On Greggy’s review of Rogue One

Editor’s note: Irmin Vinson, the author of an important book on Hitler, has commented on the latest Star Wars film, recently reviewed by Richard Spencer and Greg Johnson (here and here). Italicized sentences come from Johnson himself. Vinson wrote:
 

On Spencer! On Johnson! My inclination is to vote for neither, and to avoid watching the movie as well. Sorry to sound obnoxious, but it seems bizarre to me that two grown men, both of whom read great books and can spell big words correctly, are babbling away about a children’s movie, a worthless piece of pop entertainment that was deliberately conceived as an attempt to multiracialize a revered film franchise.

We know that racial hostility toward us has shaped both of the new Star Wars films. That should be enough to keep white nationalists far away from them. Even when they were innocuous politically, Star Wars movies were never worth the trouble of learned analysis. The only justification for watching this particular movie would be to analyze its racial politics and to encourage others to stay away from any movie theater screening it.

If I had to vote, I would choose Spencer, since he eventually gets around to the real political purpose of this latest piece of anti-white propaganda. I figured it out without actually seeing it, which wasn’t difficult. As a Radix reader pointed out over at YouTube, if anyone desperately needs to watch this film, it will eventually be available on a torrent. Hold your breath for a while, and then get it for free. Think of your theft as a minor act of rebellion against people who hate us.

In short, casting non-whites in Star Wars is not the same as putting them in stories like King Arthur or Robin Hood.

In both cases the multiracial casting would be an attempt to remove us from, or marginalize us within, our own popular culture.

Many people have sentimental feelings about the original Star Wars movies. I don’t myself, but many people do. Today those old movies seem far too white in the eyes of liberal multiracialists and Jews. Hence the multiracial casting. If we are so weak that we tolerate being removed from our own popular culture, then they are more than willing to do it to us. It is part of their deliberate campaign to immerse us in a popular culture that embraces and promotes the demographic changes currently underway throughout the West. We could end their propaganda simply by refusing to pay for it, but they’re confident that we won’t.

The creators of the new Star Wars movies are hoping that twenty years from now young viewers from 2016 will have the same sentimental feelings about non-white Star War characters that older viewers today have about Luke Skywalker and Princess Leia. They do not want white film heroes for our future; they want non-white heroes. Unfortunately they have, at the moment, the media power to make their wishes a reality.

I can’t see any reason to be pleased by a film that carries so sinister a purpose. If the film is good, then its qualities are bad for us and good for all those who favor the destruction of the West. It would be great if Rogue One turns out to be a box-office disaster. I’m crossing my fingers.

Go see the film. Then come back and apologize for this obnoxious sperging.

Why should he waste his money paying a Jewish studio for the privilege of watching a multiracialist children’s movie? We’re not talking about Touch of Evil here; the movie under review can be nothing more than a high-tech, CGI-intensive version of an old Flash Gordon serial, with Asians and Negroes playing roles previously assigned to Europeans.