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Beauty Yearling (novel)

The Yearling, 2

Suddenly he heard his father whistle like a quail. It was the signal they used together in squirrel hunting. Jody laid down his pole and looked back to make sure he could identify the tuft of grass where he had covered his bass from the rays of the sun. He walked cautiously to where his father beckoned.

Penny whispered, “Foller me. We’ll ease up clost as we dare.”

He pointed. “The whoopin’ cranes is dancin’.”

Jody saw the great white birds in the distance. His father’s eye, he thought, was like an eagle’s. They crouched on all fours and crept forward slowly. Now and then Penny dropped flat on his stomach and Jody dropped behind him. They reached a clump of high saw-grass and Penny motioned for concealment behind it. The birds were so close that it seemed to Jody he might touch them with his long fishing pole. Penny squatted on his haunches and Jody followed. His eyes were wide. He made a count of the whooping cranes. There were sixteen.

The cranes were dancing a cotillion as surely as it was danced at Volusia. Two stood apart, erect and white, making a strange music that was part cry and part singing. The rhythm was irregular, like the dance. The other birds were in a circle. In the heart of the circle, several moved counter-clock-wise. The musicians made their music. The dancers raised their wings and lifted their feet, first one and then the other. They sank their heads deep in their snowy breasts, lifted them and sank them again. They moved soundlessly, part awkwardness, part grace. The dance was solemn. Wings fluttered, rising and falling like out-stretched arms. The outer circle shuffled around and around. The group in the center attained a slow frenzy.

Suddenly all motion ceased. Jody thought the dance was over, or that the intruders had been discovered. Then the two musicians joined the circle. Two others took their places. There was a pause. The dance was resumed. The birds were reflected in the clear marsh water. Sixteen white shadows reflected the motions. The evening breeze moved across the saw-grass. It bowed and fluttered. The water rippled. The setting sun lay rosy on the white bodies. Magic birds were dancing in a mystic marsh. The grass swayed with them, and the shallow waters, and the earth fluttered under them. The earth was dancing with the cranes, and the low sun, and the wind and sky.


Jody found his own arms lifting and falling with his breath, as the cranes’ wings lifted. The sun was sinking into the saw-grass. The marsh was golden. The whooping cranes were washed with gold. The far hammocks were black. Darkness came to the lily pads, and the water blackened. The cranes were whiter than any clouds, or any white bloom of oleander or of lily. Without warning, they took flight. Whether the hour-long dance was, simply, done, or whether the long nose of an alligator had lifted above the water to alarm them, Jody could not tell, but they were gone. They made a great circle against the sunset, whooping their strange rusty cry that sounded only in their flight. Then they flew in a long line into the west, and vanished.

Penny and Jody straightened and stood up. They walked in silence.

At the house, bread was baked and waiting, and hot fat was in the iron skillet. Penny lighted a fat-wood torch and went to the lot to do his chores. Jody scaled and dressed the fish at the back stoop, where a ray of light glimmered from the fire on the hearth. Ma Baxter dipped the pieces in meal and fried them crisp and golden. The family ate without speaking.

She said, “What ails you fellers?”

They did not answer. They had no thought for what they ate nor for the woman. They were no more than conscious that she spoke to them. They had seen a thing that was unearthly. They were in a trance from the strong spell of its beauty.