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Art Table talks

Uncle Adolf’s table talk, 6

the-real-hitler

Night of the 22nd-23rd July 1941
 
Steps towards a durable understanding between Germany and Britain—Dearth of philosophic and artistic sense of the British.
 
 
I believe that the end of this war will mark the beginning of a durable friendship with England. But first we must give her the k.o.—for only so can we live at peace with her, and the Englishman can only respect someone who has first knocked him out. The memory of 1918 must be obliterated.

D. asked the Fuehrer whether Germany was fortified against the dangers of over-easy living, which were threatening to be the ruin of England.

Yes, and that’s why I pay attention to the arts. Amongst the English, culture, like sport, is a privilege of good society. Just imagine, in no country is Shakespeare so badly acted as in England. They love music, but their love is not returned! Besides, they have no thinker of genius. What does the National Gallery mean there, to the mass of the people? It’s like their social reform. It wasn’t called for, like German reform, by the needs of conscience, but solely by reasons of State.

At Bayreuth one meets more Frenchmen than Englishmen. Quote me the example of a single theatre in England where work is done that compares with the work we do in hundreds of theatres.

But I’ve met a lot of Englishmen and Englishwomen whom I respect. Let’s not think too much about those whom we know, with whom we’ve had those deceptive official dealings—they’re not men. Despite everything, it’s only with the people that we can associate.

Categories
Art Christian art My pinacoteca

Pietà (detail)

Botticelli
Pietà
(detail) ~ 1490
Alte Pinakothek of Munich

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Art Autobiography Music

“El Orador”

silvia-piano

Before I was born my mother used to practice El Orador (YouTube audio here): a piece for piano composed by my father.

Throughout her pregnancy I happened to be a couple of inches from the piano’s keys, in embryonic state! My mother once told me that while practicing that piece I moved vigorously in her womb. I have this music amalgamated to my soul…

El Orador (The Orator) is a fantasia for piano that my father composed in 1952 and was performed for the first time by María Teresa Rodríguez, and then by my mother (photo above) in 1958, in private gatherings, after I was born.

Father Vértiz, a Catholic priest with eloquent oratory power had inspired the music of my father. According to my parents, the priest’s sermons were like a parable: they initiated in adages and after crescendos culminated in a violent rhetoric that captivated the faithful.

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Art Autobiography Christian art

Fratricide

cain_abel

This 78 x 64 cm. framed illustration in my bedroom is a slightly modified copy drawn by my father in 1957 of Gustave Doré’s illustration of the most famous fratricide in Christendom.

Categories
Art My pinacoteca

Paumgärtner Altarpiece

Albrecht Dürer
Paumgärtner Altarpiece
(detail) ~ 1500
Alte Pinakothek of Munich

Categories
Art Christian art My pinacoteca

The Apostles

Albrecht Dürer
The Apostles
(detail) ~ 1526
Alte Pinakothek of Munich

Categories
Art Christian art My pinacoteca

Resurrected Christ

resurreccion-Hans Pleydenwurff

Hans Pleydenwurff
Resurrected Christ
~ 15th c.
Alte Pinakothek of Munich

Categories
Art Christian art My pinacoteca

The conversion of Augustine

Fra_angelico_-_conversion_de_saint_augustin

Fra Angelico
The Conversion of St. Augustine
~ 1430-35
Musee d’Art Thomas Henry

Categories
Art Christian art My pinacoteca

Before Lycias

Fra Angelico
Cosmas and Damian before Lycias
~ 1447-49
Alte Pinakothek of Munich

Categories
Art Christian art My pinacoteca

Entombment

Fra Angelico
Entombment
~ 1438
Alte Pinakothek of Munich