Hans F. K. Günther’s essay ‘The dissolution of Germanic racial care by medieval Christianity’ is now available here.
As I have said countless times, German National Socialism was in every way superior to the American white nationalism we suffer from today. It is striking how this essay by a Nordicist who flourished in the Third Reich is still far more relevant than what, on this Monday before Christmas Eve, we can see in any racialist webzine today, for the Aryans of the time had not degenerated.
I have been watching and listening to some of my favourite pieces by Modest Mussorgsky and Richard Wagner on YouTube. I was impressed to find several non-white musicians in a performance of the Berlin Philharmonic playing Wagner. A Polish orchestra, on the other hand, was composed only of young white musicians. At least in both orchestras, people continue to dress as orchestral musicians of the last century did: as Günther dressed above, whose father was a musician, by the way.
What the contemporary racial right ignores is that we must transvalue all values, including musical values and dress, to how we were in the past. Racial realism awareness, and JQ awareness, are just a couple of decent facets among many other decent facets of cultural preservation. Alas, as long as, because of their ersatz Christianity, whites continue to behave like that crazy ascetic I saw in Ripley’s Believe It or Not the day I fled San Francisco—mea culpa! mea culpa! mea culpa! mea culpa!—they will be unable to save their race from the extinction still underway.
4 replies on “Günther’s father”
I am surprised to know the non-white musicians could handle playing Wagner. I went to school with a number of South East Asians who played in my orchestra as soloists. Though technically proficient (and a higher grade than me – I take it they were encouraged by family to practice relentlessly) I still sensed a lack of passion to them, as if they could not ‘get’ the music, and they were boorish and trashy in character when not on stage performing. Superbly skilful, but lacking in something. Perhaps the European spirit I associate with the music that we played (and which these days I listen to). Maybe I am being obtuse, considering modern whites and their likewise dissolution.
I was listening to a CD recording of Alexander Konstantinovich Glazunov’s contribution to Variations on a Russian Theme last night, written in honour of the conductor Nikolay Galkin, and played by the Moscow Symphony Orchestra. I am unsure as to the makeup of their players. Still, I hoped that they were ethnic Russians (as I intuitively imagine they would be). Moving on to the beautiful allegro moderato of his Piano Concerto no. 1 op. 92, I could not imagine it played similarly outside of their hands (for the record, that concerto sounds to me like it has taken heavily from Chopin and Rachmaninov).
Can you recommend any other works of Mussorgsky to me? I have a mild familiarity with Pictures at an Exhibition, and remember you sharing the Night on Bald Mountain some months back as part of your Fantasia presentation, but wondered how extensive his canon was. I am very fond of Russian Romanticism, as you know, but am afraid to say I’m thus far ignorant over his musical contributions. I think the most exquisite Russian composer I am aware of is Medtner.
You nailed it! That’s exactly what we listen today in the theatres for classical music. (It was a recent interpretation of Tristan and Isolde’s prelude & Liebestod what I watched yesterday, but one of the best interpretations that lacks nothing is Karl Böhm’s of the Bayreuther Festspiele in 1966.)
Mussorgsky’s Dawn on the Moskva River was my first love. I was only about six years old.
Thank you for posting more of Guenthers works but its important to know that Guenther was not a National Socialist at heart. His semi-autobiography ‘Mein Eindruck von Adolf Hitler” makes this very clear.
Guenther, based on all his writings, was a traditionalist who supported the state and community structures of a pre-industrial mostly rural Europe where Nordic racial purity is naturally preserved as opposed to widespread urbanization where such racial preservation is in constant danger and needs to be enforced.
Is interesting, but I have noticed the same thing about having non whites participating in the cultural lifestyle of a white society for the sake of diversity and woke subculture.
This phenomenon is inherently American in origin, thus it is no surprise that countries like Germany, which are still heavily influenced by American culture and media, are also following the same woke trend.
On the other hand, those that were on the other side of the soviet Iron Curtain like Poles, Russians and Ukrainians remained relatively free from this cultural sickness, until now.
The white race is doomed as long as it keeps following the racial inclusive American culture.