated as “brown” but it was also said that the hyacinths grown in Greece were of a red variety. If true, that would make Odysseus red-haired.

• Odysseus in any case differs from the Greek hero prototype: tall, slender and blond. It was described as lower than Agamemnon but with broader shoulders and chest “like a ram” according to Priam, king of Troy. This could more likely be a physical type of a Red Nordid [2] than a typical white Nordid Greek hero. It should also be mentioned that Homer used so frequently to call “blonds” his heroes that, in two lapses, he described Odysseus’ hair as xanthos in The Odyssey.

• Laertes, the father of Odysseus, was blond according to Homer’s Odyssey.

• Penelope, Odysseus’ wife, and queen of Ithaca, was blonde in Homer’s Odyssey.

• Telemachus, son of Odysseus and Penelope, was blond in Homer’s Odyssey.

• Briseis, the favorite slave in the harem of Achilles—captured in one of his raids, and treated like a queen in golden captivity—was “golden haired.”

• Agamede, daughter of Augeas and wife of Mulius, was “the blonde Agamede” according to Homer (Iliad, XI: 740).

• In his Argonautica Apollonius of Rhodes describes Jason and all the Argonauts as blond. The Argonauts were a männerbund: a confederation of warriors which gathered early Greek heroes, many direct children of the gods who laid the foundations of the legends and fathered the later heroes, often with divine mediation. They took their name from Argos, the ship they were traveling and did their Viking-style landings.

Below I reproduce some passages of Nordic phenotypes in Greek literature. Note that these are only a few examples of what exists in all of Greek literature:

• “Blonder hairs than a torch” (Sappho of Lesbos, talking about her daughter in Book V of her Alexandrian compilation).

• “Galatea of golden hair” (Philoxenus of Cythera, The Cyclops or Galatea).

• “…with a hair of gold and a silver face” (Alcman of Sparta, praising a maiden during a car race).

• “…happy girl of golden curls” (Alcman of Sparta, in honor of a Spartan poetess).

Berlin_Painter_Ganymedes_Louvre

• “…blonde Lacedaemonians… of golden hair” (Bacchylides, talking about the young Spartans).

• Dicaearchus described Theban women as “blonde.”

The German scholar Wilhelm Sieglin (1855-1935) collected all the passages of Greek mythology which referred to the appearance of gods and heroes. From among the gods and goddesses, 60 were blond and 35 swarthy-skinned. Of the latter, 29 were chthonic-telluric divinities; marine deities such as Poseidon, or deities from the underworld. All of these came from the ancient pre-Aryan mythology of Greece. Of the mythological heroes, 140 were blond and 8 swarthy.

In this article, we have seen many instances of mythological characters, which is important because it provides us valuable information about the ideal of divinity and perfection of the ancient Greeks and points out that their values were identified with the North and the “Nordic” racial type. However, Sieglin also took into account the passages describing the appearance of real historical characters. Thus, of 122 prominent people of ancient Greece whose appearance is described in the texts, 109 were light haired (blond or red), and 13 swarthy.

_____________________

See also:

“The face of Classical Europe (II):
Were the Romans blond and blue-eyed?”

_____________________

Footnotes:

[1] “Trojan”—i.e., a non-Greek.

[2] An explanation of terms like “red Nordid,” “slightly Armenized,” etc., appears in other article of the website Evropa Soberana, also reproduced in this blog.

Categories
Ancient Greece Beauty Eduardo Velasco Hans F. K. Günther Miscegenation Nordicism Racial studies

Nordish Hellenes: the aristocracy of ancient Greece

Athena ParthenosAs can be seen in my first comment of the last thread, a white nationalist has no idea of what nordicism is. Stubbs said in a VNN exchange that I included in The Fair Race, “Nordicism has come to refer the recognition that some parts of Europe have undergone significantly more mongrelization than others.” It is just that simple. But white nationalists, still under the firm grip of egalitarianism despite claims to the contrary, freak out before such no-brainer.

Below, a section that I forgot to translate last year into the article “Were the Greeks blond and blue-eyed?”
 

______ 卐 ______

 
Adriano Romualdi said, cautious about the above information:

From all these data it would be unfair to infer that in all periods of Greek history blondes have constituted an overwhelming majority. But the truth is that they were numerous and, above all, set the tone for the ruling class (The Indo-European).

Exactly the same is true of India or Rome. Blond or redheads were the gods, heroes, kings, great men; in short, the Aryan people who formed the minority and dominant aristocratic caste. The mob, on the other hand, the numerous submitted people, were swarthy.

In fact, the American anthropologist J.L. Angel calculated in 1944, after a careful examination of the skulls of ancient Greece, that the Nordic predominantly constituted around 27 percent of the Greek population during the classical era. However, Angel is much concentrated in the area of Attica, i.e., the state of Athens, the Piraeus port, etc., where there was a strong foreign presence through trade and slavery. In other areas the Nordic aspect should have been more strongly represented, especially in territories that formed ponds of pure Hellenic blood and where there was no immigration from North African and Oriental slaves. Generalizing, the poet Bacchylides describes the Spartan youth as blonde, coinciding with another poet, Tyrtaeus of Sparta. Later Dicaearchus described the Thebans on the same terms.

Some will object that in the ancient representations of typical Greek jars the gods are represented as dark. Yes, sometimes scenes are depicted of homosexuality, that inevitably remind me of the Etruscans. But the craftsmen of Greece did not belong to the Greek aristocracy, but to the Mediterranean village of the conquered and subdued, who had adopted the gods of the conquerors and represented them as they pleased, that is, how they saw themselves. It is not there where we must seek information about the appearance of the gods, but in the art of the true Hellenes. The mythology and poetry of Greece, which itself was created by them, certainly describes the gods and heroes as Nordic-looking, as we have seen. And the Greek statues, made not by Mediterranean artisans but by real artists, imbued the Hellenes the sacred meaning of their art and also represent very clearly the Nordic ideal of beauty. Unfortunately, Christianity did a thorough job in eliminating most classic art, but the little of it that has reached us speaks for itself.

The Greeks were enthusiast physiognomists, interpreting the character and personality of an individual from the physical features, especially of the face. Few have seen it, but the Greek statues were made with that knowledge in mind and therefore represent not only a beautiful body, but a beautiful body that also carries a beautiful soul.

Artemis

The Greeks, perhaps above any other Indo-European peoples, gave immense importance to the racial aspect: beauty, fitness and biological quality as a presentation card which connects closely with the cult of the body and sports, something typically Greek. The ideal beauty of the Greeks, without any doubt, was Nordic (precisely to distinguish themselves from the aboriginal, conquered people): Apollo, Adonis and Paris, three famous male idols for their beauty, were described as Nordic-looking. As for women, the most beautiful of all time, the legendary Helen of Sparta (later Helen of Troy and, even later, Helen of Sparta again): white, blond and blue-eyed like “Golden Aphrodite,” the goddess of love.

Even in the 4th century CE, when Greece had fallen, Rome itself was reeling, and anti-white and anti-pagan genocides were around the corner throughout the empire, the physician and sophist Jewish Adamantio described the “authentic” Greek, as opposed to the mestizo masses that were adopting Christianity, thus:

Where the Hellenic and Ionic race has been kept pure, we see, well built, with fair skin and blond tall men a wide construction; the flesh is firm, the limbs straight and well made. The head is medium sized and is easily moved; the neck is strong, the hair clear, smooth and a little curly; the face is rectangular with thin lips, straight nose and bright, intense eyes full of light; because of all nations, the Greeks are those with lighter eyes.


Conclusion

Were the Greeks, then, blond and blue-eyed?

Depends on what you mean by “Greek.” The founders of classical Greek culture (and pre-classical, Homeric, Achaean or Mycenaean) as well as the posterior dominant and active Greek aristocracy, did not descend from the original inhabitants of the Greek soil. They were invading Hellenes (and maybe some Illyrian groups allied with them). That is to say: Indo-European peoples who entered Greece from the north, from the Balkans and Central Europe. These invaders of whom descended, among others, the Achaeans (Mycenaean civilization and “Homeric” Greece), the Ionians (Athenians), the Dorians (Spartans), people from Thessaly (Thebans) and Macedonians (like Alexander the Great) were predominantly Nordic.

If in the case of the Romans, a strong presence of Nordic blood is evident in their upper social strata (see “Were the Romans blond and blue-eyed?”), especially during the Republic, in the case of the Hellenes their taste for beauty and its relationship with Nordic appearance with the tall, with divine heritage and noble birth, absolutely infested the entire civilization, culture, literature, mythology and poetry. It was a world where the Oriental slaves had no place but at the bottom of the social pyramid. That is why the Jews worked hard to introduce Christianity in Europe: without it Europe would have been impregnable for them forever.

On the whole of the population of Greece, I do not think that the Nordics ever predominated. They may have been more than a third of the total population after the Second Hellenic wave (brought by the Dorians). In any case, despite being in the minority, they were the architects of the polis (city-state), culture, art and Greek civilization, while the rest of the population formed a mob that had little to do with the Hellenic culture as we know it today.


Bibliography

To dig deeper into the phenotype of the ancient Greeks it is recommended:

– GV De Lapouge L’Aryen: Social Rôle Son (1889).

– W. Ridgeway, The Early Age of Greece (1901), Volume I.

– Hans FK Günther, Rassengeschichte hellenischen des Volkes und des römischen: Mit einem Anhang – Hellenische römische Köpfe nordischer und Rasse (1929).

– Hans FK Günther (1961) “Like a Greek God”, Translated by Vivian Bird Rassenkunde Hellenischen des Volkes. Northern World, VI (1), 5-16.

– Hans F.K. Günther, Rassenkunde Europas: Mit der besonderer Berücksichtigung Rassengeschichte Hauptvölker indogermanischer der Sprache (1929).

– J. L. Myres Who Were the Greeks? (1930).

– K. Jax, Die weibliche griechischen Schönheit in der Dichtung (1933).

– Wilhelm Sieglin, Die blonden indogermanischen Haare der Völker des Altertums (1935).

– O. Reche, Rasse und der Heimat Indogermanen (1936).

– Hans FK Günther, Lebensgeschichte hellenischen des Volkes (1956).

– JL Angel, (1943) “Ancient Cephallenians: The Population of a Mediterranean Island”. American Journal of Physical Anthropology, I, 229-260.

– JL Angel, (1944) “A Racial Analysis of the Ancient Greeks: An Essay on the Use of Morphological Types”. American Journal of Physical Anthropology, II, 329-376.

– JL Angel, (1945) “Skeletal Material From Attica”. Hesperia, XIV, 279-363

-. JL Angel, (1946) “Race, Type, and Ethnic Group in Ancient Greece.” Human Biology, XVIII, 1-32.

– JL Angel, (1946) “Skeletal Change in Ancient Greece”, American Journal of Physical Anthropology, IV, 69-97.

– JL Angel, (1946) “Social Biology of Greek Culture Growth”. American Anthropologist, XLVIII, 493-533.

– Moonwomon B., (1994) “Color Categorization in Early Greece”. Journal of Indo-European Studies, XXII, 37-65.

– R. Peterson, (1974) “The Greek Face”. Journal of Indo-European Studies, II, 385-406.

– W. Ridgeway, (1909) “The Relation of Anthropology to Classical Studies.” Journal of the Royal Anthropological Institute of Great Britain and Ireland, XXXIX 10-25.

And the whole of Greek literature which, alas, is not read anywhere near as much as it should. This is why the lies tend to thrive in this area, especially when there are inferior complexes involved.

(For the original in Spanish see: here)

Categories
Ancient Greece Aryan beauty Eduardo Velasco Madison Grant Miscegenation Nordicism Racial studies Who We Are (book) William Pierce

Johnson’s amnesty

“White Nationalists treat Mediterraneans like Republicans treat Mestizos.”

Stubbs

In “Dies Irae” I responded to Greg Johnson’s bashing of Pierce’s novels, especially The Turner Diaries, and I exposed him as the pseudo-Nietzschean that he is. (Warning: that article is very strong meat indeed, not for the faint-hearted.) Now Johnson is bashing Pierce again but this time Pierce’s last book, Who We Are. He didn’t do it in writing but in a segment of his recent audio interview of Matt Parrott. In about minute 40 of the interview Johnson started to talk about “genetic purity and white identity,” and in minute 41:30 he began his anti-Nordicist tirade speaking about what he calls “weird forms of purism”:

My attitude is that we… should just have an amnesty for all remote past miscegenation. Because the really important thing… is to preserve our race as it exists right now.”

Since Johnson has in mind the miscegenation that took place in historical Europe through the millennia, he is omitting the crucial question: are, say, brown-looking Sicilians “white”? Pay attention to his words that I italicized below:

“…save the race as it exists… rather than being caught up in the past; and caught up in weird forms of purism.

There’s a kind of fallacy in this statement. Is Johnson implying that every European individual before the mass immigration of recent decades is per definition “white”? Is he asking us not to see the phenotypic difference between, say, a modern Greek that looks like a Turk and the hyperborean nymphs that make me mad? What about the Frenchmen and Frenchwomen who have nigger blood in their veins? Let me rephrase a bit from Arthur Kemp’s March of the Titans:

mulatos-franceses

(French women with non-white blood.)

According to official French statistics, some three million of North African Arabic mixed race and African Blacks, all from the French colonies, immigrated into France itself during the period 1919 to 1927. (Take note that this happened before the Second World War and the Morgenthau Plan to exterminate the Germans.) Kemp’s point is that a significant minority miscegenated with women like those in the pic, creating the inappropriately named “Mediterranean” look associated with the French in certain areas. But apparently, Johnson is not a believer of the one-drop rule: once you are descendant from a Negro you cannot be considered properly White.

Johnson continues his anti-Nordicist speech in his interview of Parrott:

One example of weird kind of purism is in this book by William Pierce called Who We Are, which I have been briefing thru. This book basically is a warrant for genocide—if you will—a brief for genocide, of whites by whites!

Has Johnson read the mini-book about Sparta, originally written in Spanish, that I recently translated? Or Kemp’s? Or Who We Are with due attention (“…which I have been briefing thru”)? The moral of these books is that you simply cannot coexist with non-Aryans or use a class of non-Aryan servants because, in the long run, quantity overwhelms quality. The blond Spartans decayed after the Peloponnesus War precisely because they had not expelled non-Aryans from their conquered territories: a hypothetical prophylactic measure that makes white nationalists like Johnson and liberals shrug in horror!

What Pierce wanted for ancient Greece, which outside Sparta had a substantial amount of Asian and North African half-bloods, is analogous to having expelled the Amerinds to a corner of the continent as the English-derived peoples did in America. The non-Spartiate Helots could have been whiter than the Amerinds, yes: but tolerating them and even darker peoples inside their lands caused the extinction of the Aryan Greeks (see the link to Pierce’s chapter that I baptized as “White suicide in ancient Greece” at the end of this post). Johnson continues:

Pierce basically wants to do [it] by identifying himself as a Nordicist… Everything is blond hair and blue eye and his attitude about say Greeks is that the Dorians invaders should have exterminated all these darker cute white people so they didn’t mix with them. So my attitude is that there were people in the past who were Dorians or Aryans of various sorts. They do not exist any more. They are just ingredients now in what we call white people today. Anglo-Saxons don’t exist anymore. The Anglo-Saxons tribes which landed in England—they are just ingredients in the modern Englishman.

I don’t know shorthand and had difficulties with my laptop to easily rewind the interview after minute 44 but still managed to catch Johnson phrases such as: “If we are concerned with preserving Americans, English, Greeks…” and his mocking for what Pierce, Kemp and others considered “the terrible miscegenation.” Johnson also claimed that we must get “out of that mentality,” and that it is “impractical” to do an “insidious distinction among whites today” (my emphasis).

The same old fallacy again: assuming that all ancient Europeans were, per definition, “white.” In another moment of the interview Johnson says he is concerned about the miscegenation of today but not about the miscegenation of yesterday.

He is simply begging the question. The question is that precisely because in the past white peoples were utterly unconcerned about mongrelization that we have mongrels today. The question is whether or not the French descendants of, say, the women in the above pic should be considered whites or not. Pay attention how in the above quote Johnson mentions the modern “Englishman” together with the modern “Greeks” as if both could be plainly considered “whites.”

When Johnson finished his speech Parrott mentioned his distant drop of Indian blood. But that’s different. A distant drop of Amerind blood does not invalidate your whiteness as some black drops do. See for instance Andrew Hamilton’s article, “Whiteness, blurring.” I believe Hamilton is on the right track as to where drawing the line. Curiously, most commenters of that article published at Counter-Currents subscribe Johnson’s anti-Nordicist stance so common in white nationalism today.

White blurring aside, the issue of this post is people that are literally brown, like many Greeks and Sicilians or even some Southern Spaniards and Portuguese. They look brown: and by mentioning the modern Greeks in his interview together with the Englishmen Johnson seems to be using a handy doublethink to consider them white irrespective of what his very eyes are telling him.

felix_von_luschan_skin_color_chart

(Felix von Luschan’s skin color chart.)


The doublethink mentality one sees in the comments section of Counter-Currents is exactly the kind of mentality that caused the problem centuries ago. Either white skin is white; olive skin olive, and brown skin brown, and black skin black, or we have entered the world of Wonderland.

When a humble commenter like me has to remind adults all-too elemental things that any toddler can understand—like colors!—something must have gone terrible wrong within the adult mind. Anti-Nordicist nationalists cannot refute us with facts just as liberals cannot refute the hard facts of race realism advanced by the likes of Jared Taylor. Like the liberals, what nationalists do is appealing to emotional non-sequiturs as to what is “practical” from the “political viewpoint.” The paramount issue about whether it’s OK to marry and have kids with, say, a Greek that looks like a Turk is treated with the same horror of what a leftist liberal would say. The leftist would label “racist” those who abhor the idea of seeing a daughter with mulatto grandsons. Would white nationalists call “Nordicist,” a pejorative term in their mouths, someone who would abhor the idea of having a daughter with Sicilian-like grandsons? If so, what about those who the media labels as “white” in the US? Is George Zimmerman a “White Hispanic”?

“Nordicism” is the white nationalist equivalent to “racism” in the liberal mindset. It might seem incredible but the stuff written a hundred years ago by American racialists like Madison Grant was un-infected with the virus of politically correctness as white nationalism is today. See the von Luschan chart. Isn’t it a no-brainer that human “white” skin is up to, say #15? Where do non-Nordicist nationalists draw the line, in which specific number?

Even if some would grant the lighter olive skin as still Caucasian, many so-called Mediterraneans fall into the numbers twenties of the chart. Harold Covington had a hilarious point recently when he said that quite a few modern Greeks “look like Mexicans.” And I find it rather incredible that for nationalists even of the revolutionary type not even the clearly brownish colors of the chart are to be considered “brown” anymore. If theirs and Johnson’s “amnesty” is conceded to them all what is the next step? What about the so-called White Hispanics in Johnson’s own town of San Francisco? Isn’t it so obvious that the line should be drawn somewhere in the second column of the chart (together with other factors, of course, like the shape of the cranium)?

But it is useless trying to discuss the matter with Johnson because he does not answer to honest criticism. In his site he has had a history of not letting pass the comments of those who present cogent critiques to his opinions.

Johnson controversies aside, Pierce was light-years ahead from contemporary racialists. He was the true spiritual inheritor of National Socialism for the American scene. Most, though not all, white nationalists are pigmies compared to him. Who We Are was his last testament and you will probably learn more brutal truth from that book alone than pursuing the diluted racialism so fashionable today. My purpose of translating texts from the Spanish blogsite Evropa Soberana is precisely to warn English-speaking racialists about what we might call politically-correct white nationalism. It was precisely the sort of mentality that we see in this movement, if we contrast it with the purer American authors of yesterday, what led to a runaway anti-racism that is about to grant amnesty to millions of “White Hispanic” Mexicans and other non-whites in the US.

There is a strong trend of anti-Nordicism in the movement just as there’s a strong trend of anti-racism in the conservative movement. Ultimately, when compared to personalities like Grant or Pierce, white nationalists are closer to the conservatives. Here there are three must-reads that transmit the idea of why I believe that today’s anti-Nordicist movement is a dead-end:

• “White suicide in ancient Greece.” These are my excerpts from the tenth installment of Pierce’s Who We Are: A Series of Articles on the History of the White Race. It is telling that this entry has received zero comments as to date.

• “Why Rome fell.” These are my excerpts from Kemp’s appendix to his March of the Titans: The Complete History of the White Race.

• “Were the Greeks blond and blue-eyed?” Yesterday I added all of my recent entry translations on the subject to Ex libris so that this Evropa Soberana article may be read comfortably, starting with the first entry.

Artemis

Parting word to the anti-Nordicists: Compare the so-called “Mediterranean” descendants of the Frenchwomen caught in the first pic above with the original phenotype of the handsomest ancient Greeks…

Categories
Ancient Greece Eduardo Velasco Nordicism Racial studies

Were the Greeks blond and blue-eyed?

Berlin_Painter_Ganymedes_Louvre
 
This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Categories
Ancient Greece Eduardo Velasco

Were the Greeks blond and blue-eyed?

– XXXIII –

P._Oxy._8
 
This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Categories
Ancient Greece Eduardo Velasco

Were the Greeks blond and blue-eyed?

– XXXII –

Jason and the Golden Fleece: Argonautica by Apollonius Rhodius
 
This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Categories
Ancient Greece Eduardo Velasco Homer

Were the Greeks blond and blue-eyed?

– XXXI –

ILIAD
 
This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Categories
Ancient Greece Eduardo Velasco Homer

Were the Greeks blond and blue-eyed?

– XXX –

briseis
 
This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Categories
Ancient Greece Eduardo Velasco Homer

Were the Greeks blond and blue-eyed?

– XXIX –

Mnesterophonia_Louvre
 
This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.

Categories
Ancient Greece Eduardo Velasco Homer

Were the Greeks blond and blue-eyed?

– XXVIII –

Francesco_Primaticcio
 
This piece has been chosen for my collection The Fair Race’s Darkest Hour. It has also been merged within a single entry.