The Kingsroad

‘The Kingsroad’ is the second episode of the first season of the HBO medieval fantasy television series Game of Thrones, first aired on April 24, 2011.

We see the first bad message of this episode when Jon Snow says goodbye and gives a real rapier to the little girl Arya, while she packs her clothes on the eve of the Starks’ fateful trip to King’s Landing. Thus the masculinisation of a little girl is promoted by one of the central characters, perhaps the most beloved, of all seasons: Jon Snow. If those who caused the darkest hour in the West, the United States, the United Kingdom, and the Soviet Union had lost the war, our world wouldn’t be turned upside down. A scene like this would never have been filmed.

Since this rapier is very light, so light that a little girl can wield it, in the real world she would never have had a chance to compete, in real combat, with the heavy swords wielded by men. Not only is Arya, as we said in ‘Winter is coming’, the most mishandled character of all Game of Thrones seasons, but the white fans who didn’t rebel against these insults to reason and good judgment are complicit in what the Jews of Hollywood, HBO or Netflix do.

Hugging Jon Snow in goodbye, and with her little legs dangling in the air due to her stature, right at this moment—hugging her half-brother—Arya names her small rapier Needle, as knights used to baptise their swords. Instead of needles for her embroidery and knitting classes the girl prefers a needle that is a weapon.

Interestingly, in this 2011 episode Jon Snow kisses Bran when the latter is in a coma. Jamie Lannister had pushed him out of the Winterfell tower when Bran caught Jaime committing incest with his sister Cercei, the queen. (Jon wouldn’t see Bran again until the last season, in 2019, and also greets him with a kiss on the forehead; although by that season Bran has undergone a psychic transformation to become the three-eyed raven.)

The farewell of Robb Stark and Jon Snow is very manly: very dry but affectionate. If the white man suffered enough during the coming convergence of catastrophes, in a century we would develop once again the gravitas of the Middle Ages.

One of my favourite scenes from the show is seen in this episode, when King Robert Baratheon and Ned Stark eat lunch on a placid afternoon during the long journey from Winterfell to King’s Landing. They both speak frankly, as real men spoke. The visuals of that scene, with a variety of fruits on an outdoor table in the beautiful countryside, are quite good. If it bothers me to see masculinised women I’m even more fed up with feminised men and can’t stand the sight of them. That’s why a contemporary series that at least sometimes shows real men set in a fantastic medieval period is worth watching.

The final scenes gave the episode the title. Away from the gaze of adults, the teenage prince Geoffrey, who will inherit the Iron Throne, grossly abuses his power over the commoners. He falsely accuses Arya and her pet, one of the young wolves of the Starks, and the son of a blacksmith. But as repulsive as the future king Geoffrey is in four seasons of this series of eight seasons, democracy is infinitely worse. As Harold Covington said when he lived, democracy is a system designed not to change.

Let’s imagine for a moment that monarchy persisted in our days. Imagine that, in the West, it occurred to one of the many kings of the western nations to reverse the migration of non-whites with the absolute powers that the monarchical system grants him. (This is the opposite of how the Deep State ruled the US during Trump’s presidency.) This hypothetical king, although as repulsive in his personal life as Geoffrey, could potentially produce a chain reaction if the will of other kings was also conquered to expel Moors and Jews à la 1492 in Spain (in the present, blacks and Asians would also be expelled).

And here we come to why I am so disgusted by white nationalism, which unlike the late Covington lacks a revolutionary ideology. None of the leading figures that I know of places democracy on the dock. Who of these Americans rejects democracy? In the last two elections many of them even voted or advised their visitors on who to vote for.

In one of his podcasts William Pierce hit the nail on the head by inquiring why Jews like democracy so much: because they can control the electorate if they control the media. But the leading figures of white nationalism have cucked about something so obvious. And worst of all is that these white nationalists, by validating democracy, indirectly validate Jewry behind the media.

I would suggest that my visitors no longer enter the sites of these pretenders, nor read their books whether published by Arktos or Counter-Currents. If I want to learn German it is to read the original texts of a political system that was even better than monarchy. The rest, including what is written in the forums of the racialised right, is like an American dog that returns to its vomit.